On Screenwriting and Media with Dr. Rosanne Welch
Writing, Film, Television and More!
More on the Monkees: Dell Magazine Monkees Covers via Someday Lady
Why The Monkees Matter: Teenagers, Television and American Pop Culture
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A classic resource on feminist theory, Feminist Thought offers a clear, comprehensive, and incisive introduction to the major traditions of feminist theory, from liberal feminism, radical feminism, and Marxist and socialist feminism to care-focused feminism, psychoanalytic feminism, and ecofeminism. The fifth edition has been thoroughly revised, and now includes a new chapter on Third Wave and Third Space Feminism. Also added to this edition are significantly expanded discussions on women of color feminisms, psychoanalytic and care feminisms, as well as new examinations of queer theory, LGBTQ and trans feminism.Learning tools like end-of-chapter discussion questions and the bibliography make Feminist Thought an essential resource for students and thinkers who want to understand the theoretical origins and complexities of contemporary feminist debates. — Amazon
Why The Monkees Matter: Teenagers, Television and American Pop Culture
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The Ancient Mariner is a 1925 American fantasy-drama silent film based on the popular poem, The Rime of the Ancient by Samuel Taylor Coleridge, first published in 1798.[1] The film was directed by Henry Otto and Chester Bennett, and it was adapted for the screen by Eve Unsell. The film stars Clara Bow, Gladys Brockwell, Nigel De Brulier and was distributed by Fox Film Corporation. The film is presumed to be lost.[2][3]
The official plot synopsis, as provided by the Fox Film Corporation to the copyright registration office and then entered at the Library of Congress:[3][4]
Doris Matthews, a beautiful, innocent young girl, forsakes her sweetheart, Joel Barlowe, in favor of Victor Brant, a wealthy roué. On the night before they are to elope, an old sailor gives Brant a strange potion to drink and then unfolds before his eyes The Rime of the Ancient . Deeply touched by this story about the consequences of the wanton destruction of innocent beauty, Brant leaves without Doris. After some time, he returns and finds to his pained satisfaction that Doris, having overcome her infatuation for him, has again turned her tender attentions toward Joel.
— Fox Film Corporation — Wikipedia
More about The Ancient Mariner
More about Eve Unsell
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Rosanne Welch, PhD, Author of Why The Monkees Matter, presents “How The Monkees Changed Television” at a Cal State Fullerton Lunch Lecture on May 8, 2018.
In this talk, she shows how The Monkees, and specifically their presence on television, set the stage for large changes to come in the late 1960s.
Transcript
This is a song that Mickey’s famous for singing. He wrote it while he was in England. He heard this phrase — Randy Scouse Git — He didn’t know what it meant. He just thought they were funny words. It’s actually — it’s cussing in English. It was from a TV Show that is the TV show that, in America, we based All In The Family on, rights so it was older man yelling at his son-in-law calling him a randy scouse git. Randy means you have too much sex and scouse git are bad words. He just thought they were funny words so he came back and wrote this song, but think about the lyrics…
Why don’t you hate who I hate
Kill who I kill to be freeIf that’s not a Vietnam protest war song I don’t know what is and they got away with singing that on broadcast television in their very trippy hippie clothes. So I couldn’t believe how much they got away with frankly in terms of messages.
Why The Monkees Matter: Teenagers, Television and American Pop Culture
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About Rosanne Welch, PhD
Rosanne Welch, PhD is a writer, producer and university professor with credits that include Beverly Hills 90210, Picket Fences, Touched by an Angel and ABC NEWS/Nightline. Other books include Why The Monkees Matter: Teenagers, Television and American Pop Culture (McFarland, 2017) and Women in American History: A Social, Political, and Cultural Encyclopedia and Document Collection (ABC-CLIO, 2017), named to the 2018 Outstanding References Sources List, by the Reference and User Services Association (RUSA), a division of the American Library Association. Welch has also published chapters in Torchwood Declassified: Investigating Mainstream Cult Television (I.B.Tauris) and The American Civil War on Film and TV: Blue and Gray in Black and White and Color (Lexington Books, 2018) and essays in Doctor Who and Race: An Anthology and Outside In Makes it So, and Outside in Boldly Goes (both edited by Robert Smith). By day she teaches courses on the history of screenwriting and on television writing for the Stephens College MFA in Screenwriting programs. Her talk “The Importance of Having a Female Voice in the Room” at the 2016 TEDxCPP is available on YouTube.
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The Grand Duke gave Filippo one final warning that he was making the move during a particularly tumultuous time in the colonies.
Correspondence between Royals all over Europe crackled with worry about how King George handled the colonies and what other colonies belonging to other empires might learn from the protests then going on in America.
Due to his friendships with Franklin and Adams, and the correspondence he himself had begun with Thomas Jefferson over questions of farming in Virginia, Filippo knew much about the thoughts of the colonists.
From America’s Forgotten Founding Father — Get Your Copy Today!
