36 More On Finding The Time To Write…from Worry and Wonder | The Courier Thirteen Podcast [Video]

Watch the entire presentation – Worry and Wonder | The Courier Thirteen Podcast | Episode # 29 here

36 More On Finding The Time To Write...from Worry and Wonder | The Courier Thirteen Podcast [Video]

Transcript:

I have a friend who gets up at four in the morning and writes until six or seven and then heads off to work at 7:30. She has to be there at eight at an agency right? So she’s doing an agent thing but she wants to be a writer. So she’s — that’s her time and then the rest of the day she’s busy, busy, busy, and can’t possibly consume writing and couldn’t do it at night because she’s too darn tired from everything she did in the day but that means she goes to bed at like nine o’clock at night. So she can get up at three in the morning and still have had enough sleep to be ready to do that. That’s really disciplined but you have to be right? You have to be. When I was first — the first couple shows I was on there — the new writers always get stuck with the crummy time frames. So somebody always writes over Thanksgiving so there’ll be something to film like the Monday you come back. So there you go. Thanksgiving day. All your friends — your family’s all having dinner at the table and you’re in a different room in the house working your ass off to write something in five days that’ll be ready to produce or over summer. Some shows do. Some shows don’t or Christmas break. Yeah, it’s like well then I get this many days to do it. That’s all I’m gonna do is sit in front of this thing and just — you can’t stop.

 

It’s always fun to sit down with students and share stories about entering the television industry and how things work at all stages and I had that opportunity the other day.

Daniela Torres, a just-graduated (Congratulations!) student of the Columbia College Semester in LA program asked me to guest on a podcast she had recently begun hosting with another college student she met during her internship (good example of networking in action!).

We could have talked all morning (the benefit of a 3 hour class session) but we held it to about an hour and fifteen minutes or so. Hopefully, along the way I answered some questions you might have about how the business works. So often it amounts to working hard at being a better writer and gathering a group of other talented, hard-working people around you so you can all rise together.

Dr. Rosanne Welch is a television writer with credits that include Beverly Hills 90210, Picket Fences, ABCNEWS: Nightline and Touched by an Angel. She also teaches Television Writing and the Art of Film at San Jose State University.

Rosanne discusses what made shows like Beverly Hills 90210 compelling, what to do and not to do when attempting to pitch a show to broadcast or streaming, what most young writers neglect in their writing process, and much more!

The Courier Thirteen Podcast is available on YouTube, Spotify, Apple Podcasts, SoundCloud, and Audible.

35 Finding The Time To Write…from Worry and Wonder | The Courier Thirteen Podcast [Video]

Watch the entire presentation – Worry and Wonder | The Courier Thirteen Podcast | Episode # 29 here

35 Finding The Time To Write...from Worry and Wonder | The Courier Thirteen Podcast [Video]

Transcript:

Host: I mean how do you — how did you do it? How do you practice on your schedule? Do you like time limit yourself. You’re like, oh like one month or like one week to do three acts or something like that.

Rosanne: Well you get into a pattern when you do it. I mean the Writers Guild offers two weeks to write a script. That’s what if you’re a freelance writer they have to give you two weeks to go home but when you’re on a staff they expect you to write it in one week. They expect you to be able to write 10 to 15 producible pages a day. So that’s where you have to get yourself to if you’re really going to take it seriously. So yeah this took two months. This takes one month and you get it down to three weeks and two weeks and the best you can. You have to find the times a day that works for you. Some people are night writers. I am not but some people can work really great from 10 in the evening till two in the morning and then sleep from three to ten right? Okay then you have to know that and then you need to build a day job that allows you to do that right because that’s gonna do the most work. Some people — I go from like 6 am to like 2 p.m and then I make phone calls and do other kinds of email work and stuff like that because then I sort of run out of my creative excitement or whatever. So I have to make sure that I don’t do anything else until later. I don’t take meetings or do things like that until later in the day. If you don’t do that when you finally approach your computer to start writing something, it will take you so much longer and it will be so much more frustrating that you won’t get to the point you want and you might turn away right? So you have to be in a comfortable place to do that and you know this town is full of different kinds of jobs you can make work for that whatever is the time frame that you need.

 

It’s always fun to sit down with students and share stories about entering the television industry and how things work at all stages and I had that opportunity the other day.

