On Screenwriting and Media with Dr. Rosanne Welch
Writing, Film, Television and More!
Monkees Research Materials and Memorabilia
“How The Monkees Changed Television” at Cal Fullerton Lunchtime Lectures
See all the photos from this presentation
Why The Monkees Matter: Teenagers, Television and American Pop Culture
McFarland (Direct from Publisher) | Amazon | Kindle Edition | Nook Edition
Cake!
Cal Poly Pomona Golden Leaves presentations at Cal Poly Pomona University Library.
Print Edition | Kindle Edition | Apple iBooks Edition | Nook Edition
Watch this entire presentation: Gender Diversity in the Who-niverse: Paving the Way for a Lady Doctor with Dr. Rosanne Welch [Video] (36:58)
For her 5th Doctor Who lecture to the CPP community, Dr. Rosanne Welch discusses how society – and the show’s writing staff – prepared the audience for a major change in this 50-year franchise – the creation of the first Lady Doctor!
Transcript:
During Doctor Who, Russell also invented Torchwood which I think is a fascinating show, if you’ve never you should check it out because, again, playing with gender, on this program, Captain Jack is the head of the Torchwood unit. Hsi second in command is a female, Gwen, who was a policewoman. She joins this elite alien group. you know, of police, if you will and her husband is a stay at home kind of guy and he’s going to take care of the baby when they eventually have it. He’s got a construction job. He comes home at night and makes her dinner. She works funny hours. Russell Davies specifically said”I want to swap the gender stereotypes. I want to see how that works in the world and that is a way many marriages are working these days but it was still considered new.
Follow Dr. Welch on Twitter and Instagram
https://twitter.com/rosannewelch – http://instagram.com/drrosannewelch
Dr. Rosanne Welch
Dr. Rosanne Welch teaches the History of Screenwriting and One-Hour Drama for the Stephens College MFA in Screenwriting.
Writing/producing credits include Beverly Hills 90210, Picket Fences, ABCNEWS: Nightline and Touched by an Angel. In 2016 she published the book Why The Monkees Matter: Teenagers, Television and American Pop; co-edited Women in American History: A Social, Political, and Cultural Encyclopedia; and placed “Transmitting Culture Transnationally Via the Characterization of Parents in Police Procedurals” in the New Review of Film and Television Studies. Essays appear in Torchwood Declassified: Investigating Mainstream Cult Television and Doctor Who and Race: An Anthology. Welch serves as Book Reviews editor for Journal of Screenwriting and on the Editorial Advisory Board for Written By magazine, the magazine of the Writers Guild.
Watch Dr. Welch’s talk “The Importance of Having a Female Voice in the Room” at the 2016 TEDxCPP.
Podcast: Play in new window | Download
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Monkees Research Materials and Memorabilia
“How The Monkees Changed Television” at Cal Fullerton Lunchtime Lectures
Why The Monkees Matter: Teenagers, Television and American Pop Culture
McFarland (Direct from Publisher) | Amazon | Kindle Edition | Nook Edition
Presenting on “How The Monkees Changed Television” at Cal Fullerton Lunchtime Lectures
More pictures and complete video coming soon!
Why The Monkees Matter: Teenagers, Television and American Pop Culture
McFarland (Direct from Publisher) | Amazon | Kindle Edition | Nook Edition
20 Where Did We Get Gidget Right? from How Gidget Got Into the Girl Ghetto with Dr. Rosanne Welch
Watch this entire presentation
Transcript:
So, I really wanted to wrap up with the idea, so where did we get the Gidget book right? Was it in the movies or in the TV show? I’m going to guess, just because I’m pushy and that’s what I pushed on you, it is, in fact, the TV show and I’m going to say that’s because TV is where meat-and-potatoes stories can be told. We have a hundred or 200 hours to tell you the story of one character. They can’t be weak and superficial or you won’t come back. We need to really get into their hearts and hear about them and that’s the beauty of television as opposed to bubblegum in films and also TV has often been — and I’m not saying Gidget is part of the golden age of television — but when we discuss the Golden Age of Television we discuss it like Dickensian novels, that every month, every week, you get another section of the story and that’s the power of television. We can expand on a character because you’ve come to love them and you’ll watch them go through two or three or seven years of their lives and that’s much more in-depth than you can get into a film which is where Gidget falls apart if you ask me.
At this year’s 10th Annual Screenwriting Research Network Conference at Otago University in Dunedin, New Zealand I presented…
“How Gidget Got Into the Girl Ghetto by Accident (and How We Can Get Her Out of it): Demoting Gidget: The Little Girl with Big Ideas from Edgy Coming of Age Novel to Babe on the Beach Genre Film via Choices made in the Adaptation Process.”
