Why The Monkees Matter: Teenagers, Television and American Pop Culture
Category: Television
06 Barbara Is 1st Strong Female Character from Gender Diversity in the Who-niverse [Video] (0:25)
Watch this entire presentation: Gender Diversity in the Who-niverse: Paving the Way for a Lady Doctor with Dr. Rosanne Welch [Video] (36:58)
![06 Barbara Is 1st Strong Female Character from Gender Diversity in the Who-niverse [Video] (0:25)](https://rosannewelch.com/wp-content/uploads/2018/04/gender-dw-06-barbara.jpeg)
For her 5th Doctor Who lecture to the CPP community, Dr. Rosanne Welch discusses how society – and the show’s writing staff – prepared the audience for a major change in this 50-year franchise – the creation of the first Lady Doctor!
Transcript:
So this was their invention, and I think it’s important to recognize that from the very beginning barbara is not a housewife
She’s not passive. She’s not boring
She’s a teacher who is very excited about these adventures she chooses to go on them
And she learns along the way she often lectures the doctor the older man
About how he should be behaving in the other worlds that they visit so we started with a strong woman. Let’s just remember that
Follow Dr. Welch on Twitter and Instagram
https://twitter.com/rosannewelch – http://instagram.com/drrosannewelch
Dr. Rosanne Welch
Dr. Rosanne Welch teaches the History of Screenwriting and One-Hour Drama for the Stephens College MFA in Screenwriting.
Writing/producing credits include Beverly Hills 90210, Picket Fences, ABCNEWS: Nightline and Touched by an Angel. In 2016 she published the book Why The Monkees Matter: Teenagers, Television and American Pop; co-edited Women in American History: A Social, Political, and Cultural Encyclopedia; and placed “Transmitting Culture Transnationally Via the Characterization of Parents in Police Procedurals” in the New Review of Film and Television Studies. Essays appear in Torchwood Declassified: Investigating Mainstream Cult Television and Doctor Who and Race: An Anthology. Welch serves as Book Reviews editor for Journal of Screenwriting and on the Editorial Advisory Board for Written By magazine, the magazine of the Writers Guild.
Watch Dr. Welch’s talk “The Importance of Having a Female Voice in the Room” at the 2016 TEDxCPP.
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Quotes from “Why The Monkees Matter” by Dr. Rosanne Welch – 95 in a series – TV and The Monkees
** Buy “Why The Monkees Matter” Today **
The television aspect of The Monkees certainly made a difference between the way they and other rock bands of the time experienced their cultural connections. Many straight rock and roll bands of the day hit a peak during production of their original records. Once the radio airplay ended, they faded, only to return as novelty nostalgia acts such as Flo and Eddie of The Turtles in their ‘Happy Together’ tours. Yet critics of the Monkees 2013 and 2014 concert tours found them still vibrant.
from Why The Monkees Matter by Dr. Rosanne Welch — Buy your Copy today!
Why The Monkees Matter: Teenagers, Television and American Pop Culture
McFarland (Direct from Publisher) | Amazon | Kindle Edition | Nook Edition
15 Analyzing Episodes of Gidget from How Gidget Got Into the Girl Ghetto with Dr. Rosanne Welch – SRN Conference 2017
Watch this entire presentation
Transcript:
Also in the episode, she talks about surfing — she eats, drinks and sleeps it. She says to her Dad, you do the same thing. Why should it be wrong that I have something I’m obsessed with being better at and he agrees with her. So, she’s able to debate with her father and they have this very equal relationship which makes me interested. In this particular episode, she brought her Dad to the beach to see what was so good about surfing. he met a girlfriend who is a research chemist. A woman writing the episode makes the woman not only a widow, not some little girly job. She’s a research chemist that he is going to go out with. His last girlfriend was the Dean of Female Students at UCLA. Every woman you meet on this show if the episode is written by a woman is a woman with a substantial career and an interesting person. That fascinates me.
