Elisabetta felt one last labor pain and lost consciousness. When she awoke Caterina was placing her new child in her husband Domenico’s arms as he, their two other boys, and his parents, all entered the small bedroom together. It was December 25, 1730.
His loyalty lasted a lifetime… Surgeon, merchant, vintner, and writer Filippo Mazzei influenced American business, politics, and philosophy. Befriending Benjamin Franklin and Thomas Jefferson, Mazzei was a strong liaison for others in Europe. Mazzei was Jefferson’s inspiration for the most famous line in the Declaration of Independence: “All men are created equal.” Clearly, Mazzei had a gift of language and often used his words to share his ideas about religious freedom. Mazzei encouraged other Italians still living overseas to join him in a country rich with opportunity and promise. Often, when returning from Italy, he booked passages on ships for people who desired to travel to America and employed them on his estate—just to ensure a better, more fruitful life for everyone. During those travels, Mazzei found himself at the center of many fights for freedom. He was truly a friend to freedom around the world.
For her 5th Doctor Who lecture to the CPP community, Dr. Rosanne Welch discusses how society – and the show’s writing staff – prepared the audience for a major change in this 50-year franchise – the creation of the first Lady Doctor!
Transcript:
So this is really what allowed the show to make this change. Which is the big, radical, crazy, progressive change which is to have a lady Doctor. That is a big thing that has been in discussion for a little bit so we’re going to kind of trace that to see how males and females have been portrayed across time in the show and then just kind of wrap it out with what Jody represents and where they might take that character. Right? So, hopefully, we’ll all enjoy ourselves. Are we ready? Are we ready? Alright. So we’re talking about this and I couldn’t resist this when I saw it online because we’re thankful;y in a generation where you all are much less wrapped up in these old stereotypes and that’s a beautiful thing. I can’t say as much for my generation. So, I’m happy to see that in yours. So we’re going to see what are some of these things over the years.
Dr. Rosanne Welch teaches the History of Screenwriting and One-Hour Drama for the Stephens College MFA in Screenwriting.
Writing/producing credits include Beverly Hills 90210, Picket Fences, ABCNEWS: Nightline and Touched by an Angel. In 2016 she published the book Why The Monkees Matter: Teenagers, Television and American Pop; co-edited Women in American History: A Social, Political, and Cultural Encyclopedia; and placed “Transmitting Culture Transnationally Via the Characterization of Parents in Police Procedurals” in the New Review of Film and Television Studies. Essays appear in Torchwood Declassified: Investigating Mainstream Cult Television and Doctor Who and Race: An Anthology. Welch serves as Book Reviews editor for Journal of Screenwriting and on the Editorial Advisory Board for Written By magazine, the magazine of the Writers Guild.
To refute the cultural myth that all their peers reviled them in their first incarnation, it appears the opposite was the more true from the very beginning. As a television program, The Monkees won two Emmy Awards in their first season, for Outstanding Comedy Series and for Outstanding Directorial Achievement for a Comedy.
The film centers on the relationship between Lady Mary Loam (Swanson), a British aristocrat, and her butler, Crichton (Meighan). Crichton fancies a romance with Mary, but she disdains him because of his lower social class. When the two and some others are shipwrecked on a deserted island, they are left to fend for themselves in a state of nature.
The aristocrats’ abilities to survive are far worse than those of Crichton, and a role reversal ensues, with the butler becoming a king among the stranded group. Crichton and Mary are about to wed on the island when the group is rescued. Upon returning to Britain, Crichton chooses not to marry Mary; instead, he asks a maid, Tweeny (who was attracted to Crichton throughout the film), to marry him, and the two move to theUnited States. – Wikipedia
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So then we come to the television show, which stars Sally Field. This was her first major job. She’d never done a film or anything large before, so she is the active character in every episode which is the thing that we do in television so maybe that helped Ruth bring the story back to being about Gidget’s decisions. I don’t know, but I am sure that contributed to it and later in her career Flippen is going to write these other “plucky” women. That Girl being the first single woman on television to live without her parents and have a career. We always think about Mary Tyler Moore who did that but it was That Girl who did it first and her career was acting so that wasn’t taken quite seriously but she lived on her own. She supported herself, right? And Bewitched who, of course, had the power of magic and always ended up saving the day for her husband and I would say maybe see the Brady girls had some power in their lives — they brought Davy Jones into their world, so that’s a big deal. So I think it’s interesting that she always wrote female characters that are well remembered.
“How Gidget Got Into the Girl Ghetto by Accident (and How We Can Get Her Out of it): Demoting Gidget: The Little Girl with Big Ideas from Edgy Coming of Age Novel to Babe on the Beach Genre Film via Choices made in the Adaptation Process.”
It’ a long title, as I joke up front, but covers the process of adapting the true life story of Kathy Kohner (nicknamed ‘Gidget’ by the group of male surfers who she spent the summers with in Malibu in the 1950s) into the film and television series that are better remembered than the novel. The novel had been well-received upon publication, even compared to A Catcher in the Rye, but has mistakenly been relegated to the ‘girl ghetto’ of films. Some of the adaptations turned the focus away from the coming of age story of a young woman who gained respect for her talent at a male craft – surfing – and instead turned the focus far too much on Kathy being boy crazy.
