“When Women Wrote Hollywood” Book Launch Event [Video] (31:40)

 

When Women Wrote Hollywood Book Launch Event
August 11,2 018 at the Jim Henson Studios, where the Stephens College MFA in TV and Screenwriting program resides.

These 23 essays cover a range of female screenwriters from the early years of film through the 1940s, women whose work helped create the unforgettable stories and characters beloved generations of audiences but whose names have been left out of most film histories. Not this one. This collection is dedicated to those women and written by a group of women grateful to stand on the shoulders of those who came before – as a beacon to those who will come after.

Many thanks to the essay contributors who joined us and spoke so eloquently about the women writers they had researched: Toni Anita Hull, Laura Kirk, Amelia Phillips, Sarah Phillips, Julie Berkobien, Khanisha Foster, Lauren Smith, and to Cari Beauchamp, who wrote the Forward to the collection.


Buy a signed copy of when Women Write Hollywood

or Buy the Book on Amazon

 

Paperback Edition | Kindle Edition | Google Play Edition

* A portion of each sale from Amazon.com directly supports our blogs
** Many of these books may be available from your local library. Check it out!
† Available from the LA Public Library

Rosanne Welch and Karen Loop at “When Women Wrote Hollywood” Book Launch

Rosanne Welch and Karen Loop at “When Women Wrote Hollywood” Book Launch

Karen Loop, Director of the Columbia College in Chicago Semester in LA Program took the time out of her busy schedule to help me celebrate the launch of When Women Wrote Hollywood at the book signing we held on the Henson soundstage Saturday the 11th.

Many thanks to the essay contributors who joined us and spoke so eloquently about the women writers they had researched: Toni Anita Hull, Laura Kirk, Amelia Phillips, Sarah Phillips, Julie Berkobien, Khanisha Foster, Lauren Smith, and to Cari Beauchamp, who wrote the Forward to the collection.

Follow Rosanne Welch on Instagram


Buy a signed copy of when Women Write Hollywood

or Buy the Book on Amazon

 

Paperback Edition | Kindle Edition | Google Play Edition

* A portion of each sale from Amazon.com directly supports our blogs
** Many of these books may be available from your local library. Check it out!
† Available from the LA Public Library

From The Research Vault: Tribute: Davy Jones And The Monkees Change The World, March 1, 2012 By Diane Werts

From The Research Vault: Tribute: Davy Jones And The Monkees Change The World, March 1, 2012 By Diane Werts

From The Research Vault: Tribute: Davy Jones And The Monkees Change The World, March 1, 2012  By Diane Werts

It’s not quite the loss of a Beatle. But it’s obviously up there in pop culture significance, considering how TV and other media played up Wednesday’s news of the death of Davy Jones, star of TV touchstone The Monkees and the top-selling rock band of the same name.

Some will scoff — The Monkees were a manufactured group, their ’60s show looks silly, et al. But Davy Jones’ death seemed to strike a chord in baby boomers — and even in younger culture vultures, who still hear Monkees tunes like “Daydream Believer” on oldies radio, on movie soundtracks, or as background sound in public places.

Maybe it’s because The Monkees stand for a particular pop culture moment, at a confluence of events, trends and fault lines. The show’s 1966-68 TV run essentially defines the morph of what we’ll call the Mad Men ’60s — on-the-surface simple, sunny, neat — into the Vietnam-era, with all of its messy, moody, culture-shift conflicts.

Read Tribute: Davy Jones And The Monkees Change The World, March 1, 2012 By Diane Werts


 

Why The Monkees Matter: Teenagers, Television and American Pop Culture

Buy Your Copy Now!

* A portion of each sale from Amazon.com directly supports our blogs
** Many of these books may be available from your local library. Check it out!
† Available from the LA Public Library

Me and Tom Stempel via Instagram

Me and Tom Stempel via Instagram

Me and Tom Stempel

It was a pleasure sharing our book launch party with historian Tom Stempel, who had come to speak to our new students earlier in the day and kindly stayed to attend out event.

Many thanks to the essay contributors who joined us and spoke so eloquently about the women writers they had researched: Toni Anita Hull, Laura Kirk, Amelia Phillips, Sarah Phillips, Julie Berkobien, Khanisha Foster, Lauren Smith, and to Cari Beauchamp, who wrote the Forward to the collection.