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Also from the Mentoris Project
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When Women Wrote Hollywood – 14 in a series – Eve Unsell
Eve Unsell (December 6, 1879[1] – July 6, 1937) was an American screenwriter. She wrote for 96 films between 1914 and 1933.[2] She was born in Chicago, Illinois, and died in Hollywood, California. Eve was an American scenarist who was known to also use the pseudonym Oliver W. Geoffreys as well as E.M. Unsell. Eve was married to a man named Lester Blankfield, but the year is disputed. Records list their marriage year as 1911, but it does not match up with other documentation. Eve Unsell was a professional in her career as a scenarist, overcoming many challenges along the way. Eve wrote for over 96 films in her lifetime, and edited over ten. Some of her most famous screen writes turned into productions include Shadows (1922), The Ancient Mariner (1925), The Plastic Age (1925), and The Spirit of Youth (1929). Although she was most famous for her work in scenario writing she can also be given credit as an adapter, company director, editor, play reader, screenwriter, theatre actress, and writer. She helped in the writing of many novels as long as editing many different pieces from literature to theatrical writing. — Wikipedia
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This series will focus on material I found while researching my book, America’s Forgotten Founding Father: A Novel Based on the Life of Filippo Mazzei.
While I only used a portion of my total research, there are a host of little tidbits of information on this amazing man which I wanted to share here. — Rosanne.
I came across his video was I was first doing my research for the book. It only makes sense that someone found Filippo as interesting as I had. Take a look! — Rosanne
More on Mazzei: Ciips from the stage play, Zealous Whig by Paul Manganello (2011)
From the floor of Congress, Mazzei discusses fraternity, the pursuit of happiness, and the year 2011.
From “Zealous Whig”
Written and performed by Paul Manganello
Sound design, lighting design, videography and graphic design: Colin Fulton
Original music: Marc LeMay
Dramatic consultant: Neal Kelley“Zealous Whig” unearths the true story of America’s Italian founding father. Filippo Mazzei came to America in 1773 after meeting Benjamin Franklin in London. He became a close friend, collaborator, and next-door neighbor to Thomas Jefferson, and contributed to the Declaration of Independence. Mazzei returned to Europe in 1783 expecting a US consular post, but was disappointed. He died in obscurity in Pisa in 1816.
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More on the Monkees: Davy Jones Audition (GIF)
Via Little Horror Shop on Tumblr
Why The Monkees Matter: Teenagers, Television and American Pop Culture
McFarland (Direct from Publisher) | Amazon | Kindle Edition | Nook Edition
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This is a great article supporting everything I have been trying to teach in my female-centric MFA History of Screenwriting course, including the idea that these female screenwriters and directors of Early Hollywood were left out of the history books as most of those were written by male historians.
I attempt to correct this in every class and with every research paper I assign – and with our new book of essays When Women Wrote Hollywood: Essays on Female Screenwriters in the Early Film Industry. The article even opens with a quote by Ida May Park taken from the Careers for Women book which essayist Jackie Perez quotes in her full piece on Ida May in our book.
The article concerns “Pioneers: First Women Filmmakers,” a wonderful series that opens Friday in New York City at BAM (Brooklyn Academy of Music) which is being presented with Kino Lorber and the Library of Congress.
“There are tear-splashed melodramas like Alice Guy Blaché’s “The Ocean Waif” (1916), but also slapstick comedies like Mabel Normand’s “Caught in a Cabaret,” starring Charlie Chaplin (1914), and Lois Weber and Phillips Smalley’s thriller “Suspense” (1913). The stories take on love and war as well as poverty (Ida May Park’s 1918 “Bread”); birth control (Weber’s 1916 “Where Are My Children?”); and prostitution (Dorothy Davenport and Walter Lang’s 1925 “The Red Kimona”). One must-see is Marion E. Wong’s “Curse of Quon Gwon: When the Far East Mingles With the West” (1916), thought to be the first feature by a Chinese-American filmmaker. (A chunk is missing but it’s still worth watching.)”
Even if you don’t live in New York to attend the series, you can read all about it – and these marvelous women and their movie-making careers – here:
Thrills, Tears and the Real Gone Girls of Cinema via The New York Times
In the Wild West days of early filmmaking—before Hollywood hardened into an assembly-line behemoth and boys’ club—talented women worked regularly as writers, producers, and directors, instrumental in shaping the very language of cinema as we know it. Nevertheless, figures like Alice Guy Blaché and Lois Weber are known today primarily by aficionados, and artists like Nell Shipman, Grace Cunard, and Marion E. Wong remain woefully obscure. Bringing together dozens of essential new restorations, this series spotlights the daring, innovative, and trailblazing work of the first female filmmakers and restores their centrality to the creation of cinema itself.
Read the entire article – Thrills, Tears and the Real Gone Girls of Cinema via The New York Times
And then order our book here…
Given their advancing years, you’d be forgiven for doubting whether there’ll be much monkeying around.
Yesterday The Monkees announced they would be reforming for a 45th anniversary tour of the UK.
The band, who broke up in 1971, were put together by music executives in 1966 to star in a TV comedy and to be the U.S. answer to The Beatles.
Why The Monkees Matter: Teenagers, Television and American Pop Culture
* A portion of each sale from Amazon.com directly supports our blogs
** Many of these books may be available from your local library. Check it out!
† Available from the LA Public Library
