Many thanks to SRN member Romana Turina for inviting me to give an online seminar on the benefits of Flipping Your Classroom for the Working Group on Comparative Screenwriting in the Screenwriting Research Network that she leads.
Every month she presents and records a guest lecture for our membership that is then open to the public once she posts it on YouTube.
This month she asked me to speak about the pedagogy of flipping your classroom to enhance learning which, while created with K-12 students in mind is equally effective – and I would add necessary – in the world of MFA candidates. I use this practice in the teaching of screenwriting in our low residency Stephens College MFA in TV and Screenwriting.
It involves the professor providing less “Sage on the stage” performance and more student-focused opportunities. I’ve also come to describe it as not teaching (as defined by dumping all my info into their heads) but as curating an experience from which they glean the knowledge they need.
In the lecture I give examples of the kinds of activities I curate, keeping in mind the different learning styles each MFA candidate presents.
Here’s the video of the presentation that my friend Kristine Gunnell and I recently made to the current History and English masters at the Claremont Graduate University campus where we both earned our Ph.D.
Surrounded by our most recent publications we discussed “Opportunities and Adventures in Scholarly Publishing”. I shared ideas for gaining your first academic credits – from doing book reviews in journals to writing entries for encyclopedias to submitting essays or chapters to anthologies and discussed creating working relationships with editors. Kristine went in-depth into working in archives when researching and writing books on very specific subjects and how to find connections in the lives of other women whose lives you are bringing to the attention of modern readers.
Though she never wrote a horror film, to celebrate Halloween this month’s focus is screenwriter, poet, and Pulitzer Prize-winning author, Zoe Akins, born on October 30, 1886. In 1935 Akins would become the third woman to win the Pulitzer Prize for Drama, the highest honor for a Broadway play in the United States, after Zona Gale (1921) and Susan Glaspell (1931). Akins’ win came from her dramatization of Edith Wharton’s The Old Maid. Four years later the play was adapted by Casey Robinson into a film starring Bette Davis, even though Akins had begun adapting plays and turning out her own screenplays in the early 1930s. Throughout her career, she collaborated with some of the most important women both behind and in front of the cameras which has kept her work in the public eye.
Though she never wrote a horror film, to celebrate Halloween this month’s focus is screenwriter, poet, and Pulitzer Prize-winning author, Zoe Akins, born on October 30, 1886. In 1935 Akins would become the third woman to win the Pulitzer Prize for Drama, the highest honor for a Broadway play in the United States, after Zona Gale (1921) and Susan Glaspell (1931). Akins’ win came from her dramatization of Edith Wharton’s The Old Maid. Four years later the play was adapted by Casey Robinson into a film starring Bette Davis, even though Akins had begun adapting plays and turning out her own screenplays in the early 1930s. Throughout her career, she collaborated with some of the most important women both behind and in front of the cameras which has kept her work in the public eye.
In this presentation given at the 2023 San Diego WhoCon I talked about what really happened at Pompeii on volcano day; the agricultural knowledge of the Aztecs; when Robin Hood began appearing in literature, and the bravery of Noor Inayat Khan and Rosa Parks.
