27 The Fuller Biographies from Concord Days: Margaret Fuller in Italy [Video]

In researching and writing my book on Giuseppe and Anita Garibaldi and the unification of Italy (A Man Of Action Saving Liberty: A Novel Based On The Life Of Giuseppe Garibaldi)  I re-discovered the first American female war correspondent – Margaret Fuller — who I had first met in a college course on the Transcendentalists. I was once again fascinated by a life lived purposefully.

Then I found Tammy Rose’s podcast on the Transcendentalists – Concord Days – and was delighted when she asked me to guest for a discussion of Fuller’s work in Italy as both a journalist – and a nurse. — Rosanne

27 The Fuller Biographies from Concord Days: Margaret Fuller in Italy [Video]

Watch this entire presentation

Concord Days sends love to Margaret Fuller on the anniversary of her death in 1850.

The conversation focuses on Margaret’s exciting days in ITALY!

Dr. Rosanne Welch takes us through her adventures and enthusiastically reminds us what she was like when she was living her best life!

Transcript:

Tammy: So do you want to talk about some of the biographies and stuff that originated after she passed and how you know those versions of her might like the older versions the contemporary versions might not be so accurate?

Rosanne: I think that’s very true and of course, as you said earlier that’s true in so much of our history. Someone decided what we should share, what was acceptable, and you could — I think from Emerson’s point of view, I understand that he wanted people to love his friend. So he was he was filtering out what he thought would get in their way of understanding how great she was but then of course the next guy reads that book and only reports that much and that much. I mean it’s true also of the various iterations of the Diary of Anne Frank. Her father only lets certain things out because he didn’t want people to know that she sometimes wrote that she was mad at her mother because that was the woman he loved and he wanted you know and then later people have added those things in to say but here’s the real picture. It doesn’t mean she was a terrible little girl. It just means every teenager goes “my mom is making me crazy” It just gives her the more humanity to know all those dimensions and I think, yes, that’s what’s missing in these early biographies and we have to go back and really look at her writing — what exists — and then analyze that to get a sense of who she was but I think her activities tell us that. So teaching for Bronson Alcott tells us she was okay with an inter-racial group. She thought that you know desegregation was the proper thing to do. We wouldn’t do that. You could work for somebody else. You could tutor for anybody. You chose that job and you knew it was controversial and other people would judge you by it.

 

09 Other Desilu Shows From Women in Early TV for the American Women Writers National Museum [Video]

09 Other Desilu Shows From Women in Early TV for the American Women Writers National Museum [Video]

Many thanks to Janice Law of the American Women Writers National Museum who invited me to give a short talk on The Women of Early TV.

I enjoyed sharing the names and careers of women like Peg Lynch, Gertrude Berg, Selma Diamond, and D.C. Fontana to the members who gathered on Zoom last Wednesday morning. There are so many more I could have talked about whose names don’t appear in mainstream books about the history of television so we have to learn who they are and carry those names forward ourselves.  It’s one of the missions of the Stephens College MFA in TV and Screenwriting – and has been one of my missions all my life.

RMW Rosanne Signature for Web

Transcript:

…and those programs include some very very popular shows. The Andy Griffith Show — still in reruns today as well and something that we know in television history for a million reasons including the fact that this young man grew up to be Academy Award-winning director Ronnie Howard right? So this was an amazingly iconic show that people still recognize and reference today. Obviously The Mod Squad — very fresh and new thing for the 60s. So she had a good eye — Lucille Ball had a good eye for what would sell and what was progressive and moving forward right? Isn’t that interesting? She captured both the past and the present in the ideas that she put forward and of course, Mannix was just basically an iconic detective show. However, also think about the progressiveness of it. His “girl Friday” was an African-American woman and she was a working woman, right? Who had a real position in his company and she was very intrinsic to what he did. So that’s a pretty amazing step forward again all coming out of Lucy’s creative ideas. Yes to this no to that. These are the shows she said yes to including, I like to say, a little show called Star Trek right?

