Scene from my presentation on “How The Monkees Changed Television” at Cal Fullerton Lunchtime Lectures

Scene from my presentation on “How The Monkees Changed Television” at Cal Fullerton Lunchtime Lectures

Scene from my presentation on “How The Monkees Changed Television” at Cal Fullerton Lunchtime Lectures 

Complete video of this presentation is now available.

See all the photos from this presentation


 Why The Monkees Matter: Teenagers, Television and American Pop Culture

    

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When Women Wrote Hollywood: Essays on Female Screenwriters in the Early Film Industry — Now Available!

When Women Wrote Hollywood: Essays on Female Screenwriters in the Early Film Industry 

I’m so excited to see that we’re now publishing on this collection of essays written by the original cohort of students in our first Stephens College MFA in Screenwriting which I edited and for which author Cari Beauchamp wrote a wonderful forward covering the life and influence of Frances Marion.

These 23 essays cover a range of female screenwriters from the early years of film through the 1940s, women whose work helped create the unforgettable stories and characters beloved generations of audiences but whose names have been left out of most film histories.  Not this one. This collection is dedicated to those women and written by a group of women grateful to stand on the shoulders of those who came before – as a beacon to those who will come after.

Rosanne Welch

When Women Write Hollywood Cover

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Table Of Contents

Acknowledgments

Foreword: Finding Frances Marion
Cari Beauchamp

Introduction
Rosanne Welch 5

Adela Rogers St. Johns: Survival Of The Feisty
Sarah Amble Whorton

Jeanie Macpherson: A Life Unknown
Amelia Phillips

Anita Loos: A Girl Like Her
Toni Anita Hull

The Nature And Genius Of Alice Guy Blaché
Khanisha Foster

“You’d Better Learn To Hold Your Liquor”: Bess Meredyth And A Career In Early Hollywood
Sydney Haven

The Best Revenge Is Outliving Them All: The Life And Heartbreak Of Frederica Sagor Maas
Mikayla Daniels

Silent Screenwriter, Producer And Director: Marion Fairfax
Sarah Phillips

Smart Girl In Charge: Eve Unsell
Laura Kirk

The Glorious Ms. Glyn
Amy L. Banks

Fearless And Fierce: June Mathis
Lauren Elizabeth Smith

Writing Around Lois Weber
Chase Thompson

Gene Gauntier: Ascending By Drowning
Yasser Omar Shahin

Lorna Moon: A Woman Of A Certain Influence
Elizabeth Dwyer Sandlin

Clara Beranger: The Unseen Laborer
Amanda R. Stockwell

Ida May Park: Prolific Pioneer
Jackie Perez

Frances Goodrich And Albert Hackett: The Most Beloved Couple In Hollywood
Julie Berkobien

In Defense Of Lillian Hellman
Kelley C. Zinge

The Intimately Unknowable Dorothy Parker: A Study Of Her Life And Art
Elizabeth Dwyer Sandlin

Joan Harrison: Redefining Femininity In Film Noir And Hollywood
Chelsea Andes

The Six Degrees Of Sarah Y. Mason And Victor Heerman
Pamela L. Scott

Zoë Akins: A Quiet Rebellion
Sarah Amble Whorton

Marriage Of Words: Bella And Sam Spewack
Laura Kirk

The Forgettable Ms. Murfin
Amy L. Banks

A Team In Passionate Action: Ruth Gordon And Garson Kanin
Rosanne Welch

About The Contributors

Chatting about The Monkees via My Instagram

Chatting about The Monkees via My Instagram

Chatting about The Monkees

Before my presentation on “How The Monkees Changed Television” at Cal Fullerton Lunchtime Lectures 
Complete video of this presentation is now available at RosanneWelch.com

See all the photos from this presentation


 Why The Monkees Matter: Teenagers, Television and American Pop Culture

    

McFarland (Direct from Publisher) | Amazon | Kindle Edition | Nook Edition

How The Monkees Changed Television with Rosanne Welch, PhD (Complete Presentation and Q&A) [Video] (45:06)

How The Monkees Changed Television with Dr. Rosanne Welch (Complete Presentation and Q&A) [Video] (45:06)

 

Rosanne Welch, PhD, Author of Why The Monkees Matter, presents “How The Monkees Changed Television” at a Cal State Fullerton Lunch Lecture on May 8, 2018.

