01 Left Out Of The History Books from Concord Days: Margaret Fuller in Italy [Video]

In researching and writing my book on Giuseppe and Anita Garibaldi and the unification of Italy (A Man Of Action Saving Liberty: A Novel Based On The Life Of Giuseppe Garibaldi)  I re-discovered the first American female war correspondent – Margaret Fuller — who I had first met in a college course on the Transcendentalists. I was once again fascinated by a life lived purposefully.

Then I found Tammy Rose’s podcast on the Transcendentalists – Concord Days – and was delighted when she asked me to guest for a discussion of Fuller’s work in Italy as both a journalist – and a nurse. — Rosanne

Concord Days: Dr Rosanne Welch discusses Margaret Fuller in Italy [Video] (53 mins)

Watch this entire presentation

Concord Days sends love to Margaret Fuller on the anniversary of her death in 1850.

The conversation focuses on Margaret’s exciting days in ITALY!

Dr. Rosanne Welch takes us through her adventures and enthusiastically reminds us what she was like when she was living her best life!

Transcript:

Tammy: I am very pleased to be able to welcome Dr Rosanne Welch who is the Executive Director of the Stephens College program for the MFA and who is an author on many topics in American History and American culture. Welcome, Rosanne.

Rosanne: Thank you so much for having me. I love to talk about these things as you know.

Tammy: Exactly. Exactly. So can we start with your how did you first discover Margaret Fuller.

Rosanne: I discovered her a roundabout way. I would say I first had her mentioned when I was in eighth grade in Ohio and we studied Ohio history which was abolitionists and really got into “We’re on the right side of the Civil War and John Brown was somebody very important to them because he’s from Ohio so very proud that he was anti-slavery and I started to learn about abolitionists and then you forget. You go to college. I was studying theater but I needed a class once — an elective — desperately to fill out my schedule and the only thing available was this transcendentalism class and I had completely forgotten anything I might have learned previously and I begged to get in the class and he let me in and there I found Margaret among all these other gentlemen and it was another one of those examples of “Wait it sounds like women never did anything until the modern-day but they always did they just got left out of the history books.”

 

 

08 Playing The Game… from Worry and Wonder | The Courier Thirteen Podcast | Episode # 29 [Video]

Watch the entire presentation – Worry and Wonder | The Courier Thirteen Podcast | Episode # 29 here

08 Playing The Game... from Worry and Wonder | The Courier Thirteen Podcast | Episode # 29 [Video]

Transcript:

…and you really need to understand how the business works not just the people management then but now move up to understanding how the network makes their decisions and how do you sell things to them. I mean I’ve had showrunning friends who will tell stories about how there were moments they wanted in a script and they knew the network wouldn’t like those moments. Maybe they’re pushing the envelope on something. So they put in a couple of worse moments knowing that when the network said oh you can’t do that or that or that they’d go I hear what you’re saying. I understand. I won’t do that or that but I’ve got to have this and they’d get the one thing they really wanted. So they were playing a little chess game as well right? So at every level, there’s an understanding of what do people need. How do I give them what I want and still what they need at the same time.

It’s always fun to sit down with students and share stories about entering the television industry and how things work at all stages and I had that opportunity the other day.

Daniela Torres, a just-graduated (Congratulations!) student of the Columbia College Semester in LA program asked me to guest on a podcast she had recently begun hosting with another college student she met during her internship (good example of networking in action!).

We could have talked all morning (the benefit of a 3 hour class session) but we held it to about an hour and fifteen minutes or so. Hopefully, along the way I answered some questions you might have about how the business works. So often it amounts to working hard at being a better writer and gathering a group of other talented, hard-working people around you so you can all rise together.

Dr. Rosanne Welch is a television writer with credits that include Beverly Hills 90210, Picket Fences, ABCNEWS: Nightline and Touched by an Angel. She also teaches Television Writing and the Art of Film at San Jose State University.

Rosanne discusses what made shows like Beverly Hills 90210 compelling, what to do and not to do when attempting to pitch a show to broadcast or streaming, what most young writers neglect in their writing process, and much more!

The Courier Thirteen Podcast is available on YouTube, Spotify, Apple Podcasts, SoundCloud, and Audible.

34 Margaret Nagle and Warm Springs from There And Back Again: Writing and Developing for American TV [Video]

34 Margaret Nagle and Warm Springs from There And Back Again: Writing and Developing for American TV [Video]

Thanks to the gracious invitation from my Screenwriting Research Network colleague Paolo Russo – and a grant he was able to procure (and in the before-Covid time) I was able to spend a week at Oxford Brookes University working with the screenwriting masters students in Paolo’s course. At the culmination of the week, I gave this lecture on how writers rooms worked in the States.

