I’m so excited to see that we’re now publishing on this collection of essays written by the original cohort of students in our first Stephens College MFA in Screenwriting which I edited and for which author Cari Beauchamp wrote a wonderful forward covering the life and influence of Frances Marion.
These 23 essays cover a range of female screenwriters from the early years of film through the 1940s, women whose work helped create the unforgettable stories and characters beloved generations of audiences but whose names have been left out of most film histories. Not this one. This collection is dedicated to those women and written by a group of women grateful to stand on the shoulders of those who came before – as a beacon to those who will come after.
Before my presentation on “How The Monkees Changed Television” at Cal Fullerton Lunchtime Lectures Complete video of this presentation is now available at RosanneWelch.com
Rosanne Welch, PhD, Author of Why The Monkees Matter, presents “How The Monkees Changed Television” at a Cal State Fullerton Lunch Lecture on May 8, 2018.
In this talk, she shows how The Monkees, and specifically their presence on television, set the stage for large changes to come in the late 1960s.
Rosanne Welch, PhD is a writer, producer and university professor with credits that include Beverly Hills 90210, Picket Fences, Touched by an Angel and ABC NEWS/Nightline. Other books include Why The Monkees Matter: Teenagers, Television and American Pop Culture (McFarland, 2017) and Women in American History: A Social, Political, and Cultural Encyclopedia and Document Collection (ABC-CLIO, 2017), named to the 2018 Outstanding References Sources List, by the Reference and User Services Association (RUSA), a division of the American Library Association. Welch has also published chapters in Torchwood Declassified: Investigating Mainstream Cult Television (I.B.Tauris) and The American Civil War on Film and TV: Blue and Gray in Black and White and Color (Lexington Books, 2018) and essays in Doctor Who and Race: An Anthology and Outside In Makes it So, and Outside in Boldly Goes (both edited by Robert Smith). By day she teaches courses on the history of screenwriting and on television writing for the Stephens College MFA in Screenwriting programs. Her talk “The Importance of Having a Female Voice in the Room” at the 2016 TEDxCPP is available on YouTube.
“You say you want to see the world, see how government works in other places, when do you plan to start?” Salinas asked.
Silva added, “Travel enriches the soul – and can only be done when one has no family to leave behind, no wife, no children, free — as you are today, Filippo.”
“But, truth be told, I am fascinated with the English colonies in the Americas,” Filippo admitted. “Of late, my thoughts have been to witness this for myself.”
For her 5th Doctor Who lecture to the CPP community, Dr. Rosanne Welch discusses how society – and the show’s writing staff – prepared the audience for a major change in this 50-year franchise – the creation of the first Lady Doctor!
Transcript:
During Doctor Who, Russell also invented Torchwood which I think is a fascinating show, if you’ve never you should check it out because, again, playing with gender, on this program, Captain Jack is the head of the Torchwood unit. Hsi second in command is a female, Gwen, who was a policewoman. She joins this elite alien group. you know, of police, if you will and her husband is a stay at home kind of guy and he’s going to take care of the baby when they eventually have it. He’s got a construction job. He comes home at night and makes her dinner. She works funny hours. Russell Davies specifically said”I want to swap the gender stereotypes. I want to see how that works in the world and that is a way many marriages are working these days but it was still considered new.
Dr. Rosanne Welch teaches the History of Screenwriting and One-Hour Drama for the Stephens College MFA in Screenwriting.
Writing/producing credits include Beverly Hills 90210, Picket Fences, ABCNEWS: Nightline and Touched by an Angel. In 2016 she published the book Why The Monkees Matter: Teenagers, Television and American Pop; co-edited Women in American History: A Social, Political, and Cultural Encyclopedia; and placed “Transmitting Culture Transnationally Via the Characterization of Parents in Police Procedurals” in the New Review of Film and Television Studies. Essays appear in Torchwood Declassified: Investigating Mainstream Cult Television and Doctor Who and Race: An Anthology. Welch serves as Book Reviews editor for Journal of Screenwriting and on the Editorial Advisory Board for Written By magazine, the magazine of the Writers Guild.
The writer of the essay was a male, JSTOR Daily’s features editor Benjamin Winterhalter and he was reminiscing about a summer in his elementary years when his mother and friends dissected all the filmed adaptations of the novel in preparation for writing an article — “A Feminist Romance: Adapting Little Women to the Screen” for Tulsa Studies in Women’s Literature.
Winterhalter’s article came up because along his research way he came across an Op-Ed I had written for the Los Angeles Times, “What ‘Little Women’ Is Really About” about the 1995 Robin Schiff adaptation (starring Winona Ryder) which I had framed as both a more deeply feminist interpretation but, more importantly, accessible to all as the story of a writer finding their voice.
How fun to be reminded of that Op-Ed and to see how accessible my earlier work can be with archives going digital. It’s also good timing as I often recommend to screenwriting students that they write for various local publications in order to get their names out there and to fill out their writing CVs. Here’s an example of a piece I wrote when I had a passionate idea ( the one about how this is more the story of a writer finding their voice than merely a bunch of sisters surviving the Civil War). Since I did not see that idea represented in the mainstream press, I brought it to their attention and they noticed it and presented it to their readers.