Congratulations to my friend and editor Anna Weinstein!
The first book in her “Screen Storytellers” series, which is on The Works of Shonda Rhimes is on Bloomsbury’s Essential New Books list for film students.
I’m proud to have a chapter in the book discussing the idea that while most people think Rhimes is ‘only’ a feminist, her writings have always expressed an even wider humanist philosophy.
I can only hope that my upcoming The Works of Susan Harris will make the same list. Look for it in late 2026.
I’m excited to announce that the book series I co-edit with my dear friend and colleague Peg Lamphier – Women Making History – are now available in paperback which makes the books more affordable for birthday and holiday gift-buying!
Our original publisher – ABC-Clio – (who published our award-winning Women in American History: A Social, Political, and Cultural Encyclopedia and Document Collection [4 volumes]) mostly sold to libraries, so hardbacks were the way to go, but Bloomsbury recently purchased them. That means ALL our previous biographies are now in paperback. That makes them much more affordable to our friends and colleagues.
The even cooler first news is that in the last few weeks 2 more of the biographies we shepherded saw publication – one on Dolores Huerta and the other on Sally Ride — so congratulations to authors April Tellez and Jackie Perez! And these 2 new ones will be in paperback about 18-24 months after release.
But never forget even in hardback it’s worth reminding folks to ask their local libraries to stock a copy so everyone in the neighborhood can read about these accomplished women.
Finally, we have 3 more books in the works right now on Bessie Coleman, Maria Tallchief, and Frida Kahlo with a few more in the works.
Excited to announce that the book I co-edited with my Australian friend, and Screenwriting Research Network colleague, Rose Ferrell will be available in Sept. 2025. Shaping Global Cultures Through Screenwriting: Women Who Write Our Worlds is a collection of international writers focused on women and the power of their words to change their worlds.
You’ll learn about the importance of the female perspective in the animated Bluey, female rap artists in North-West Nigeria, the desire-driven filmmaking of Celine Sciamma, the queer utopias of Miranda July’s Kajillionaire, translating blindness and homelessness into video games, and the indigenous roots of Latin American women’s cinema – and so much more. We’re excited about spreading these stories and publishing many first time chapter authors.
I want to thank Rose Ferrell for taking this editing journey with me and doing most of the heavy-lifting. Watch out for more info on when the book is available for purchase – and remember asking your local or college library to order a copy is just as good as buying one yourself.
Save 35% on McFarland Books – One of My Publishers is offering a 35% Discount on Their Catalog This Week!
Along with your other holiday shopping over this Thanksgiving weekend, I’m happy to pass along this lovely discount from McFarland Publishing, the fine folks who published two of my favorite books:
Direct from the McFarland site, From now through December 2, they are offering a full 35% off ALL of their titles with coupon code HOLIDAY24 at checkout.
On November 21st I’ll be in Jacksonville, Florida on a panel at the MOSH (Museum of Science and History) to discuss a chapter I wrote in the upcoming book Stories Of The Holocaust: Art for Healing and Renewal, edited by Dr. Karen Berman and Dr. Gail Humphries.
I was honored when Dr. Humphries invited me to write the opening reflection to a section in Vol. 2: On Screen and in the Gallery. Then, being me, I asked if they had a chapter on screenwriters Frances and Albert Hackett who adapted The Diary of Anne Frank from book to Pulitzer-Prize-winning Broadway play and then into the film. The editors hadn’t planned such a chapter but it sounded valuable to the collection so they commissioned me to write it. Now I’ll have the chance to tell even more people about the brilliant work of this married team of screenwriters who also gave film fans The Thin Man, Father of the Bride, Easter Parade, and It’s a Wonderful Life.
Joining Dr. Humphries:
Elizabeth Gelman, Senior Director of Arts and Cultural Programming for Creative Pinellas, previous director of The Florida Holocaust Museum (Pinellas County, Florida)
Ruth Gordon, Former social studies teacher in Miami-Dade County and founder/current advisor for Holocaust Impact Theater (Miami, Florida)
Dr. Laurence Sherr, Award-winning composer of international stature, concert producer, and professor of music, Kennesaw State University (Kennesaw, Georgia)
Dr. Rosanne Welch, Executive Director of Stephens College MFA in TV and Screenwriting Program, author and screenwriter (Los Angeles, California); also author for Reflection
I’m very proud to have a chapter in this new inaugural book in the Screen Storytellers collection covering The Works of Shonda Rhimes. Edited by Anna Weinstein, an Assistant Professor of Screenwriting at Kennesaw State University, the series is designed to do one of my favorite things – bust the outdated ‘auteur’ theory by bringing attention to the writers of the stories we have loved and watched – and rewatched – all our lives.