Transcript:

And Margaret Nagle came off of Boardwalk Empire. She’s a pretty brilliant writer in many ways. She started her career — she was an actress. She moved into writing and she knew she needed to write something powerful and different. You’ve got to find something that hasn’t been done million times before and Warm Springs was the story of Franklin Roosevelt and the time he spent at a spa when he had polio. We’ve seen a million Franklin Roosevelt stories in America because he’s one of our big heroes right? We’ve seen the relationship with Eleanor. We’ve seen the relationship with his mistress. We’ve seen World War II in any different way you can figure it out. Nobody had done the story of how a rich boy dealt with being diagnosed with polio. What did he do and how did he survive and it was in the spa full of other people who weren’t famous or rich and he had to meet people he had never met in his normal life and that’s what formed the man who became the president who created all the programs that helped us survive the depression and the war and so that was a brilliant idea for us and it was just reading history and she stumbled on that thought. Why have i never seen this story? I’ll write it. What a lovely idea. Reading history is a brilliant thing to do.

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** Many of these books may be available from your local library. Check it out!
† Available from the LA Public Library

Concord Days: Dr Rosanne Welch discusses Margaret Fuller in Italy [Video] (53 mins)

In researching and writing my book on Giuseppe and Anita Garibaldi and the unification of Italy (A Man Of Action Saving Liberty: A Novel Based On The Life Of Giuseppe Garibaldi)  I re-discovered the first American female war correspondent – Margaret Fuller — who I had first met in a college course on the Transcendentalists. I was once again fascinated by a life lived purposefully.

Then I found Tammy Rose’s podcast on the Transcendentalists – Concord Days – and was delighted when she asked me to guest for a discussion of Fuller’s work in Italy as both a journalist – and a nurse. — Rosanne

Concord Days: Dr Rosanne Welch discusses Margaret Fuller in Italy [Video] (53 mins)

Concord Days sends love to Margaret Fuller on the anniversary of her death in 1850.

The conversation focuses on Margaret’s exciting days in ITALY!

Dr. Rosanne Welch takes us through her adventures and enthusiastically reminds us what she was like when she was living her best life!


 

 

07 It’s Show Business…Not Show Art…from Worry and Wonder | The Courier Thirteen Podcast | Episode # 29 [Video]

Watch the entire presentation – Worry and Wonder | The Courier Thirteen Podcast | Episode # 29 here

07 It's Show Business...Not Show Art...from Worry and Wonder | The Courier Thirteen Podcast | Episode # 29 [Video]

Transcript:

Host: This might be a really sad thing to say, but do you think that, sometimes, it’s not always the best writers who get their pitches up but it’s the people who can work the room, by either maneuvering around, can get their stuff into the ears of the right people and then present that?

Rosanne: That is very true. I wouldn’t say — I mean you have to be a good writer to get in the room in the first place or they wouldn’t have hired you across all those stacks — you’ve seen all the things you’ve read for —

Host: Yeah. No. There’s a lot of crap to filter through. Absolutely.

Rosanne: Absolutely. So, generally speaking, you had to be a certain level to get in the room, but, yeah, it’s the people who can work — you have to work both things. A friend of mine is fond of saying, “It’s called show business. not show art.” So business is half of the job.

It’s always fun to sit down with students and share stories about entering the television industry and how things work at all stages and I had that opportunity the other day.

Daniela Torres, a just-graduated (Congratulations!) student of the Columbia College Semester in LA program asked me to guest on a podcast she had recently begun hosting with another college student she met during her internship (good example of networking in action!).

We could have talked all morning (the benefit of a 3 hour class session) but we held it to about an hour and fifteen minutes or so. Hopefully, along the way I answered some questions you might have about how the business works. So often it amounts to working hard at being a better writer and gathering a group of other talented, hard-working people around you so you can all rise together.

Dr. Rosanne Welch is a television writer with credits that include Beverly Hills 90210, Picket Fences, ABCNEWS: Nightline and Touched by an Angel. She also teaches Television Writing and the Art of Film at San Jose State University.

Rosanne discusses what made shows like Beverly Hills 90210 compelling, what to do and not to do when attempting to pitch a show to broadcast or streaming, what most young writers neglect in their writing process, and much more!

The Courier Thirteen Podcast is available on YouTube, Spotify, Apple Podcasts, SoundCloud, and Audible.

33 Terence Winter and Boardwalk Empire from There And Back Again: Writing and Developing for American TV [Video]

33 Terence Winter and Boardwalk Empire from There And Back Again: Writing and Developing for American TV [Video]

Thanks to the gracious invitation from my Screenwriting Research Network colleague Paolo Russo – and a grant he was able to procure (and in the before-Covid time) I was able to spend a week at Oxford Brookes University working with the screenwriting masters students in Paolo’s course. At the culmination of the week, I gave this lecture on how writers rooms worked in the States.

