tv – Page 56 – On Screenwriting and Media with Dr. Rosanne Welch

Wherever you go, you find Monkees fans and the Denver Popular Culture Con was no different. Amid rooms full of caped crusaders and cosplay creations, I was initially not sure how many folks would attend a talk on a TV show from the 1960s – but happily I was met by a nice, engaged audience for my talk on Why the Monkees Matter – and afterward they bought books! What more could an author ask for?

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Transcript

…and of course, the music still matters because two years ago they put on an album on their 50th anniversary that made the top 50 in the Billboard charts. Fifty years after their last top-ten album. No other artists can say that. No other living artists right. If you put up dead people’s stuff then it’ll sell yeah but no other living artists and the people that wrote for them on this album again very major modern songwriters. So I think that’s really really cool Rivers Cuomo, Andy Partridge, Ben Gibbard wrote a beautiful song called Me and Magdalena which is just a very gorgeous song — a Nesmith thing. These are all amazing people today. What they did, the folks at Rhino records went out and asked people from hit rock bands today, if you could write for The Monkees would you and a bunch of them said yes and then they said okay write me a song that sounds like a Monkees song and that was a great challenge for them. They really, really enjoyed it. Ben Gibbard sings the Me and Magdalena when he’s on tour.

Buy Why The Monkees Matter: Teenagers, Television and American Pop Culture

A hit television show about a fictitious rock band, The Monkees (1966-1968) earned two Emmys–Outstanding Comedy Series and Outstanding Directorial Acheivement in Comedy.

Capitalizing on the show’s success, the actual band formed by the actors, at their peak, sold more albums than The Beatles and The Rolling Stones combined, and set the stage for other musical TV characters from The Partridge Family to Hannah Montana. In the late 1980s, the Monkees began a series of reunion tours that continued into their 50th anniversary.

This book tells the story of The Monkees and how the show changed television, introducing a new generation to the fourth-wall-breaking slapstick created by Laurel and Hardy and the Marx Brothers.

Its creators contributed to the innovative film and television of 1970s with projects like Bob & Carol & Ted & Alice, The Mary Tyler Moore Show, Laugh-In and Welcome Back, Kotter. Immense profits from the show, its music and its merchandising funded the producers’ move into films such as Head, Easy Riderand Five Easy Pieces.

McFarland (Direct from Publisher) | Amazon | Kindle Edition | Nook Edition

Want to use “Why The Monkees Matter” in your classroom?

Order Examination Copies, Library and Campus Bookstore orders directly from McFarland

Podcast: Play in new window | Download

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Carol Barbee Speaks at Stephens College MFA in TV and Screenwriting Winter Workshop (5 photos)

Carol Barbee, creator and showrunner of Netflix’s Raising Dion came to speak to the combined 1st and 2nd year students during January’s workshop. She outlined how she pitched her take on the original IP, how she hired her writers room, and how the create stories for the first year series – which has been given a pickup for season two so watch for it!

Questions about the Stephens College MFA in TV and Screenwriting?

Leave a comment here or email me, Executive Director, Dr. Rosanne Welch and I’ll be happy to answer your questions.

Visit Stephens.edu/mfa for more information.Follow @StephensMFA on Instagram

Follow and Like the Stephens College MFA in TV and Screenwriting

38 Russell T Davies and Doctor Who from The Sisterhood of Science Fiction – Dr. Rosanne Welch [Video] (57 seconds)

Watch this entire presentation

The Sisterhood of Science Fiction: A Walk Through Some Writers and Characters You (Should) Know And Love

Subscribe to Rosanne’s Channel and receive notice of each new video!

