On Screenwriting and Media with Dr. Rosanne Welch – Page 173

29 Bill Potts and Women Saving The Doctor from Gender Diversity in the Who-niverse [Video] (0:42)

Watch this entire presentation: Gender Diversity in the Who-niverse: Paving the Way for a Lady Doctor with Dr. Rosanne Welch [Video] (36:58)

For her 5th Doctor Who lecture to the CPP community, Dr. Rosanne Welch discusses how society – and the show’s writing staff – prepared the audience for a major change in this 50-year franchise – the creation of the first Lady Doctor!

Transcript:

Then finally we ended with the Peter Capaldi era — we ended with Bil Potts, who had the strength — probably spoilers. If you don’t watch the show — you have to watch the show. She ends up being converted into a Cyberman, but she doesn’t — she’s the only person to have that happen to her who doesn’t lose her own humanity. She knows who she is and that isn’t supposed to happen when you’re converted right? Then you/re just a talking robot and nobody cares. So that’s how strong she is. She maintains her humanity in the face of that. So, we’ve had a ton of strong women. A ton of strong women across the years. Busting that gender stereotype that women need to be saved. On Doctor Who mostly women are helping save the day and save him.

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Rosanne Welch, PhD

Rosanne Welch PhD teaches the History of Screenwriting and One-Hour Drama for the Stephens College MFA in Screenwriting.

Writing/producing credits include Beverly Hills 90210, Picket Fences, ABCNEWS: Nightline and Touched by an Angel. In 2016 she published the book Why The Monkees Matter: Teenagers, Television and American Pop; co-edited Women in American History: A Social, Political, and Cultural Encyclopedia; and placed “Transmitting Culture Transnationally Via the Characterization of Parents in Police Procedurals” in the New Review of Film and Television Studies. Essays appear in Torchwood Declassified: Investigating Mainstream Cult Television and Doctor Who and Race: An Anthology. Welch serves as Book Reviews editor for Journal of Screenwriting and on the Editorial Advisory Board for Written By magazine, the magazine of the Writers Guild.

Watch Dr. Welch’s talk “The Importance of Having a Female Voice in the Room” at the 2016 TEDxCPP.

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Our “Award Winning” Women in American History: A Social, Political, and Cultural Encyclopedia and Document Collection

I’m not one for printed catalogs much these days (to save trees if nothing else) but it was fun when the new ABC-Clio catalog appeared in my mailbox. That’s because it lists the Women in American History: A Social, Political, and Cultural Encyclopedia and Document Collection that I co-edited with Peg Lamphier in this catalog. More importantly, it has the happy “Award Winning” banner on its page thanks to our 4 volume set being gamed to the 2018 Outstanding References Sources List, by the Reference and User Services Association (RUSA), a division of the American Library Association.

Nice to have the right to use the phrase ‘Award-Winning” about my own work.

Why (and How) I Created a History of Screenwriting Course and NOT a History of Film Course with Rosanne Welch, Ph.D [Video] (17:15)

Here is my recent presentation at the 11th Annual Screenwriting Research Network conference. Held on the campus of the beautiful Università Cattolica del Sacro Cuore in Milan.

In the presentation, I covered the reasons writers have been marginalized – and the reasons they oughtn’t to be so disrespected. Then I talked about how my course works, what books I assign, what guest speakers I invite, what research the students do – and ended on a high note by introducing ‘When Women Wrote Hollywood’ – the book of essays from our inaugural class which has now been published by McFarland.

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“When Women Wrote Hollywood” Book Signing at the Citizen Jane Film Festival

Just booked my tickets for Citizen Jane – so excited to see students do their Research Paper presentations, to experience the whole festival (Agnes Varda’s ‘Faces/Places’ was my fav film last year) and, of course, to attend the Columbia launch of our book!

Charlotte’s Web in Italian via Instagram

I came across an Italian version of “Charlotte’s Web” and had to share it with Orazio for his daughter, Carlotta, which you can probably guess, is the Italian version of Charlotte.

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** Many of these books may be available from your local library. Check it out!
† Books available at the LA Public Library

When Women Wrote Hollywood – 27 in a series – “Dr. Jekyll and Mr. Hyde” (1920), Wr: Clara Beranger

To highlight the wonderful yet largely forgotten work of a collection of female screenwriters from the early years of Hollywood (and as a companion to the book, When Women Wrote Hollywood) we will be posting quick bits about the many films they wrote along with links to further information and clips from their works which are still accessible online. Take a few moments once or twice a week to become familiar with their names and their stories. I think you’ll be surprised at how much bold material these writers tackled at the birth of this new medium. — Rosanne Welch

When Women Wrote Hollywood – 27 in a series – “Dr. Jekyll and Mr. Hyde” (1920), Wr: Clara Beranger

Dr. Jekyll and Mr. Hyde is a 1920 horror silent film, produced by Famous Players-Lasky and released through Paramount/Artcraft. The film is based upon Robert Louis Stevenson’s novella The Strange Case of Dr Jekyll and Mr Hyde and starring actor John Barrymore.