Daniela Torres, a just-graduated (Congratulations!) student of the Columbia College Semester in LA program asked me to guest on a podcast she had recently begun hosting with another college student she met during her internship (good example of networking in action!).

We could have talked all morning (the benefit of a 3 hour class session) but we held it to about an hour and fifteen minutes or so. Hopefully, along the way I answered some questions you might have about how the business works. So often it amounts to working hard at being a better writer and gathering a group of other talented, hard-working people around you so you can all rise together.

Dr. Rosanne Welch is a television writer with credits that include Beverly Hills 90210, Picket Fences, ABCNEWS: Nightline and Touched by an Angel. She also teaches Television Writing and the Art of Film at San Jose State University.

Rosanne discusses what made shows like Beverly Hills 90210 compelling, what to do and not to do when attempting to pitch a show to broadcast or streaming, what most young writers neglect in their writing process, and much more!

The Courier Thirteen Podcast is available on YouTube, Spotify, Apple Podcasts, SoundCloud, and Audible.

34 More on Creating Your Own Network…from Worry and Wonder | The Courier Thirteen Podcast [Video]

Watch the entire presentation – Worry and Wonder | The Courier Thirteen Podcast | Episode # 29 here

34 More on Creating Your Own Network...from Worry and Wonder | The Courier Thirteen Podcast

Transcript:

Rosanne: …which is also what I say to students both in internships and within classes. You’re not going to call Steven Spielberg and become his best friend to get a job but somewhere in your group of friends that you’re all connecting with right now one of you is going to go become Steven Spielberg and that you’re all then going to stay connected to each other and help each other move up.

Host: That’s yeah as far as networking goes, I think that’s probably one of the best pieces of advice you can give to someone. It’s like understand that everything — it’s you know, it’s the right thing to be nice to people and cultivate relationships but also it’s almost like you’re moving up with your generation. Like everyone rises up together…

Rosanne:… exactly and you will immediately kick off your you know the end of your boot anybody who you don’t want to be around.

Host: That’s also true.

Rosanne: Yeah because they’ll just get in your way and they’re not going to help you. As long as you’re the kind of person who wants to help other people and with their ideas with you know doing writer’s groups together, reading each other’s scripts out loud, going to Q and A’s in town and then you know talking about the thing you saw afterwards. Running into other people at those events and you know hey let’s all get together and have a meet up two weeks from now at such and such a pizza place or a coffee house or a bar whatever it is. Building those relationships because that’s you know you’re the next generation of assistants who are the next generation of writers or executives or whatever people choose to be.

It’s always fun to sit down with students and share stories about entering the television industry and how things work at all stages and I had that opportunity the other day.

Daniela Torres, a just-graduated (Congratulations!) student of the Columbia College Semester in LA program asked me to guest on a podcast she had recently begun hosting with another college student she met during her internship (good example of networking in action!).

We could have talked all morning (the benefit of a 3 hour class session) but we held it to about an hour and fifteen minutes or so. Hopefully, along the way I answered some questions you might have about how the business works. So often it amounts to working hard at being a better writer and gathering a group of other talented, hard-working people around you so you can all rise together.

Dr. Rosanne Welch is a television writer with credits that include Beverly Hills 90210, Picket Fences, ABCNEWS: Nightline and Touched by an Angel. She also teaches Television Writing and the Art of Film at San Jose State University.

Rosanne discusses what made shows like Beverly Hills 90210 compelling, what to do and not to do when attempting to pitch a show to broadcast or streaming, what most young writers neglect in their writing process, and much more!

The Courier Thirteen Podcast is available on YouTube, Spotify, Apple Podcasts, SoundCloud, and Audible.

33 Create Your Own Network…from Worry and Wonder | The Courier Thirteen Podcast [Video]

Watch the entire presentation – Worry and Wonder | The Courier Thirteen Podcast | Episode # 29 here

33 Create Your Own Network...from Worry and Wonder | The Courier Thirteen Podcast [Video]

Transcript:

Rosanne: …which is also what I say to students both in internships and within classes. You’re not going to call Steven Spielberg and become his best friend to get a job but somewhere in your group of friends that you’re all connecting with right now one of you is going to go become Steven Spielberg and that you’re all then going to stay connected to each other and help each other move up.

