42 Lucille Kallen and Selma Diamond from “When Women Wrote Hollywood” with Dr. Rosanne Welch[Video] (1 minute 2 seconds)

Part of the California State University, Fullerton Faculty Noon Time Talks at the Pollak Library.

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42 Lucille Kallen and Selma Diamond from

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Transcript:

Lucille Kallen worked in a lot of those early sketch shows — Your Show Of Shows and things like that with Sid Caesar. She’s a really cool lady. I like this quote. She kind of falls out of the history but her work on that show plus this woman, Selma Diamond, who more people know as an actress from a show called Night Court, but Selma and Lucille were writers on Your Show Of Shows and when the writers created The Dick Van Dyke Show that’s who Sally Rogers is. She’s a composite of those two ladies right because they understood there was always one lady in those kinds of shows and she’s always a single lady who can’t find a guy and all that nonsense and that was true of both Lucille and Selma. They were unmarried. When Neil Simon wrote Laughter on the 23rd Floor which was the story of writing for the Sid Caesar show. This is what he had to say about Lucille — actually, Mel Tolkin said this. So she’s doing all the work but she’s not telling people about it. Women have to learn to tell their own stories so that we are remembered in history.

Dr. Rosanne Welch discusses the women in her new book “When Women Wrote Hollywood” which covers female screenwriters from the Silents through the early 1940s when women wrote over 50% of films and Frances Marion was the highest paid screenwriter (male or female) and the first to win 2 Oscars.  Yet, she fails to appear in film history books, which continue to regurgitate the myth that male directors did it all – even though it’s been proven that the only profitable movies Cecil B. de Mille ever directed were all written by Jeannie Macpherson film ever won for Best Picture was written by Robert E. Sherwood (who people have heard of, mostly due to his connection to Dorothy Parker) and Joan Harrison.


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Pavel Jech Presents on short film screenplay writing at the Stephens College MFA in TV and Screenwriting Winter Workshop

Pavel Jech Presents on short film screenplay writing at the Stephens College MFA in TV and Screenwriting Winter Workshop

Pavel Jech Presents on short film screenplay writing at the Stephens College MFA in TV and Screenwriting Winter Workshop

Guest lecturer Pavel Jech, former Dean of FAMU, the Film and Television School of the Academy of the Performing Arts in Prague and currently at Chapman University, gave excellent insights into the craft of writing a short film screenplay at January’s MFA workshop.


Questions about the Stephens College MFA in TV and Screenwriting?

Leave a comment here or email me, Executive Director, Dr. Rosanne Welch and I’ll be happy to answer your questions.


Visit Stephens.edu/mfa for more information.Follow @StephensMFA on Instagram

Follow and Like the Stephens College MFA in TV and Screenwriting#MentorMonday 8 - Dawn Comer Jefferson - Stephens College MFA in TV and Screenwriting

From The “When Women Wrote Hollywood” Archives 14: My Secret Mother: Lorna Moon by Richard de Mille

Months of research went into the creation of the essays in “When Women Wrote Hollywood.” Here are some of the resources used to enlighten today’s film lovers to the female pioneers who helped create it.

From The “When Women Wrote Hollywood” Archives 14: My Secret Mother: Lorna Moon by Richard de Mille

From The

† Available at Los Angeles Public Library

The adopted son of Cecil B. de Mille traces the life of his biological mother, a screenwriter during the silent film era, and the privileged but uneasy youth he enjoyed in Hollywood while being kept in the dark about his origins.


Buy “When Women Wrote Hollywood” Today!

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* A portion of each sale from Amazon.com directly supports our blogs
** Many of these books may be available from your local library. Check it out!
† Available from the LA Public Library

Claudia Puig Speaks On Film Critique at the Stephens College MFA in TV and Screenwriting Winter Workshop (3 photos)

Claudia Puig Speaks On Film Critique at the Stephens College MFA in TV and Screenwriting Winter Workshop (3 photos)

Claudia Puig Speaks On Film Critique at the Stephens College MFA in TV and Screenwriting Winter Workshop (3 photos)

Claudia Puig Speaks On Film Critique at the Stephens College MFA in TV and Screenwriting Winter Workshop (3 photos)

Claudia Puig Speaks On Film Critique at the Stephens College MFA in TV and Screenwriting Winter Workshop (3 photos)

Claudia Puig, President of the Los Angeles Film Critics Association, came to January’s workshop to discuss the art of film critique as well as the current state of Diversity in Media. She also curates two film festivals and spoke about how to work the festival circuit to gain attention for your writing career.


Questions about the Stephens College MFA in TV and Screenwriting?

Leave a comment here or email me, Executive Director, Dr. Rosanne Welch and I’ll be happy to answer your questions.


