In order to conserve funds, Filippo decided to travel to England by serving as a ship’s doctor. He signed on with Captain Wilson for five guineas a month and a space in the hold for products from Livorno that Filippo could sell in London for profit. Unbeknownst to him, it was the beginning of his future business as a merchant.
Rosanne Welch, PhD, Author of Why The Monkees Matter, presents “How The Monkees Changed Television” at a Cal State Fullerton Lunch Lecture on May 8, 2018.
In this talk, she shows how The Monkees, and specifically their presence on television, set the stage for large changes to come in the late 1960s.
Transcript
We’re going to talk about what was my favorite tv show when I was about 7-years-old and who knew that I would grow up and become a professor of Television Studies and I was asked at one point here at Fullerton to do a summer program we have for students, Gear Up, which is a program for students from high schools who are going to be introduced to what college is like so that they can be more comfortable signing up. It’s low income/high-achieving kids and so for that, they asked me to do a class in Critical Studies which is how to see into television programming, what was the ideology? What was behind the ideas of the show? And in doing so I thought “Well, gee, I want to talk about something I want to talk about so I chose my favorite show which I hadn’t really looked at in years only to find it was far more innovative than I had ever given it credit for as a kid.
Rosanne Welch, PhD is a writer, producer and university professor with credits that include Beverly Hills 90210, Picket Fences, Touched by an Angel and ABC NEWS/Nightline. Other books include Why The Monkees Matter: Teenagers, Television and American Pop Culture (McFarland, 2017) and Women in American History: A Social, Political, and Cultural Encyclopedia and Document Collection (ABC-CLIO, 2017), named to the 2018 Outstanding References Sources List, by the Reference and User Services Association (RUSA), a division of the American Library Association. Welch has also published chapters in Torchwood Declassified: Investigating Mainstream Cult Television (I.B.Tauris) and The American Civil War on Film and TV: Blue and Gray in Black and White and Color (Lexington Books, 2018) and essays in Doctor Who and Race: An Anthology and Outside In Makes it So, and Outside in Boldly Goes (both edited by Robert Smith). By day she teaches courses on the history of screenwriting and on television writing for the Stephens College MFA in Screenwriting programs. Her talk “The Importance of Having a Female Voice in the Room” at the 2016 TEDxCPP is available on YouTube.
“If Muslims and Christians can live together in the court of Mahmud,” said Filippo, “I imagine they can live together in one city.”
“True,” said Salinas. “And it will be our job to help them in all ways we can. Men of medicine have a commitment to their patients to assist them in all facets of life.”
That was only one of many lessons Filippo learned in his life in Smyrna
I’ll have a chance to tell an international crowd of engineering and science professors about other models of education beyond lecturing and standardized testing.The presentation will offer definitions and examples of ways to use well studied pedagogies such as flipping the classroom, Socratic seminars and hands-on exercises. By practicing creativity and highlighting the relevance of each lesson presented, students own much more of the information than when relying only on lectures and test-based assessments.
Flipped Classroom Pedagogy
ROSANNE WELCH (MFA in Screenwriting Program, Stephens College and Interdisciplinary General Education Department, Cal Poly Pomona)
Based on my nearly 20 years of working to advance creativity in college classrooms both among students and faculty, this presentation will focus on the pedagogy of the flipped classroom and how that particularly suits science and engineering students in classes outside their discipline – and inside it as well. The presentation will offer definitions and examples of ways to use well studied pedagogies such as flipping the classroom, Socratic seminars and on hands on exercises. By practicing creativity and highlighting the relevance of each lesson presented, students own much more of the information than when relying on lectures and test-based assessments. That is not to say those do not play a part in these pedagogies, but they are not the only way to educate millennials.
I met Dr. Jawa when both of us gave TEDxCPP presentations in 2016. Here’s a link to my talk from that night:
And here’s a link to his (which happened to be on Becoming a Bette Teacher – which is what started a conversation that has continued across both years and resulted in his visiting my classes as a guest speaker and my being asked to present at his conference):
This will be a fun new presentation to put together – before I begin the planning for the session I’ll be presenting in Milan for the next Screenwriting Research Network conference (that one will be on how and why I created my History of Screenwriting course – so stay tuned for more info on that one as well!).
For her 5th Doctor Who lecture to the CPP community, Dr. Rosanne Welch discusses how society – and the show’s writing staff – prepared the audience for a major change in this 50-year franchise – the creation of the first Lady Doctor!
Transcript:
Also, of course, as I said, Captain Jack, the first time we’re going to see — not first time but the first time very obviously Russell Davies wanted young gay men to see themselves on television as normal people. So you’re going to have Captain Jack in male relationships and gay relationships and it was just so incredibly cool to see and he’s so incredibly sexy. This is a lovely episode where we find out that Captain Jack stole his name from a real soldier in World War II and when they go back in time and they visit that guy it turns out to be the night before he’s going to die and our Captain Jack knows it but the real man doesn’t know it and they have a dance before he dies. You’re like “Oh my G–, I’m going to cry” it was so so good. So well done and then later he had an affair with one of the gentlemen who worked at Torchwood named Ianto and there’s a whole thing in England. There’s a whole shrine to Ianto. Very popular character.
Rosanne Welch PhD teaches the History of Screenwriting and One-Hour Drama for the Stephens College MFA in Screenwriting.
Writing/producing credits include Beverly Hills 90210, Picket Fences, ABCNEWS: Nightline and Touched by an Angel. In 2016 she published the book Why The Monkees Matter: Teenagers, Television and American Pop; co-edited Women in American History: A Social, Political, and Cultural Encyclopedia; and placed “Transmitting Culture Transnationally Via the Characterization of Parents in Police Procedurals” in the New Review of Film and Television Studies. Essays appear in Torchwood Declassified: Investigating Mainstream Cult Television and Doctor Who and Race: An Anthology. Welch serves as Book Reviews editor for Journal of Screenwriting and on the Editorial Advisory Board for Written By magazine, the magazine of the Writers Guild.
Before my presentation on “How The Monkees Changed Television” at Cal Fullerton Lunchtime Lectures Complete video of this presentation is now available at RosanneWelch.com