writing – On Screenwriting and Media with Dr. Rosanne Welch

Writing Successful Films into her 60s? Zelda Sears Did It! – Dr. Rosanne Welch, Script Magazine, February 2025

In the decade between 1924 and 1934 Zelda Sears earned credits on over 27 films for everything from having one of her plays adapted to adapting her own theatrical scripts to writing original scripts directly for the screen.

Born Zelda Paldi in 1873 in Brockway Township, Michigan she made her way to Broadway as an actress first, as many women did – and often still do. Since her father, Justin Lewis Paldi had immigrated from Italy the family spoke three languages in their home – Italian, English, and French. Her ability to write helped the family financially from the time as a 12-year-old when she won an essay contest for a local store. The prize – a job as a runner for the store, her first job. At night, Sears studied secretarial skills which earned her a promotion but when she told the boss she really wanted to be a writer, he shifted her to the other business he owned – a newspaper.

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Meet Beulah Marie Dix: Award-Winning Scholar and Anti-War Novelist Turned Screenwriter – Dr. Rosanne Welch, Script Magazine, January 2025

Born on Christmas Day in 1876 in Massachusetts, Dix and her family lived in various cities around the historic state until she moved to Cambridge, Massachusetts to study English and History at Radcliffe College. There she became the first female to be granted the Sohier Literary Prize, for the best thesis of a Harvard or Radcliffe student. From there it seemed a quick move into the world of writing.

Dix began with books about her favorite subject – the history that surrounded her in Massachusetts. In 1899, at the age of 23, she published Soldier Rigdale: How He Sailed in the Mayflower and How He Served Miles Standish. Her first play, A Rose of Plymouth Town ran for a month in 1902, followed by The Road to Yesterday, which ran for 8 months in 1907. Altogether Dix wrote 18 books and 5 plays before moving into the new world of film.

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Writer, Producer, Agent and Mentor (And Mom to the DeMille Boys) – Dr. Rosanne Welch, Script Magazine, December 2024

The surname DeMille (or de Mille) brings up thoughts of the famous line from Billy Wilder and Raymond Chandler’s Sunset Boulevard “Mr. de Mille, I’m ready for my close up” which references silent screen director Cecil. Perhaps people remember his brother, William, who started as a playwright and became a Hollywood director and joined 3rd wife Clara Beranger in founding the film school at the University of Southern California. And sometimes the surname conjures of memories of Tony Award-winning choreographer Agnes de Mille (daughter of William/granddaughter of Beatrice). From now on it should bring up the writer, producer and mentor who worked frequently in both Broadway and Hollywood – Beatrice DeMille. (From here on out we will call her Beatrice to avoid confusion).

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From Silent Murder Mysteries to Andy Hardy’s Americana, Agnes Christine Johnston Wrote it All – Dr. Rosanne Welch, Script Magazine, November 2024

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My new book chapter in The Works of Shonda Rhimes from Bloomsbury [Book]

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I’m very proud to have a chapter in this new inaugural book in the Screen Storytellers collection covering The Works of Shonda Rhimes. Edited by Anna Weinstein, an Assistant Professor of Screenwriting at Kennesaw State University, the series is designed to do one of my favorite things – bust the outdated ‘auteur’ theory by bringing attention to the writers of the stories we have loved and watched – and rewatched – all our lives.

For this collection, my chapter focuses on how Rhimes’ shows come from the Humanism ideology even moreso than simply a feminist one, though that is what many people think. But Rhimes’ hired Dan Shapiro, chair of the College of Medicine’s humanities department at Penn State Hershey, as a consultant for her first two medical dramas Grey’s Anatomy (2005–) and Private Practice (2007–13). In this way, Rhimes was able to bring the real-world philosophy of medicine to her fictional hospitals, presenting authentic depictions of humanism to her audiences. One of the things I love about research is learning new things about people/shows/events I thought I already knew well.

The other exciting thing about this inaugural book arriving is that I have signed on to edit a similar book on The Works of Susan Harris so this book is my example of what that future project will feel like when it arrives in the mail!

Celebrate the Daring Dialogue of Women Writers with Dr. Rosanne Welch – Screenwriting Research Network Conference 2004, Palacky University, Olomouc, Czechia

With the conference theme “A Conversation Beyond Script,” I decided to use my presentation time to “Celebrate the Daring Dialogue of Women Writers,” which allowed me to introduce the audience to the work of famous female screenwriters, from Anita Loos to Mae West to Lillian Hellman.

Then I delved into some names lesser-known to our international SRN members because they came from the TV world before the great sharing that streaming has offered us. From Gertrude Berg of The Goldbergs in the 1950s to Susan Harris (Soap, Golden Girls) and Linda Bloodworth Thomason (Designing Women) we covered the progressive (and often controversial) topics they brought to mainstream Americans.

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She Co-Wrote ‘The Maltese Falcon’ But You’ve Never Heard Her Name – Dr. Rosanne Welch, Script Magazine, October 2024

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The Monkees Pad Show – Ep 15- MONKEES MASTER CLASS – Why The Monkees Matter with Rosanne Welch and JoeR [Podcast]

I always say I could talk about The Monkees all day – or at least for an hour, which is what I just had the privilege of doing with Joe Russo of The Monkees Pad on YouTube.

It’s especially fun to talk with folks like Joe, who know The Monkees so well – both the music and the TV show, which is more my specialty. We covered how the show got on the air (thanks to a young Grant Tinker), how so many of their counter-culture jokes made it past the censor, and why the fandom keeps growing across the generations.

If you love The Monkees individually or as a group, and if you love the TV of the 1960s, I hope you enjoy the listen.

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Serial Queen Ruth Ann Baldwin Knew How to Craft a Cliffhanger – Dr. Rosanne Welch, Script Magazine, August 2024

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Our Book, “Civil War on Film” Now As An Affordable Paperback! – Pre-now for August 22, 2024 Release

One of the benefits of the merger between our first publisher – ABC-Clio – and Bloomsbury Publishing is that Bloomsbury is a larger, more international company with more reach. What that means for my co-writer, Peg Lamphier and me is that our book, The Civil War on Film, will be available in paperback with a $26.95 price tag (much more accessible than the hardback version that is $63) on August 22, 2024.

So if you’ve always wanted to read what Peg and I have to say about which Civil War films are the most honestly historical (spoiler alert – it’s Glory) now’s your time to buy a copy! We were so pleased to include chapters on such great films as Friendly Persuasion (1957); Gettysburg (1993); Gangs of New York (2002); Lincoln (2012); and Free State of Jones (2016)

As they move forward they plan to release American Women’s History on Film in paperback as well so stay tuned!

The Civil War on Film at the Bloomsbury Publishing Web Site