Visit Stephens.edu/mfa for more information.Follow @StephensMFA on Instagram

Follow and Like the Stephens College MFA in TV and Screenwriting#MentorMonday 8 - Dawn Comer Jefferson - Stephens College MFA in TV and Screenwriting

39 Buffy The Vampire Slayer from The Sisterhood of Science Fiction – Dr. Rosanne Welch [Video] (48 seconds)

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The Sisterhood of Science Fiction: A Walk Through Some Writers and Characters You (Should) Know And Love

39 Buffy The Vampire Slayer from The Sisterhood of Science Fiction - Dr. Rosanne Welch

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This one allowed me to riff on some of my favorite female science fiction writers across time, whether they be novelists or television writers. It also opened up a good conversation on what art we support and include in our lives – and what that art says to us and about us. — Rosanne

Transcript:

Moves us into the world of Buffy which is part horror/part sci-fi I would say blending and I think really finally a powerful woman though yes she does use weapons but it’s also about her inner strength and her buddy Willow who doesn’t have to be sexy she’s just a cool really smart girl. So we’re trying to get some more normal representations of women. However when they sell the box set, uhhh, that’s a pretty like it yeah, an overtly sexual pose that doesn’t really thrill me, but the series is pretty brilliant and she’s pretty powerful in it and there’s an ending to it — not gonna spoil it — but there’s a choice made in the last episode in terms of how men would take having to deal with their power issues and how a woman decides to save the day. — what she does and it’s a big interesting thing.



* A portion of each sale from Amazon.com directly supports our blogs
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Screenwriter Jane Anderson Presents at the Stephens College MFA in TV and Screenwriting Winter Workshop (5 photos)

Screenwriter Jane Anderson Presents at the Stephens College MFA in TV and Screenwriting Winter Workshop (5 photos)

Screenwriter Jane Anderson Presents at the Stephens College MFA in TV and Screenwriting Winter Workshop (6 photos)

Screenwriter Jane Anderson Presents at the Stephens College MFA in TV and Screenwriting Winter Workshop (6 photos)

Screenwriter Jane Anderson Presents at the Stephens College MFA in TV and Screenwriting Winter Workshop (6 photos)

Screenwriter Jane Anderson Presents at the Stephens College MFA in TV and Screenwriting Winter Workshop (6 photos)

Screenwriter Jane Anderson Presents at the Stephens College MFA in TV and Screenwriting Winter Workshop (6 photos)

One of the highlights of January’s Stephens College MFA in TV and Screenwriting workshop came in the form of a story structure seminar with screenwriting Jane Anderson (The Wife, Olive Kitteridge, The Prize Winner of Defiance, Ohio) held on the Henson soundstage. Her energy and honesty in discussing her work and her life in the business was greatly appreciated.


Questions about the Stephens College MFA in TV and Screenwriting?

Leave a comment here or email me, Executive Director, Dr. Rosanne Welch and I’ll be happy to answer your questions.


Visit Stephens.edu/mfa for more information.Follow @StephensMFA on Instagram

Follow and Like the Stephens College MFA in TV and Screenwriting#MentorMonday 8 - Dawn Comer Jefferson - Stephens College MFA in TV and Screenwriting

41 Madelyn Pugh, Lucy and Desi from “When Women Wrote Hollywood” with Dr. Rosanne Welch [Video] (39 seconds)

Part of the California State University, Fullerton Faculty Noon Time Talks at the Pollak Library.

Watch this entire presentation

41 Madelyn Pugh, Lucy and Desi from

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Transcript:

…and of course we have to realize the only reason we know her work and we know Lucy’s work is because Desi was smart enough to have all of their work filmed and he owned the film. He paid for the film and that’s why it is in rerun perpetually. There are so many other shows from that era that we could know as well but all of the stuff disappeared right? It was taped over and all that stuff. So his brilliance is why she gets to be Lucille Ball to us today which I think and around the world. I went to the Lucy Museum at Universal years ago and there were people speaking all kinds of languages and everybody understood Lucy because it was like a silent film. It’s all visual. You could manage that right? So Madelyn Pugh is pretty brilliant.

Dr. Rosanne Welch discusses the women in her new book “When Women Wrote Hollywood” which covers female screenwriters from the Silents through the early 1940s when women wrote over 50% of films and Frances Marion was the highest paid screenwriter (male or female) and the first to win 2 Oscars.  Yet, she fails to appear in film history books, which continue to regurgitate the myth that male directors did it all – even though it’s been proven that the only profitable movies Cecil B. de Mille ever directed were all written by Jeannie Macpherson film ever won for Best Picture was written by Robert E. Sherwood (who people have heard of, mostly due to his connection to Dorothy Parker) and Joan Harrison.


