Read So Much More than Merely Her Chocolate Cake Recipe
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On Screenwriting and Media with Dr. Rosanne Welch
Writing, Film, Television and More!
Though she never wrote a horror film, to celebrate Halloween this month’s focus is screenwriter, poet, and Pulitzer Prize-winning author, Zoe Akins, born on October 30, 1886. In 1935 Akins would become the third woman to win the Pulitzer Prize for Drama, the highest honor for a Broadway play in the United States, after Zona Gale (1921) and Susan Glaspell (1931). Akins’ win came from her dramatization of Edith Wharton’s The Old Maid. Four years later the play was adapted by Casey Robinson into a film starring Bette Davis, even though Akins had begun adapting plays and turning out her own screenplays in the early 1930s. Throughout her career, she collaborated with some of the most important women both behind and in front of the cameras which has kept her work in the public eye.
Read Before Peanuts, Alice Guy Blaché Presented the First True Meaning of Christmas Film
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Though she never wrote a horror film, to celebrate Halloween this month’s focus is screenwriter, poet, and Pulitzer Prize-winning author, Zoe Akins, born on October 30, 1886. In 1935 Akins would become the third woman to win the Pulitzer Prize for Drama, the highest honor for a Broadway play in the United States, after Zona Gale (1921) and Susan Glaspell (1931). Akins’ win came from her dramatization of Edith Wharton’s The Old Maid. Four years later the play was adapted by Casey Robinson into a film starring Bette Davis, even though Akins had begun adapting plays and turning out her own screenplays in the early 1930s. Throughout her career, she collaborated with some of the most important women both behind and in front of the cameras which has kept her work in the public eye.
Read From Silents to Talkies to TV Lenore J. Coffee Did It All
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63 New Perspectives on 163 Classic DOCTOR WHO Stories by 163 Writers
While I am quite proud of all the larger publishers I have worked with I also deeply enjoy supporting smaller presses and their niche work – especially when it comes to writing about shows I’ve loved for a long time. That’s what ATB offers every time they email me about another book in their “Outside/In” series.
They publish “thoughtful non-fiction books that explore the history of pop culture with insightful and entertaining commentary from a diverse array of writers, authors, and editors”. So far I’ve had essays in their books on the original Star Trek (on the episode ‘This Side of Paradise’) and in the book on Buffy the Vampire Slayer (on the episode ‘Hush’). My latest is an essay on the ‘Kings Demons’ episode of the Peter Davison era of classic Doctor Who.
These are funny essays to write – and read – for deep, deep fans of these shows and it’s been fun to be involved.
Though she never wrote a horror film, to celebrate Halloween this month’s focus is screenwriter, poet, and Pulitzer Prize-winning author, Zoe Akins, born on October 30, 1886. In 1935 Akins would become the third woman to win the Pulitzer Prize for Drama, the highest honor for a Broadway play in the United States, after Zona Gale (1921) and Susan Glaspell (1931). Akins’ win came from her dramatization of Edith Wharton’s The Old Maid. Four years later the play was adapted by Casey Robinson into a film starring Bette Davis, even though Akins had begun adapting plays and turning out her own screenplays in the early 1930s. Throughout her career, she collaborated with some of the most important women both behind and in front of the cameras which has kept her work in the public eye.
Read Poems, Plays, Pulitzers: Screenwriter Zoe Akins Did it All
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If you love seeing dinosaurs come to life on screen and you think they first appeared on screen in Jurassic Park, think again. In 1926 renowned screenwriter-director Marion Fairfax adapted Arthur Conan Doyle’s novel The Lost World to the screen complete with the most advanced special effects of the time. It was an amazing feat for a filmmaker born in Richmond, Virginia, just ten years after the Civil War (October 24, 1875). While screenwriter Marion Fairfax lived into her 9th decade, seeing the administration of a second President Johnson, she only worked in Hollywood from the eras of Woodrow Wilson through Calvin Coolidge (1915-1926) despite being a powerhouse writer-director of her day.
Read Marion Fairfax Put Dinosaurs on Film Before Spielberg or Crichton Were Born
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I was quite honored when Script Magazine editor Sadie Dean asked me to write a monthly column giving short biographies of female screenwriters across the decades – those who came before us as I like to say – so imagine how shocked I was to find out this is my 30th one to date. Meet Bella Cohen Spewack, born in Romania, a journalist who grew up to write movies that satirized her new career as a screenwriter.
1899 saw the birth of two future American screenwriters: Bella Cohen in Romania and her future husband and co-writer, Sam Spewack in Ukraine. They each experienced the childhood of an immigrant brought to New York City and each worked as a newspaper reporter in their early careers, Bella for The Call and Sam for New York World. Eventually, they moved to Hollywood to adapt their own play to the screen and much of their later work involved adapting Broadway plays into films.
Read Married Immigrants Mock Shakespeare for Movie Fame
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On Friday, May 5th I had the honor of delivering the commencement speech at the 2023 Stephens College Commencement Ceremony for Graduate & Continuing Studies as part of having received the Distinguished Faculty Award for the year. The full commencement ceremonies for the 2023 Stephens College MFA in TV and Screenwriting include speeches by MFA student commencement speaker Natalie Cash Petersson and Stephens College President Dianne Lynch.
Together we covered the gamut from “How Watching 1970s TV Gave me the Female Role Models to Succeed in Life” through “How to Channel your Knowledge into Action” and “How to be a Lifelong Learner – After a Well-Deserved Break”.
You can listen to the short ceremony here (the audio is a series of slides but the audio is smooth).
Rosanne’s Speech
Complete Commencement Video
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Transcript:
Since that other, of course, shows have exploded more. We were talking with some folks the other day about these guys but you start with “Inspector Morse” which again was on PBS in the 70s and then that became the spin-off of “Lewis”. So “Lewis” who is the original assistant now becomes the head guy and there’s a “Doctor Who” connection because the guy who played Hathaway was married to Billy Piper and then, of course, they blended that into doing the prequel the “Endeavor” show which is really Morse as a young man right because his real name was Endeavor but he never liked that as a name so they used it for the new show but now that’s something that Americans know a lot about. I have friends who’d never heard of Morse but they all watch “Endeavor” and so then they’re like oh let’s go backwards and see what this guy you know what happens to him later in life.
In this presentation given at the 2022 San Diego WhoCon I had the chance to trace the many ways Doctor Who changed the TV universe. By focusing on the interesting and innovative things the many writers did with the show across the years we were able to see the Who footprint by becoming the first narrative program to reach 50 years on the air, the first to create a spin-off across the ocean, and a show alongside Star Trek that created the Con-craze that brought the world of cosplay to the mainstream. Perhaps most importantly, a love of Doctor Who lead more Americans to watch programming from other countries – from Korean dramas to Mexican telenovelas – which has so enriched our culture.
Watch this entire presentation
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