The film was directed by John S. Robertson and co-starred Nita Naldi. The scenario was by Clara Beranger and the film is now in the public domain.

Dr. Jekyll, a kind and charitable man, believes that everyone has two sides, one good and one evil, otherwise considered a split personality. Using a potion that he concocted, Dr. Jekykll becomes Mr. Hyde, creating havoc throughout his town.[1][2]

The early part of Jekyll’s initial transformation into Hyde was achieved with no makeup, instead relying solely on Barrymore’s ability to contort his face.[4] In one scene, as Hyde reverts to Jekyll, one of Hyde’s prosthetic fingers can be seen to fly across the screen, having been shaken loose by Barrymore’s convulsions. The character of Millicent Carew does not appear in Stevenson’s original story, but in the 1887 stage version by Thomas Russell Sullivan starring Richard Mansfield. This 1920 film version used the play’s concept of Jekyll being engaged to Carew’s daughter, and Hyde beginning a dalliance with a dance-hall girl. — Wikipedia

Watch Dr. Jekyll and Mr. Hyde

More about Dr. Jekyll and Mr Hyde (1920)

More about Clare Beranger

Buy a signed copy of when Women Wrote Hollywood

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* A portion of each sale from Amazon.com directly supports our blogs
** Many of these books may be available from your local library. Check it out!
† Available from the LA Public Library

Quotes from When Women Wrote Hollywood – 5 in a series – Satirizing sex and love

“Best known for writing ‘Gentlemen Prefer Blondes’, Anita Loos is a great American author, playwright, and screenwriter. In the silent era, Loos shaped the integral role that intertitles played, and is known for her title work for some of the most acclaimed of movies of the day. She was a master of satirizing sex and love, and was capable of writing rich, multi-faceted females who drove the action in their films.”

Anita Loos: A Girl Like Her

Toni Anita Hull

Buy a signed copy of when Women Write Hollywood

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* A portion of each sale from Amazon.com directly supports our blogs
** Many of these books may be available from your local library. Check it out!
† Available from the LA Public Library

New Essay in Outside In: OUTSIDE IN TAKES A STAB: 139 New Perspectives on 139 Buffy Stories by 139 Writers – Pre-Order – Available Nov 2, 2018

I was given the grand job of writing about HUSH for this collection – so I published my Buffy 4-act structure lecture, which they found unique and which I continue to use as an opening lecture to each of my one-hour drama classes every semester. — Rosanne

OUTSIDE IN TAKES A STAB: 139 New Perspectives on 139 Buffy Stories by 139 Writers

This item will be released on November 2, 2018.Celebrating over 25 years of Buffy the Vampire Slayer, OUTSIDE IN TAKES A STAB is a collection of 139 reviews, one for every story of the television series, plus the movie and a couple extras. Featuring contributions from Susanne Lambdin, Jill Sherwin, Rosanne Welch, Keith R.A. DeCandido, Robert Greenberger, Rich Handley, David A. McIntee, and over a hundred more!

Pre-order Today!

From The Research Vault: Zilch: The Podcast Full of The Monkees – Final Entry In This Series

Receive on-going info about “Why The Monkees Matter” book and more!

Why The Monkees Matter: Teenagers, Television and American Pop Culture

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* A portion of each sale from Amazon.com directly supports our blogs
** Many of these books may be available from your local library. Check it out!
† Available from the LA Public Library

“When Women Wrote Hollywood” is at the Citizen Jane Film Festival – November 1-4, 2018, Columbia, Missouri

When Women Wrote Hollywood is a collection of 23 essays focused on the lives of female screenwriters of Golden Age Hollywood.

Celebrate the work of these female screenwriters by meeting the authors!

Buy the book, listen to the authors share about their subjects, and get your book signed!

* Citizen Jane Film Festival Badge Not Required – This is a FREE Event!

Join the “When Women Wrote Hollywood” Facebook Event

Buy a signed copy of when Women Wrote Hollywood

Paperback Edition | Kindle Edition | Google Play Edition

* A portion of each sale from Amazon.com directly supports our blogs
** Many of these books may be available from your local library. Check it out!
† Available from the LA Public Library