40 Madelyn Pugh and I Love Lucy from “When Women Wrote Hollywood” with Dr. Rosanne Welch [Video] (54 seconds)

Part of the California State University, Fullerton Faculty Noon Time Talks at the Pollak Library.

Watch this entire presentation

40 Madelyn Pugh and I Love Lucy from

Subscribe to Rosanne’s Channel and receive notice of each new video!

 

Transcript:

Madelyn worked not only on the first few seasons of I Love Lucy but then all of Lucy’s future TV shows. She helped create all of them and was a head writer on all of those shows. She also did every physical stunt that they wrote for Lucy to do first to make sure that it was safe and that would work in the timeframe they needed. So anything you saw Lucy do, Madeline had done before with the writers watching her and taking footage and trying to figure out if it was gonna be funny, right? So she’s a pretty interesting lady. I had a friend who went to a conference — so weird — it was a conference of optometrists and they ended up at a table chatting with this lovely older woman who was there with her husband, who was an optometrist, and when they asked what she had done in her career, she said oh she did a little writing. They looked her up later. She was Madelyn Pugh. Just dabbled in some writing back in the day oh my gosh.

Dr. Rosanne Welch discusses the women in her new book “When Women Wrote Hollywood” which covers female screenwriters from the Silents through the early 1940s when women wrote over 50% of films and Frances Marion was the highest paid screenwriter (male or female) and the first to win 2 Oscars.  Yet, she fails to appear in film history books, which continue to regurgitate the myth that male directors did it all – even though it’s been proven that the only profitable movies Cecil B. de Mille ever directed were all written by Jeannie Macpherson film ever won for Best Picture was written by Robert E. Sherwood (who people have heard of, mostly due to his connection to Dorothy Parker) and Joan Harrison.


Buy a signed copy of when Women Wrote Hollywood

…or via Amazon…

Paperback Edition | Kindle Edition | Google Play Edition

* A portion of each sale from Amazon.com directly supports our blogs
** Many of these books may be available from your local library. Check it out!
† Available from the LA Public Library

Lilliana Winkworth Presents On Writing Sketch Comedy at Stephens College MFA in TV and Screenwriting Winter Workshop

Lilliana Winkworth Presents On Writing Sketch Comedy at Stephens College MFA in TV and Screenwriting Winter Workshop

Lilliana Winkworth Presents On Writing Sketch Comedy at Stephens College MFA in TV and Screenwriting Winter Workshop

Lilliana Winkworth Presents On Writing Sketch Comedy at Stephens College MFA in TV and Screenwriting Winter Workshop

Lilliana Winkworth, of The Second City’s National Touring Company, gave a workshop on writing sketch comedy during this January’s MFA workshop at the Jim Henson Studios.

Visit Stephens.edu/mfa for more information.

Follow @StephensMFA on Instagram

Follow and Like the Stephens College MFA in TV and Screenwriting

#MentorMonday 8 - Dawn Comer Jefferson - Stephens College MFA in TV and Screenwriting

From The “When Women Wrote Hollywood” Archives 12: Lois Weber in Early Hollywood by Shelley Stamp

Months of research went into the creation of the essays in “When Women Wrote Hollywood.” Here are some of the resources used to enlighten today’s film lovers to the female pioneers who helped create it.

From The “When Women Wrote Hollywood” Archives 12: Lois Weber in Early Hollywood by Shelley Stamp