This one allowed me to riff on some of my favorite female science fiction writers across time, whether they be novelists or television writers. It also opened up a good conversation on what art we support and include in our lives – and what that art says to us and about us. — Rosanne

Transcript:

I’m going to go back to my Russell Davies guy because he said something that is really interesting in one of his interviews about what’s wrong with television. He happens to be a gay man — an out, gay man — in England. So he made sure that most of his pieces involved gay men in partnerships because he wanted to see, again, as a child — he wanted to see that that was normal and acceptable, but he also recognized how badly women are represented on television and he wanted to something about that. So, in Doctor Who, when he took it over, he invented a lot of very interesting female companions who had all their different levels of strength. I could do a whole talk on that. I already have, but of course, the great thing about Doctor Who, post the Russell Davies period we’ve now come up with regenerating — so we’re going back to Virginia Woolfe and Orlando — we’re making the male character — who for 50 years has been represented by a male actor — he regenerated into a female character and so we’re moving forward in the Doctor Who universe as well as a female character.

* A portion of each sale from Amazon.com directly supports our blogs
** Many of these books may be available from your local library. Check it out!

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Children’s Animation Panel at the Stephens College MFA in TV and Screenwriting Winter Workshop (3 photos)

Children’s Animation Panel at the Stephens College MFA in TV and Screenwriting Winter Workshop

MFA mentor Maria Escobedo (Dora the Explorer, Give a Mouse a Cookie) organized a children’s Animation panel for January’s workshop so MFA candidates were treated to a visit by Laura Kleinbaum (Butterbean’s Café, Esme and Roy) and Jenny Keene (Phineas and Ferb, Big City Greens).

Questions about the Stephens College MFA in TV and Screenwriting?

Leave a comment here or email me, Executive Director, Dr. Rosanne Welch and I’ll be happy to answer your questions.

Visit Stephens.edu/mfa for more information.Follow @StephensMFA on Instagram

Follow and Like the Stephens College MFA in TV and Screenwriting

From The Journal Of Screenwriting V10 Issue 3: Network television writers and the ‘race problems’ of 1968 by Caryn Murphy

Highlighting the articles in the past editions of the Journal of Screenwriting, of which I am the Book Reviews Editor. Hopefully these abstracts will entice you to did a little deeper into the history and future of screenwriting. — Rosanne

Network television writers and the ‘race problems’ of 1968 by Caryn Murphy

This article examines the development of television scripts in the crime drama genre within the context of US commercial broadcasting in the network era. In 1968, public discourse around race relations, civil rights and violence reached a height following the assassinations of Martin Luther King, Jr and Robert F. Kennedy, and the release of a government study on urban uprisings by the National Advisory Commission on Civil Disorders. Ironside (1967–75, NBC) and N.Y.P.D. (1967–69, ABC) are two crime dramas that drew on recent events related to black militants and white supremacy in order to appeal to viewers with socially relevant entertainment during this time. The archival records of screenwriters Sy Salkowitz and Lonne Elder make it possible to trace the development of one episode from each series over the course of multiple drafts. This analysis of the script development process explores the relationship between public discourse, industrial context, commercial agendas and creative priorities. Ironside and N.Y.P.D. are both crime dramas, but an examination of both series yields points of divergence which help to illustrate the norms of the network system in terms of act structure, genre tropes, and the oversight of standards and practices.

The Journal of Screenwriting is an international double-blind peer-reviewed journal that is published three times a year. The journal highlights current academic and professional thinking about the screenplay and intends to promote, stimulate and bring together current research and contemporary debates around the screenplay whilst encouraging groundbreaking research in an international arena. The journal is discursive, critical, rigorous and engages with issues in a dynamic and developing field, linking academic theory to screenwriting practice.

Get your copy and subscription to the Journal of Screenwriting Today!

Join me at the Screenwriting Research Network’s Annual Conference in Oxford, UK

* A portion of each sale from Amazon.com directly supports our blogs
** Many of these books may be available from your local library. Check it out!

Alum Rashaan Dozier-Escalante Speaks On Her Screenwriting Career Journey at Stephens College MFA in TV and Screenwriting Winter Workshop (2 photos)

Alum Rashaan Dozier-Escalante (Class of 2019) stopped in at January’s workshop to tell our current Stephens College MFA in TV and Screenwriting candidates the story of her career journey to become a staff writer on CBS’s Seal Team.