Many thanks to Janice Law of the American Women Writers National Museum who invited me to give a short talk on The Women of Early TV.

I enjoyed sharing the names and careers of women like Peg Lynch, Gertrude Berg, Selma Diamond, and D.C. Fontana to the members who gathered on Zoom last Wednesday morning. There are so many more I could have talked about whose names don’t appear in mainstream books about the history of television so we have to learn who they are and carry those names forward ourselves. It’s one of the missions of the Stephens College MFA in TV and Screenwriting – and has been one of my missions all my life.

Watch this entire presentation

 

Women pioneers who created, produced, or shepherded many of America’s most wildly popular, early television programs will be profiled by Dr. Rosanne Welch.

Get your copy today!

34 More on Creating Your Own Network…from Worry and Wonder | The Courier Thirteen Podcast [Video]

Watch the entire presentation – Worry and Wonder | The Courier Thirteen Podcast | Episode # 29 here

34 More on Creating Your Own Network...from Worry and Wonder | The Courier Thirteen Podcast

Transcript:

Rosanne: …which is also what I say to students both in internships and within classes. You’re not going to call Steven Spielberg and become his best friend to get a job but somewhere in your group of friends that you’re all connecting with right now one of you is going to go become Steven Spielberg and that you’re all then going to stay connected to each other and help each other move up.

Host: That’s yeah as far as networking goes, I think that’s probably one of the best pieces of advice you can give to someone. It’s like understand that everything — it’s you know, it’s the right thing to be nice to people and cultivate relationships but also it’s almost like you’re moving up with your generation. Like everyone rises up together…

Rosanne:… exactly and you will immediately kick off your you know the end of your boot anybody who you don’t want to be around.

Host: That’s also true.

Rosanne: Yeah because they’ll just get in your way and they’re not going to help you. As long as you’re the kind of person who wants to help other people and with their ideas with you know doing writer’s groups together, reading each other’s scripts out loud, going to Q and A’s in town and then you know talking about the thing you saw afterwards. Running into other people at those events and you know hey let’s all get together and have a meet up two weeks from now at such and such a pizza place or a coffee house or a bar whatever it is. Building those relationships because that’s you know you’re the next generation of assistants who are the next generation of writers or executives or whatever people choose to be.

It’s always fun to sit down with students and share stories about entering the television industry and how things work at all stages and I had that opportunity the other day.

Daniela Torres, a just-graduated (Congratulations!) student of the Columbia College Semester in LA program asked me to guest on a podcast she had recently begun hosting with another college student she met during her internship (good example of networking in action!).

We could have talked all morning (the benefit of a 3 hour class session) but we held it to about an hour and fifteen minutes or so. Hopefully, along the way I answered some questions you might have about how the business works. So often it amounts to working hard at being a better writer and gathering a group of other talented, hard-working people around you so you can all rise together.

Dr. Rosanne Welch is a television writer with credits that include Beverly Hills 90210, Picket Fences, ABCNEWS: Nightline and Touched by an Angel. She also teaches Television Writing and the Art of Film at San Jose State University.

Rosanne discusses what made shows like Beverly Hills 90210 compelling, what to do and not to do when attempting to pitch a show to broadcast or streaming, what most young writers neglect in their writing process, and much more!

The Courier Thirteen Podcast is available on YouTube, Spotify, Apple Podcasts, SoundCloud, and Audible.

26 An Italian In America? from Concord Days: Margaret Fuller in Italy [Video]

In researching and writing my book on Giuseppe and Anita Garibaldi and the unification of Italy (A Man Of Action Saving Liberty: A Novel Based On The Life Of Giuseppe Garibaldi)  I re-discovered the first American female war correspondent – Margaret Fuller — who I had first met in a college course on the Transcendentalists. I was once again fascinated by a life lived purposefully.

