08 Smart Women and Transcendentalism from Concord Days: Margaret Fuller in Italy [Video]

In researching and writing my book on Giuseppe and Anita Garibaldi and the unification of Italy (A Man Of Action Saving Liberty: A Novel Based On The Life Of Giuseppe Garibaldi)  I re-discovered the first American female war correspondent – Margaret Fuller — who I had first met in a college course on the Transcendentalists. I was once again fascinated by a life lived purposefully.

Then I found Tammy Rose’s podcast on the Transcendentalists – Concord Days – and was delighted when she asked me to guest for a discussion of Fuller’s work in Italy as both a journalist – and a nurse. — Rosanne

08 Smart Women and Transcendentalism from Concord Days: Margaret Fuller in Italy [Video]

Watch this entire presentation

Concord Days sends love to Margaret Fuller on the anniversary of her death in 1850.

The conversation focuses on Margaret’s exciting days in ITALY!

Dr. Rosanne Welch takes us through her adventures and enthusiastically reminds us what she was like when she was living her best life!

Transcript:

It’s such an interesting thing because they — they spouted ideas about equality but it’s a different thing to have the intellectual idea that women should be and then here’s like — you use the word intimidated — and I think that is the perfect description because imagine like well I said it could happen but I didn’t know I’d run into someone who’s going to challenge my — I’m the smart guy in the room — like you get that right? You can — you can see how that would have, it would have shocked them and maybe their own wives had that capacity but weren’t given the ability to show it off.

New Book: Hillary Clinton: A Life in American History (Women Making History) by Kathleen Gronnerud, Edited by Drs. Rosanne Welch and Peg Lamphier

Before you’ve even had time to finish reading the Gloria Steinem book it’s time to share the news about the publication of Book #3 in the Women Making History series that I’m co-editing with my colleague Dr. Peg Lamphier. 

In this one author Kathleen Gronnerud covers the life of Hillary Clinton – everything from her work on education at the First Lady of Arkansas to her work on  healthcare reform as First Lady to the country – to her own entrance into politics.  

New Book: Hillary Clinton: A Life in American History (Women Making History) by Kathleen Gronnerud, Edited by Drs. Rosanne Welch and Peg Lamphier

 

Or ask at your local bookstore.  It’s always time to learn more about the brilliant women we chose to cover in this series!

While numerous volumes have been written about Hillary Clinton, many authors have devoted entire books to just one aspect of Clinton’s public or private life. Yet few, if any, single volumes have provided a comprehensive look at her life in public service from an objective, scholarly viewpoint.

Designed both for students doing research and general readers wanting to know more about Clinton’s life and career, this book not only offers an overview of her education, family, career, and political views, but also provides historical context to her choices, accomplishments, and defeats. The volume’s chapters present a chronological telling of her life story thus far including key experiences, influences, and the development of her political views. The volume also includes photographs and short sidebars, which help to tie Clinton’s personal experiences to the contemporaneous culture of the nation. A lengthy bibliography provides assistance to readers interested in further research or reading.

Drs. Rosanne Welch and Sarah Clark discuss The Monkees “One Man Shy” episode on the Zilch Podcast’s Monkees 101 Series 

Drs. Rosanne Welch and Sarah Clark discuss The Monkees “One Man Shy” episode on the Zilch Podcast’s Monkees 101 Series 

Even though my book is now 5 years old, I’m still always happy for any excuse to talk about The Monkees TV show – and my Monkees 101 co-host gives me that opportunity once a month as we work our way through each episode (mostly) chronologically.  We cover the news of the day when each episode aired, the Top 5 on the Billboard Charts (which often includes a Monkees tune), and all the meta things about the production (from the writing to the casting choices choices to the props and sound departments).  It’s quite a fun way for 2 lady doctors (the Phd kind) who found each other online over our Monkee-fandom can spend our time.

Drs. Rosanne Welch and Sarah Clark discuss The Monkees “One Man Shy” episode on the Zilch Podcast's Monkees 101 Series 

It’s time for Monkees 101! Tim Powers and Sarah Clark host the show and talk Monkees current events in 2021, then Sarah and Rosanne talk “One Man Shy”, which aired Dec 5th 1966. Bashful Peter tries to win the heart of lovely debutante Valerie Cartwright (Lisa James) while dealing with her haughty boyfriend Ronnie Farnsworth (George Furth).

Songs: “I’m a Believer”, “You Just May Be the One” (original version)
1967 reruns: “I’m a Believer” was replaced with “Forget That Girl.”
Saturday mornings: “I’m a Believer” was replaced with “If I Knew.” 

Listen to this episode


Want to learn more about The Monkees? Buy Why The Monkees Matter: Teenagers, Television and American Pop Culture

 

A hit television show about a fictitious rock band, The Monkees (1966-1968) earned two Emmys–Outstanding Comedy Series and Outstanding Directorial Acheivement in Comedy.