Follow Rosanne Welch on Instagram


Buy a signed copy of when Women Write Hollywood

or Buy the Book on Amazon

 

Paperback Edition | Kindle Edition | Google Play Edition

* A portion of each sale from Amazon.com directly supports our blogs
** Many of these books may be available from your local library. Check it out!
† Available from the LA Public Library

When Women Wrote Hollywood – 21 in a series – Where Are My Children? (1916), Wr: Lois Weber, Dir: Phillips Smalley

To highlight the wonderful yet largely forgotten work of a collection of female screenwriters from the early years of Hollywood (and as a companion to the book, When Women Wrote Hollywood) we will be posting quick bits about the many films they wrote along with links to further information and clips from their works which are still accessible online. Take a few moments once or twice a week to become familiar with their names and their stories. I think you’ll be surprised at how much bold material these writers tackled at the birth of this new medium. — Rosanne Welch


When Women Wrote Hollywood – 21 in a series – Where Are My Children? (1916), Wr: Lois Weber, Dir: Phillips Smalley

When Women Wrote Hollywood - 21 in a series - Where Are My Children? (1916), Wr: Lois Weber, Dir: Phillips Smalley

Where Are My Children? is a 1916 American silent drama film directed by Phillips Smalley and Lois Weber and stars Tyrone Power, Sr., Juan de la Cruz, Helen Riaume, Marie Walcamp, Cora Drew, A.D. Blake, Rene Rogers, William Haben and C. Norman Hammond

The film tells the story of a district attorney (Power, Sr.) who, while prosecuting a doctor for illegal abortions, finds out that society people, including his wife, used the doctor’s services.

Richard Walton, a district attorney, is presented with an obscenity case: A medical practitioner, Dr. Homer, has been arrested for distributing ‘indecent’ birth control literature. On the stand, Dr. Homer makes a strong case for legalizing contraception. He recounts three incidents from his medical practice, each shown in a brief flashback: children are exposed to violent abuse in a family riddled with alcoholism; an impoverished family is unable to provide adequate medical care for their sick children; and a single mother, abandoned by her male lover, commits suicide with her young infant.

Meanwhile, Richard’s wife, Edith, has been keeping a secret from him for many years: she has been seeing a doctor, one Herman Malfit, who performs abortions so that her busy social life will not be interrupted by the inconvenience of pregnancy. She suggests it as an option for her friend Mrs. William Carlo, who is with child. Mrs. Carlo has the abortion.

The Waltons receive two new guests in their house almost simultaneously: Edith Walton’s ne’er-do-well younger brother, and their maid’s young daughter, Lillian. Smitten by the brother’s advances, the maid’s daughter is seduced and soon finds herself pregnant. She is taken to Dr. Malfit and then abandoned by the boy after the operation goes wrong. Making her way back to the Walton mansion, she collapses and dies from the botched abortion.

Following Malfit’s arrest and trial, Richard Walton examines the doctor’s ledgers and realized that his wife and many of her friends are listed as having received ‘personal services.’ He returns home, furious, to find them lunching at his home. He banishes his wife’s friends, saying ‘I should bring you to trial for manslaughter!’ and confronts Edith with the cry, ‘where are my children?’ She is overcome with remorse. As the years pass, the couple must contend with a lonely, childless life, full of longing for the family they might have had. — Wikipedia 

Watch Where are my children?

More about “Where are my children?”

More about Lois Weber


Buy a signed copy of when Women Write Hollywood

 

Paperback Edition | Kindle Edition | Google Play Edition

* A portion of each sale from Amazon.com directly supports our blogs
** Many of these books may be available from your local library. Check it out!
† Available from the LA Public Library

Class of 2020 – Stephens College MFA in Screenwriting in Television via Instagram

Class of 2020 - Stephens College MFA in Screenwriting in Television via Instagram

Class of 2020 – Stephens College MFA in Screenwriting in Television 

Our latest class is in Los Angeles for their first workshop session so we took the opportunity to grab our first group photo. 

They’ll be back in August for another 10-day session and two more workshops in their second year. 

Always great to welcome a new set of MFA students each year!

Follow me on Instagram!

When Women Wrote Hollywood – 20 in a series – Lois Weber

To highlight the wonderful yet largely forgotten work of a collection of female screenwriters from the early years of Hollywood (and as a companion to the book, When Women Wrote Hollywood) we will be posting quick bits about the many films they wrote along with links to further information and clips from their works which are still accessible online. Take a few moments once or twice a week to become familiar with their names and their stories. I think you’ll be surprised at how much bold material these writers tackled at the birth of this new medium. — Rosanne Welch


When Women Wrote Hollywood – 20 in a series – Lois Weber

When Women Wrote Hollywood - 20 in a series - Lois Weber

Lois Weber (June 13, 1879 – November 13, 1939) was an American silent film actress, screenwriter, producer, and director, who is considered “the most important female director the American film industry has known”,[1] and “one of the most important and prolific film directors in the era of silent films”.[2][3] Film historian Anthony Slide asserts that: “Along with D.W. Griffith, Weber was the American cinema’s first genuine auteur, a filmmaker involved in all aspects of production and one who utilized the motion picture to put across her own ideas and philosophies.”[4]

Weber produced an oeuvre which Jennifer Parchesky argues is comparable to Griffith’s in both quantity and quality,[5] and brought to the screen her concerns for humanity and social justice in an estimated 200 to 400 films,[2][6] of which as few as twenty have been preserved,[7][8] and has been credited by IMDb with directing 135 films, writing 114, and acting in 100.[9] Weber was “one of the first directors to come to the attention of the censors in Hollywood’s early years”.[10] — Wikipedia 