Then I found Tammy Rose’s podcast on the Transcendentalists – Concord Days – and was delighted when she asked me to guest for a discussion of Fuller’s work in Italy as both a journalist – and a nurse. — Rosanne

26 An Italian In America? from Concord Days: Margaret Fuller in Italy [Video]

Watch this entire presentation

Concord Days sends love to Margaret Fuller on the anniversary of her death in 1850.

The conversation focuses on Margaret’s exciting days in ITALY!

Dr. Rosanne Welch takes us through her adventures and enthusiastically reminds us what she was like when she was living her best life!

Transcript:

 

It makes perfect sense that she would have been testing the waters for all of it because she’s also married to a foreigner, right, and a Catholic and Catholics were not accepted in the country at that time either because of you know loving the Pope and all that stuff. So she probably was. I would say it’s probably that her son probably wasn’t necessarily — didn’t necessarily have darker skin because Giovanni comes from one more northern part of the country and we probably at that time we weren’t as discriminatory because Italy was kind of part of Europe and France and then you know Lafayette was a good guy and we’re sort of immigrants. Yeah. I don’t think it’s — it happens in the early 1900s because that’s when the great mass of unwashed poor folks show up and we want to put them to work in our crummy jobs and our seamstress factories and things like that and the guys are working on the railroad but yeah…

All the immigrants. And you know and the problem is or the luck the privilege is we assimilate so that we look white which of course is bullshit. There’s no such thing as white. It makes me crazy. Caucasian you know. I always tell students caucasian is the dumbest word in the world because there’s no land of “cauc.” It’s literally the dude right the dude who studied all the skulls to do the hierarchy of all the different ethnicities. He thought the prettiest skulls came from the people who lived in the Caucus mountains of Russia and so he qualified them as Caucasian but that’s not a thing, right?

 

08 Lucille Ball From Women in Early TV for the American Women Writers National Museum [Video]

08 Lucille Ball From Women in Early TV for the American Women Writers National Museum [Video]

Many thanks to Janice Law of the American Women Writers National Museum who invited me to give a short talk on The Women of Early TV.

I enjoyed sharing the names and careers of women like Peg Lynch, Gertrude Berg, Selma Diamond, and D.C. Fontana to the members who gathered on Zoom last Wednesday morning. There are so many more I could have talked about whose names don’t appear in mainstream books about the history of television so we have to learn who they are and carry those names forward ourselves.  It’s one of the missions of the Stephens College MFA in TV and Screenwriting – and has been one of my missions all my life.

RMW Rosanne Signature for Web

Transcript:

The trick about Lucy is that most people think she was just an actress and a comedian and a funny person but maybe if you read Desi Arnaz’s book you’ll learn that she actually was one of the first women to run a television production studio and that was Desilu — obviously a combination of Desi’s name and Lucy’s name. They started that company to run I Love Lucy. He was quite brilliant. We have to give him some props. He was the person who thought we should film this program not put it on earlier versions of tape which disappeared. Which is also why we don’t know some early women in the business because their work disappeared but because Desi was smart enough to say let’s put this on film and let our production company own the product, they of course then were one of the first shows to rerun and that was a moneymaker for them as they randomly ran as we know many many years but lucy was the Vice President. Imagine that. They invented the company together. He’s the president. She’s the vice president. Why aren’t they co-presidents? Nobody asked that question because men were supposed to have the higher title right and yet she was Lucy right? She’s the engine behind all of this. Her job was particularly to do the creative work. He did the business work and he was brilliant at that we want to give him all the props he deserves but she made the choices about what other programs their production company would support.

Many thanks to Janice Law of the American Women Writers National Museum who invited me to give a short talk on The Women of Early TV.

I enjoyed sharing the names and careers of women like Peg Lynch, Gertrude Berg, Selma Diamond, and D.C. Fontana to the members who gathered on Zoom last Wednesday morning. There are so many more I could have talked about whose names don’t appear in mainstream books about the history of television so we have to learn who they are and carry those names forward ourselves. It’s one of the missions of the Stephens College MFA in TV and Screenwriting – and has been one of my missions all my life.