Capitalizing on the show’s success, the actual band formed by the actors, at their peak, sold more albums than The Beatles and The Rolling Stones combined, and set the stage for other musical TV characters from The Partridge Family to Hannah Montana. In the late 1980s, the Monkees began a series of reunion tours that continued into their 50th anniversary.

This book tells the story of The Monkees and how the show changed television, introducing a new generation to the fourth-wall-breaking slapstick created by Laurel and Hardy and the Marx Brothers.

Its creators contributed to the innovative film and television of 1970s with projects like Bob & Carol & Ted & Alice, The Mary Tyler Moore Show, Laugh-In and Welcome Back, Kotter. Immense profits from the show, its music and its merchandising funded the producers’ move into films such as Head, Easy Riderand Five Easy Pieces.

McFarland (Direct from Publisher) | Amazon | Kindle Edition | Nook Edition

Want to use “Why The Monkees Matter” in your classroom?

Order Examination Copies, Library and Campus Bookstore orders directly from McFarland

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From The Journal Of Screenwriting V5 Issue 3: That was then this is now …  The Canyons – with Paul, Bret, James and Lindsay by Alex Munt

Highlighting the articles in the past editions of the Journal of Screenwriting, of which I am the Book Reviews Editor. Hopefully these abstracts will entice you to did a little deeper into the history and future of screenwriting. — Rosanne


That was then this is now …  The Canyons – with Paul, Bret, James and Lindsay by Alex Munt
 
New Hollywood, from the late 1960s to early 1980s, was marked by an innovation in film business (production, marketing, audience) together with an opening up of film form. Today, some 50 years later, film culture is again in flux with new models of funding, production and distribution for the digital age. The impact of these developments on screenwriting is (necessarily) speculative at this stage. The focus of this article is on screenwriter/director Paul Schrader, a jump-cut from Taxi Driver (1976) to The Canyons (2013) – his experiment in ‘post-theatrical cinema’ with novelist/screenwriter Bret Easton Ellis. The film was written for microbudget and crowdfunded on the Kickstarter platform. It assembles the notorious cast of porn star James Deen and celebrity maelstrom Lindsay Lohan. The Canyons rolled out with an aggressive online marketing strategy and innovative ‘day and date’ distribution model with an eye to video on demand. Larry Gross has described the film as belonging to ‘this cultural moment’. In this analysis of The Canyons I ask: What does it mean to conceive, and write, a screenplay for the present, for ‘now’? How does screenplay development and creative collaboration differ in a crowdfunded/microbudget environment? How does the film interact with new forms, and aesthetics, appropriate to this ‘cultural moment’? In the final part of the article I attempt to situate the film within a wider narrative framework via Schrader’s diagnosis of ‘narrative exhaustion’, Douglas Rushkoff’s theory of ‘present shock’ and Ellis’ rumination on the American ‘post-empire’ condition.

From The Journal Of Screenwriting V5 Issue 3: That was then this is now …  The Canyons – with Paul, Bret, James and Lindsay by Alex Munt


Journal of Screenwriting Cover

The Journal of Screenwriting is an international double-blind peer-reviewed journal that is published three times a year. The journal highlights current academic and professional thinking about the screenplay and intends to promote, stimulate and bring together current research and contemporary debates around the screenplay whilst encouraging groundbreaking research in an international arena. The journal is discursive, critical, rigorous and engages with issues in a dynamic and developing field, linking academic theory to screenwriting practice. 

Get your copy and subscription to the Journal of Screenwriting Today!



* A portion of each sale from Amazon.com directly supports our blogs
** Many of these books may be available from your local library. Check it out!

07 Emerson and “The Dial” from Concord Days: Margaret Fuller in Italy [Video]

In researching and writing my book on Giuseppe and Anita Garibaldi and the unification of Italy (A Man Of Action Saving Liberty: A Novel Based On The Life Of Giuseppe Garibaldi)  I re-discovered the first American female war correspondent – Margaret Fuller — who I had first met in a college course on the Transcendentalists. I was once again fascinated by a life lived purposefully.

Then I found Tammy Rose’s podcast on the Transcendentalists – Concord Days – and was delighted when she asked me to guest for a discussion of Fuller’s work in Italy as both a journalist – and a nurse. — Rosanne

07 Emerson and

Watch this entire presentation

Concord Days sends love to Margaret Fuller on the anniversary of her death in 1850.

The conversation focuses on Margaret’s exciting days in ITALY!

Dr. Rosanne Welch takes us through her adventures and enthusiastically reminds us what she was like when she was living her best life!