In this talk, she shows how The Monkees, and specifically their presence on television, set the stage for large changes to come in the late 1960s.


 Why The Monkees Matter: Teenagers, Television and American Pop Culture

    

McFarland (Direct from Publisher) | Amazon | Kindle Edition | Nook Edition


About Rosanne Welch, PhD

Rosanne Welch, PhD is a writer, producer and university professor with credits that include Beverly Hills 90210, Picket Fences, Touched by an Angel and ABC NEWS/Nightline. Other books include Why The Monkees Matter: Teenagers, Television and American Pop Culture (McFarland, 2017) and Women in American History: A Social, Political, and Cultural Encyclopedia and Document Collection (ABC-CLIO, 2017), named to the 2018 Outstanding References Sources List, by the Reference and User Services Association (RUSA), a division of the American Library Association. Welch has also published chapters in Torchwood Declassified: Investigating Mainstream Cult Television (I.B.Tauris) and The American Civil War on Film and TV: Blue and Gray in Black and White and Color (Lexington Books, 2018) and essays in Doctor Who and Race: An Anthology and Outside In Makes it So, and Outside in Boldly Goes (both edited by Robert Smith). By day she teaches courses on the history of screenwriting and on television writing for the Stephens College MFA in Screenwriting programs. Her talk “The Importance of Having a Female Voice in the Room” at the 2016 TEDxCPP is available on YouTube.

From The Research Vault: Nilsson: The Life of a Singer-Songwriter Hardcover by Alyn Shipton

From The Research Vault: Nilsson: The Life of a Singer-Songwriter Hardcover by Alyn Shipton

Alyn Shipton is the author of several award winning books on music including A New History of Jazz, I Feel a Song Coming On (a biography of songwriter Jimmy McHugh) and Groovin’ High: the Life of Dizzy Gillespie. His biography of Harry Nilsson won the 2014 ARSC Award for best pop research, and the 2014 Deems Taylor /Virgil Thomson Award from ASCAP for pop biography. He is jazz critic for The Times in London and has presented jazz programs on BBC radio since 1989. In 2010 he was voted Jazz Broadcaster of the Year in the UK Parliamentary Jazz Awards. He is also an accomplished double bassist, having played with many traditional and mainstream jazz bands, and he lectures in jazz history at the Royal Academy of Music, London.Amazon.com


 

Why The Monkees Matter: Teenagers, Television and American Pop Culture

    

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Quote from “America’s Forgotten Founding Father” by Dr. Rosanne Welch – 11 in a series – Traveling

Quote from

“You say you want to see the world, see how government works in other places, when do you plan to start?” Salinas asked.
  
Silva added, “Travel enriches the soul – and can only be done when one has no family to leave behind, no wife, no children, free — as you are today, Filippo.” 

“But, truth be told, I am fascinated with the English colonies in the Americas,” Filippo admitted. “Of late, my thoughts have been to witness this for myself.”

 From America’s Forgotten Founding Father — Get Your Copy Today!


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Print Edition | Kindle Edition | Apple iBooks Edition | Nook Edition

Monkees Research Materials and Memorabilia via My Instagram

Monkees Research Materials and Memorabilia via My Instagram

Monkees Research Materials and Memorabilia

“How The Monkees Changed Television” at Cal Fullerton Lunchtime Lectures 

See all the photos from this presentation


 Why The Monkees Matter: Teenagers, Television and American Pop Culture

    

McFarland (Direct from Publisher) | Amazon | Kindle Edition | Nook Edition

Chatting at the After Party via My Instagram

Chatting at the After Party via My Instagram

Chatting at the After Party.

Cake!

Cal Poly Pomona Golden Leaves presentations at Cal Poly Pomona University Library. 