Host: That’s yeah as far as networking goes, I think that’s probably one of the best pieces of advice you can give to someone. It’s like understand that everything — it’s you know, it’s the right thing to be nice to people and cultivate relationships but also it’s almost like you’re moving up with your generation. Like everyone rises up together…

Rosanne:… exactly and you will immediately kick off your you know the end of your boot anybody who you don’t want to be around.

Host: That’s also true.

Rosanne: Yeah because they’ll just get in your way and they’re not going to help you. As long as you’re the kind of person who wants to help other people and with their ideas with you know doing writer’s groups together, reading each other’s scripts out loud, going to Q and A’s in town and then you know talking about the thing you saw afterwards. Running into other people at those events and you know hey let’s all get together and have a meet up two weeks from now at such and such a pizza place or a coffee house or a bar whatever it is. Building those relationships because that’s you know you’re the next generation of assistants who are the next generation of writers or executives or whatever people choose to be.

It’s always fun to sit down with students and share stories about entering the television industry and how things work at all stages and I had that opportunity the other day.

Daniela Torres, a just-graduated (Congratulations!) student of the Columbia College Semester in LA program asked me to guest on a podcast she had recently begun hosting with another college student she met during her internship (good example of networking in action!).

We could have talked all morning (the benefit of a 3 hour class session) but we held it to about an hour and fifteen minutes or so. Hopefully, along the way I answered some questions you might have about how the business works. So often it amounts to working hard at being a better writer and gathering a group of other talented, hard-working people around you so you can all rise together.

Dr. Rosanne Welch is a television writer with credits that include Beverly Hills 90210, Picket Fences, ABCNEWS: Nightline and Touched by an Angel. She also teaches Television Writing and the Art of Film at San Jose State University.

Rosanne discusses what made shows like Beverly Hills 90210 compelling, what to do and not to do when attempting to pitch a show to broadcast or streaming, what most young writers neglect in their writing process, and much more!

The Courier Thirteen Podcast is available on YouTube, Spotify, Apple Podcasts, SoundCloud, and Audible.

32 More On Pitching…from Worry and Wonder | The Courier Thirteen Podcast [Video]

Watch the entire presentation – Worry and Wonder | The Courier Thirteen Podcast | Episode # 29 here

32 More On Pitching...from Worry and Wonder | The Courier Thirteen Podcast [Video]

Transcript:

Yeah. It doesn’t even — they don’t have to like your story. If they like you they can bring you and you know that’s the other thing that happens — if they like you but they don’t buy your story, your pitch, whether, it’s a tv show or a movie whatever it is but they have a book that they have bought their rights to and they want someone to come in with what is your idea and how this book will work. That’s when they’ll go oh I really like working with you. I really feel a connection to you. Go home and think about this and come back in a couple weeks and tell me how you would attack this and maybe you’ll get that gig. So that’s what you’re trying in a meeting if nothing else happens or you know I ended up doing that Picket Fences episode because I had temped on a show that Jeff Melvoin was an executive — that time he’s a supervising producer — and so we met for like two weeks and he read something of mine and he was impressed and we stayed in touch. It was four years before he got the job where he could hire me. One, two-week job gave me a story — a script — four years later. You gotta always think about the future of the relationships that you’re making.

It’s always fun to sit down with students and share stories about entering the television industry and how things work at all stages and I had that opportunity the other day.

Daniela Torres, a just-graduated (Congratulations!) student of the Columbia College Semester in LA program asked me to guest on a podcast she had recently begun hosting with another college student she met during her internship (good example of networking in action!).

We could have talked all morning (the benefit of a 3 hour class session) but we held it to about an hour and fifteen minutes or so. Hopefully, along the way I answered some questions you might have about how the business works. So often it amounts to working hard at being a better writer and gathering a group of other talented, hard-working people around you so you can all rise together.

Dr. Rosanne Welch is a television writer with credits that include Beverly Hills 90210, Picket Fences, ABCNEWS: Nightline and Touched by an Angel. She also teaches Television Writing and the Art of Film at San Jose State University.

Rosanne discusses what made shows like Beverly Hills 90210 compelling, what to do and not to do when attempting to pitch a show to broadcast or streaming, what most young writers neglect in their writing process, and much more!

The Courier Thirteen Podcast is available on YouTube, Spotify, Apple Podcasts, SoundCloud, and Audible.