Transcript:

Tammy: When it comes to the transcendentalist one of the big things is also The Dial right? That’s the biggest magazine. That’s the thing that sort of cements the idea of the transcendentalists and all these writers get published there and Emerson had asked her to be the main editor and he said that he was going to pay her and then he never ended up paying her.

Rosanne: Exactly. She didn’t even get a free place a cabin on his land to live

Tammy: Right right like his friend you know uh but I and and you know he would always put her up in his house whenever she wanted to come visit concord. She had an open invitation but you know his wife Lidian didn’t necessarily appreciate it and it wasn’t the best of relationships. So I and I feel like Margaret was never really maybe comfortable in the Concord world because they the guys here just didn’t understand how to deal with her.

Rosanne: Nor did the women right because you have to imagine they were probably — had they had some education — they knew they could do more but weren’t allowed to and then here’s this woman who’s getting to so there’s going to be this under you know layer of kind of jealousy but I don’t want to be jealous but I want that but I can’t have it.

From The Journal Of Screenwriting V5 Issue 3: ‘The Watergate Theory of Screenwriting’: A keynote presentation at SRN, Wisconsin, 2013 by Larry Gross

Highlighting the articles in the past editions of the Journal of Screenwriting, of which I am the Book Reviews Editor. Hopefully these abstracts will entice you to did a little deeper into the history and future of screenwriting. — Rosanne


‘The Watergate Theory of Screenwriting’: A keynote presentation at SRN, Wisconsin, 2013 by Larry Gross
  
One way to start to think about making information in a script interesting is to rephrase the question that was posed by the Watergate investigators about then President Richard Nixon’s knowledge of the criminal deeds of his subordinates. The question reiterated obsessively during the Senate Committee investigation, voiced initially by Tennessee Republican Senator Howard Baker, was … ‘What did the president know, and when did he know it?’. In order to get going, scriptwriters must ask: what do the characters know – about narrative context, about themselves, and about each other, and when do they know it? This essay will explore Akira Kurosawa’s 1952 film, Ikiru (co-written with Shinobu Hashimoto and Hideo Oguni), and how the film is masterfully structured in relation to “who knows what and when.”

'The Watergate Theory of Screenwriting’: A keynote presentation at SRN, Wisconsin, 2013 by Larry Gross


Journal of Screenwriting Cover

The Journal of Screenwriting is an international double-blind peer-reviewed journal that is published three times a year. The journal highlights current academic and professional thinking about the screenplay and intends to promote, stimulate and bring together current research and contemporary debates around the screenplay whilst encouraging groundbreaking research in an international arena. The journal is discursive, critical, rigorous and engages with issues in a dynamic and developing field, linking academic theory to screenwriting practice. 

Get your copy and subscription to the Journal of Screenwriting Today!



* A portion of each sale from Amazon.com directly supports our blogs
** Many of these books may be available from your local library. Check it out!

06 The Right to be in the Room from Concord Days: Margaret Fuller in Italy [Video]

In researching and writing my book on Giuseppe and Anita Garibaldi and the unification of Italy (A Man Of Action Saving Liberty: A Novel Based On The Life Of Giuseppe Garibaldi)  I re-discovered the first American female war correspondent – Margaret Fuller — who I had first met in a college course on the Transcendentalists. I was once again fascinated by a life lived purposefully.

Then I found Tammy Rose’s podcast on the Transcendentalists – Concord Days – and was delighted when she asked me to guest for a discussion of Fuller’s work in Italy as both a journalist – and a nurse. — Rosanne

06 The Right to be in the Room from Concord Days: Margaret Fuller in Italy [Video]

Watch this entire presentation

Concord Days sends love to Margaret Fuller on the anniversary of her death in 1850.

The conversation focuses on Margaret’s exciting days in ITALY!

Dr. Rosanne Welch takes us through her adventures and enthusiastically reminds us what she was like when she was living her best life!

Transcript:

 

Tammy: …and she’s constantly reinventing herself. Like that one of my favorite things about her is the conversations that she had with women which are kind of like modern-day podcasts where it’s like let’s just get everybody together and just talk. You know.

Rosanne: Well that’s and that goes into the 1960s. Their rap sessions right? That’s it you know consciousness-raising and in every generation, like we often teach that the beginning of women’s right or whatever you know you go back to Mary Wollstonecraft right and then think about that’s England but here in America those same conversations are being had.

Tammy: Yeah Yeah and I and I feel like she had to do so much fighting and but or not even like necessarily fighting but just like to reaffirm her right to be in that room or to you know be working as a correspondent for Horace Greeley’s paper.