† Available at Los Angeles Public Library

“Among early Hollywood’s most brilliant filmmakers, Lois Weber was considered one of the era’s ‘three great minds’ alongside D. W. Griffith and Cecil B. DeMille. Despite her accomplishments, Weber has been marginalized in relation to her contemporaries, who have long been recognized as fathers of American cinema. Drawing on a range of materials untapped by previous historians, Shelley Stamp offers the first comprehensive study of Weber’s remarkable career as director, screenwriter, and actress. Lois Weber in Early Hollywood provides compelling evidence of the extraordinary role that women played in shaping American movie culture. Weber made films on capital punishment, contraception, poverty, and addiction, establishing early cinema’s power to engage topical issues for popular audiences. Her work also grappled with the profound changes in women’s lives that unsettled Americans at the beginning of the twentieth century, and her later films include sharp critiques of heterosexual marriage and consumer capitalism. Mentor to many women in the industry, Weber demanded a place at the table in early professional guilds, decrying the limited roles available for women on screen and in the 1920s protesting the growing climate of hostility toward female directors. Through her examination of Weber’s career, Stamp demonstrates how female filmmakers who had played a part in early Hollywood’s bid for respectability were in the end written out of that industry’s history. Lois Weber in Early Hollywood is an essential addition to histories of silent cinema, early filmmaking in Los Angeles, and women’s contributions to American culture.”


Buy “When Women Wrote Hollywood” Today!

Paperback Edition | Kindle Edition | Google Play Edition

* A portion of each sale from Amazon.com directly supports our blogs
** Many of these books may be available from your local library. Check it out!
† Available from the LA Public Library

Screenwriter Thomas Dean Donnelly Speaks At Stephens College MFA in TV and Screenwriting Winter Workshop

Screenwriter Thomas Dean Donnelly Speaks At Stephens College MFA in TV and Screenwriting Winter Workshop

Screenwriter Thomas Dean Donnelly Speaks At Stephens College MFA in TV and Screenwriting Winter Workshop

Screenwriter Thomas Dean Donnelly Speaks At Stephens College MFA in TV and Screenwriting Winter Workshop

Screenwriter Thomas Dean Donnelly (Conan the Barbarian, Jax of Heart) lectured on How to Increase your Writing Productivity at the January workshop for the Stephens College MFA in TV and Screenwriting.

Visit Stephens.edu/mfa for more information.

Follow @StephensMFA on Instagram

Follow and Like the Stephens College MFA in TV and Screenwriting

#MentorMonday 8 - Dawn Comer Jefferson - Stephens College MFA in TV and Screenwriting

37 Sarah Connor and Dana Scully from The Sisterhood of Science Fiction – Dr. Rosanne Welch [Video] (52 seconds)

Watch this entire presentation

The Sisterhood of Science Fiction: A Walk Through Some Writers and Characters You (Should) Know And Love

37 Sarah Connor and Dana Scully from The Sisterhood of Science Fiction - Dr. Rosanne Welch

Subscribe to Rosanne’s Channel and receive notice of each new video!

 

This one allowed me to riff on some of my favorite female science fiction writers across time, whether they be novelists or television writers. It also opened up a good conversation on what art we support and include in our lives – and what that art says to us and about us. — Rosanne

Transcript:

Of course, then we move over to Sarah Connor and the Terminator. Again. it’s this thing that gives everybody power. Not what I’m providing inside and Sarah Connor is pretty boss and pretty tough but it’s that gun we always go back to. So I don’t think about it’s– (Audience) I always remember her and even when I’m exercising when she’s doing the pull-ups. (Rosanne) Yes. (Audience) I — when I exercise, I think about her. (Rosanne) See that’s good. That’s– that’s the inner strength. That’s very cool yeah. That is the cool bit of it. Yeah. So we’re getting around to it. Of course through those movies we then come up with the X-Files and now we have Dana Scully who is all-powerful because it’s her brain. Not big on using the gun, right, that’s his job. She’s using her brain and she’s the more intellectual — the stronger one — in many ways. He’s the one running by his heart and his emotions and she’s the one running through her mind. So we’re switching the male and female sort of identifiers in this piece, which is pretty strong.



* A portion of each sale from Amazon.com directly supports our blogs
** Many of these books may be available from your local library. Check it out! 