Watch this entire presentation

 

Women pioneers who created, produced, or shepherded many of America’s most wildly popular, early television programs will be profiled by Dr. Rosanne Welch.

Get your copy today!

33 Create Your Own Network…from Worry and Wonder | The Courier Thirteen Podcast [Video]

Watch the entire presentation – Worry and Wonder | The Courier Thirteen Podcast | Episode # 29 here

33 Create Your Own Network...from Worry and Wonder | The Courier Thirteen Podcast [Video]

Transcript:

Rosanne: …which is also what I say to students both in internships and within classes. You’re not going to call Steven Spielberg and become his best friend to get a job but somewhere in your group of friends that you’re all connecting with right now one of you is going to go become Steven Spielberg and that you’re all then going to stay connected to each other and help each other move up.

Host: That’s yeah as far as networking goes, I think that’s probably one of the best pieces of advice you can give to someone. It’s like understand that everything — it’s you know, it’s the right thing to be nice to people and cultivate relationships but also it’s almost like you’re moving up with your generation. Like everyone rises up together…

Rosanne:… exactly and you will immediately kick off your you know the end of your boot anybody who you don’t want to be around.

Host: That’s also true.

Rosanne: Yeah because they’ll just get in your way and they’re not going to help you. As long as you’re the kind of person who wants to help other people and with their ideas with you know doing writer’s groups together, reading each other’s scripts out loud, going to Q and A’s in town and then you know talking about the thing you saw afterwards. Running into other people at those events and you know hey let’s all get together and have a meet up two weeks from now at such and such a pizza place or a coffee house or a bar whatever it is. Building those relationships because that’s you know you’re the next generation of assistants who are the next generation of writers or executives or whatever people choose to be.

It’s always fun to sit down with students and share stories about entering the television industry and how things work at all stages and I had that opportunity the other day.

Daniela Torres, a just-graduated (Congratulations!) student of the Columbia College Semester in LA program asked me to guest on a podcast she had recently begun hosting with another college student she met during her internship (good example of networking in action!).

We could have talked all morning (the benefit of a 3 hour class session) but we held it to about an hour and fifteen minutes or so. Hopefully, along the way I answered some questions you might have about how the business works. So often it amounts to working hard at being a better writer and gathering a group of other talented, hard-working people around you so you can all rise together.

Dr. Rosanne Welch is a television writer with credits that include Beverly Hills 90210, Picket Fences, ABCNEWS: Nightline and Touched by an Angel. She also teaches Television Writing and the Art of Film at San Jose State University.

Rosanne discusses what made shows like Beverly Hills 90210 compelling, what to do and not to do when attempting to pitch a show to broadcast or streaming, what most young writers neglect in their writing process, and much more!

The Courier Thirteen Podcast is available on YouTube, Spotify, Apple Podcasts, SoundCloud, and Audible.

25 Filippo Mazzei from Concord Days: Margaret Fuller in Italy [Video]

In researching and writing my book on Giuseppe and Anita Garibaldi and the unification of Italy (A Man Of Action Saving Liberty: A Novel Based On The Life Of Giuseppe Garibaldi)  I re-discovered the first American female war correspondent – Margaret Fuller — who I had first met in a college course on the Transcendentalists. I was once again fascinated by a life lived purposefully.

Then I found Tammy Rose’s podcast on the Transcendentalists – Concord Days – and was delighted when she asked me to guest for a discussion of Fuller’s work in Italy as both a journalist – and a nurse. — Rosanne

25 Filippo Mazzei from Concord Days: Margaret Fuller in Italy [Video]

Watch this entire presentation

Concord Days sends love to Margaret Fuller on the anniversary of her death in 1850.

The conversation focuses on Margaret’s exciting days in ITALY!

Dr. Rosanne Welch takes us through her adventures and enthusiastically reminds us what she was like when she was living her best life!

