Born in Italy at the tumultuous end of France’s influence in Europe, Giuseppe Verdi went on to become the world’s most recognizable name in opera.
Set against the rise of the Italian states in the middle of the nineteenth century, The Faithful depicts an artist bedeviled by his role not just as a composer, but as an unassuming icon of the Italian Unification and the birth of modern Italy.
Through chance encounters in gilded Milanese salons and the hushed politics of the Italian opera, we experience the struggles of a man conflicted by his role as an artist and by his commitment to a country yearning for independence.
Rosanne Welch, PhD, Author of Why The Monkees Matter, presents “How The Monkees Changed Television” at a Cal State Fullerton Lunch Lecture on May 8, 2018.
In this talk, she shows how The Monkees, and specifically their presence on television, set the stage for large changes to come in the late 1960s.
Transcript
This is my final happy episode. It’s called “Some Like It Lukewarm.” If you’re an old movie fan, of course, that’s “Some Like It Hot.” So the writers are making fun of some of their favorite movies. There’s a band contest and everyone shows up and discovers you have to be in a mixed gender band. So they force Davy to dress as a girl and they meet a girl’s group where they force — that’s Deanna Martin — Dean Martin’s daughter — she and Davy were hooked together in the tabloids as being a relationship. but they really weren’t, but it’s kind of fun to put them together. So this group, so she’s doing that. The answer — for the most pretty feminist in that there’s this girl rock band before The Bangles and The Gogos there’s a girl rock band. The flaw in this one — I feel bad — is when you first meet the women, see how they can all play their own instruments. They’re all playing guitars and drums. When the answer of course is we are individually lying about having a mixed gender group so let’s mix our groups together and we will be telling the truth, but when we do it look what the girls become. They’re the gogo dancers behind the boys playing their instruments. They totally lose their own ability to be rock stars.
A hit television show about a fictitious rock band, The Monkees (1966-1968) earned two Emmys–Outstanding Comedy Series and Outstanding Directorial Acheivement in Comedy.
Capitalizing on the show’s success, the actual band formed by the actors, at their peak, sold more albums than The Beatles and The Rolling Stones combined, and set the stage for other musical TV characters from The Partridge Family to Hannah Montana. In the late 1980s, the Monkees began a series of reunion tours that continued into their 50th anniversary.
This book tells the story of The Monkees and how the show changed television, introducing a new generation to the fourth-wall-breaking slapstick created by Laurel and Hardy and the Marx Brothers.
Its creators contributed to the innovative film and television of 1970s with projects like Bob & Carol & Ted & Alice, The Mary Tyler Moore Show, Laugh-In and Welcome Back, Kotter. Immense profits from the show, its music and its merchandising funded the producers’ move into films such as Head, Easy Riderand Five Easy Pieces.
As in past years, my Stephens College MFA in TV and Screenwriting students will presenting on important women screenwriters during the festival, too. — Rosanne
As they each played devil’s advocate in a debate over taking such a strong step toward the independence of the colonies, Filippo warned Jefferson, “If we do this, there will be no turning back.”
“I don’t believe I want to turn back anymore,” Jefferson responded.
With that the two men began spending intense hours bent over their quill pens writing their original essays and then editing each other’s work. Filippo wrote in Italian and Jefferson translated his words into English.
Surgeon, merchant, vintner, and writer Filippo Mazzei influenced American business, politics, and philosophy. Befriending Benjamin Franklin and Thomas Jefferson, Mazzei was a strong liaison for others in Europe. Mazzei was Jefferson’s inspiration for the most famous line in the Declaration of Independence: “All men are created equal.”
Clearly, Mazzei had a gift of language and often used his words to share his ideas about religious freedom. Mazzei encouraged other Italians still living overseas to join him in a country rich with opportunity and promise. Often, when returning from Italy, he booked passages on ships for people who desired to travel to America and employed them on his estate—just to ensure a better, more fruitful life for everyone. During those travels, Mazzei found himself at the center of many fights for freedom.
