show – On Screenwriting and Media with Dr. Rosanne Welch

Drs. Rosanne Welch and Sarah Clark discuss The Monkees “Monkee Chow Mein” episode on the Zilch Podcast’s Monkees 101 Series [Audio]

My co-host, Dr. Sarah Clark and I usually host a segment on Zilch: A Monkees Podcast where we break down episodes of The Monkees in terms of history and popular culture of the time in which is was written, filmed and aired.

For this episode, however, we tackled the problem with an episode we consider to be a sad outlier to the usual mix of positive energy and creativity. The title alone will tell you the problem with the episode – Monkee Chow Mein. Sadly, against the show’s youthful promise to celebrate how “we’re too busy singing to put anybody down” the title tells you laughs were wrung from doing exactly that so in this discussion Dr. Clark and I try to understand how that happened.

Monkees News and “We need to talk about monkee chow mein”. Farewell tour, it looks like this is it.

Dolenz Sings Nesmith, a collection of songs featuring Micky paying tribute to the songbook of Michael Nesmith.

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Get Rosanne’s Monkees Book – Why The Monkees Matter!

Drs. Rosanne Welch and Dr. Sarah Clark discuss The Monkees “I’ve Got a Little Song Here” episode on the Zilch Podcast’s Monkees 101 Series [Audio]

In the latest installment of Monkees 101 – a segment of the Zilch: A Monkees Podcast which I co-host with Dr. Sarah Clark. We’re covering all 58 episodes of the show one at a time.

In this show we analyze “I’ve Got a Little Song Here” (written by the amazing, future Emmy-winning Treva Silverman), which aired November 28, 1966.

In the story Mike writes a new song, but the publishing company he tries to sell it to tries to rip him off and his musician pals come to his rescue. Lots of fun meta-moments for all the cast.

The Zilch Staff drops Tour News AND the “Dolenz Sings Nesmith” track lists before a double-header episode! First up Sarah talks to Nashville musician Walter Cherry about his ambitious 5(!) album Monkees cover project, and then it’s time for Monkees 101! Sarah and Rosanne talk I’ve Got a Little Song here, which aired November 28, 1966. Mike writes a new song, but the publishing company he tries to sell it to tries to rip him off.

Aired 3/22/21

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Drs. Rosanne Welch and Sarah Clark discuss The Monkees “Monkees A La Carte” episode on the Zilch Podcast’s Monkees 101 Series [Audio]

It’s time for another Monkees 101, co-hosted by myself and Dr. Sarah Clark on the Zilch podcast. This time we discuss and debate “Monkees A La Carte” where the show spoofs all the classic gangster characters. I always enjoy chatting with Dr. Clark since she’s the Monkees music uber fan to match my TV show uber fan-ness – all with a dash of the kind of research we both do in our day gigs as professors!

Zilch & The PTFB Team, Sarah Clark, and Tim Powers are co-hosting a Stranger Things Have Happened Zoom Listening Party on FEBRUARY 13 AT 4:00 Eastern, featuring appearances by Glenn Gretlund, Mark Kleiner, James Lee Stanley, and others!

After Tim and Sarah plug the listening party (and get a little silly), Sarah and Rosanne discuss “Monkees a la Carte, which aired November 21, 1966. “A gangster has taken over the boys’ favorite Italian restaurant, so they disguise themselves as The Purple Flower Gang.”

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Listen to the latest “How I Wrote That” Podcast with Screenwriter Dawn Comer Jefferson from Our Friend Martin, and South of Nowhere

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Dawn Comer Jefferson is an Emmy-nominated, award-winning writer. On television, Comer Jefferson wrote on the CBS family drama Judging Amy, served as writer/consulting producer on MTV’s teen drama, South of Nowhere, freelanced on the CBS hit NCIS, and developed a drama pilot at NBC Universal Studios. She was nominated for an Emmy for writing the Fox-animated family film, Our Friend, Martin, and for the last nine years has written Emmy-winning arts programming for PBS, performed at the Walt Disney Concert Hall and the Dorothy Chandler Pavilion.

As a non-fiction writer, Comer Jefferson has written about children, families and public policy issues for national print and online media including Garnet News, Working Mother, Fit Pregnancy Magazine and MomsRising, and her essays have been featured in the anthologies A Woman Alone (Seal Press) and Go Girl (Eighth Mountain Press). She adapted, produced and directed the eight-part NPR radio series adaptation of the biography Maggie’s American Dream, co-wrote the nonfiction book Three Ring Circus: How Real Couples Balance Marriage, Work, and Family, and the African American historical children’s fiction, The Promise. Visit her website.

“My first piece of advice is to recognize that you are a writer and a storyteller. A lot of people are hesitant to own that yet you really need to be in that mind space. And then remember that your first draft is not your only draft. There are probably 15 or 16 more and you’re not really done until your done… and even then, you’re not done.“

-Dawn Comer Jefferson

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38 Elaine May from “When Women Wrote Hollywood” with Dr. Rosanne Welch [Video] (53 seconds)

Part of the California State University, Fullerton Faculty Noon Time Talks at the Pollak Library.

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Transcript:

Elaine May is another name that’s fallen out of history and shouldn’t. Now we’re in the 70s. Elaine I think is a brilliant writer. Heaven Can Wait wouldn’t be what it was. Warren Beatty got tons of focus for that but she wrote it. She came out of doing nightclub things with Mike Nichols. They were Nichols in May and they wrote all their routines. It was like a traveling SNL sketch. You probably still know who Mike Nichols is, but Elaine May has fallen out of history because at a certain point she started directing. Which is cool, but she directed a movie called Ishtar which lost a ton of money and she was never given a directing job again. I can name you many a man who has directed a film that lost a ton of money and somehow they still got a second and a third and a fourth job. Elaine Mae was never given the right to direct a film again. Her writing is brilliant and as you know she still continued writing she did Primary Colors.

Dr. Rosanne Welch discusses the women in her new book “When Women Wrote Hollywood” which covers female screenwriters from the Silents through the early 1940s when women wrote over 50% of films and Frances Marion was the highest paid screenwriter (male or female) and the first to win 2 Oscars. Yet, she fails to appear in film history books, which continue to regurgitate the myth that male directors did it all – even though it’s been proven that the only profitable movies Cecil B. de Mille ever directed were all written by Jeannie Macpherson film ever won for Best Picture was written by Robert E. Sherwood (who people have heard of, mostly due to his connection to Dorothy Parker) and Joan Harrison.

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