39 Fay Kanin from “When Women Wrote Hollywood” with Dr. Rosanne Welch [Video] (40 seconds)

Part of the California State University, Fullerton Faculty Noon Time Talks at the Pollak Library.

Watch this entire presentation

39 Fay Kanin from

Subscribe to Rosanne’s Channel and receive notice of each new video!

 

Transcript:

Fay Kanin is very cool. She was married to Garson Kanin’s brother and so they worked together and not only in movies but now we’re blending into the television era and she wrote this brilliant TV movie. She got an Emmy Award with Carol Burnett and it was about a mother who found out her son had been killed in Vietnam by friendly fire but the government had said it was enemy fire and she — when she — in looking into how he died — discovered that and then she wanted to make it known so people understood that was one of the risks that your children were taking when they joined the military. It’s a very powerful TV movie. There she is with her husband Michael. These are some of the other things that they did that everybody knows.

Dr. Rosanne Welch discusses the women in her new book “When Women Wrote Hollywood” which covers female screenwriters from the Silents through the early 1940s when women wrote over 50% of films and Frances Marion was the highest paid screenwriter (male or female) and the first to win 2 Oscars.  Yet, she fails to appear in film history books, which continue to regurgitate the myth that male directors did it all – even though it’s been proven that the only profitable movies Cecil B. de Mille ever directed were all written by Jeannie Macpherson film ever won for Best Picture was written by Robert E. Sherwood (who people have heard of, mostly due to his connection to Dorothy Parker) and Joan Harrison.


Buy a signed copy of when Women Wrote Hollywood

…or via Amazon…

Paperback Edition | Kindle Edition | Google Play Edition

* A portion of each sale from Amazon.com directly supports our blogs
** Many of these books may be available from your local library. Check it out!
† Available from the LA Public Library

36 Star Wars, Alien, and Women Characters from The Sisterhood of Science Fiction – Dr. Rosanne Welch [Video] (1 minute)

Watch this entire presentation

The Sisterhood of Science Fiction: A Walk Through Some Writers and Characters You (Should) Know And Love

36 Star Wars, Alien, and Women Characters from The Sisterhood of Science Fiction - Dr. Rosanne Welch

Subscribe to Rosanne’s Channel and receive notice of each new video!

 

This one allowed me to riff on some of my favorite female science fiction writers across time, whether they be novelists or television writers. It also opened up a good conversation on what art we support and include in our lives – and what that art says to us and about us. — Rosanne

Transcript:

And of course, it brought us many other powerful engaging women right? We got Rei. We’re dealing with Padme from the earlier session. We had Jyn Erso. I really like Rogue One more than I even like the new Star Wars, but that’s just me. Then we have Rose Tiko which was a big move right and then there are people kind of Oh, what’s she doing in there. She doesn’t have any place in the movie. She does. She’s showing us that people of Asian descent show up in the future. That’s a huge message right and again she does it mostly peacefully you know there’s a gun in there someone but we get rid of that pretty quick and then it’s about your skill with it with lightsaber stuff. Moving forward we all know or we think we know Alien right and Sigourney Weaver. Sadly the rumor in Hollywood is that the reason that character is so strong and interesting is the it was written to be a man and when they couldn’t get a male to star in the movie they just threw it to Sigourney Weaver and they never rewrote it girl-ify it up. So she’s powerful because she’s doing all the things we expect men to do in movies without having to be a guy.



* A portion of each sale from Amazon.com directly supports our blogs
** Many of these books may be available from your local library. Check it out! 

Author, Tom Stempel Speaks at Stephens College MFA in TV and Screenwriting Winter Workshop

Author, Tom Stempel Speaks at Stephens College MFA in TV and Screenwriting Winter Workshop

Author, Tom Stempel Speaks at Stephens College MFA in TV and Screenwriting Winter Workshop

Tom Stempel, (historian and author of one of the textbooks used in our MFA – Framework: a History of Screenwriting) has a blog – Understanding Screenwriting — where he analyzes the work of recent screenplays, many of which you may have just seen.