It’ a long title, as I joke up front, but covers the process of adapting the true life story of Kathy Kohner (nicknamed ‘Gidget’ by the group of male surfers who she spent the summers with in Malibu in the 1950s) into the film and television series that are better remembered than the novel. The novel had been well-received upon publication, even compared to A Catcher in the Rye, but has mistakenly been relegated to the ‘girl ghetto’ of films. Some of the adaptations turned the focus away from the coming of age story of a young woman who gained respect for her talent at a male craft – surfing – and instead turned the focus far too much on Kathy being boy crazy.
Along the way I found interesting comparisons between how female writers treated the main character while adapting the novel and how male writers treated the character.
Dr. Rosanne Welch
Dr. Rosanne Welch teaches the History of Screenwriting and One-Hour Drama for the Stephens College MFA in Screenwriting.
Writing/producing credits include Beverly Hills 90210, Picket Fences, ABCNEWS: Nightline and Touched by an Angel. In 2016 she published the book Why The Monkees Matter: Teenagers, Television and American Pop; co-edited Women in American History: A Social, Political, and Cultural Encyclopedia; and placed “Transmitting Culture Transnationally Via the Characterization of Parents in Police Procedurals” in the New Review of Film and Television Studies. Essays appear in Torchwood Declassified: Investigating Mainstream Cult Television and Doctor Who and Race: An Anthology. Welch serves as Book Reviews editor for Journal of Screenwriting and on the Editorial Advisory Board for Written By magazine, the magazine of the Writers Guild.
Watch Dr. Welch’s talk “The Importance of Having a Female Voice in the Room” at the 2016 TEDxCPP.
The Screenwriting Research Network is a research group consisting of scholars, reflective practitioners and practice-based researchers interested in research on screenwriting. The aim is to rethink the screenplay in relation to its histories, theories, values and creative practices.
Podcast: Play in new window | Download
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Presenting on my book, America’s Forgotten Founding Father
Cal Poly Pomona Golden Leaves presentations at Cal Poly Pomona University Library.
Print Edition | Kindle Edition | Apple iBooks Edition | Nook Edition
Watch this entire presentation: Gender Diversity in the Who-niverse: Paving the Way for a Lady Doctor with Dr. Rosanne Welch [Video] (36:58)
For her 5th Doctor Who lecture to the CPP community, Dr. Rosanne Welch discusses how society – and the show’s writing staff – prepared the audience for a major change in this 50-year franchise – the creation of the first Lady Doctor!
Transcript:
…and through Russell, we’re going to gain a new look both female and male characters particularly his first companion he is going to invent is Rose and Rose is very strong. We’re going to talk about how in a minute. We’re going to have Martha Jones who happens to be one of my favorite companions and I’ll explain why, because Iknow there are some people don’t like Martha and how she was treated. I think Martha was actually stronger than people are giving her credit for. Then, Donna Noble who was just a “friend” and there’s a whole discussion about the idea that women didn’t have to be a sexual or a partner companion, they could just be friends as of maybe Y’all actually have friends who are of the opposite sex. Really? That’s possible? I don’t know. Right? So that was a new thing. And of course, Captain Jack Harkness who was the first openly gay, but also omnisexual. He’s had sex with women, men, aliens, you name it he was good for it and that was an interesting thing to be said on a television program. And he’s just so gorgeous, what can you say?
Follow Dr. Welch on Twitter and Instagram
https://twitter.com/rosannewelch – http://instagram.com/drrosannewelch
Dr. Rosanne Welch
Dr. Rosanne Welch teaches the History of Screenwriting and One-Hour Drama for the Stephens College MFA in Screenwriting.
Writing/producing credits include Beverly Hills 90210, Picket Fences, ABCNEWS: Nightline and Touched by an Angel. In 2016 she published the book Why The Monkees Matter: Teenagers, Television and American Pop; co-edited Women in American History: A Social, Political, and Cultural Encyclopedia; and placed “Transmitting Culture Transnationally Via the Characterization of Parents in Police Procedurals” in the New Review of Film and Television Studies. Essays appear in Torchwood Declassified: Investigating Mainstream Cult Television and Doctor Who and Race: An Anthology. Welch serves as Book Reviews editor for Journal of Screenwriting and on the Editorial Advisory Board for Written By magazine, the magazine of the Writers Guild.
Watch Dr. Welch’s talk “The Importance of Having a Female Voice in the Room” at the 2016 TEDxCPP.
Podcast: Play in new window | Download
Subscribe: RSS
19 Dorothy Cooper Foote and Gidget from How Gidget Got Into the Girl Ghetto with Dr. Rosanne Welch
Watch this entire presentation
Transcript:
Then you flip over her to Dorothy Cooper Foote who was one of the freelance writers on the show. Gidget has a crush on an older man. That’s Daniel Travanti who will show up in Hill Street Blues as a grown man. He’s a photographer. He’s a war veteran from the Vietnam (Korean) War, although that war is unmentioned, but he’s a war veteran and he’s taking pictures of her for a magazine. She falls in love with him. She discovers he actually has a fiance. He didn’t realize she had a crush on him because he didn’t consider a younger girl as someone that he would go after and her and her Dad had this lovely moment because he says “(Your) always going to hurt a little.” and he knows because his wife has passed away and he’s a widow. So they make this connection on having experienced loss together. Which is a very mature thing for a young girl to be able to discuss and to share and again that mature attitude toward her comes from a female writer.