Questions about the Stephens College MFA in TV and Screenwriting?

Leave a comment here or email me, Executive Director, Dr. Rosanne Welch and I’ll be happy to answer your questions.

Visit Stephens.edu/mfa for more information.Follow @StephensMFA on Instagram

Follow and Like the Stephens College MFA in TV and Screenwriting

#MentorMonday 8 - Dawn Comer Jefferson - Stephens College MFA in TV and Screenwriting

#MeetTheGraduatesMonday: Rene Rawls – Stephens College MFA in TV and Screenwriting

Every Monday we will be profiling a member of the Stephens College MFA in TV and Screenwriting 2020 graduating class. This exciting, fresh crop of writers are the future of the industry and are going on to do BIG things, so get to know them now! First up is Yousif Nash! #MeetTheGraduatesMonday

This week in our #MeetTheGradsMonday, we are featuring Rene Rawls!

With hands-on experience challenging the minds of tots, tweens, and teens, Rene Rawls is a former teacher turned writer who now has a classroom full of students all around the world. She’s participated in several programs with her kids-centered content, including Tribeca All Access and the PGA Diversity Workshop. Rene loves the fun and magical moments of learning, so she strives to capture that in the content she creates. Her animated script, Sule and the Case of the Tiny Sparks, stars an African proverb detective and was the recipient of the 1st Annual Mandela Day/Tribeca All Access Award. Sule was produced as an animated short, and it has over 200,000 Youtube views to date. Rene participated in the Iowa Writers’ Workshop with her middle grade novel, Leba: Modern Day Savior, and her feature script about youth football in South Florida, The Big League (which is about kids but not for them), is currently being developed with RDR Release Films. In May 2020, Rene will graduate with her MFA in TV and Screenwriting from Stephens College.

Visit Stephens.edu/mfa for more information.

Follow @StephensMFA on Instagram

Follow and Like the Stephens College MFA in TV and Screenwriting

25 Songwriters and The Monkees from “Why The Monkees Matter: Even 50 Years Later [Video] (53 seconds)

Enjoy This Clip? Watch this entire presentation and Buy Why The Monkees Matter: Teenagers, Television and American Pop Culture

From Denver Pop Culture Con 2019.

Subscribe to Rosanne’s Channel and receive notice of each new video!

Transcript

Obviously, as I said, the TV Writers, the music writers mattered. I mean, Carole King — how many Grammy’s in her day — and she wrote Some Time In The Morning, which I think is one of the most beautiful love songs ever. Boyce and Hart, as I mentioned were the major songwriters for them in the first couple of years and then it expanded. Neil Sedaka wrote for them. Neil Diamond — how about that young picture of Neil Diamond. Paul Williams, who also — somehow the Muppets and The Monkees — I need a book that connects them because there is a lot that connects them. David Gates from Bread wrote a couple of songs and actually, Micky has an album of — he does a new album called Remember and in that he records Diary which is a famous David Gates song which David wrote and tried to sell to him in the late ’70s and he said no, I don’t think I’m a singer anymore. So he did that later in his career. But that’s how important — and Carole Bayer Sager of course. So they knew that writers were an important thing.

Buy Why The Monkees Matter: Teenagers, Television and American Pop Culture

A hit television show about a fictitious rock band, The Monkees (1966-1968) earned two Emmys–Outstanding Comedy Series and Outstanding Directorial Acheivement in Comedy.

Capitalizing on the show’s success, the actual band formed by the actors, at their peak, sold more albums than The Beatles and The Rolling Stones combined, and set the stage for other musical TV characters from The Partridge Family to Hannah Montana. In the late 1980s, the Monkees began a series of reunion tours that continued into their 50th anniversary.

This book tells the story of The Monkees and how the show changed television, introducing a new generation to the fourth-wall-breaking slapstick created by Laurel and Hardy and the Marx Brothers.