31 More On My Worst Pitch Meeting from Worry and Wonder | The Courier Thirteen Podcast [Video]

Watch the entire presentation – Worry and Wonder | The Courier Thirteen Podcast | Episode # 29 here

31 More On My Worst Pitch Meeting from Worry and Wonder | The Courier Thirteen Podcast [Video]

Transcript:

…and then finally there was a movie that had come out — it’s a while ago now — this is an old meeting — called Indecent Proposal and it was Woody Harrelson, Demi Moore, and Robert Redford. The idea was that Robert Redford was a rich man who gave offered Woody Harrelson and his wife a million dollars for his wife to sleep with him for one night. So the couple would get a million dollars and she’d have sex with the guy one night and that was the question of the movie and my joke when that movie came out had always been well there’s no question. It’s a win-win. I get a million dollars and I have sex with Robert Redford. Where’s the loss in this right? The movie made no sense to me. She brought it up and she wasn’t stupid — she brought it up — I said what I always said about the movie which was that I said it needs to be like a million dollars and Danny Devito and now I have a question right? Even though I love Danny DeVito right? I don’t mean to be insulting to him. She then was happy to let me know she had been an associate producer on that movie. Her name doesn’t appear on the poster. It doesn’t there was no, yeah I could not have known that except my agent should have set me up by giving me some of her background and he didn’t. So that was like three strikes you’re out. Buh-bye like we’re not ever going to be friends. We’re not ever going to go have coffee later and you’re not going to buy anything from me. So I’ll leave, right? At least I should have known her movie background. Maybe an agent wasn’t going to be able to tell me where she grew up but yeah three strikes you’re out. That was not a good meeting. So you need to know you need to know you’re not going to sell that woman Thank You For Not Smoking right? That’s not a piece you’re going to bring into her office. So it is very important who you’re talking to.

It’s always fun to sit down with students and share stories about entering the television industry and how things work at all stages and I had that opportunity the other day.

Daniela Torres, a just-graduated (Congratulations!) student of the Columbia College Semester in LA program asked me to guest on a podcast she had recently begun hosting with another college student she met during her internship (good example of networking in action!).

We could have talked all morning (the benefit of a 3 hour class session) but we held it to about an hour and fifteen minutes or so. Hopefully, along the way I answered some questions you might have about how the business works. So often it amounts to working hard at being a better writer and gathering a group of other talented, hard-working people around you so you can all rise together.

Dr. Rosanne Welch is a television writer with credits that include Beverly Hills 90210, Picket Fences, ABCNEWS: Nightline and Touched by an Angel. She also teaches Television Writing and the Art of Film at San Jose State University.

Rosanne discusses what made shows like Beverly Hills 90210 compelling, what to do and not to do when attempting to pitch a show to broadcast or streaming, what most young writers neglect in their writing process, and much more!

The Courier Thirteen Podcast is available on YouTube, Spotify, Apple Podcasts, SoundCloud, and Audible.

30 My Worst Pitch Meeting from Worry and Wonder | The Courier Thirteen Podcast [Video]

Watch the entire presentation – Worry and Wonder | The Courier Thirteen Podcast | Episode # 29 here

30 My Worst Pitch Meeting from Worry and Wonder | The Courier Thirteen Podcast [Video[

Transcript:

Host: You have if you have a show and you’re going on you’re going to pitch it, do you have that in mind always like okay I’m going to pitch to HBO. These are the people I’m pitching to. How do they react?

Rosanne: Yeah. What do I think they want. What part of this is going to be most interesting to them? Their own personal backgrounds. I mean you need to know as much of that as possible. Also so you don’t step into any landmines, right? I mean you know everyone has a joke about the worst pitch they ever did and the worst pitch I ever did was for a movie idea and I went in to meet with someone and…

Host: What — can you share what the movie idea was by chance?

Rosanne: Yu know what? I honestly can’t even remember anymore. You do so much for this. It’s really — I don’t — I don’t remember. I just remember I had this meeting and first you do a little chit-chatting right — a little chit-chat general stuff. Who are you? To see if you even like each other and maybe if this doesn’t sell they’ll want you to do something else with them. So you’re hoping to make a connection and in the middle of the chit-chatting, I don’t know why but the concept of cheerleading came up and I said something derogatory about cheerleaders because I certainly wasn’t one in high school and you know they’re easy to pick on except the woman I was meeting with had been a cheerleader.

Host: Yes.

