Liza Donnelly is live-drawing and tweeting the Athena Film Festival — Valerie Woods and Ken LaZebnik of the Stephens College MFA in TV and Screenwriting

One of the best parts of my gig as Executive Director of the Stephens College MFA in TV and Screenwriting is sending very good friends like Valerie Woods (@vcwoods24) to very good festivals like the 10th Annual Athena Film Festival!Liza Donnelly is live-drawing and tweeting the Athena Film Festival - -Valerie Wood and Ken LaZebnik of the Stephens College MFA in TV and Screenwriting

Liza Donnelly is live-drawing and tweeting the Athena Film Festival - -Valerie Wood and Ken LaZebnik of the Stephens College MFA in TV and Screenwriting

Liza Donnelly is live-drawing and tweeting the Athena Film Festival

 


Questions about the Stephens College MFA in TV and Screenwriting?

Leave a comment here or email me, Executive Director, Dr. Rosanne Welch and I’ll be happy to answer your questions.


Visit Stephens College MFA in TV and Screenwriting for more information.
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Valerie Woods, Stephens College MFA in TV and Screenwriting Mentor, Speaks at the Athena Film Festival

Valerie Woods, Stephens College MFA in TV and Screenwriting Mentor, Speaks at the Athena Film Festival

The Stephens College MFA in TV and Screenwriting is always proud to help sponsor the Athena film festival. This year we were happy to send mentor Valerie Woods to discuss her career and love of writing.

Val’s ability to share that love makes her a treasured mentor in our program.

Valerie Woods, Stephens College MFA in TV and Screenwriting Mentor, Speaks at the Athena Film Festival

Valerie Woods, Stephens College MFA in TV and Screenwriting Mentor, Speaks at the Athena Film Festival

Valerie Woods, Stephens College MFA in TV and Screenwriting Mentor, Speaks at the Athena Film Festival


Questions about the Stephens College MFA in TV and Screenwriting?

Leave a comment here or email me, Executive Director, Dr. Rosanne Welch and I’ll be happy to answer your questions.


Visit Stephens College MFA in TV and Screenwriting for more information.
Follow @StephensMFA on Instagram

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From The “When Women Wrote Hollywood” Archives 15: Peace Begins At Home by Clara Beranger

Months of research went into the creation of the essays in “When Women Wrote Hollywood.” Here are some of the resources used to enlighten today’s film lovers to the female pioneers who helped create it.

From The “When Women Wrote Hollywood” Archives 15: Peace Begins At Home by Clara Beranger

From The

From The

THE GREAT DESIRE of individuals in every country of the world is for peace and security. We have discovered that the cessation of war does not automatically mean the establishment of peace.

Within a wide circle of acquaintances and friends, I have found that the only persons who have achieved true inner peace and serenity are those who believe in God and try to live according to the moral principles embodied in the Bible. They recognize the truth that peace begins at home. They know that in order to extend peace from the home to the world they must cultivate habits that create peace. At the same time they must free themselves from old habits that cause inharmony and dissension.

Because I believe that every one of us can and should be a link in the chain of world peace, I have attempted to set forth in these chapters certain common human faults and to present the spiritual means by which they can be changed to character traits conducive to individual and world well-being.


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40 Conclusion from The Sisterhood of Science Fiction – Dr. Rosanne Welch [Video] (1 minute 42 seconds)

Watch this entire presentation

The Sisterhood of Science Fiction: A Walk Through Some Writers and Characters You (Should) Know And Love

40 Conclusion from The Sisterhood of Science Fiction - Dr. Rosanne Welch

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This one allowed me to riff on some of my favorite female science fiction writers across time, whether they be novelists or television writers. It also opened up a good conversation on what art we support and include in our lives – and what that art says to us and about us. — Rosanne

Transcript:

We’ve moved to the world thankfully where now we’re gonna have female superheroes even and that’s the big deal. Likewise I love this meme. It’s been going around on Facebook but you probably saw it — makes a difference that little girls are now seeing women in charge and all these kinds of films makes a big difference. I like this one too. I’ve live long enough to see my child princesses become generals right? That’s Princess Buttercup — kicking some butt and what — exactly — in Wonder Woman. As you wish exactly. As I wish that someone take care. That’s pretty cool. and we’ve come to a place where there’s a new movie opening this weekend or next weekend that’s about an African-American girl who has superhero powers and so does her mother and her grandmother. It all comes through three generations of women who have to use those powers well and they have to deal with them and not cause violence and issues like that. So the fact that we’ve moved all the way here from Frankenstein is pretty amazing I think and I think we always have to go back to what Octavia Butler said, we have to think what we don’t see we assume we can’t be. So whatever that is, we need to see those depictions of all of our different selves because diversity isn’t about getting more money at the box office. Those make much richer, better stories because we are a hugely diverse world and it’s not just actually here in America. It’s all over the world. There’s all kinds of different people everywhere. We really need to think about all of them living on into the future. That makes the best science fiction, in my opinion. So there we have it. Thank you all for coming.



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Students Brainstorm During Stephens College MFA in TV and Screenwriting Winter Workshop via Instagram

Brainstorm During Stephens College MFA in TV and Screenwriting Winter Workshop

Brainstorm During Stephens College MFA in TV and Screenwriting Winter Workshop via Instagram

First year MFA candidates Marco Antonio Rodriguez and Doreene Hamilton brainstorm together during January’s workshop.


Questions about the Stephens College MFA in TV and Screenwriting?