05 Margaret’s Education from Concord Days: Margaret Fuller in Italy [Video]

In researching and writing my book on Giuseppe and Anita Garibaldi and the unification of Italy (A Man Of Action Saving Liberty: A Novel Based On The Life Of Giuseppe Garibaldi)  I re-discovered the first American female war correspondent – Margaret Fuller — who I had first met in a college course on the Transcendentalists. I was once again fascinated by a life lived purposefully.

Then I found Tammy Rose’s podcast on the Transcendentalists – Concord Days – and was delighted when she asked me to guest for a discussion of Fuller’s work in Italy as both a journalist – and a nurse. — Rosanne

05 Margaret's Education from Concord Days: Margaret Fuller in Italy [Video]

Watch this entire presentation

Concord Days sends love to Margaret Fuller on the anniversary of her death in 1850.

The conversation focuses on Margaret’s exciting days in ITALY!

Dr. Rosanne Welch takes us through her adventures and enthusiastically reminds us what she was like when she was living her best life!

Transcript:

 

Tammy: …and it got her all over the place.

Rosanne: It did and I often compare her — when i’m talking to students about her — I compare her to John Quincy Adams, right, who at 10 was translating his own father’s paperwork and knew five or six languages and he’s going to be like — in my opinion — our smartest president. So she’s on par with him but not given the opportunities.

Tammy: Exactly and even in her day she was known as the most widely read woman in America and she talked her way into the Harvard library even though she couldn’t actually attend Harvard you know and she made sure that she could get the education that she wanted. She must have had this like internal drive and curiosity that just kept her going throughout her life.

 

From The Journal Of Screenwriting V5 Issue 2: ‘Screenwriting research: No longer a lost cause’: A keynote presentation at the SRN Conference 2013 by Jill Nelmes

Highlighting the articles in the past editions of the Journal of Screenwriting, of which I am the Book Reviews Editor. Hopefully these abstracts will entice you to did a little deeper into the history and future of screenwriting. — Rosanne


‘Screenwriting research: No longer a lost cause’: A keynote presentation at the SRN Conference 2013 by Jill Nelmes

The article discusses the past, present and future of screenwriting research from a somewhat personal viewpoint, being US and UK in its focus, partly because of my own lack of knowledge of the researchers in other countries in the ‘dark’ years. Yet the pioneering writers and, more recently, the creation of the Screenwriting Research Network and the Journal of Screenwriting have all encouraged the exchanging of ideas and the realization that there are many of us interested in the same subject. More recently the area has proven to be exciting and dynamic with a diverse range of high quality research from many countries.

From The Journal Of Screenwriting V5 Issue 2: ‘Screenwriting research: No longer a lost cause’: A keynote presentation at the SRN Conference 2013 by Jill Nelmes


Journal of Screenwriting Cover

The Journal of Screenwriting is an international double-blind peer-reviewed journal that is published three times a year. The journal highlights current academic and professional thinking about the screenplay and intends to promote, stimulate and bring together current research and contemporary debates around the screenplay whilst encouraging groundbreaking research in an international arena. The journal is discursive, critical, rigorous and engages with issues in a dynamic and developing field, linking academic theory to screenwriting practice. 

Get your copy and subscription to the Journal of Screenwriting Today!



* A portion of each sale from Amazon.com directly supports our blogs
** Many of these books may be available from your local library. Check it out!

From The Journal Of Screenwriting V5 Issue 2: Writers Guild Foundation Shavelson-Webb Library and Archive by Miranda J. Banks

Highlighting the articles in the past editions of the Journal of Screenwriting, of which I am the Book Reviews Editor. Hopefully these abstracts will entice you to did a little deeper into the history and future of screenwriting. — Rosanne


Writers Guild Foundation Shavelson-Webb Library and Archive by Miranda J. Banks

This article provides an overview of the resources available at the Writers Guild Foundation Shavelson Webb Library in Los Angeles, California. Included is a history of the library, an explanation of the Writers Guild Foundation’s Archive, and discussion of the library and archive’s extensive holdings. The author details resources available online. The article also offers information on how to prepare for a visit to the library and best practices when conducting research or using the Writers Guild Foundation Library and Archive for scholarly or creative work.

From The Journal Of Screenwriting V5 Issue 2: Writers Guild Foundation Shavelson-Webb Library and Archive by Miranda J. Banks


Journal of Screenwriting Cover

The Journal of Screenwriting is an international double-blind peer-reviewed journal that is published three times a year. The journal highlights current academic and professional thinking about the screenplay and intends to promote, stimulate and bring together current research and contemporary debates around the screenplay whilst encouraging groundbreaking research in an international arena. The journal is discursive, critical, rigorous and engages with issues in a dynamic and developing field, linking academic theory to screenwriting practice. 

Get your copy and subscription to the Journal of Screenwriting Today!



* A portion of each sale from Amazon.com directly supports our blogs
** Many of these books may be available from your local library. Check it out!