Along the way I found interesting comparisons between how female writers treated the main character while adapting the novel and how male writers treated the character.
Dr. Rosanne Welch teaches the History of Screenwriting and One-Hour Drama for the Stephens College MFA in Screenwriting.
Writing/producing credits include Beverly Hills 90210, Picket Fences, ABCNEWS: Nightline and Touched by an Angel. In 2016 she published the book Why The Monkees Matter: Teenagers, Television and American Pop; co-edited Women in American History: A Social, Political, and Cultural Encyclopedia; and placed “Transmitting Culture Transnationally Via the Characterization of Parents in Police Procedurals” in the New Review of Film and Television Studies. Essays appear in Torchwood Declassified: Investigating Mainstream Cult Television and Doctor Who and Race: An Anthology. Welch serves as Book Reviews editor for Journal of Screenwriting and on the Editorial Advisory Board for Written By magazine, the magazine of the Writers Guild.
The Screenwriting Research Network is a research group consisting of scholars, reflective practitioners and practice-based researchers interested in research on screenwriting. The aim is to rethink the screenplay in relation to its histories, theories, values and creative practices.
For her 5th Doctor Who lecture to the CPP community, Dr. Rosanne Welch discusses how society – and the show’s writing staff – prepared the audience for a major change in this 50-year franchise – the creation of the first Lady Doctor!
Transcript:
Whether you know new Who or old Who we’re going to talk about a kind of a combination of both of them and looking particularly at how gender has been portrayed and what I think works on the show and why the show has lasted so long. we all know it started in 1963 and so it survived because, if you don’t know Doctor Who, I imagine you do, but if you don’t writers invented the act of regeneration which was a brilliant idea because in the first few years their lead actor got sick and the whole show was going to have to be cancelled and the writers didn’t want to lose their jobs so they smartly sat around the room and said “How can we save this?” and suddenly somebody — and they don’t remember who it was now — said, “Hey, our lead character’s an alien. How about when he dies he doesn’t really die. He just regenerates into another body and then we can hire another actor and we can all keep our jobs?” and the network was agreeable to that and they did it and of course, as we know, they’ve done it and done it and done it over the years.
Dr. Rosanne Welch teaches the History of Screenwriting and One-Hour Drama for the Stephens College MFA in Screenwriting.
Writing/producing credits include Beverly Hills 90210, Picket Fences, ABCNEWS: Nightline and Touched by an Angel. In 2016 she published the book Why The Monkees Matter: Teenagers, Television and American Pop; co-edited Women in American History: A Social, Political, and Cultural Encyclopedia; and placed “Transmitting Culture Transnationally Via the Characterization of Parents in Police Procedurals” in the New Review of Film and Television Studies. Essays appear in Torchwood Declassified: Investigating Mainstream Cult Television and Doctor Who and Race: An Anthology. Welch serves as Book Reviews editor for Journal of Screenwriting and on the Editorial Advisory Board for Written By magazine, the magazine of the Writers Guild.
A final note on the long tail of their cultural footprint comes from the fact that the financial success of the show funded the filmmaking careers of show creators Bert Schneider and Bob Rafelson. Screen Gems executive Steve Blauner adamantly believed, “There’d have been no Easy Rider without The Monkees so they should canonize The Monkees just for that.”
His loyalty lasted a lifetime… Surgeon, merchant, vintner, and writer Filippo Mazzei influenced American business, politics, and philosophy. Befriending Benjamin Franklin and Thomas Jefferson, Mazzei was a strong liaison for others in Europe. Mazzei was Jefferson’s inspiration for the most famous line in the Declaration of Independence: “All men are created equal.” Clearly, Mazzei had a gift of language and often used his words to share his ideas about religious freedom. Mazzei encouraged other Italians still living overseas to join him in a country rich with opportunity and promise. Often, when returning from Italy, he booked passages on ships for people who desired to travel to America and employed them on his estate—just to ensure a better, more fruitful life for everyone. During those travels, Mazzei found himself at the center of many fights for freedom. He was truly a friend to freedom around the world.
![02 How Did We Get To A Woman As The Doctor? from Gender Diversity in the Who-niverse [Video] (0:47)](https://rosannewelch.com/wp-content/uploads/2018/03/gender-dw-02.jpeg)
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![11 Gidget On Television from How Gidget Got Into the Girl Ghetto [Video] (0:58) – Dr. Rosanne Welch – SRN Conference 2017](https://rosannewelch.com/wp-content/uploads/2018/03/gidget-srn-11-gidget-tv.jpeg)
![01 Generation and Regeneration from Gender Diversity in the Who-niverse with Dr. Rosanne Welch [Video] (1:01)](https://rosannewelch.com/wp-content/uploads/2018/03/gender-dw-01.jpeg)