Buy a signed copy of when Women Wrote Hollywood

…or via Amazon…

Paperback Edition | Kindle Edition | Google Play Edition

* A portion of each sale from Amazon.com directly supports our blogs
** Many of these books may be available from your local library. Check it out!
† Available from the LA Public Library

Carol Barbee Speaks at Stephens College MFA in TV and Screenwriting Winter Workshop (5 photos)

Carol Barbee Speaks at Stephens College MFA in TV and Screenwriting Winter Workshop (5 photos)

Carol Barbee Speaks at Stephens College MFA in TV and Screenwriting Winter Workshop (5 photos)

Carol Barbee Speaks at Stephens College MFA in TV and Screenwriting Winter Workshop (5 photos)

Carol Barbee Speaks at Stephens College MFA in TV and Screenwriting Winter Workshop (5 photos)

Carol Barbee Speaks at Stephens College MFA in TV and Screenwriting Winter Workshop (5 photos)

Carol Barbee Speaks at Stephens College MFA in TV and Screenwriting Winter Workshop (5 photos)

Carol Barbee, creator and showrunner of Netflix’s Raising Dion came to speak to the combined 1st and 2nd year students during January’s workshop. She outlined how she pitched her take on the original IP, how she hired her writers room, and how the create stories for the first year series – which has been given a pickup for season two so watch for it!


Questions about the Stephens College MFA in TV and Screenwriting?

Leave a comment here or email me, Executive Director, Dr. Rosanne Welch and I’ll be happy to answer your questions.


Visit Stephens.edu/mfa for more information.Follow @StephensMFA on Instagram

Follow and Like the Stephens College MFA in TV and Screenwriting#MentorMonday 8 - Dawn Comer Jefferson - Stephens College MFA in TV and Screenwriting

From The “When Women Wrote Hollywood” Archives 13: Anita Loos Rediscovered: Film Treatments and Fiction by Anita Loos, Creator of Gentlemen Prefer Blondes by Anita Loos, Cari Beauchamp, Mary Anita Loos

Months of research went into the creation of the essays in “When Women Wrote Hollywood.” Here are some of the resources used to enlighten today’s film lovers to the female pioneers who helped create it.

From The “When Women Wrote Hollywood” Archives 13: Anita Loos Rediscovered: Film Treatments and Fiction by Anita Loos, Creator of Gentlemen Prefer Blondes by Anita Loos, Cari Beauchamp, Mary Anita Loos

From The

† Available at Los Angeles Public Library

Anita Loos (1888-1981) was one of Hollywood’s most respected and prolific screenwriters, as well as an acclaimed novelist and playwright. This unique collection of previously unpublished film treatments, short stories, and one-act plays spans fifty years of her creative writing and showcases the breadth and depth of her talent. Beginning in 1912 with the stories she submitted from her San Diego home (some made into films by D. W. Griffith), through her collaboration with Colette on the play Gigi, Anita Loos wrote almost every day for the screen, stage, books, or magazines. Film scripts include San Francisco, The Women, and Red-Headed Woman. The list of stars for whom she created unforgettable roles includes Mary Pickford, Jean Harlow, Clark Gable, Audrey Hepburn, and Carol Channing.

This collection has been selected by Anita’s niece and close friend, the best-selling author Mary Anita Loos, together with the acclaimed film historian Cari Beauchamp. Their essays are laced throughout the volume, introducing each section and giving previously untold insights and behind-the-scenes stories about Anita―her life, her friendships, and her times.


Buy “When Women Wrote Hollywood” Today!

Paperback Edition | Kindle Edition | Google Play Edition

* A portion of each sale from Amazon.com directly supports our blogs
** Many of these books may be available from your local library. Check it out!
† Available from the LA Public Library

38 Russell T Davies and Doctor Who from The Sisterhood of Science Fiction – Dr. Rosanne Welch [Video] (57 seconds)

Watch this entire presentation

The Sisterhood of Science Fiction: A Walk Through Some Writers and Characters You (Should) Know And Love

38 Russell T Davies and Doctor Who from The Sisterhood of Science Fiction - Dr. Rosanne Welch

Subscribe to Rosanne’s Channel and receive notice of each new video!

 

This one allowed me to riff on some of my favorite female science fiction writers across time, whether they be novelists or television writers. It also opened up a good conversation on what art we support and include in our lives – and what that art says to us and about us. — Rosanne

Transcript:

I’m going to go back to my Russell Davies guy because he said something that is really interesting in one of his interviews about what’s wrong with television. He happens to be a gay man — an out, gay man — in England. So he made sure that most of his pieces involved gay men in partnerships because he wanted to see, again, as a child — he wanted to see that that was normal and acceptable, but he also recognized how badly women are represented on television and he wanted to something about that. So, in Doctor Who, when he took it over, he invented a lot of very interesting female companions who had all their different levels of strength. I could do a whole talk on that. I already have, but of course, the great thing about Doctor Who, post the Russell Davies period we’ve now come up with regenerating — so we’re going back to Virginia Woolfe and Orlando — we’re making the male character — who for 50 years has been represented by a male actor — he regenerated into a female character and so we’re moving forward in the Doctor Who universe as well as a female character.



* A portion of each sale from Amazon.com directly supports our blogs
** Many of these books may be available from your local library. Check it out!