At this year’s 10th Annual Screenwriting Research Network Conference at Otago University in Dunedin, New Zealand I presented…
“How Gidget Got Into the Girl Ghetto by Accident (and How We Can Get Her Out of it): Demoting Gidget: The Little Girl with Big Ideas from Edgy Coming of Age Novel to Babe on the Beach Genre Film via Choices made in the Adaptation Process.”
It’ a long title, as I joke up front, but covers the process of adapting the true life story of Kathy Kohner (nicknamed ‘Gidget’ by the group of male surfers who she spent the summers with in Malibu in the 1950s) into the film and television series that are better remembered than the novel. The novel had been well-received upon publication, even compared to A Catcher in the Rye, but has mistakenly been relegated to the ‘girl ghetto’ of films. Some of the adaptations turned the focus away from the coming of age story of a young woman who gained respect for her talent at a male craft – surfing – and instead turned the focus far too much on Kathy being boy crazy.
Along the way I found interesting comparisons between how female writers treated the main character while adapting the novel and how male writers treated the character.
Dr. Rosanne Welch
Dr. Rosanne Welch teaches the History of Screenwriting and One-Hour Drama for the Stephens College MFA in Screenwriting.
Writing/producing credits include Beverly Hills 90210, Picket Fences, ABCNEWS: Nightline and Touched by an Angel. In 2016 she published the book Why The Monkees Matter: Teenagers, Television and American Pop; co-edited Women in American History: A Social, Political, and Cultural Encyclopedia; and placed “Transmitting Culture Transnationally Via the Characterization of Parents in Police Procedurals” in the New Review of Film and Television Studies. Essays appear in Torchwood Declassified: Investigating Mainstream Cult Television and Doctor Who and Race: An Anthology. Welch serves as Book Reviews editor for Journal of Screenwriting and on the Editorial Advisory Board for Written By magazine, the magazine of the Writers Guild.
Watch Dr. Welch’s talk “The Importance of Having a Female Voice in the Room” at the 2016 TEDxCPP.
The Screenwriting Research Network is a research group consisting of scholars, reflective practitioners and practice-based researchers interested in research on screenwriting. The aim is to rethink the screenplay in relation to its histories, theories, values and creative practices.
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From The Research Vault: Teen Television: Davy Jones Fans Return Love, Support His Horses by Susan Salk
On the passing of Steven Bochco…
On the passing of Steven Bochco I was reminded of the wonderful opportunity I had to interview him for Written By Magazine back in 2010 thanks to the aide of my former boss, Kenny Johnson, who was a former college buddy and lifetime friend of Mr. Bochco. That was the year of the (deservedly) failed re-imagining of The Bionic Woman and talk of film versions of 21 Jump Street and The A Team so I had come up with an article idea to interview the creative geniuses behind the originals.
I emailed Kenny to see if he would sit for the interview, and if he thought his friends the two Steves (Bochco and Cannel) would do the same. He called around and they all said yes. I had only to approach Don Bellisario on my own to fill out the foursome and I was on my way. Funny thing was I had told Kenny about the story idea but admitted I was swamped finishing my PhD so I might not get to it for another few months. Kenny encouraged me to go for it “now” – so I did – and in the course of seeing the article through to publication, Mr. Cannell passed away of cancer only his family and friends knew about – including Kenny. So Kenny had urged me to work in the piece knowing I wouldn’t be able to include Mr. Cannell if I waited too long. The magazine was able to collect letters from writers who had been given their start at the Cannell company and publish a tribute to him alongside my article.
Now we’ve lost Mr. Bochco as well – a man I never had the chance to work with, but whom I have always admired. Even today I rave to my one-hour drama students about “Hearts and Souls” – the NYPD BLUE episode where Jimmy Smits’ character Bobby Simone dies (story by Bochco, David Milch and Bill Clark, teleplay by Nicholas Wootton- and I get tears in my eyes just recounting the story to them all these years later. He truly created what we now call the 2nd Golden Age of Television Drama from Hill Street Blues forward, though NYPD BLUE will always be my favorite.
