* A portion of each sale from Amazon.com directly supports our blogs ** Many of these books may be available from your local library. Check it out! † Available from the LA Public Library
When you watch the credits of your favorite television shows go by, do you know the difference between a Staff Writer, a Story Editor, or a Supervising Producer?
If not, we wish you could’ve been with us on our first full day of the Stephens College MFA in TV and Screenwriting workshop with the Class of 2021. Valerie Woods, mentor and Co-Executive Producer of Queen Sugar, gave a talk explaining exactly that.
Some people recognize or have heard if you know anything about aviation history, Harriet Quimby was the first pilot — female pilot — licensed in the United States. To pay for her flying lessons she wrote screenplays for the Biograph Company. So there was a new world. A new place to make money and women were jumping in that world if it was possible. So I always thought was pretty cool. Jeanie MacPherson is probably one of my favorite early film screenwriters and she is the perfect example of how women get left behind. Everybody who does film history has heard about Cecil B. DeMille over and over and over again. Brilliant. Brilliant. Brilliant. If you look at his films, all the films he made, that made a profit, were written by Jeanie MacPherson. When they stopped working together, he never made a profitable film again. So are they Cecil B. DeMille films or are they Jeanie MacPherson films or are they Macpherson/DeMille films?
Dr. Rosanne Welch discusses the women in her new book “When Women Wrote Hollywood” which covers female screenwriters from the Silents through the early 1940s when women wrote over 50% of films and Frances Marion was the highest paid screenwriter (male or female) and the first to win 2 Oscars. Yet, she fails to appear in film history books, which continue to regurgitate the myth that male directors did it all – even though it’s been proven that the only profitable movies Cecil B. de Mille ever directed were all written by Jeannie Macpherson film ever won for Best Picture was written by Robert E. Sherwood (who people have heard of, mostly due to his connection to Dorothy Parker) and Joan Harrison.
* A portion of each sale from Amazon.com directly supports our blogs ** Many of these books may be available from your local library. Check it out! † Available from the LA Public Library
Glyn’s experiences as an English barrister and landowner’s (Mrs. Clayton Louis Glyn) wife, I believe, form the basis of much of her work. The nuances of high society and high language associated with a life of pleasure and wealth are a recurrent theme through her available works.
* A portion of each sale from Amazon.com directly supports our blogs ** Many of these books may be available from your local library. Check it out! † Available from the LA Public Library
This one allowed me to riff on some of my favorite female science fiction writers across time, whether they be novelists or television writers. It also opened up a good conversation on what art we support and include in our lives – and what that art says to us and about us. — Rosanne
Transcript:
Jumping into the 1960s thank you very much which is sad to go that far but what’s going on is we have to think about how women are being presented in the purchasing public, right? So when we come over here this woman is named Alice Sheldon. First of all, she doesn’t look like a science fiction writer because we think that they’re all dudes. She has the little pearl thing going on which is kind of cute. She couldn’t get her novels published under her own name. So she went by the name of James Tiptree jr. and James wrote a whole lot of books that were big bestsellers and then eventually, almost 20 years later, Alice was like “No, the next book is going out of my name right, but it had to say formerly known as James Tiptree Jr. to make sure that her fans would travel over. I Know is that silly? It’s silly but it is a habit we are still in.
* A portion of each sale from Amazon.com directly supports our blogs ** Many of these books may be available from your local library. Check it out!
Wow – these pictures show my first lecture with our first Stephens MFA cohort – who all became contributors to our first book!
Wonderful memories and a wonderful foundation on which to build the program as tonight we welcome the 5th cohort – the MFA candidates of the Class of 2021! — Rosanne
Today’s guest is Dr. Peg Lamphier, author of “Little By Little We Won: A Novel Based on the Life of Angela Bambace” — an Italian-Brazilian-American, she was a labor organizer whose life spanned from the time of the Triangle Shirtwaist Factory Fire in 1912 to being a delegate at the 1968 Democratic Convention.