Watch a movie by Lois Weber

A clip from The Blot

More about Lois Weber


Buy a signed copy of when Women Write Hollywood

 

Paperback Edition | Kindle Edition | Google Play Edition

* A portion of each sale from Amazon.com directly supports our blogs
** Many of these books may be available from your local library. Check it out!
† Available from the LA Public Library

Books for Sale! – When Women Wrote Hollywood Book Launch Event via Instagram

Books for Sale! - When Women Wrote Hollywood Book Launch Event via Instagram

Books for Sale! – When Women Wrote Hollywood Book Launch Event

Many thanks to the essay contributors who joined us and spoke so eloquently about the women writers they had researched: Toni Anita Hull, Laura Kirk, Amelia Phillips, Sarah Phillips, Julie Berkobien, Khanisha Foster, Lauren Smith, and to Cari Beauchamp, who wrote the Forward to the collection.

Follow Rosanne Welch on Instagram


Buy a signed copy of when Women Write Hollywood

or Buy the Book on Amazon

 

* A portion of each sale from Amazon.com directly supports our blogs
** Many of these books may be available from your local library. Check it out!
† Available from the LA Public Library

When Women Wrote Hollywood Book Launch Event – August 11, 2018 [Photos]

When Women Wrote Hollywood Book Launch Event - August 11, 2018 [Photos]

See the entire collection of photos

In honor of the launch of our book of essays – When Women Wrote Hollywood – Jake Flynn, Communications Director for Councilmember Bob Blumenfield presented us this Certificate of Recognition from the Los Angeles City Council for “bringing students from throughout the country to Los Angeles and pairing them with mentors in the heart of the entertainment business…

The flexibility of the program allows for a diverse student body which in turn promotes the telling of stories that have not been heard before.” One certificate will return home to Stephens College with Dean Gail Humphries Mardirosian, who flew out to attend the launch, and the other two will stay with Ken and I here in Los Angeles.

Many thanks to the essay contributors who joined us and spoke so eloquently about the women writers they had researched: Toni Anita Hull, Laura Kirk, Amelia Phillips, Sarah Phillips, Julie Berkobien, Khanisha Foster, Lauren Smith, and to Cari Beauchamp, who wrote the Forward to the collection.


Buy a signed copy of when Women Write Hollywood

or Buy the Book on Amazon

 

* A portion of each sale from Amazon.com directly supports our blogs
** Many of these books may be available from your local library. Check it out!
† Available from the LA Public Library

24 Nyssa from Gender Diversity in the Who-niverse [Video] (0:42)

Watch this entire presentation: Gender Diversity in the Who-niverse: Paving the Way for a Lady Doctor with Dr. Rosanne Welch [Video] (36:58)

24 Nyssa from Gender Diversity in the Who-nivers [Video] (0:42)

For her 5th Doctor Who lecture to the CPP community, Dr. Rosanne Welch discusses how society – and the show’s writing staff – prepared the audience for a major change in this 50-year franchise – the creation of the first Lady Doctor!

Transcript:

Then we had Nyssa who I really enjoyed. Nyssa came in with the Peter Davison era with Teegan — who’s alright. Teegan has her moments. But Nyssa is an alien, super intelligent from her alien race and at the end of her time with The Doctor — thy end up on a planet where there’s a leper colony and nobody is taking care of these people and rather than — again — continuing to travel with The Doctor she chooses to stay and be a caregiver to these people. She’s a doctor so she can take care of them and imagines that she will find a cure for this if she stays behind and he’s like “well maybe this will never be cured” and she’s like “it won’t ever be cured if no one tries.” So she’s willing to give it that time which I think is a beautiful strength being evidenced by a female character. Not that hard.

Follow Dr. Welch on Twitter and Instagram
https://twitter.com/rosannewelch – http://instagram.com/drrosannewelch

 

Rosanne Welch, PhD

Rosanne Welch PhD teaches the History of Screenwriting and One-Hour Drama for the Stephens College MFA in Screenwriting.

Writing/producing credits include Beverly Hills 90210, Picket Fences, ABCNEWS: Nightline and Touched by an Angel. In 2016 she published the book Why The Monkees Matter: Teenagers, Television and American Pop; co-edited Women in American History: A Social, Political, and Cultural Encyclopedia; and placed “Transmitting Culture Transnationally Via the Characterization of Parents in Police Procedurals” in the New Review of Film and Television Studies. Essays appear in Torchwood Declassified: Investigating Mainstream Cult Television and Doctor Who and Race: An Anthology. Welch serves as Book Reviews editor for Journal of Screenwriting and on the Editorial Advisory Board for Written By magazine, the magazine of the Writers Guild.

Watch Dr. Welch’s talk “The Importance of Having a Female Voice in the Room” at the 2016 TEDxCPP.