Leave a comment here or email me, Executive Director, Dr. Rosanne Welch and I’ll be happy to answer your questions.


Visit Stephens College MFA in TV and Screenwriting for more information.
Follow @StephensMFA on Instagram

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Stephens College MFA Alumni Jackie Perez named Director of Development for the Hawaii Filmmakers Collective

Congratulations to Stephens College MFA in TV and Screenwriting Jackie Perez (Class of 2017) who was just named Director of Development for the Hawaii Filmmakers Collective.

Stephens College MFA Alumni Jackie Perez (Class of 2017) named Director of Development for the Hawaii Filmmakers Collective

Stephens College MFA Alumni Jackie Perez (Class of 2017) named Director of Development for the Hawaii Filmmakers Collective

Our Executive Team is growing! I want to welcome Rosalie, the HFC Executive Assistant and Jackie, the HFC Director of Development. As many of you know, it takes a lot to drive this ship forward and with their help and expertise, we are striving to foster and showcase independent filmmakers in Hawaii and above all Make More Films!

Thanks Rosalie and Jackie for joining our team and making HFC your kuleana and ohana!

Mary Michelle Baghdady
HFC Executive Director


Visit Stephens College MFA in TV and Screenwriting for more information.

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From The Journal Of Screenwriting V3 Issue 1: ‘To see a script’: Jean-Luc Godard’s re-envisioning of screenwriting in Passion (1982) and Scénario du film Passion by Jill Murphy

Highlighting the articles in the past editions of the Journal of Screenwriting, of which I am the Book Reviews Editor. Hopefully these abstracts will entice you to did a little deeper into the history and future of screenwriting. — Rosanne


‘To see a script’: Jean-Luc Godard’s re-envisioning of screenwriting in Passion (1982) and Scénario du film Passion by Jill Murphy

In the film Passion (1982) and its video scenario, Scénario du film Passion (1982), Jean-Luc Godard attempts to re-envision the conventional script by placing an emphasis on visual rather than verbal forms. In this article, I examine Godard’s development of narrative through image in Passion and his description of this process in Scénario du film Passion. In addition, I consider the concurrent emphasis he places on the visualization of narrative in the diegetic film around which the storyline of Passion is based. To contextualize the process of narrative construction that Godard applies in the films considered in the article, I present some earlier examples of his screenwriting practice that illustrate how Godard’s screenwriting evolved towards an image-based approach..


The Journal of Screenwriting is an international double-blind peer-reviewed journal that is published three times a year. The journal highlights current academic and professional thinking about the screenplay and intends to promote, stimulate and bring together current research and contemporary debates around the screenplay whilst encouraging groundbreaking research in an international arena. The journal is discursive, critical, rigorous and engages with issues in a dynamic and developing field, linking academic theory to screenwriting practice. 

Get your copy and subscription to the Journal of Screenwriting Today!


Screenwriting Research Network Conference 2020

Join me at the Screenwriting Research Network’s Annual Conference in Oxford, UK



* A portion of each sale from Amazon.com directly supports our blogs
** Many of these books may be available from your local library. Check it out!

Pavel Jech Presents on short film screenplay writing at the Stephens College MFA in TV and Screenwriting Winter Workshop

Pavel Jech Presents on short film screenplay writing at the Stephens College MFA in TV and Screenwriting Winter Workshop

Pavel Jech Presents on short film screenplay writing at the Stephens College MFA in TV and Screenwriting Winter Workshop

Guest lecturer Pavel Jech, former Dean of FAMU, the Film and Television School of the Academy of the Performing Arts in Prague and currently at Chapman University, gave excellent insights into the craft of writing a short film screenplay at January’s MFA workshop.


Questions about the Stephens College MFA in TV and Screenwriting?

Leave a comment here or email me, Executive Director, Dr. Rosanne Welch and I’ll be happy to answer your questions.


Visit Stephens.edu/mfa for more information.Follow @StephensMFA on Instagram

Follow and Like the Stephens College MFA in TV and Screenwriting#MentorMonday 8 - Dawn Comer Jefferson - Stephens College MFA in TV and Screenwriting

Save The Date: Bad Ass Movie Motherhood: From Leia to Ripley and Back Again – March 22, 2020 — Cal Poly Pomona University Library

Save The Date: Bad Ass Movie Motherhood: From Leia to Ripley and Back Again - March 22, 2020 — Cal Poly Pomona University Library

Bad Ass Movie Motherhood: From Leia to Ripley and Back Again
March 24, 2020 — Cal Poly Pomona University Library

with Dr. Rosanne Welch and Dr Peg Lamphier

From The “When Women Wrote Hollywood” Archives 14: My Secret Mother: Lorna Moon by Richard de Mille

Months of research went into the creation of the essays in “When Women Wrote Hollywood.” Here are some of the resources used to enlighten today’s film lovers to the female pioneers who helped create it.

From The “When Women Wrote Hollywood” Archives 14: My Secret Mother: Lorna Moon by Richard de Mille

From The

† Available at Los Angeles Public Library

The adopted son of Cecil B. de Mille traces the life of his biological mother, a screenwriter during the silent film era, and the privileged but uneasy youth he enjoyed in Hollywood while being kept in the dark about his origins.


Buy “When Women Wrote Hollywood” Today!

Paperback Edition | Kindle Edition | Google Play Edition

* A portion of each sale from Amazon.com directly supports our blogs
** Many of these books may be available from your local library. Check it out!
† Available from the LA Public Library