20 Gene Gauntier & D.W. Griffith from “When Women Wrote Hollywood” with Dr. Rosanne Welch [Video] (15 seconds)

Part of the California State University, Fullerton Faculty Noon Time Talks at the Pollak Library.

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20 Gene Gauntier & D.W. Griffith from

 

Transcript:

Other things she did. She gave the first directing job to a guy named Larry who was an actor who wasn’t doing very well and he needed some money and he became DW Griffith. So she put him into the world right? She started his career which i think is important.

Dr. Rosanne Welch discusses the women in her new book “When Women Wrote Hollywood” which covers female screenwriters from the Silents through the early 1940s when women wrote over 50% of films and Frances Marion was the highest paid screenwriter (male or female) and the first to win 2 Oscars.  Yet, she fails to appear in film history books, which continue to regurgitate the myth that male directors did it all – even though it’s been proven that the only profitable movies Cecil B. de Mille ever directed were all written by Jeannie Macpherson film ever won for Best Picture was written by Robert E. Sherwood (who people have heard of, mostly due to his connection to Dorothy Parker) and Joan Harrison.


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Quotes from When Women Wrote Hollywood – 44 in a series – Time to be remembered

Do you know about these women screenwriters? Many don’t. Learn more about them today!

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Quotes from When Women Wrote Hollywood - 44 in a series - Time to be remembered

Ida May Park began and ended her life and career in Los Angeles, California, credited as a writer of approximately five hundred scenarios and fifty features, having had a successful career as a director with fourteen films under her belt.  Unfortunately, as a woman of early Hollywood, she falls into a category of women who were notable enough to have some of their work survive and be remembered, but not notable enough for many history books or archives to chronicle her career.

Ida May Park: Prolific Pioneer
by Jackie Perez


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17 “A Wrinkle In Time” and The Movies from The Sisterhood of Science Fiction – Dr. Rosanne Welch [Video] (28 seconds)

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The Sisterhood of Science Fiction: A Walk Through Some Writers and Characters You (Should) Know And Love

17

 

This one allowed me to riff on some of my favorite female science fiction writers across time, whether they be novelists or television writers. It also opened up a good conversation on what art we support and include in our lives – and what that art says to us and about us. — Rosanne

Transcript:

…On a book that for years and years Hollywood wasn’t making into a movie because it starred a little girl and they really didn’t think enough people would pay money to see the story of a little girl having this wild crazy adventure. Even though Alice in Wonderland has been around a long time okay. So it’s interesting. We really we sort of censor before we even put things out into the audience for them to really tell us what they’re gonna watch right? So we have to think about that.



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19 Gene Gauntier from “When Women Wrote Hollywood” with Dr. Rosanne Welch [Video] (32 seconds)

Part of the California State University, Fullerton Faculty Noon Time Talks at the Pollak Library.

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19 Gene Gauntier from

 

Transcript:

Gene Gauntier is from Ireland. She was born in Kansas. She ended up being the first person to film a movie on location and it was “From The Manger to the Cross” which was the story of The Christ. It was the first time that the story of Jesus was told on film and she went to Jerusalem and then she filmed some in other places in Europe. So she was pretty famous for a good long time. A company called the Kalum company. Again when that company went out of business and all their paperwork disappeared, a lot of her history disappeared with it but you can find “From The Manger to the Cross” on YouTube

Dr. Rosanne Welch discusses the women in her new book “When Women Wrote Hollywood” which covers female screenwriters from the Silents through the early 1940s when women wrote over 50% of films and Frances Marion was the highest paid screenwriter (male or female) and the first to win 2 Oscars.  Yet, she fails to appear in film history books, which continue to regurgitate the myth that male directors did it all – even though it’s been proven that the only profitable movies Cecil B. de Mille ever directed were all written by Jeannie Macpherson film ever won for Best Picture was written by Robert E. Sherwood (who people have heard of, mostly due to his connection to Dorothy Parker) and Joan Harrison.