About the Author
Peg A. Lamphier lives in the mountains of Southern California with five dogs, seven tortoises, a huge cat, two canaries, one husband, one daughter, and a collection of vintage ukuleles. When she’s not writing fiction or otherwise fooling around, she’s a professor at California State Polytechnic, Pomona, and Mount San Antonio Community College. For more information and to sign up for her newsletter, see www.peglamphier.com.
She starts all of this and her theme was “Be natural.” That’s what she was teaching actors because they came to film with that theatricality that you can’t do on film. Be natural. Be a little more normal. That’s what we want to see. so, it’s really Alice that we credit now with getting fictional filmmaking started. She came to America and started the Solax Company and they were doing films here and started to distribute them. They were starting to make some good money. The problem is her husband became the President of the company and her husband had a gambling problem and the profits of the company started to go away and then they got a reputation for not finishing things on time because they ran out of money and that pretty much destroyed her career, but she is — in film histories now — being credited more and more. There’s a new documentary coming out about her shortly.
Dr. Rosanne Welch discusses the women in her new book “When Women Wrote Hollywood” which covers female screenwriters from the Silents through the early 1940s when women wrote over 50% of films and Frances Marion was the highest paid screenwriter (male or female) and the first to win 2 Oscars. Yet, she fails to appear in film history books, which continue to regurgitate the myth that male directors did it all – even though it’s been proven that the only profitable movies Cecil B. de Mille ever directed were all written by Jeannie Macpherson film ever won for Best Picture was written by Robert E. Sherwood (who people have heard of, mostly due to his connection to Dorothy Parker) and Joan Harrison.
* A portion of each sale from Amazon.com directly supports our blogs ** Many of these books may be available from your local library. Check it out! † Available from the LA Public Library
This is a rare piece of memorabilia gifted to me from a friend in the music business. It was the promo material Rhino sent out for the 30th anniversary of The Monkees – a disc wrapped in this guitar-shaped logo package. — Rosanne
A hit television show about a fictitious rock band, The Monkees (1966-1968) earned two Emmys–Outstanding Comedy Series and Outstanding Directorial Achievement in Comedy.
Capitalizing on the show’s success, the actual band formed by the actors, at their peak, sold more albums than The Beatles and The Rolling Stones combined, and set the stage for other musical TV characters from The Partridge Family to Hannah Montana. In the late 1980s, the Monkees began a series of reunion tours that continued into their 50th anniversary.
This book tells the story of The Monkees and how the show changed television, introducing a new generation to the fourth-wall-breaking slapstick created by Laurel and Hardy and the Marx Brothers.
Its creators contributed to the innovative film and television of 1970s with projects like Bob & Carol & Ted & Alice, The Mary Tyler Moore Show, Laugh-In and Welcome Back, Kotter. Immense profits from the show, its music and its merchandising funded the producers’ move into films such as Head, Easy Riderand Five Easy Pieces.
During these formative years, women dominated the film industry. By studying Unsell’s career one can gain perspective of how women navigated a rapidly changing field due to evolving formats and distribution comparable to today’s demand for content due to multiple platform engagement by audiences.Only by direct confrontation and examination of the business of film armed with the knowledge of history can women take charge again.
* A portion of each sale from Amazon.com directly supports our blogs ** Many of these books may be available from your local library. Check it out! † Available from the LA Public Library
![14 Quimby and MacPherson from “When Women Wrote Hollywood” with Dr. Rosanne Welch [Video] (1 minute 2 seconds)](https://rosannewelch.com/wp-content/uploads/2019/08/csuf-rmw-w3h-14.jpeg)
![11 Alice Sheldon from The Sisterhood of Science Fiction with Dr. Rosanne Welch [Video] (51 seconds)](https://rosannewelch.com/wp-content/uploads/2019/08/scifi-rmw-cpp-11.jpeg)
![13 Alice Guy Blaché & Fictional Filmmaking from “When Women Wrote Hollywood” with Dr. Rosanne Welch [Video] (52 seconds)](https://rosannewelch.com/wp-content/uploads/2019/07/csuf-rmw-w3h-13.jpeg)