Rosanne: So right away, you’re like oh I just insulted her. Okay, fine keep talking — keep — let’s find a thing we have in common right? At some point later, it came up — smoking came up — and it’s generally pretty good to say smoking is stupid. It kills people. Who the hell would waste their money on a pack of cigarettes. She grew up on a tobacco farm in Kentucky.

Host: Oh my god. No. No.

Rosanne: I didn’t know that. I didn’t have the ability to get that kind of information back in the day right? I was like, oh my god, what am I going to say now?

It’s always fun to sit down with students and share stories about entering the television industry and how things work at all stages and I had that opportunity the other day.

Daniela Torres, a just-graduated (Congratulations!) student of the Columbia College Semester in LA program asked me to guest on a podcast she had recently begun hosting with another college student she met during her internship (good example of networking in action!).

We could have talked all morning (the benefit of a 3 hour class session) but we held it to about an hour and fifteen minutes or so. Hopefully, along the way I answered some questions you might have about how the business works. So often it amounts to working hard at being a better writer and gathering a group of other talented, hard-working people around you so you can all rise together.

Dr. Rosanne Welch is a television writer with credits that include Beverly Hills 90210, Picket Fences, ABCNEWS: Nightline and Touched by an Angel. She also teaches Television Writing and the Art of Film at San Jose State University.

Rosanne discusses what made shows like Beverly Hills 90210 compelling, what to do and not to do when attempting to pitch a show to broadcast or streaming, what most young writers neglect in their writing process, and much more!

The Courier Thirteen Podcast is available on YouTube, Spotify, Apple Podcasts, SoundCloud, and Audible.

29 Executives and Writers from Worry and Wonder | The Courier Thirteen Podcast [Video]

Watch the entire presentation – Worry and Wonder | The Courier Thirteen Podcast | Episode # 29 here

29 Executives and Writers from Worry and Wonder | The Courier Thirteen Podcast [Video]

Transcript:

Host: In your experience has it varied from company to company from executives to executives and just how much self-awareness they have about the fact that they’re not artists in that way.

Rosanne: Well you know if you could be a writer you would be. You can’t. So you’re telling them how to do it what they already do. Now that’s not completely true all the time. There are some executives who’ve become writers which is always very interesting. They finally decided that they couldn’t not do it and they went off and did it themselves which I think is lovely. I would say some however many years ago that was more — there was more difference. A lot of executives now certainly come out of film programs where they studied — one hopes they’ve studied some screenwriting. They don’t have to be screenwriters to study the format and then it’s about how instinctively they understand story and character and what makes something engaging to people and how can they communicate that to someone who has an idea. You know you can shape and mold something and be a real help. It’s almost like people who write novels. We think oh they write them all by themselves. Well no, they have editors at the publishing companies and editors make lots of changes and they make lots of suggestions and then, of course, it’s up to the writer to take them or not but if they don’t they generally don’t get their book published. So there’s a lot of collaboration there too and so the best executives are people who understand story and either don’t want to risk being writers because it’s pretty freelance you know take your chances or they’re truly the nurturing type of people that want to pull forward people with talent and that’s the powerful place to do it more so right? So it’s an interesting mix. It’s always important if you’re going to pitch to an executive to look them up figure out where they came from. You know, where did they study? What is their background? Sometimes they were you know in somehow in production previously or sometimes they came out of Harvard right and they just studied from somebody big or whatever that is. So it’s important to understand where they’re coming from so you can understand the kind of notes that they’re given and the kind of control they want or need to have or their ability to not need it — to trust you to do what they hired you to do.

It’s always fun to sit down with students and share stories about entering the television industry and how things work at all stages and I had that opportunity the other day.

Daniela Torres, a just-graduated (Congratulations!) student of the Columbia College Semester in LA program asked me to guest on a podcast she had recently begun hosting with another college student she met during her internship (good example of networking in action!).

We could have talked all morning (the benefit of a 3 hour class session) but we held it to about an hour and fifteen minutes or so. Hopefully, along the way I answered some questions you might have about how the business works. So often it amounts to working hard at being a better writer and gathering a group of other talented, hard-working people around you so you can all rise together.

Dr. Rosanne Welch is a television writer with credits that include Beverly Hills 90210, Picket Fences, ABCNEWS: Nightline and Touched by an Angel. She also teaches Television Writing and the Art of Film at San Jose State University.