Buy a signed copy of when Women Wrote Hollywood

…or via Amazon…

Paperback Edition | Kindle Edition | Google Play Edition

* A portion of each sale from Amazon.com directly supports our blogs
** Many of these books may be available from your local library. Check it out!
† Available from the LA Public Library

Journal of Screenwriting Call For Submissions For A Special Issue Focusing On Female Screenwriters

Journal of Screenwriting Call For Submissions For A Special Issue Focusing On Female Screenwriters

Don’t forget: The Journal of Screenwriting is calling for articles for a special issue with a focus on female screenwriters, to be published in November 2020. I will be co-editing this Special Issue! — Rosanne


Call For Submissions

Special Issue: Female Screenwriters

Download Call for Papers: Female Screenwriters (PDF)Download Note for Contributors (PDF)

The Journal of Screenwriting is calling for articles for a special issue with a focus on female screenwriters, to be published in November 2020.

JOSC wants to emphasize the importance of female screenwriters across eras, genres, mediums. This importance may arise from an analysis of bodies of work, from individual scripts written by women or from case studies where female screenwriters have worked collaboratively to express screen stories. Articles may also include women’s work behind the scenes in advocating for/promoting greater gender equality within screenwriting milieux. Articles on female screenwriters from diverse cultural backgrounds are encouraged. 

Articles may include (but are not limited to) the following topics:

  • Female screenwriters in silent cinema
  • The influence of female writer(-directors) in contemporary culture
  • Case studies on an individual screenwriter’s work, collaborations between women or on how women-centred stories have been brought to the screen
  • Historiography of manuals and screenwriting pedagogy where this reflects the work of female screenwriters
  • National and global tendencies with regard to women within screenwriting – relations, influences, cultural transfers
  • Censorship and women’s stories and women’s writings
  • Biographies of female screenwriters of any era
  • Female screenwriters within writing partnerships
  • The work of female screenwriters within script production (e.g. as showrunners, script editors or consultants)
  • • The question of a female voice within screenwriting
  • In the first instance, please email abstracts of up to 400 words and a short biography, no later than Friday, 4 October 2019 to both of the editors of this special issue: Rosanne Welchrosanne@welchwrite.com Rose Ferrellrosieglow@westnet.com.au Completed articles of between 4000 and 8000 words should be sent by the end of January 2020.

Link to the Journal of Screenwriting and Submission Information

Screenwriting Research Network

16 Madeleine L’Engle from The Sisterhood of Science Fiction – Dr. Rosanne Welch [Video] (43 seconds)

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The Sisterhood of Science Fiction: A Walk Through Some Writers and Characters You (Should) Know And Love

16 Madeleine L'Engle from The Sisterhood of Science Fiction - Dr. Rosanne Welch

 

This one allowed me to riff on some of my favorite female science fiction writers across time, whether they be novelists or television writers. It also opened up a good conversation on what art we support and include in our lives – and what that art says to us and about us. — Rosanne

Transcript:

Now, most people know Madeleine L’Engle. So guess what? She gets the put her name on the book is definitely a chick name right? Madeleine L’Engle. Definitely a chick name. And “A Wrinkle In Time.” How many people saw the movie? Two people. Really good movie. Ava Duvernay directed it. Really interesting to think about the fact that the controversy here was switching out the race right and then it was a big deal. You’re gonna change who the child is in the book and thereby change some of who the other characters are that she’s connected with but one of the first movies starring an African-American who that scored over 100 million dollars in the box office right of way kind of thing, right? Then Black Panther is going to come in and score a bajillion, million dollars, but so it’s a trend that Ava Duvernay wanted to get started.



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Quotes from When Women Wrote Hollywood – 43 in a series – “…her name is conspicuously absent.”

Do you know about these women screenwriters? Many don’t. Learn more about them today!

Buy “When Women Wrote Hollywood” Today!

Quotes from When Women Wrote Hollywood - 43 in a series -

“Clara Beranger is one among many prominent female screenwriters during the Silent Era of film.  Like the other amazing women who wrote at least half of the films produced during that time, very little is known about her, and what information there is, is hard to find.  “It is lamentable that so little is known about Clara Beranger. From the piles of film books, even those devoted to the screenwriter, her name is conspicuously absent.”

Clara Beranger: The Unseen Laborer
by Amanda Stockwell


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“77% of TV shows have no women creators. Here’s how that ripples across the industry” says Los Angeles Times

This lack of female representation at the creative/gatekeeper levels is precisely what the  Stephens College MFA in TV and Screenwriting aims to change! More prepared female writers = more prepared female showrunners = more believable female character and stories permeating our lives. — Rosanne

77% of TV shows have no women creators. Here’s how that ripples across the industry

By Yvonne Villarreal – Staff Writer 
Sep. 4, 2019

For the 2018-19 season, 96% of TV programs had no women directors of photography; 79% had no women directors; 77% had no women editors; and 77% had no women creators.