I still have the book about the making of the show on a list for my MFA students to review — True Blue: The Real Stories Behind NYPD Blue Hardcover by David Milch and Bill Clark. Do yourself a favor and binge watch some of his work this weekend.
Read the entire article – The Class of ‘80
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05 The Origins of Doctor Who from Gender Diversity in the Who-niverse [Video] (0:51)
Watch this entire presentation: Gender Diversity in the Who-niverse: Paving the Way for a Lady Doctor with Dr. Rosanne Welch [Video] (36:58)
![05 The Origins of Doctor Who from Gender Diversity in the Who-niverse [Video] (0:51)](https://rosannewelch.com/wp-content/uploads/2018/04/gender-dw-05-origins.jpeg)
For her 5th Doctor Who lecture to the CPP community, Dr. Rosanne Welch discusses how society – and the show’s writing staff – prepared the audience for a major change in this 50-year franchise – the creation of the first Lady Doctor!
Transcript:
Sydney Newman and Verity, like I said, were the producers who concocted an idea of a show that was meant for children and it as meant to teach children history. So, they invented a character who traveled through time and space — go to various historical events and experience them and it was meant to be a children’s show which is why, if you know old Who, you know that it’s a lot of plastic dinosaurs and goofy, funny-looking creatures and it’s not very scary. it’s much funnier than it is scary and that’s fine. That was the style of program that it was. Right? So these guys came up with it. William Hartnell was the first Doctor. He was meant to be a grandfatherly type. A wise gentleman who travels through space and time with this granddaughter, Susan, and then Barbara and Ian are her teachers who accidentally wander into the spaceship one day and ended up going on these adventures.
Follow Dr. Welch on Twitter and Instagram
https://twitter.com/rosannewelch – http://instagram.com/drrosannewelch
Dr. Rosanne Welch
Dr. Rosanne Welch teaches the History of Screenwriting and One-Hour Drama for the Stephens College MFA in Screenwriting.
Writing/producing credits include Beverly Hills 90210, Picket Fences, ABCNEWS: Nightline and Touched by an Angel. In 2016 she published the book Why The Monkees Matter: Teenagers, Television and American Pop; co-edited Women in American History: A Social, Political, and Cultural Encyclopedia; and placed “Transmitting Culture Transnationally Via the Characterization of Parents in Police Procedurals” in the New Review of Film and Television Studies. Essays appear in Torchwood Declassified: Investigating Mainstream Cult Television and Doctor Who and Race: An Anthology. Welch serves as Book Reviews editor for Journal of Screenwriting and on the Editorial Advisory Board for Written By magazine, the magazine of the Writers Guild.
Watch Dr. Welch’s talk “The Importance of Having a Female Voice in the Room” at the 2016 TEDxCPP.
Podcast: Play in new window | Download
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Why The Monkees Matter Book discussed on Zilch Podcast #113 A Trip To The Monkees Library!
Why The Monkees Matter Book discussed on Zilch Podcast #113 A Trip To The Monkees Library!
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Why The Monkees Matter Discussion starts at 18:48 in the audio podcast.
Many thanks to my friends at Zilch who posted a new episode called “A TRIP TO THE MONKEES LIBRARY!” where they ranked their favorite books about the Monkees and spent a few fun minutes talking about what they liked about “Why the Monkees Matter” – it was especially fun to hear Sarah recount the fabulous time we spent at the 50th anniversary show in St. Louis, our chance to do a photo op with Micky and Peter afterwards, though she forgot to mention our midnight munch out at the Cracker Barrel next to our hotel.