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Print Edition | Kindle Edition | Apple iBooks Edition | Nook Edition

11 Torchwood and Doctor Who from Gender Diversity in the Who-niverse [Video] (0:44)

Watch this entire presentation: Gender Diversity in the Who-niverse: Paving the Way for a Lady Doctor with Dr. Rosanne Welch [Video] (36:58)

11 Torchwood and Doctor Who from Gender Diversity in the Who-niverse

For her 5th Doctor Who lecture to the CPP community, Dr. Rosanne Welch discusses how society – and the show’s writing staff – prepared the audience for a major change in this 50-year franchise – the creation of the first Lady Doctor!

Transcript:

During Doctor Who, Russell also invented Torchwood which I think is a fascinating show, if you’ve never you should check it out because, again, playing with gender, on this program, Captain Jack is the head of the Torchwood unit. Hsi second in command is a female, Gwen, who was a policewoman. She joins this elite alien group. you know, of police, if you will and her husband is a stay at home kind of guy and he’s going to take care of the baby when they eventually have it. He’s got a construction job. He comes home at night and makes her dinner. She works funny hours. Russell Davies specifically said”I want to swap the gender stereotypes. I want to see how that works in the world and that is a way many marriages are working these days but it was still considered new.

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Dr. Rosanne Welch

Dr. Rosanne Welch teaches the History of Screenwriting and One-Hour Drama for the Stephens College MFA in Screenwriting.

Writing/producing credits include Beverly Hills 90210, Picket Fences, ABCNEWS: Nightline and Touched by an Angel. In 2016 she published the book Why The Monkees Matter: Teenagers, Television and American Pop; co-edited Women in American History: A Social, Political, and Cultural Encyclopedia; and placed “Transmitting Culture Transnationally Via the Characterization of Parents in Police Procedurals” in the New Review of Film and Television Studies. Essays appear in Torchwood Declassified: Investigating Mainstream Cult Television and Doctor Who and Race: An Anthology. Welch serves as Book Reviews editor for Journal of Screenwriting and on the Editorial Advisory Board for Written By magazine, the magazine of the Writers Guild.

Watch Dr. Welch’s talk “The Importance of Having a Female Voice in the Room” at the 2016 TEDxCPP.

Today I Became a Citation: Little Women, Feminism and Me!

I usually use Google Alerts to find mentions of The Monkees but this weekend something interesting happened. Google Alerts found my name in an essay on the JSTOR Daily about the new BBC miniseries version of Little Women, adapted by Heidi Thomas of “Call the Midwife”) from a novel by a female writer (Louisa May Alcott, as if you didn’t know) and directed by a woman (Vanessa Caswill). 

My Summer of Watching Little Women by Benjamin Winterhalter

Little women movie 1050x700

The writer of the essay was a male, JSTOR Daily’s features editor Benjamin Winterhalter and he was reminiscing about a summer in his elementary years when his mother and friends dissected all the filmed adaptations of the novel  in preparation for writing an article —  “A Feminist Romance: Adapting Little Women to the Screen”  for Tulsa Studies in Women’s Literature. 

Read the Journal Article


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Winterhalter’s article came up because along his research way he came across an Op-Ed I had written for the Los Angeles Times, “What ‘Little Women’ Is Really About” about the 1995 Robin Schiff adaptation (starring Winona Ryder) which I had framed as both a more deeply feminist interpretation but, more importantly, accessible to all as the story of a writer finding their voice.

Today I Became a Citation: Little Women. Feminism and Me!

How fun to be reminded of that Op-Ed and to see how accessible my earlier work can be with archives going digital.  It’s also good timing as I often recommend to screenwriting students that they write for various local publications in order to get their names out there and to fill out their writing CVs.  Here’s an example of a piece I wrote when I had a passionate idea ( the one about how this is more the story of a writer finding their voice than merely a bunch of sisters surviving the Civil War). Since I did not see that idea represented in the mainstream press, I brought it to their attention and they noticed it and presented it to their readers.