Dr. Rosanne Welch – Page 117 – On Screenwriting and Media with Dr. Rosanne Welch

29 A Female Perspective from “When Women Wrote Hollywood” with Dr. Rosanne Welch [Video] (34 seconds)

Part of the California State University, Fullerton Faculty Noon Time Talks at the Pollak Library.

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Transcript:

So we have three women always involved in the original A’Star Is Born”. See anything missing in the current version? Isn’t that interesting and one of the critiques of this current version is that they spend too much time on Bradley Cooper’s character. It becomes the story of the star who is dying not the story of the star who is being born. That’s probably one of the reasons –while it’s making tons of money because Lady Gagas wonderful and they’re good in the film — — critically it didn’t quite work. That, to me is the juice that was missing right? We needed the female perspective.

Dr. Rosanne Welch discusses the women in her new book “When Women Wrote Hollywood” which covers female screenwriters from the Silents through the early 1940s when women wrote over 50% of films and Frances Marion was the highest paid screenwriter (male or female) and the first to win 2 Oscars. Yet, she fails to appear in film history books, which continue to regurgitate the myth that male directors did it all – even though it’s been proven that the only profitable movies Cecil B. de Mille ever directed were all written by Jeannie Macpherson film ever won for Best Picture was written by Robert E. Sherwood (who people have heard of, mostly due to his connection to Dorothy Parker) and Joan Harrison.

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14 Brains, Brawn, And The Monkees from “Why The Monkees Matter: Even 50 Years Later [Video] (55 seconds)

Enjoy This Clip? Watch this entire presentation and Buy Why The Monkees Matter: Teenagers, Television and American Pop Culture

From Denver Pop Culture Con 2019.

Wherever you go, you find Monkees fans and the Denver Popular Culture Con was no different. Amid rooms full of caped crusaders and cosplay creations, I was initially not sure how many folks would attend a talk on a TV show from the 1960s – but happily I was met by a nice, engaged audience for my talk on Why the Monkees Matter – and afterward they bought books! What more could an author ask for?

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Transcript

In this episode , poor Micky wants to go out with this girl and she falls for a big, beefy guy for a while, so he’s trying to get stronger. He’s trying do everything to make her like him. He doesn’t want her because she’s blond and pretty. He wants her because she’s beautiful and brilliant. That’s what makes her an attractive girl to him. That’s the really nice message for young girls right? And in the end the girl dumps him because she meets the boy on the beach who reads Proust and she thinks, “I want a man with a mind.” So only if Micky had done some reading but I think that’s like a creative message and then this episode “Some Like It Lukewarm” is very famous obviously it’s a riff on “Some Like It Hot” but they do a rock band contest and it turns out you have to be a co-ed band. So, of course, Davey has to dress a drag. We find out that the girl band — actually the girl is also dressed as a boy in order to compete. This is actually Dean Martin’s daughter, Deanna Martin, guest starred on the show and became good friends with Davy Jones for many years.

Buy Why The Monkees Matter: Teenagers, Television and American Pop Culture

A hit television show about a fictitious rock band, The Monkees (1966-1968) earned two Emmys–Outstanding Comedy Series and Outstanding Directorial Acheivement in Comedy.

Capitalizing on the show’s success, the actual band formed by the actors, at their peak, sold more albums than The Beatles and The Rolling Stones combined, and set the stage for other musical TV characters from The Partridge Family to Hannah Montana. In the late 1980s, the Monkees began a series of reunion tours that continued into their 50th anniversary.

This book tells the story of The Monkees and how the show changed television, introducing a new generation to the fourth-wall-breaking slapstick created by Laurel and Hardy and the Marx Brothers.

Its creators contributed to the innovative film and television of 1970s with projects like Bob & Carol & Ted & Alice, The Mary Tyler Moore Show, Laugh-In and Welcome Back, Kotter. Immense profits from the show, its music and its merchandising funded the producers’ move into films such as Head, Easy Riderand Five Easy Pieces.

McFarland (Direct from Publisher) | Amazon | Kindle Edition | Nook Edition

Want to use “Why The Monkees Matter” in your classroom?

Order Examination Copies, Library and Campus Bookstore orders directly from McFarland

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From The “When Women Wrote Hollywood Archives: Cecil B. DeMille’s Hollywood by Robert S. Birchard

Months of research went into the creation of the essays in “When Women Wrote Hollywood.” Here are some of the resources used to enlighten today’s film lovers to the female pioneers who helped create it.

Cecil B. DeMille was the most successful filmmaker in early Hollywood history. Cecil B. DeMille’s Hollywood is a detailed and definitive chronicle of the screen work that changed the course of film history and a fascinating look at how movies were actually made in Hollywood’s Golden Age. Drawing extensively on DeMille’s personal archives and other primary sources, Robert S. Birchard offers a revealing portrait of DeMille the filmmaker that goes behind studio gates and beyond DeMille’s legendary persona. In his forty-five-year career DeMille’s box-office record was unsurpassed, and his swaggering style established the public image for movie directors. DeMille had a profound impact on the way movies tell stories and brought greater attention to the elements of decor, lighting, and cinematography. Best remembered today for screen spectacles such as The Ten Commandments and Samson and Delilah , DeMille also created Westerns, realistic “chamber dramas,” and a series of daring and highly influential social comedies. He set the standard for Hollywood filmmakers and demanded absolute devotion to his creative vision from his writers, artists, actors, and technicians.

