Video of this panel coming soon
Tag: movies
Presenting “When Women Write Horror” Talk
Presenting “When Women Write Horror” Talk
Cal Poly Pomona University Library
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From The “When Women Wrote Hollywood Archives: ‘Movie Plots Pushed into Prose’: The Extra Girl, Will Hays, and the Novel of Silent Hollywood by Justin Gautreau
Months of research when into the creation of the essays in “When Women Wrote Hollywood.” Here are some of the resources used to enlighten today’s film lovers to the female pioneers who helped create it.
Buy “When Women Wrote Hollywood” Today!
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* A portion of each sale from Amazon.com directly supports our blogs
** Many of these books may be available from your local library. Check it out!
† Available from the LA Public Library
DTLA Film Festival after our panel discussion, Privileged Characters: How to recognize and avoid implicit bias in your screenwriting. via Instagram
DTLA Film Festival after our panel discussion, Privileged Characters: How to recognize and avoid implicit bias in your screenwriting.
Video of this panel coming soon
After our DTLA Film Festival panel discussion, Privileged Characters: How to recognize and avoid implicit bias in your screenwriting. via Instagram
26 Dorothy Parker and A Star Is Born from “When Women Wrote Hollywood” with Dr. Rosanne Welch [Video] (55 seconds)
Part of the California State University, Fullerton Faculty Noon Time Talks at the Pollak Library.
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Transcript:
Dorothy and her husband Alan Campbell wrote A Star Is Born which if you know obviously the story is about a marriage where the woman is far more famous than the man. His career is going while hers is rising. That’s Dorothy Parker and her husband’s story. That’s exactly the emotion she was experiencing. She just put it on an actor and actress. It became such a classic it was remade in the 50s with Julia my brain just went dead. Thank you. Judy Garland. I was saying Julianne and that was wrong. Judy Garland. Thank you and it was written this was adapted by Moss Hart who’s a famous name from Broadway. He wrote it himself however he credited several scenes from the original movie he’d just cut and pasted them out of the first script and put them in his and admitted that when he was doing it. So whenever he got notes from the studio that they wanted to change something he would say “No no no. That’s how Parker had it the first time. It’s good enough. We’re not fixing it.” So essentially it’s Moss Hart and Dorothy Parker together right?
Dr. Rosanne Welch discusses the women in her new book “When Women Wrote Hollywood” which covers female screenwriters from the Silents through the early 1940s when women wrote over 50% of films and Frances Marion was the highest paid screenwriter (male or female) and the first to win 2 Oscars. Yet, she fails to appear in film history books, which continue to regurgitate the myth that male directors did it all – even though it’s been proven that the only profitable movies Cecil B. de Mille ever directed were all written by Jeannie Macpherson film ever won for Best Picture was written by Robert E. Sherwood (who people have heard of, mostly due to his connection to Dorothy Parker) and Joan Harrison.
Buy a signed copy of when Women Wrote Hollywood
Paperback Edition | Kindle Edition | Google Play Edition
* A portion of each sale from Amazon.com directly supports our blogs
** Many of these books may be available from your local library. Check it out!
† Available from the LA Public Library
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After the DTLA Film Festival Panel via Instagram
After the DTLA Film Festival Panel
Moderating panels at local film festivals is a good way to highlight the great work of mentors like Maria Escobedo and to meet new possible mentors for MFA program like Peruvian filmmaker Donna Bonilla Wheeler. Here we are chatting after a panel on how Writers Can avoid implicit bias in their work at the DTLA film Festival in Los Angeles.