Transcript:

Terence Winter on Boardwalk Empire. He came off of The Sopranos so he had a very good pedigree and then he moved into Boardwalk Empire and the idea of how you parse out the story and this comes from structure. At what point to do give out what information. How do you string the audience along. I think that’s really interesting. That’s a whole other conversation.

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* A portion of each sale from Amazon.com directly supports our blogs
** Many of these books may be available from your local library. Check it out!
† Available from the LA Public Library

06 How To Pitch To A Showrunner…from Worry and Wonder | The Courier Thirteen Podcast | Episode # 29 [Video]

Watch the entire presentation – Worry and Wonder | The Courier Thirteen Podcast | Episode # 29 here

06 How To Pitch To A Showrunner...from Worry and Wonder | The Courier Thirteen Podcast | Episode # 29 [Video]

Transcript:

Host: How would you pitch to a showrunner who seemed deflective to your ideas? Or like, I know that’s a loaded question.

Rosanne: Oh no, that’s an excellent question. That can happen because relationships grow and change. People get mad a each other for some reason. Maybe other people poison someone’s attitude about somebody else on the show, simply because they want to get rid of them because they’re competition. I mean, it doesn’t always happen. I’ve worked for some lovely people for whom I had a marvelous time and who were very supportive and wanted to help new writers moving up and they really were — there’s some wonderful people in this town. I really say the problem is we hear more of the bad stories than the good ones. But yes, in case such a thing happens, I think you should take a psychology class frankly. I think everyone should take a psychology class to understand the personalities out there and then you have to find new ways around that. When I felt like there might be someone getting in my way I figured out who my allies were and you made sure to connect with them. At certain points, there were certain things I wanted to change in a script and I knew a person at the table would argue against it. So, I went privately to a different producer on the show, who I knew I actually did get along with well, and explained why I didn’t like something and he was like… He had to agree with me first, right, or he wouldn’t help. He agreed with my point of view and so he knew he could present that in the room because he had a higher title than I did at the time — and so he did and when he presented it, it got accepted. So, I went sideways to get my ideas moved forward. So you know, you find a way.

It’s always fun to sit down with students and share stories about entering the television industry and how things work at all stages and I had that opportunity the other day.

Daniela Torres, a just-graduated (Congratulations!) student of the Columbia College Semester in LA program asked me to guest on a podcast she had recently begun hosting with another college student she met during her internship (good example of networking in action!).

We could have talked all morning (the benefit of a 3 hour class session) but we held it to about an hour and fifteen minutes or so. Hopefully, along the way I answered some questions you might have about how the business works. So often it amounts to working hard at being a better writer and gathering a group of other talented, hard-working people around you so you can all rise together.

Dr. Rosanne Welch is a television writer with credits that include Beverly Hills 90210, Picket Fences, ABCNEWS: Nightline and Touched by an Angel. She also teaches Television Writing and the Art of Film at San Jose State University.

Rosanne discusses what made shows like Beverly Hills 90210 compelling, what to do and not to do when attempting to pitch a show to broadcast or streaming, what most young writers neglect in their writing process, and much more!

The Courier Thirteen Podcast is available on YouTube, Spotify, Apple Podcasts, SoundCloud, and Audible.

32 Writer’s Room As Dinner Party from There And Back Again: Writing and Developing for American TV [Video]

32 Writer's Room As Dinner Party from There And Back Again: Writing and Developing for American TV [Video]

Thanks to the gracious invitation from my Screenwriting Research Network colleague Paolo Russo – and a grant he was able to procure (and in the before-Covid time) I was able to spend a week at Oxford Brookes University working with the screenwriting masters students in Paolo’s course. At the culmination of the week, I gave this lecture on how writers rooms worked in the States.

Transcript:

Roberto Aguirre-Sacasa is in charge of Riverdale. Was that here yet? Based on The Archie comics which is kind of funny. First season, pretty good. Second season, getting a little sillier. Third season, getting a little sillier. Not very good but the idea that a writer’s room is like a dinner party and you’re just kibitzing with people and having a good conversation and from that people go “Oh wait. i like that and I like what you said. I’m gonna put all these things together and we’re gonna end up with a story which we all like.” Love Tina Fey. Tina Fey is a great example of going from acting because of the strength of her writing becoming the first woman to run the evening report the weekend update on SNL. Then of course she did Mean Girls. She got hired from her comic chops to write Mean Girls. May or may not know that was recently nominated for Tony because she turned it into a Broadway show. Writers own the product throughout all of its lifespans. Directors do not right? The director of the movie Mean Girls was not invited to direct the musical but she was invited to write it. So I think it’s powerful. So her and her husband. Robert Carlock is her husband so they’ve worked the last two tv shows together and that’s their opinion. Again, diversity in the room with lots of things even educational status is an important thing.