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Buy “When Women Wrote Hollywood” Today!

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Paperback Edition | Kindle Edition | Google Play Edition

* A portion of each sale from Amazon.com directly supports our blogs
** Many of these books may be available from your local library. Check it out!
† Available from the LA Public Library

26 Margaret Atwood from The Sisterhood of Science Fiction – Dr. Rosanne Welch [Video] (48 seconds)

Watch this entire presentation

The Sisterhood of Science Fiction: A Walk Through Some Writers and Characters You (Should) Know And Love

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This one allowed me to riff on some of my favorite female science fiction writers across time, whether they be novelists or television writers. It also opened up a good conversation on what art we support and include in our lives – and what that art says to us and about us. — Rosanne

Transcript:

Margaret Atwood more people know today than might have a little while ago. She had a book that was read a lot in high school sometimes. Sometimes not. Of course now as an Emmy-winning show on Hulu — The Handmaid’s Tale, which again looking at now issues of misogyny and how society treats women into the future and what could change in the world right? A few laws here. A few laws there change and suddenly people lose rights they used to have. We kind of have to remember in the United States we live by the laws of the Constitution but they can be revoted, right? So women only have the right to vote because we have an amendment. We took prohibition and we undid it and we repealed it. We can repeal any of those amendments. So it is important to think about right who’s in charge because things could change and that’s what she’s discussing there. She wrote that book 35 years ago — 35-40 years ago.

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#MentorMonday 6 – Jennifer Maisel – Stephens College MFA in TV and Screenwriting

Jennifer Maisel (IMDB) is our featured mentor at the Stephens College MFA in TV and Screenwriting for #mentormonday this week!

Jennifer Maisel most recently developed an original pilot called “The 626” with Super Deluxe and adapted two Jane Green novels—Tempting Fate and To Have and to Hold, which aired in June. She currently is working on a two-hour about campus rape and institutional betrayal with Just Singer Entertainment. Her screenplay “Lost Boy” was filmed starring Virginia Madsen. She wrote The Assault and The March Sisters for Mar Vista Entertainment and Double Wedding for Jaffe Braunstein. She has written movies for NBC, ABC, MTV and Lifetime, was a staff writer on the television series Related, wrote a pilot for ABC Family and an animated feature for Disney. Maisel has developed original pilots with Bunim-Murray, Ineffable, Stun Media and MomentumTV and co-created the critically acclaimed web series Faux Baby with Laura Brennan and Rachel Leventhal. The screenplay adaptation of her play The Last Seder won Showtime’s Tony Cox Screenwriting Award, meriting her a month’s stay in a haunted farmhouse at the Nantucket Screenwriter’s Colony. A graduate of Cornell University and NYU’s Dramatic Writing program, Maisel is also an award-winning playwright whose Eight Nights will premiere at Antaeus Theatre in October 2019; the play is currently part of a nationwide event called 8 Nights of Eight Nights, raising funds and awareness for HIAS.

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From The Journal Of Screenwriting V10 Issue 1: Screenwriting for new film mediums: Conceptualizing visual models for interactive storytelling

Highlighting the articles in the past editions of the Journal of Screenwriting, of which I am the Book Reviews Editor. Hopefully these abstracts will entice you to did a little deeper into the history and future of screenwriting. — Rosanne

Screenwriting for new film mediums: Conceptualizing visual models for interactive storytelling
Gwendolyn Ogle

Journal of Screenwriting, Volume 10, Issue 1

This article considers challenges specific to screenwriting for interactive storytelling in new film mediums, and proposes fifteen visual, conceptual models for interactive storytelling. The models are placed on a continuum with increasing degrees of interactivity. Three arguments are posed for the necessity of visual, conceptual models and a review of literature is presented that lends credence to these arguments. Though technology’s ability to provide interaction is an important factor, technology is not the focus of this article. Instead, the focus is on the need for authors to have a voice and a process in this new, interdisciplinary domain of interactive storytelling in new film mediums. The models proposed in this article help establish a common vernacular from which authors, programmers and others can communicate and direct interactive storytelling efforts towards the design of interactive storytelling systems.

The Journal of Screenwriting is an international double-blind peer-reviewed journal that is published three times a year. The journal highlights current academic and professional thinking about the screenplay and intends to promote, stimulate and bring together current research and contemporary debates around the screenplay whilst encouraging groundbreaking research in an international arena. The journal is discursive, critical, rigorous and engages with issues in a dynamic and developing field, linking academic theory to screenwriting practice.

Get your copy and subscription to the Journal of Screenwriting Today!