Transcript:

Rosanne: Now, the other thing is we’re a weird country because I also did a book on this guy, Filippo Mazzei. He’s an Italian who comes to the United States in the 1700s and lives on the plantation next door to Thomas Jefferson and Mazzei didn’t use slaves. He brought Italian serfs — who were not treated great — but were not owned to work though. He wanted to grow wine in Virginia. He thought to bring the wine business to Virginia and he’s the guy — this is off topic — but he wrote “All men are created equal” in a pamphlet that he worked with Jefferson and he was invited to the Continental Congress but he couldn’t — he spoke — he wrote English and five other languages but he didn’t think he could keep up with the verbal debate fast enough, so he’s not in the movie 1776 because he didn’t go but when Jefferson wrote the Declaration he cribbed that phrase and I’m not making this up because the Congress in like the 80s or something did actually put that into the Congressional Record. That’s where that first phrase first appeared in America was from this Italian immigrant.

Tammy: I love it. I love it.

Rosanne: I know this is normal as anyone because he owned land and he was just one of the many people living here like the Scots but there wasn’t a flood of Italians. It’s in the early part of the 1900s when we get the flood of poor Italians. It’s the poor immigrants we never want. The rich guys we’re okay with.

07 Madeline Pugh From Women in Early TV for the American Women Writers National Museum [Video]

07 Madeline Pugh From Women in Early TV for the American Women Writers National Museum [Video]

Many thanks to Janice Law of the American Women Writers National Museum who invited me to give a short talk on The Women of Early TV.

I enjoyed sharing the names and careers of women like Peg Lynch, Gertrude Berg, Selma Diamond, and D.C. Fontana to the members who gathered on Zoom last Wednesday morning. There are so many more I could have talked about whose names don’t appear in mainstream books about the history of television so we have to learn who they are and carry those names forward ourselves.  It’s one of the missions of the Stephens College MFA in TV and Screenwriting – and has been one of my missions all my life.

RMW Rosanne Signature for Web

Transcript:

Madeline Pugh is not a woman who is forgotten in the books because she wrote for, of course, the most iconic woman on television, Lucille Ball and Madeleine Pugh was at the very beginning of Lucille Ball’s television career and stayed with her all the way through each of the three major shows she was ever a star of. You’ll notice here very tiny on her chair. It said Madeline Pugh Girl Writer. Imagine that. She is not a girl at this stage in her career. She is a grown woman who has a good history behind her of writing radio programs and then moving into this world. She co-wrote with this gentleman Bob Carroll whom she never married. They were just writing partners which was marvelous. She had her own personal life. She, in fact, married a man who had three children and eventually left Hollywood for a while and then decided she missed it and they as a whole family moved back and she continued. so Madeline Pugh is a huge, huge person in the history of television. She’s one of the few who might show up in a book because if you talk about The Lucille Ball Show you must talk about Madeline. One of the things madeleine did was as they wrote gags or the particular physical comedy that they would expect Lucy to do, Madeline would perform those tricks first. She would have to see if they were safe and they were doable and in fact, were they really funny when you saw them finished. So she was both sort of a side performer and of course a writer on the show. So I think Madeline Pugh is someone you should never forget as well as of course Lucille Ball.1

Many thanks to Janice Law of the American Women Writers National Museum who invited me to give a short talk on The Women of Early TV.

I enjoyed sharing the names and careers of women like Peg Lynch, Gertrude Berg, Selma Diamond, and D.C. Fontana to the members who gathered on Zoom last Wednesday morning. There are so many more I could have talked about whose names don’t appear in mainstream books about the history of television so we have to learn who they are and carry those names forward ourselves. It’s one of the missions of the Stephens College MFA in TV and Screenwriting – and has been one of my missions all my life.

Watch this entire presentation

 

Women pioneers who created, produced, or shepherded many of America’s most wildly popular, early television programs will be profiled by Dr. Rosanne Welch.

Get your copy today!