For this collection, my chapter focuses on how Rhimes’ shows come from the Humanism ideology even moreso than simply a feminist one, though that is what many people think. But Rhimes’ hired Dan Shapiro, chair of the College of Medicine’s humanities department at Penn State Hershey, as a consultant for her first two medical dramas Grey’s Anatomy (2005–) and Private Practice (2007–13). In this way, Rhimes was able to bring the real-world philosophy of medicine to her fictional hospitals, presenting authentic depictions of humanism to her audiences. One of the things I love about research is learning new things about people/shows/events I thought I already knew well.
The other exciting thing about this inaugural book arriving is that I have signed on to edit a similar book on The Works of Susan Harris so this book is my example of what that future project will feel like when it arrives in the mail!
One of the benefits of the merger between our first publisher – ABC-Clio – and Bloomsbury Publishing is that Bloomsbury is a larger, more international company with more reach. What that means for my co-writer, Peg Lamphier and me is that our book, The Civil War on Film, will be available in paperback with a $26.95 price tag (much more accessible than the hardback version that is $63) on August 22, 2024.
So if you’ve always wanted to read what Peg and I have to say about which Civil War films are the most honestly historical (spoiler alert – it’s Glory) now’s your time to buy a copy! We were so pleased to include chapters on such great films as Friendly Persuasion (1957); Gettysburg (1993); Gangs of New York (2002); Lincoln (2012); and Free State of Jones (2016)
If you live in the Claremont area stop in at the IAC on the Claremont campus for a Book Talk about “Opportunities and Adventures in Scholarly Publishing” on Thursday, February 22nd from 4-5:30. Free and Open to the Public.
They publish “thoughtful non-fiction books that explore the history of pop culture with insightful and entertaining commentary from a diverse array of writers, authors, and editors”. So far I’ve had essays in their books on the original Star Trek (on the episode ‘This Side of Paradise’) and in the book on Buffy the Vampire Slayer (on the episode ‘Hush’). My latest is an essay on the ‘Kings Demons’ episode of the Peter Davison era of classic Doctor Who.
These are funny essays to write – and read – for deep, deep fans of these shows and it’s been fun to be involved.
While we have rolling admissions until all seats in the new cohort are filled. If potential MFA candidates submit materials by March 30th and suit the criteria they will be in contention for our Jan Marino Scholarship (for a woman writer 45 or older).
Check out our new video with interviews with our most recent grads:
Being a low residency program means you travel to Hollywood for 10 days at the beginning of each semester (once in August/once in January) for a workshop experience worth 3 units. We hold workshops at the historic Jim Henson Studios (originally the Charlie Chaplin Studios) in Hollywood, California.
Each semester students will take 3 courses after the workshop. They have one mentor for a television script and one mentor for a screenplay. The television mentors change each semester because in Fall semester you write a spec script/in Spring a pilot; the screenplay mentor is onboard for the whole year, as the Fall semester is all about developing an outline and writing Act One of the screenplay, and in the spring semester you complete and revise the script. Our instructors are all chosen because they are working writers and members of the Writers Guild of America (WGA).
In year two, there’s a second screenplay written (with a different mentor) and a thesis project, which can be anything from a web series to a limited series pilot and bible to a group of short films to an actual written thesis.
Our History of Screenwriting Courses are taught with a female gaze. Taught by our Executive Director so she can stay in touch with MFA candidates across their 2 years in the program. In the course, students read texts and view films each week that feature female-focused stories, and then post responses to the material. At the end of each semester, students turn in a profile of a screenwriter.
In 2017, 22 of these profiles written by MFA students were compiled into the book WHEN WOMEN WROTE HOLLYWOOD, published by McFarland Press.
If you are a writer looking to move your material to the next level so it will secure you a spot in the industry – or a college educator who wants a graduate degree to move up in the academic world – then our program is perfect for you.