At this year’s 10th Annual Screenwriting Research Network Conference at Otago University in Dunedin, New Zealand I presented…
“How Gidget Got Into the Girl Ghetto by Accident (and How We Can Get Her Out of it): Demoting Gidget: The Little Girl with Big Ideas from Edgy Coming of Age Novel to Babe on the Beach Genre Film via Choices made in the Adaptation Process.”
It’ a long title, as I joke up front, but covers the process of adapting the true life story of Kathy Kohner (nicknamed ‘Gidget’ by the group of male surfers who she spent the summers with in Malibu in the 1950s) into the film and television series that are better remembered than the novel. The novel had been well-received upon publication, even compared to A Catcher in the Rye, but has mistakenly been relegated to the ‘girl ghetto’ of films. Some of the adaptations turned the focus away from the coming of age story of a young woman who gained respect for her talent at a male craft – surfing – and instead turned the focus far too much on Kathy being boy crazy.
Along the way I found interesting comparisons between how female writers treated the main character while adapting the novel and how male writers treated the character.
Dr. Rosanne Welch
Dr. Rosanne Welch teaches the History of Screenwriting and One-Hour Drama for the Stephens College MFA in Screenwriting.
Writing/producing credits include Beverly Hills 90210, Picket Fences, ABCNEWS: Nightline and Touched by an Angel. In 2016 she published the book Why The Monkees Matter: Teenagers, Television and American Pop; co-edited Women in American History: A Social, Political, and Cultural Encyclopedia; and placed “Transmitting Culture Transnationally Via the Characterization of Parents in Police Procedurals” in the New Review of Film and Television Studies. Essays appear in Torchwood Declassified: Investigating Mainstream Cult Television and Doctor Who and Race: An Anthology. Welch serves as Book Reviews editor for Journal of Screenwriting and on the Editorial Advisory Board for Written By magazine, the magazine of the Writers Guild.
Watch Dr. Welch’s talk “The Importance of Having a Female Voice in the Room” at the 2016 TEDxCPP.
The Screenwriting Research Network is a research group consisting of scholars, reflective practitioners and practice-based researchers interested in research on screenwriting. The aim is to rethink the screenplay in relation to its histories, theories, values and creative practices.
Podcast: Play in new window | Download
Subscribe: RSS
Watch this entire presentation: Gender Diversity in the Who-niverse: Paving the Way for a Lady Doctor with Dr. Rosanne Welch [Video] (36:58)
For her 5th Doctor Who lecture to the CPP community, Dr. Rosanne Welch discusses how society – and the show’s writing staff – prepared the audience for a major change in this 50-year franchise – the creation of the first Lady Doctor!
Transcript:
The show was canceled in 1989. It had finally run its course at that time. In 2005, this gentleman, Russell Davies, who I was so excited to actually, — this is an article that I wrote about him in a magazine for the Writers Guild, so I got to interview him when he came to the United States and was working on his show Torchwood. He was the most successful producer at the BBC for this show, Queer as Folk. He happens to be a gay man and he was an openly gay man and so he wrote Queer As Folk. Huge success. It also was redone her in the United States, but because of the success of this program, the BBC said to him “What would you like to do next? Invent any show you like.” And he said, “I want to bring Doctor Who back.” Which had never happened to a show. Show’s canceled. It’s done. We’re finished with it, but they were like, “Hmm, whatever you want, Russell, you can do it!” So he revived the show, which is an amazing step.
Follow Dr. Welch on Twitter and Instagram
https://twitter.com/rosannewelch – http://instagram.com/drrosannewelch
Dr. Rosanne Welch
Dr. Rosanne Welch teaches the History of Screenwriting and One-Hour Drama for the Stephens College MFA in Screenwriting.
Writing/producing credits include Beverly Hills 90210, Picket Fences, ABCNEWS: Nightline and Touched by an Angel. In 2016 she published the book Why The Monkees Matter: Teenagers, Television and American Pop; co-edited Women in American History: A Social, Political, and Cultural Encyclopedia; and placed “Transmitting Culture Transnationally Via the Characterization of Parents in Police Procedurals” in the New Review of Film and Television Studies. Essays appear in Torchwood Declassified: Investigating Mainstream Cult Television and Doctor Who and Race: An Anthology. Welch serves as Book Reviews editor for Journal of Screenwriting and on the Editorial Advisory Board for Written By magazine, the magazine of the Writers Guild.
Watch Dr. Welch’s talk “The Importance of Having a Female Voice in the Room” at the 2016 TEDxCPP.
Podcast: Play in new window | Download
Subscribe: RSS
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