Running Down the Rabbit Hole of Research, Dr. Rosanne Welch

Running Down the Rabbit Hole of Research

Silents were golden.It’s always fun to fall into the rabbit hole of research. It always teaches me new things about other eras, along with reminding me that one of the ways women disappear in history. They change their names, making it harder and harder to find them. I was reminded of this as I was writing a column on novelist turned silent screenwriter Beaulah Marie Dix. In one of many short bits about her online, I found mention of daughter Evelyn Flebbe Scott on the very helpful Women Film Pioneers Project. There, I also found that Evelyn had herself become “an industry writer” and had written a Hollywood memoir, Hollywood When Silents Were Golden (Internet Archive) that can also be ordered from the Los Angeles Public Library.

An online search for Evelyn Scott led to a southern novelist – Evelyn Scott (born Elsie Dunn) – so not the Evelyn Scott I was researching. Luckily, I had my Evelyn Scott’s father’s name, so I added the Flebbe to the search, and that’s when Evelyn Flebbe Scott came up on Goodreads as the author of 2 children’s books + the aforementioned memoir. It also gave the next tidbit, giving me her father’s profession: “was the daughter of screenwriter/author Beulah Marie Dix and book importer Georg Heinrich Flebbe” along with the explanation of where ‘Scott’ came from: “She married film editor David Scott in 1935” AND, the confirmation that “Evelyn F. Scott worked for decades in Hollywood as a story editor at MGM.

Allisonsladother00dixbiala 0005.Then, in looking up a tiny smidgen of a clue on IMDB – that she had a play that “the Technicolor Corporation to be adapted as one of their Great Events short color film series” I searched the play’s title Allison’s Lad in IBDB, the Internet Broadway Database – it wasn’t listed. So I broadened to a larger search and found it listed on a new fun site: The Unknown Playwrights site “Where unknown playwrights become known”.

There I learned that “Dix had a thing for history and wars” and the one-act “is set during the bloodletting known as The English Civil War” and “appears in a volume of one-acts set entirely during wartime.” Their Link Heaven took me to the Internet Archive where a printed copy of the play had been scanned.

Now I need to read some books on the MGM scenario department to see if Evelyn worked with Kate Corbaley, the famous head of the story department at MGM in the 1930s, who you can read more about here – How Kate Corbaley, Powerful Reader at MGM in the 1930s, Paved the Way for Today’s Hollywood Literary Scouts.

That’s a tiny example of the rabbit hole of research one can hop into and like Alice in Wonderland, find oneself racing through all sorts of interesting eras and fascinating lives.

Writer, Producer, Agent and Mentor (And Mom to the DeMille Boys) – Dr. Rosanne Welch, Script Magazine, December 2024

 

Writer, Producer, Agent and Mentor (And Mom to the DeMille Boys)

The surname DeMille (or de Mille) brings up thoughts of the famous line from Billy Wilder and Raymond Chandler’s Sunset Boulevard “Mr. de Mille, I’m ready for my close up” which references silent screen director Cecil. Perhaps people remember his brother, William, who started as a playwright and became a Hollywood director and joined 3rd wife Clara Beranger in founding the film school at the University of Southern California. And sometimes the surname conjures of memories of Tony Award-winning choreographer Agnes de Mille (daughter of William/granddaughter of Beatrice). From now on it should bring up the writer, producer and mentor who worked frequently in both Broadway and Hollywood – Beatrice DeMille. (From here on out we will call her Beatrice to avoid confusion).

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When Women Wrote Hollywood

 

From Silent Murder Mysteries to Andy Hardy’s Americana, Agnes Christine Johnston Wrote it All – Dr. Rosanne Welch, Script Magazine, November 2024

From Silent Murder Mysteries to Andy Hardy’s Americana, Agnes Christine Johnston Wrote it All – Dr. Rosanne Welch, Script Magazine, November 2024

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When Women Wrote Hollywood

 

Save 35% on McFarland Books – One of My Publishers is offering a 35% Discount on Their Catalog This Week!

Save 35% on McFarland Books – One of My Publishers is offering a 35% Discount on Their Catalog This Week!

Along with your other holiday shopping over this Thanksgiving weekend, I’m happy to pass along this lovely discount from McFarland Publishing, the fine folks who published two of my favorite books:

Why The Monkees Matter: Teenagers, Television and American Pop Culture

AND

When Women Wrote Hollywood: Essays on Female Screenwriters in the Early Film Industry

Direct from the McFarland site, From now through December 2, they are offering a full 35% off ALL of their titles with coupon code HOLIDAY24 at checkout.

See the entire McFarland Catalog

You can buy one of my books — or any other cool pop culture book you find — for yourself or anyone else on your gift list this year. 

Happy Holidays!

My new book chapter in The Works of Shonda Rhimes from Bloomsbury [Book]

Rosanne announces her book chapter in The Works of Shonda Rhimes from Bloomsbury [

Order from Bloomsbury | Amazon | Bookshop.org

I’m very proud to have a chapter in this new inaugural book in the Screen Storytellers collection covering The Works of Shonda Rhimes. Edited by Anna Weinstein, an Assistant Professor of Screenwriting at Kennesaw State University, the series is designed to do one of my favorite things – bust the outdated ‘auteur’ theory by bringing attention to the writers of the stories we have loved and watched – and rewatched – all our lives. 