Its creators contributed to the innovative film and television of 1970s with projects like Bob & Carol & Ted & Alice, The Mary Tyler Moore Show, Laugh-In and Welcome Back, Kotter. Immense profits from the show, its music and its merchandising funded the producers’ move into films such as Head, Easy Riderand Five Easy Pieces.

McFarland (Direct from Publisher) | Amazon | Kindle Edition | Nook Edition

Want to use “Why The Monkees Matter” in your classroom?

Order Examination Copies, Library and Campus Bookstore orders directly from McFarland

Podcast: Play in new window | Download

Subscribe: RSS

Serendipitous Learning at the Stephens College MFA in TV and Screenwriting Winter Workshop

Some of the best things about hosting the Stephens College MFA in TV and Screenwriting at the historic Jim Henson Studios (after the quality of our guest speakers, of course) is the accidental opportunity to meet writers working on the lot. After our graduate assistant met a writer in the studio kitchen, the current first -year class was invited to the set of a sizzle reel – a 3-minute trailer for a television show the writer-producers will use to shop around town for the funding the make the full show.

Visit Stephens.edu/mfa for more information.

Follow @StephensMFA on Instagram

Follow and Like the Stephens College MFA in TV and Screenwriting

37 Sarah Connor and Dana Scully from The Sisterhood of Science Fiction – Dr. Rosanne Welch [Video] (52 seconds)

Watch this entire presentation

The Sisterhood of Science Fiction: A Walk Through Some Writers and Characters You (Should) Know And Love

Subscribe to Rosanne’s Channel and receive notice of each new video!

Transcript:

Of course, then we move over to Sarah Connor and the Terminator. Again. it’s this thing that gives everybody power. Not what I’m providing inside and Sarah Connor is pretty boss and pretty tough but it’s that gun we always go back to. So I don’t think about it’s– (Audience) I always remember her and even when I’m exercising when she’s doing the pull-ups. (Rosanne) Yes. (Audience) I — when I exercise, I think about her. (Rosanne) See that’s good. That’s– that’s the inner strength. That’s very cool yeah. That is the cool bit of it. Yeah. So we’re getting around to it. Of course through those movies we then come up with the X-Files and now we have Dana Scully who is all-powerful because it’s her brain. Not big on using the gun, right, that’s his job. She’s using her brain and she’s the more intellectual — the stronger one — in many ways. He’s the one running by his heart and his emotions and she’s the one running through her mind. So we’re switching the male and female sort of identifiers in this piece, which is pretty strong.

* A portion of each sale from Amazon.com directly supports our blogs
** Many of these books may be available from your local library. Check it out!

Podcast: Play in new window | Download

Subscribe: RSS

Tag: tv

26 A New Album 50 Years Later from “Why The Monkees Matter: Even 50 Years Later [Video] (1 minute)

Carol Barbee Speaks at Stephens College MFA in TV and Screenwriting Winter Workshop (5 photos)

38 Russell T Davies and Doctor Who from The Sisterhood of Science Fiction – Dr. Rosanne Welch [Video] (57 seconds)

Children’s Animation Panel at the Stephens College MFA in TV and Screenwriting Winter Workshop (3 photos)

From The Journal Of Screenwriting V10 Issue 3: Network television writers and the ‘race problems’ of 1968 by Caryn Murphy

Alum Rashaan Dozier-Escalante Speaks On Her Screenwriting Career Journey at Stephens College MFA in TV and Screenwriting Winter Workshop (2 photos)

#MeetTheGraduatesMonday: Rene Rawls – Stephens College MFA in TV and Screenwriting

25 Songwriters and The Monkees from “Why The Monkees Matter: Even 50 Years Later [Video] (53 seconds)

Serendipitous Learning at the Stephens College MFA in TV and Screenwriting Winter Workshop

37 Sarah Connor and Dana Scully from The Sisterhood of Science Fiction – Dr. Rosanne Welch [Video] (52 seconds)