32 More On Pitching…from Worry and Wonder | The Courier Thirteen Podcast [Video]

Watch the entire presentation – Worry and Wonder | The Courier Thirteen Podcast | Episode # 29 here

32 More On Pitching...from Worry and Wonder | The Courier Thirteen Podcast [Video]

Transcript:

Yeah. It doesn’t even — they don’t have to like your story. If they like you they can bring you and you know that’s the other thing that happens — if they like you but they don’t buy your story, your pitch, whether, it’s a tv show or a movie whatever it is but they have a book that they have bought their rights to and they want someone to come in with what is your idea and how this book will work. That’s when they’ll go oh I really like working with you. I really feel a connection to you. Go home and think about this and come back in a couple weeks and tell me how you would attack this and maybe you’ll get that gig. So that’s what you’re trying in a meeting if nothing else happens or you know I ended up doing that Picket Fences episode because I had temped on a show that Jeff Melvoin was an executive — that time he’s a supervising producer — and so we met for like two weeks and he read something of mine and he was impressed and we stayed in touch. It was four years before he got the job where he could hire me. One, two-week job gave me a story — a script — four years later. You gotta always think about the future of the relationships that you’re making.

It’s always fun to sit down with students and share stories about entering the television industry and how things work at all stages and I had that opportunity the other day.

Daniela Torres, a just-graduated (Congratulations!) student of the Columbia College Semester in LA program asked me to guest on a podcast she had recently begun hosting with another college student she met during her internship (good example of networking in action!).

We could have talked all morning (the benefit of a 3 hour class session) but we held it to about an hour and fifteen minutes or so. Hopefully, along the way I answered some questions you might have about how the business works. So often it amounts to working hard at being a better writer and gathering a group of other talented, hard-working people around you so you can all rise together.

Dr. Rosanne Welch is a television writer with credits that include Beverly Hills 90210, Picket Fences, ABCNEWS: Nightline and Touched by an Angel. She also teaches Television Writing and the Art of Film at San Jose State University.

Rosanne discusses what made shows like Beverly Hills 90210 compelling, what to do and not to do when attempting to pitch a show to broadcast or streaming, what most young writers neglect in their writing process, and much more!

The Courier Thirteen Podcast is available on YouTube, Spotify, Apple Podcasts, SoundCloud, and Audible.

24 Italians In America from Concord Days: Margaret Fuller in Italy [Video]

In researching and writing my book on Giuseppe and Anita Garibaldi and the unification of Italy (A Man Of Action Saving Liberty: A Novel Based On The Life Of Giuseppe Garibaldi)  I re-discovered the first American female war correspondent – Margaret Fuller — who I had first met in a college course on the Transcendentalists. I was once again fascinated by a life lived purposefully.

Then I found Tammy Rose’s podcast on the Transcendentalists – Concord Days – and was delighted when she asked me to guest for a discussion of Fuller’s work in Italy as both a journalist – and a nurse. — Rosanne

24 Italians In America from Concord Days: Margaret Fuller in Italy [Video]1

Watch this entire presentation

Concord Days sends love to Margaret Fuller on the anniversary of her death in 1850.

The conversation focuses on Margaret’s exciting days in ITALY!

Dr. Rosanne Welch takes us through her adventures and enthusiastically reminds us what she was like when she was living her best life!

Transcript:

I was just going to say, yes, I wouldn’t exactly use the word parallel because of course Italians were never slaves but actually, some who were shipped here were mistakenly sold into slavery because they could speak the language and nobody understood and they were dark. There are stories of that and of course, the biggest lynching — the most — the largest mass lynching in America happened to a group of Italian men in Louisiana. That’s post-slavery now. Yeah it was and they weren’t considered white because of that now and largely we’re talking about southern Italians, Sicilians, and southern Italians because northern Italians look more swiss. They look more german. They are blonder and blue-eyed. It’s Frank Sinatra versus Dean Martin. So any group that comes into this country, sadly, we sort of do the whole oh you’re at the bottom of the barrel. It would say you know no dogs or dagos allowed you know. No dagos should apply for this job. There was discrimination. I’m two generations away from that so it didn’t happen to me but I understood that it happened to my grandfather and I understood how that got in his way.