Visit Stephens.edu/mfa for more information.

Follow @StephensMFA on Instagram

Follow and Like the Stephens College MFA in TV and Screenwriting

#MentorMonday 8 - Dawn Comer Jefferson - Stephens College MFA in TV and Screenwriting

38 Elaine May from “When Women Wrote Hollywood” with Dr. Rosanne Welch [Video] (53 seconds)

Part of the California State University, Fullerton Faculty Noon Time Talks at the Pollak Library.

Watch this entire presentation

38 Elaine May from

Subscribe to Rosanne’s Channel and receive notice of each new video!

 

Transcript:

Elaine May is another name that’s fallen out of history and shouldn’t. Now we’re in the 70s. Elaine I think is a brilliant writer. Heaven Can Wait wouldn’t be what it was. Warren Beatty got tons of focus for that but she wrote it. She came out of doing nightclub things with Mike Nichols. They were Nichols in May and they wrote all their routines. It was like a traveling SNL sketch. You probably still know who Mike Nichols is, but Elaine May has fallen out of history because at a certain point she started directing. Which is cool, but she directed a movie called Ishtar which lost a ton of money and she was never given a directing job again. I can name you many a man who has directed a film that lost a ton of money and somehow they still got a second and a third and a fourth job. Elaine Mae was never given the right to direct a film again. Her writing is brilliant and as you know she still continued writing she did Primary Colors.

Dr. Rosanne Welch discusses the women in her new book “When Women Wrote Hollywood” which covers female screenwriters from the Silents through the early 1940s when women wrote over 50% of films and Frances Marion was the highest paid screenwriter (male or female) and the first to win 2 Oscars.  Yet, she fails to appear in film history books, which continue to regurgitate the myth that male directors did it all – even though it’s been proven that the only profitable movies Cecil B. de Mille ever directed were all written by Jeannie Macpherson film ever won for Best Picture was written by Robert E. Sherwood (who people have heard of, mostly due to his connection to Dorothy Parker) and Joan Harrison.


Buy a signed copy of when Women Wrote Hollywood

…or via Amazon…

Paperback Edition | Kindle Edition | Google Play Edition

* A portion of each sale from Amazon.com directly supports our blogs
** Many of these books may be available from your local library. Check it out!
† Available from the LA Public Library

From The “When Women Wrote Hollywood” Archives 11: Ben Hur: A Tale of the Christ. Screenplay. Wr: June Mathis. Dir. Fred Niblo, Metro-Goldwyn-Mayer, 1925 USA 142 mins.

Months of research went into the creation of the essays in “When Women Wrote Hollywood.” Here are some of the resources used to enlighten today’s film lovers to the female pioneers who helped create it.

From The “When Women Wrote Hollywood” Archives 11: Ben Hur: A Tale of the Christ. Screenplay. Wr: June Mathis. Dir. Fred Niblo, Metro-Goldwyn-Mayer, 1925 USA 142 mins.

Ben-Hur-1925.jpg
By Unknownimpawards.com, Public Domain, Link

Watch Ben Hur (1925) on Hoopla (Free)

Ben-Hur: A Tale of the Christ is a 1925 American silent epic adventure-drama film directed by Fred Niblo and written by June Mathis based on the 1880 novel Ben-Hur: A Tale of the Christ by General Lew Wallace. Starring Ramon Novarro as the title character, the film is the first feature-length adaptation of the novel and second overall, following the 1907 short.

In 1997, Ben-Hur was selected for preservation in the United States National Film Registry by the Library of Congress as being “culturally, historically, or aesthetically significant.” — Wikipedia


Buy “When Women Wrote Hollywood” Today!

Paperback Edition | Kindle Edition | Google Play Edition

* A portion of each sale from Amazon.com directly supports our blogs
** Many of these books may be available from your local library. Check it out!
† Available from the LA Public Library