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* A portion of each sale from Amazon.com directly supports our blogs
** Many of these books may be available from your local library. Check it out!
† Available from the LA Public Library

05 Working The Room…from Worry and Wonder | The Courier Thirteen Podcast | Episode # 29 [Video]

Watch the entire presentation – Worry and Wonder | The Courier Thirteen Podcast | Episode # 29 here

05 Working The Room...from Worry and Wonder | The Courier Thirteen Podcast | Episode # 29 [Video]

Transcript:

Then you have to understand them. What are they like? How do they want to hear things? Are they — what type of personalities do they like? You can’t really change yourself but you can readjust some things when you see how the rhythm is of what they like to do and actually, one of my favorite stories is that you also can cheat because I recognized early on in a particular show that there was a gentleman who didn’t like other people to win and so when you started to pitch he would find ways to tear it apart before the boss could say yes. Once you go the yes, he would be on board, because he wasn’t going to go against what the boss said. So, a joke I often tell students and friends is I had an idea that I wanted to pitch and I didn’t want to do it in front of that person being in the room so I waited until the boss — who happened to be another female — went to the bathroom and I pitched it over washing our hands at the sinks and by the time we got back to the room, she liked it enough that she started with “Rosanne had this great idea. We should talk it through,” and I saw the guy’s eyes across the table and I saw that he wanted to say something and he stopped and then I got the script because I stole it away from him. So…

It’s always fun to sit down with students and share stories about entering the television industry and how things work at all stages and I had that opportunity the other day.

Daniela Torres, a just-graduated (Congratulations!) student of the Columbia College Semester in LA program asked me to guest on a podcast she had recently begun hosting with another college student she met during her internship (good example of networking in action!).

We could have talked all morning (the benefit of a 3 hour class session) but we held it to about an hour and fifteen minutes or so. Hopefully, along the way I answered some questions you might have about how the business works. So often it amounts to working hard at being a better writer and gathering a group of other talented, hard-working people around you so you can all rise together.

Dr. Rosanne Welch is a television writer with credits that include Beverly Hills 90210, Picket Fences, ABCNEWS: Nightline and Touched by an Angel. She also teaches Television Writing and the Art of Film at San Jose State University.

Rosanne discusses what made shows like Beverly Hills 90210 compelling, what to do and not to do when attempting to pitch a show to broadcast or streaming, what most young writers neglect in their writing process, and much more!

The Courier Thirteen Podcast is available on YouTube, Spotify, Apple Podcasts, SoundCloud, and Audible.

31 Drama is about making a choice from There And Back Again: Writing and Developing for American TV [Video]

31 Drama is about making a choice from There And Back Again: Writing and Developing for American TV [Video]

Thanks to the gracious invitation from my Screenwriting Research Network colleague Paolo Russo – and a grant he was able to procure (and in the before-Covid time) I was able to spend a week at Oxford Brookes University working with the screenwriting masters students in Paolo’s course. At the culmination of the week, I gave this lecture on how writers rooms worked in the States.

Transcript:

On Orville. I don’t know if this is transferred to England yet but it’s — who’s seen Galaxy Quest — Alan Rickman. I love Galaxy Quest. That is a movie that is survived by the writing. It could have been a silly piece of nonsense that was just a couple of gags joined together but the story is so strong, the movie is actually really good and Alan Rickman is of course always wonderful but Seth McFarlane talks about this idea. You have to tell the stories of your life. You stumble upon things by saying this happened and that happened or I had a friend to whom this happened right? One of my early episodes of Touched by an Angel had to do with a couple who was going to having a baby and they found out it was going to have Down’s Syndrome and then they had to make the decision were they capable of being the parents of a handicapped child and of course there was a moment where they could have chosen abortion. They did not but they had that discussion right because drama’s built around making a choice and that’s probably the biggest choice a person could ever make right? So that was built on the fact that somebody in the room one day, that was happening in their cousin’s family and they were talking about it and how they’ve been on the phone with them and we thought oh my gosh that’s an excellent story to try to move into and why would you what are the possible reasons you would make this choice? What are the reasons you would be talked out of making this choice? How do you deal with that problem? It just came up in personal conversation. So being a good conversationalist makes you a good writer because you can tell stories about your life and your friend’s lives.

Watch this entire presentation

Subscribe to Rosanne’s Channel and receive notice of each new video!

 


* A portion of each sale from Amazon.com directly supports our blogs
** Many of these books may be available from your local library. Check it out!
† Available from the LA Public Library