Transcript:
What we’re talking about today is the real history behind the history behind Doctor Who. We know from the beginning the show was meant to teach history. It was a children’s program and I think that’s a really lovely idea and so they began with two teachers as companions. That was so intentional and it worked. It was a great way to warm people up and you had to have people who knew something about where they were going. Who had something to say and of course we had a student. You have to have someone you can talk to right? So it was a really lovely blend of characters.The very — one of the earliest ones they did went into the world of the Romans. Everyone’s always fascinated by the Romans and I think what’s really interesting is, sadly, just a little bit later, Highlanders was the last historical one they produced in that early period. They decided it wasn’t what the audience wanted. What did the audience want? Audience:Gimmicks and Robots? Duh, Daleks, right? The Daleks showed up and that was it they were like oh no no this is what the audience is coming for. Forget that history. Forget that study. Don’t learn anything.It’s okay. Also we know that once we get to John Pertwee and he’s trapped on Earth he can’t travel. So there’s no way he’s going to go into the past. So we lose a chunk of time where there was this moment to do something about history and then new Who showed up and we gained it back. What we’re talking about today is the real history behind the history behind Doctor Who. We know from the beginning the show was meant to teach history. It was a children’s program and I think that’s a really lovely idea and so they began with two teachers as companions. That was so intentional and it worked. It was a great way to warm people up and you had to have people who knew something about where they were going. Who had something to say and of course we had a student. You have to have someone you can talk to right? So it was a really lovely blend of characters.The very — one of the earliest ones they did went into the world of the Romans. Everyone’s always fascinated by the Romans and I think what’s really interesting is, sadly, just a little bit later, Highlanders was the last historical one they produced in that early period. They decided it wasn’t what the audience wanted. What did the audience want? Audience:Gimmicks and Robots? Duh, Daleks, right? The Daleks showed up and that was it they were like oh no no this is what the audience is coming for. Forget that history. Forget that study. Don’t learn anything.It’s okay. Also we know that once we get to John Pertwee and he’s trapped on Earth he can’t travel. So there’s no way he’s going to go into the past. So we lose a chunk of time where there was this moment to do something about history and then new Who showed up and we gained it back.
In this presentation given at the 2023 San Diego WhoCon I talked about what really happened at Pompeii on volcano day; the agricultural knowledge of the Aztecs; when Robin Hood began appearing in literature, and the bravery of Noor Inayat Khan and Rosa Parks.
Transcript:
well welcome everybody very nice to see everybody um I’m glad that the title sounded interesting I hope that the entire presentation will prove interesting um I am Rosanne Welch I teach at a couple places actually because that’s how you do it these days uh Steven’s college is actually in Missouri but we run an uh MFA in screenwriting here in Los Angeles well here north of here in Los Angeles um and so that’s my specialty I was a television writer for about 20 years and then I got into Academia so I studied history because I wasn’t sure I wanted to study writing so I ended up doing a lot of history stuff which was fascinating um and so today we’re going to look at this show that we all love which started out to teach history and how much of it you know is real and how much is fake um and these are kind of the breath of the place that I want to cover um I come from as I said TV writing so I was on all these shows in the past and even on a show like Touch by an Angel we would deal with history because angels of course last forever it was a traveling Angels show where the Angels happen to be Angels but right stylistically The Fugitive is a traveling Angel show MacGyver is a traveling Angel show Doctor Who is a traveling Angel show someone who just goes from place to place and helps other people out and I think that’s really really cool um and then like I said I got a PhD at Claremont University also in slightly above us a couple hours and that’s where I focused on history for a while before I went back into working and writing so that’s where I’m sort of interested in both of these areas and I think we see that show up in Doctor Who um I’m also on the editorial board for these various journals so very interested in how writing is presented to people and how stories are told um I was extremely lucky uh the the magazine of The Writers Guild written by magazine uh I was on the board for that like I said and the editor knew that I was a huge Doctor Who fan so in that period when Russell came to town and did that fourth season of Torchwood here in town um he called me the editor called me and said we’re going to interview him would you like to be the one to talk to him to which I said uh yeah can I do that right away and it was great because as most of these things go the pr person set me up in a room with Russell and it was this Glass Room in the middle of this fancy place in in in Santa Monica and uh the guy said well you have 20 minutes and I was like I can do this in 20 minutes right I’m happy to be here and 20 minutes passed and you saw the pr guy open the door and poke in and Russell was like I’m not done yet and you kicked the pr guy because I knew what I was talking about and I was asking him these really interesting questions and he was having such a great time we ended up talking for an hour and you just saw the man walk around looking but he didn’t want to poke his head in again and get yelled at so it was a marvelous and fun time and this um interview is online uh on this particular website um which is on the writer Guild website and I’ve I’ve also written a bunch of books not all about Doctor Who these three happen to be about Doctor Who and just got me very interested in analyzing the show and why has it been so popular for so long we know it’s provided us a really interesting character who obviously there are many versions of and we’re all very happy to see all those different versions but why else right why else does it stick with us the latest book is the one that’s right up here and it’s about Jodi’s era hello um because that was of course a very iconic moment in all Television right
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