* A portion of each sale from Amazon.com directly supports our blogs
** Many of these books may be available from your local library. Check it out!

28 Joan Didion and John Gregory Dunne from “When Women Wrote Hollywood” with Dr. Rosanne Welch [Video] (43 seconds)

Part of the California State University, Fullerton Faculty Noon Time Talks at the Pollak Library.

Watch this entire presentation

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* A portion of each sale from Amazon.com directly supports our blogs
** Many of these books may be available from your local library. Check it out!
† Available from the LA Public Library

Subscribe to Rosanne’s Channel and receive notice of each new video!

Transcript:

I love Joan because she also wrote some wonderful novels. This novel was written by her husband, John Gregory Dunn, Living Off The Big Screen. If you want to know anything about how a movie gets made. It took them eight years to make Up Close And Personal. How many rewrites? How many notes from the various Studios. That is the best — it’s a nice slim little book but it walks you through the process of everything that had to do until that movie was finally made. It started out as the story of a famous news anchor who had died of a heroin overdose and Disney wanted to make the movie and one of the notes they got was “Does she have to die in the end?” to which Joan Didion said “Well if she’s not named Jessica Savitch she doesn’t have to” and they changed it and they made it a love story. So there you go, but going through the the gyrations they went through is fascinating.

Buy a signed copy of when Women Wrote Hollywood

Paperback Edition | Kindle Edition | Google Play Edition

* A portion of each sale from Amazon.com directly supports our blogs
** Many of these books may be available from your local library. Check it out!
† Available from the LA Public Library

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Jule Selbo, Stephens College MFA in TV and Screenwriting Program guest lecturer, garners great play reviews

Congratulations to Friend of the Stephens College MFA in TV and Screenwriting Program and frequent guest lecturer Jule Selbo (author of Film Genre for the Screenwriter – the topic on which she’ll lecture this January) for the great reviews her play BOXES has been garnering in its East Coast premiere.

The Good Theater’s production of Jule Selbo’s BOXES offers a taut psychological study of manipulation and longing, misconceptions about self and love, all carefully crafted into a thriller with rapid twists and turns that compels the audience’s attention for its brisk ninety-minutes. The boxes of the title are literal props used in a clinical psychological research study, but they are really metaphors for the constraints that shape our views of selfhood and for the inscrutable containers of dark secrets.

Read BWW Review: Containers of the Mind- East Coast Premiere of BOXES

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* A portion of each sale from Amazon.com directly supports our blogs
** Many of these books may be available from your local library. Check it out!
† Available from the LA Public Library

13 More On Women And The Monkees from “Why The Monkees Matter: Even 50 Years Later [Video] (1 minute)

Enjoy This Clip? Watch this entire presentation and Buy Why The Monkees Matter: Teenagers, Television and American Pop Culture

From Denver Pop Culture Con 2019.

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Transcript

Every girl on the show that we meet — they have a job Jill is in the pilot. She works at the record store. She has a job. She sells records. She understands what the new music is. She’s working with the band trying to get them more attention. She’s a girl of substance. I had no idea. I really thought they’d all be cheerleaders and they’d be bubble heads and I’d be upset. April in The Monkees Get Out More Dirt is — who’s the actress? Julie Newmar from we mostly know from Catwoman from the original Batman. In this episode, all four boys fall for her but what they learn is the way to a woman’s heart is through her mind. So each of them takes on — one learns ballet, one learns classical music, one learns painting. They learn all learn something intellectual to impress her. It’s not about “Look at me. I’m hot. You should like me.” I think that’s adorable. I mean it’s all done in farce and cuteness but underneath it could easily have been cheerleaders — not to insult any cheerleaders in the world but we don’t do them well in the media. We make them out to be not very smart.

Buy Why The Monkees Matter: Teenagers, Television and American Pop Culture

A hit television show about a fictitious rock band, The Monkees (1966-1968) earned two Emmys–Outstanding Comedy Series and Outstanding Directorial Acheivement in Comedy.

Capitalizing on the show’s success, the actual band formed by the actors, at their peak, sold more albums than The Beatles and The Rolling Stones combined, and set the stage for other musical TV characters from The Partridge Family to Hannah Montana. In the late 1980s, the Monkees began a series of reunion tours that continued into their 50th anniversary.

This book tells the story of The Monkees and how the show changed television, introducing a new generation to the fourth-wall-breaking slapstick created by Laurel and Hardy and the Marx Brothers.

Its creators contributed to the innovative film and television of 1970s with projects like Bob & Carol & Ted & Alice, The Mary Tyler Moore Show, Laugh-In and Welcome Back, Kotter. Immense profits from the show, its music and its merchandising funded the producers’ move into films such as Head, Easy Riderand Five Easy Pieces.

McFarland (Direct from Publisher) | Amazon | Kindle Edition | Nook Edition

Want to use “Why The Monkees Matter” in your classroom?

Order Examination Copies, Library and Campus Bookstore orders directly from McFarland

Podcast: Play in new window | Download

Subscribe: RSS