He was truly a friend to freedom around the world.
* A portion of each sale from Amazon.com directly supports our blogs ** Many of these books may be available from your local library. Check it out! † Books available at the LA Public Library
Did you know there was an Italian Heritage Month? And that it is October?
It was declared in 1989 so stay tuned to some fun things I’ll be posting this month to celebrate the contributions Italians have made to America since the days even before the country was founded (which you can learn about in my book “America’s Forgotten Founding Father: Filippo Mazzei”.
ITALIAN GENEALOGY: DISCOVERING YOUR ANCESTRAL RECORDS IN ITALY & THE USA – ITALIAN CULTURAL INSTITUTE (OCT. 14, 2017)
Taking place at the Italian Cultural Institute (IIC) this two-day workshop offers practical methods for researching documents relevant to families that emigrated from Southern Italy to the U.S. No knowledge of Italian is needed. Event recognized by the Consulate General of Italy in Los Angeles. Two sessions, $90 (non-member) / $85 (IIC members). Info and registration at (310) 824-7408 or classes.iicla@esteri.it.
Today’s Stephens College newsletter has a great piece about the Los Angeles launch party for When Women Wrote Hollywood with details about our upcoming launch at the Skylar Bookstore in Columbia, Missouri during the Citizen Jane Film Festival. — Rosanne
Book launch party on Aug. 11 in L.A. Pictured (L-to-R): Sarah Phillips ’17 M.F.A., Khanisha Foster ’17 M.F.A. (with her daughter), Lauren Smith ’17 M.F.A., Laura Kirk ’17 M.F.A., Amelia Phillips ’17 M.F.A., Julie Berkobien ’17 M.F.A., Toni Anita Hull ’04 B.F.A., ’17 M.F.A. and Dr. Rosanne Welch, book editor/Stephens professor.
Stephens College’s M.F.A. program now proudly boasts “When Women Wrote Hollywood,” a book of essays that focuses on the lives of female screenwriters of Golden Age Hollywood. The book, which published in July, is written by members of the inaugural graduating class of the Stephens M.F.A. in TV and Screenwriting. In the collection of 23 essays, Stephens Class of 2017 alumni write about female writers like Anita Loos, Adela Rogers St. Johns, and Gene Gauntier, whose work helped create unforgettable stories and characters beloved by audiences — but whose names are excluded from most film histories.“The mission of our M.F.A. program matched the mission of this book brilliantly — to increase the number of female screenwriters and female-centric stories told in Hollywood,” said Dr. Rosanne Welch, the book’s editor, and a Stephens assistant professor. She said her students used the essays as a way of thanking the earlier pioneering female writers who came before them.“When I introduce our Screenwriting History course, I remind students that we stand on the shoulders of those who came before us,” said Welch, a veteran television writer and scholar of screenwriting history. “Students are shocked at how many of these women were left out of most history books and are passionate about researching them for their final projects. When I read this first batch of essays, I knew they were worthy of publication.”The book is available on Amazon. It can also be purchased during Stephens’ Alumnae Leaders Weekend (Nov. 2-3) at the coinciding Citizen Jane Film Festival. In addition, a book launch event with local contributors will be held from 1-3 p.m. on Nov. 3 at Skylark Bookstore in downtown Columbia. Books can be purchased and signed by the authors.
“In an interview with Pamela Green the director of the soon to be released documentary Be Natural, a film that takes the exploration of Alice Guy Blaché’s life and career to new depths, Green shared, “Anytime you mention early cinema, she has to be mentioned. If you talk about Hollywood before Hollywood, she has to be mentioned. If you talk about an artist and an entrepreneur at the time, she has to be mentioned.””
The Nature and Genius of Alice Guy Blaché Khanisha Foster
* A portion of each sale from Amazon.com directly supports our blogs ** Many of these books may be available from your local library. Check it out! † Available from the LA Public Library
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