For this collection, my chapter focuses on how Rhimes’ shows come from the Humanism ideology even moreso than simply a feminist one, though that is what many people think. But Rhimes’ hired Dan Shapiro, chair of the College of Medicine’s humanities department at Penn State Hershey, as a consultant for her first two medical dramas Grey’s Anatomy (2005–) and Private Practice (2007–13). In this way, Rhimes was able to bring the real-world philosophy of medicine to her fictional hospitals, presenting authentic depictions of humanism to her audiences. One of the things I love about research is learning new things about people/shows/events I thought I already knew well.

The other exciting thing about this inaugural book arriving is that I have signed on to edit a similar book on The Works of Susan Harris so this book is my example of what that future project will feel like when it arrives in the mail!

 

She Co-Wrote ‘The Maltese Falcon’ But You’ve Never Heard Her Name – Dr. Rosanne Welch, Script Magazine, October 2024

She Co-Wrote 'The Maltese Falcon' But You’ve Never Heard Her Name – Dr. Rosanne Welch, Script Magazine, October 2024

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“Writing Females in Leadership Roles” WGA Panel Now Online [Video]

Since there’s been so much talk this week about mothers being proud of their highly accomplished children it’s a wonderful week to share the link to the latest Writers Guild Foundation panel co-sponsored by the Stephens College MFA in TV and Screenwriting covering the topic of “Writing Females in Leadership Roles”.

Wgaf female characters.

Moderated by our Executive Director Dr. Rosanne Welch the panel includes three writers from shows that celebrate female leaders from the real-life 23-year-old Miep Gies who hid Anne Frank’s family to real-life First Ladies Eleanor Roosevelt, Michelle Obama, and Betty Ford to the fictional female leaders of Station 19. Many thanks to Joan Rater (A Small Light), Zora Bikangaga (The First Lady), and especially to our Stephens College MFA alum Alexandra Fernandez (Station 19) for joining us to discuss everything from our childhood role models of female leadership (mostly moms and aunties) to the traits we expect to see in our leaders, to the nuts and bolts of working in a television writers room.

 

Serial Queen Ruth Ann Baldwin Knew How to Craft a Cliffhanger – Dr. Rosanne Welch, Script Magazine, August 2024

Scriptmag 202408.

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Learning More from Derry Girls Than Merely More Irish Slang

Learning More from Derry Girls Than Merely More Irish Slang

If you haven’t yet watched Derry Girls you have to – This trailer to the first season shows the brilliance of creator Lisa McGee, who wrote ALL 3 seasons worth of episodes herself (much like Susan Harris wrote many of her early season shows herself to cement the tone and style). 

I don’t always agree with the idea of no writers room – writers rooms have a deeply important purpose – but in this case, her story was SOOOO distinctly of Derry, not even merely of Ireland but completely from her own home town and her own time period as a teen in that town, that I understand. In essence, she wrote an 20 hour movie broken up into 3 seasons of 8 half hour episodes apiece.

So like a loooong film, what the trailer can’t yet show is the wonderful arcs of each of these young women who by the Season 3 series finale (not a spoiler alert since I’m not telling you what they decide) must decide how to vote on the Good Friday Agreement. 

In 2022 the New Yorker had this great interview with McGee:

The house where Lisa McGee grew up, in Derry, in Northern Ireland, sits on the bank of the River Foyle, near a largely Catholic neighborhood known as the Bogside. In 1969, the Bogside was the site of a three-day conflict. Residents hurled projectiles and petrol bombs; they were met with tear gas and batons. The violence spread to other cities and towns, and ultimately resulted in hundreds of injuries and a number of deaths. British troops were called in to Derry—the beginning of a long-term military operation. The conflict, known as the Battle of the Bogside, marked what many would call the start of the Troubles, which dominated Northern Irish politics for roughly three decades. In 1972, violence flared in the Bogside again. More than a dozen civilians were killed by soldiers in a massacre known as Bloody Sunday.

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Tidbits with great points for writers (aspiring and published/produced because writers are always learning) include:

Write what you’re afraid of writing: “ “I had said my whole life, ‘I’ll never write about the Troubles,’ ” she told me. “Everything I saw about the Troubles was either the news, or something quite shit that was going on in my actual life.” In films about the period, she didn’t recognize the people. “There were never any jokes. I don’t know any Northern Irish person that isn’t funny,” she said. Lewin, who had been listening to McGee tell stories about her childhood for years, persuaded her to try. “They’re so joyful,” she said.”

AND

Create writerly habits: “She often carries a notebook. “If somebody says something funny, she’ll write it down,” Mallon said. “She might even ask you again, ‘What was that? What did you say?’ She wants to get it right, word for word.” Mallon told me that McGee once heard his father say something about his car—“It stinks of fish in here!”—and borrowed the line years later in “Derry Girls.”

While the show is comical to anyone who has any experience in a Catholic school –that background isn’t required. We all understand coming-of-age and coming-to-love-our-heritage and teenagers and parents dealing with each other. 

But on top of all that viewers outside of Ireland learn about the history of another country and its political turmoil and hear some great discussions about peace and how we’re all a lot more similar than we are different. And that’s what art can do.

Adapting Classic Novels Not the Only Tool in her Kit: Silent Screenwriter Dorothy Farnum – Dr. Rosanne Welch, Script Magazine, July 2024

Adapting Classic Novels Not the Only Tool in her Kit: Silent Screenwriter Dorothy Farnum – Dr. Rosanne Welch, Script Magazine, July 2024

Read Adapting Classic Novels Not the Only Tool in her Kit: Silent Screenwriter Dorothy Farnum 


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