Rosanne discusses what made shows like Beverly Hills 90210 compelling, what to do and not to do when attempting to pitch a show to broadcast or streaming, what most young writers neglect in their writing process, and much more!

The Courier Thirteen Podcast is available on YouTube, Spotify, Apple Podcasts, SoundCloud, and Audible.

28 Art Is Very Subjective from Worry and Wonder | The Courier Thirteen Podcast [Video]

Watch the entire presentation – Worry and Wonder | The Courier Thirteen Podcast | Episode # 29 here

28 Art Is Very Subjective from Worry and Wonder | The Courier Thirteen Podcast [Video]

Transcript:

So fascinating but you’re right and what’s interesting is you just hit on the fact that here Shonda Rhimes who almost always has a hit but not always because it’s not science right? You can’t even — it’s always a little bit of a this is my gut feeling. This is interesting. Now you go see what the audience thinks about it and not every person who you think should be — same thing right — Steven Spielberg doesn’t always have a hit. Sometimes he misses. It’s not science. It’s art and art is very subjective.

It’s always fun to sit down with students and share stories about entering the television industry and how things work at all stages and I had that opportunity the other day.

Daniela Torres, a just-graduated (Congratulations!) student of the Columbia College Semester in LA program asked me to guest on a podcast she had recently begun hosting with another college student she met during her internship (good example of networking in action!).

We could have talked all morning (the benefit of a 3 hour class session) but we held it to about an hour and fifteen minutes or so. Hopefully, along the way I answered some questions you might have about how the business works. So often it amounts to working hard at being a better writer and gathering a group of other talented, hard-working people around you so you can all rise together.

Dr. Rosanne Welch is a television writer with credits that include Beverly Hills 90210, Picket Fences, ABCNEWS: Nightline and Touched by an Angel. She also teaches Television Writing and the Art of Film at San Jose State University.

Rosanne discusses what made shows like Beverly Hills 90210 compelling, what to do and not to do when attempting to pitch a show to broadcast or streaming, what most young writers neglect in their writing process, and much more!

The Courier Thirteen Podcast is available on YouTube, Spotify, Apple Podcasts, SoundCloud, and Audible.

27 Queen Charlotte from Worry and Wonder | The Courier Thirteen Podcast [Video]

Watch the entire presentation – Worry and Wonder | The Courier Thirteen Podcast | Episode # 29 here

27 Queen Charlotte from Worry and Wonder | The Courier Thirteen Podcast [Video]

Transcript:

Queen Charlotte was so popular they’re doing a prequel about queen charlotte’s life because she is reportedly to be the first queen who was a woman of color in England but it wasn’t widely known right? So that’s the piece that you can go back into and really dig through and we’ll see where that goes. I don’t know. I just read this the other day but that’s another example of wow that was so popular now the Netflix is like how can I mine this more. They already know they’re going to do seven more limited series because each of the children in the Bridgeton family is going to have their own six-hour love story right? Those are what all the books are. So each book is going to have its own limited series and they’re like but how else can we mine this intellectual property. Oh, let’s go backwards and do a prequel on this character who’s not part of the other books but we’ll do you know so that’ll be whatever they discover both historically and then whatever fictional thing they lay on top of that.

It’s always fun to sit down with students and share stories about entering the television industry and how things work at all stages and I had that opportunity the other day.

Daniela Torres, a just-graduated (Congratulations!) student of the Columbia College Semester in LA program asked me to guest on a podcast she had recently begun hosting with another college student she met during her internship (good example of networking in action!).

We could have talked all morning (the benefit of a 3 hour class session) but we held it to about an hour and fifteen minutes or so. Hopefully, along the way I answered some questions you might have about how the business works. So often it amounts to working hard at being a better writer and gathering a group of other talented, hard-working people around you so you can all rise together.

Dr. Rosanne Welch is a television writer with credits that include Beverly Hills 90210, Picket Fences, ABCNEWS: Nightline and Touched by an Angel. She also teaches Television Writing and the Art of Film at San Jose State University.

Rosanne discusses what made shows like Beverly Hills 90210 compelling, what to do and not to do when attempting to pitch a show to broadcast or streaming, what most young writers neglect in their writing process, and much more!

The Courier Thirteen Podcast is available on YouTube, Spotify, Apple Podcasts, SoundCloud, and Audible.