As a number of female-fronted TV shows, including “Veep” and “The Marvelous Mrs. Maisel,” vie for Emmys later this month, a study released Wednesday finds that “historic highs” for women in television still leave them vastly underrepresented in key behind-the-scenes roles.

Read this entire article – 77% of TV shows have no women creators. Here’s how that ripples across the industry via The Los Angeles Times

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18 Jennie Louise Toussaint Welcome from “When Women Wrote Hollywood” with Dr. Rosanne Welch [Video] (52 seconds)

Part of the California State University, Fullerton Faculty Noon Time Talks at the Pollak Library.

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18 Jennie Louise Touissant Welcome from

 

Transcript:

Really more interesting, I want to know more about Jennie Louise Toussaint Welcome. That is actually her full name, which is beautiful. She as well, she wrote a movie that was meant to be the answer to “Birth of a Nation”, right? She wrote a movie in defense of how badly African-Americans were treated in “Birth of a Nation”, that doesn’t exist anymore. Bits and pieces online you can find of “The Charge of the Colored Divisions”. She was covering the African-American men in World War I, right? So she did some work like that, both reality and fiction. I have to believe we’ll find some more work on her, because her brother was Booker T. Washington’s personal photographer during the Harlem Renaissance and her parents were the butler and maid to President Ulysses S. Grant, so there’s got to be somebody mentioning them somewhere. It’s just that nobody’s put all that together, but I really think we’re going to to get more about her pretty soon.

Dr. Rosanne Welch discusses the women in her new book “When Women Wrote Hollywood” which covers female screenwriters from the Silents through the early 1940s when women wrote over 50% of films and Frances Marion was the highest paid screenwriter (male or female) and the first to win 2 Oscars.  Yet, she fails to appear in film history books, which continue to regurgitate the myth that male directors did it all – even though it’s been proven that the only profitable movies Cecil B. de Mille ever directed were all written by Jeannie Macpherson film ever won for Best Picture was written by Robert E. Sherwood (who people have heard of, mostly due to his connection to Dorothy Parker) and Joan Harrison.


Buy a signed copy of when Women Wrote Hollywood

…or via Amazon…

Paperback Edition | Kindle Edition | Google Play Edition

* A portion of each sale from Amazon.com directly supports our blogs
** Many of these books may be available from your local library. Check it out!
† Available from the LA Public Library

15 More On Pat Murphy from The Sisterhood of Science Fiction – Dr. Rosanne Welch [Video] (25 seconds)

Watch this entire presentation

The Sisterhood of Science Fiction: A Walk Through Some Writers and Characters You (Should) Know And Love

15 More On Pat Murphy from The Sisterhood of Science Fiction - Dr. Rosanne Welch

 

This one allowed me to riff on some of my favorite female science fiction writers across time, whether they be novelists or television writers. It also opened up a good conversation on what art we support and include in our lives – and what that art says to us and about us. — Rosanne

Transcript:

So and this is a really brilliant interesting book because basically, she’s talking about Indiana Jones — that character — what if someone who did that archaeological work could commune with the spirit of the people who own the things that you’re digging up and what would happen if you could connect to them and learn about their world? I think that’s it’s a really fascinating book and written by Pat Murphy, which is pretty cool.

Winner of the Nebula Award: “A lovely and literate exploration of the dark moment where myth and science meet” (Samuel R. Delany).

When night falls over the Yucatan, the archaeologists lay down their tools. But while her colleagues relax, Elizabeth Butler searches for shadows. A famous scientist with a reputation for eccentricity, she carries a strange secret. Where others see nothing but dirt and bones and fragments of pottery, Elizabeth sees shades of the men and women who walked this ground thousands of years before. She can speak to the past—and the past is beginning to speak back.

As Elizabeth communes with ghosts, the daughter she abandoned flies to Mexico hoping for a reunion. She finds a mother embroiled in the supernatural, on a quest for the true reason for the Mayans’ disappearance. To dig up the truth, the archaeologist who talks to the dead must learn a far more difficult skill: speaking to her daughter.



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