Why The Monkees Matter: Teenagers, Television and American Pop Culture
McFarland (Direct from Publisher) | Amazon | Kindle Edition | Nook Edition
Visiting Professionals Panel At The Television Academy — The Panel 4
and FollowStudents from @tennstateu and @uofmichigan came to our campus as part of a week-long industry immersion course. These students are pursuing careers in film and TV production, and the Television Academy Foundation was happy to connect them to professionals in their field!
The Panelists:
Dr. Rosanne Welch,Tony Carey (The Sopranos, The Riches, Just Shoot Me), Tiffany Boone (The Chi, The Following, Beautiful Creatures) and Chad L. Coleman (The Wire, Walking Dead, The Expanse) as part of the Television Academy’s Visiting Professionals Program.
More photos coming soon!
@tiffmonet, Performer
@chadlcoleman, Performer
@drrosannewelch, Writer
@tonycarey68, Production Manager
14 Gendered Writing and Gidget from How Gidget Got Into the Girl Ghetto with Dr. Rosanne Welch – SRN Conference 2017
Watch this entire presentation
Transcript:
Now we think about the gendered writing that happened. In this case, an episode written by Irma Kalish who is very famous and Auston who was her husband at the time. This whole thing focuses on her having to a write a paper. She’s not doing well until she writes about what she knows, which is surfing and when she does that she actually gets the A she needs in the class. She’s very interested in her grades. She’s not a fluffy, superficial girl. She wants good grades. She wants to go to college. She takes her work seriously and that impressed me. I also think there is a little genre I want to do some studies on eventually — How many movies actually are the story of writers finding their own voice. The Little Women stories are really not about little girls playing in their house in New England. It’s about one woman discovering her voice with the successful telling of her family’s stories. I think there are a million films and stories that end up being about writers finding their voice so, you know, we are writing about what we know all the time.
At this year’s 10th Annual Screenwriting Research Network Conference at Otago University in Dunedin, New Zealand I presented…
“How Gidget Got Into the Girl Ghetto by Accident (and How We Can Get Her Out of it): Demoting Gidget: The Little Girl with Big Ideas from Edgy Coming of Age Novel to Babe on the Beach Genre Film via Choices made in the Adaptation Process.”
It’ a long title, as I joke up front, but covers the process of adapting the true life story of Kathy Kohner (nicknamed ‘Gidget’ by the group of male surfers who she spent the summers with in Malibu in the 1950s) into the film and television series that are better remembered than the novel. The novel had been well-received upon publication, even compared to A Catcher in the Rye, but has mistakenly been relegated to the ‘girl ghetto’ of films. Some of the adaptations turned the focus away from the coming of age story of a young woman who gained respect for her talent at a male craft – surfing – and instead turned the focus far too much on Kathy being boy crazy.
Along the way I found interesting comparisons between how female writers treated the main character while adapting the novel and how male writers treated the character.
Dr. Rosanne Welch
Dr. Rosanne Welch teaches the History of Screenwriting and One-Hour Drama for the Stephens College MFA in Screenwriting.
Writing/producing credits include Beverly Hills 90210, Picket Fences, ABCNEWS: Nightline and Touched by an Angel. In 2016 she published the book Why The Monkees Matter: Teenagers, Television and American Pop; co-edited Women in American History: A Social, Political, and Cultural Encyclopedia; and placed “Transmitting Culture Transnationally Via the Characterization of Parents in Police Procedurals” in the New Review of Film and Television Studies. Essays appear in Torchwood Declassified: Investigating Mainstream Cult Television and Doctor Who and Race: An Anthology. Welch serves as Book Reviews editor for Journal of Screenwriting and on the Editorial Advisory Board for Written By magazine, the magazine of the Writers Guild.
Watch Dr. Welch’s talk “The Importance of Having a Female Voice in the Room” at the 2016 TEDxCPP.
The Screenwriting Research Network is a research group consisting of scholars, reflective practitioners and practice-based researchers interested in research on screenwriting. The aim is to rethink the screenplay in relation to its histories, theories, values and creative practices.
Podcast: Play in new window | Download
Subscribe: RSS