Mentoris Project Podcast: The Divine Proportions of Luca Pacioli with Author, W.A.W. (Adam) Parker [Audio]

The latest podcast is about my Mentoris book and is now available on the Mentoris Web Site. Give it a listen and Subscribe for More! — Rosanne

Mentoris Project Podcast: The Divine Proportions of Luca Pacioli with Author, W.A.W. (Adam) Parker [Audio]

Mentoris Project Podcast: The Divine Proportions of Luca Pacioli with Author, W.A.W. (Adam) Parker [Audio]

Read The Divine Proportions of Luca Pacioli with Author, W.A.W. (Adam) Parker

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Luca Pacioli stood beside the great Leonardo da Vinci and gazed at The Last Supper. He saw immediately that something was terribly wrong.

An orphan from a small town in Italy, Pacioli came of age during the Renaissance seemingly destined for a life of struggle and obscurity. But Pacioli had the good fortune of meeting mentors who recognized his uncanny ability with numbers and introduced him to renowned artists and philosophers, royalty, and popes. At a time when many still used Roman numerals and colleges didn’t even teach mathematics, Pacioli was determined to share his passion and make it accessible and understandable. Apprentice to an artist, but a terrible artist himself, he became a master at calculating mathematical perspective in paintings. Tasked with teaching mathematics with no textbook, he wrote his own—followed by books on double-entry bookkeeping, chess, and the divine proportion. In this way, Luca Pacioli, “the father of accounting,” still has something to teach us—not just about mathematics—but about how we account for setbacks in our lives and how we determine what our legacy will be.


About the Author

W. A.W. Parker grew up Adam Parker, not knowing until he was twelve years old that his full name was William Adam Washburne Parker. Since this was a mouthful for a kid growing up in northeastern Montana, an area The Washington Post has dubbed “the middle of nowhere,” he remained Adam Parker until he earned his first film credit, found out he would have been the nineteenth Adam Parker on IMDb, and was thus in need of a pen name.

Adam discovered a lot of himself in Luca Pacioli. Moving around as a kid, Adam always made sure the first friend he made in every town was his local library. He studied at Harvard primarily because it is home to the oldest library system in the United States. As Luca does, Adam found that he could travel the world by roaming the stacks.

The Divine Proportions of Luca Pacioli is Adam’s first novel, but you’ll be able to read his second novel soon—about 20th-century architect Pietro Belluschi.

Mentoris Project Podcast: The Divine Proportions of Luca Pacioli with Author, W.A.W. (Adam) Parker [Audio]

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Also from the Mentoris Project

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21 Anita Loos from “When Women Wrote Hollywood” with Dr. Rosanne Welch [Video] (57 seconds)

Part of the California State University, Fullerton Faculty Noon Time Talks at the Pollak Library.

Watch this entire presentation

21 Anita Loos from

 

Transcript:

This lady people should know more. You might recognize from the title of her book Gentlemen Prefer Blondes. This is Anita Loos. Anita Loos is probably the most prolific female writer of the silent era and she made the transition into talkies. Many, many writers did not. She did because she could write really witty dialogue but Gentlemen Prefer Blondes is a novel that fascinates me. She wrote it because she was on a train with M Somerset Maugham who she loved as an intellectual and a blonde chick got on the train and he started to fawn all over her after they were having this lovely intellectual conversation and it made her mad. So she wrote a book about how blonds aren’t stupid. They’re actually working it and getting out of men exactly what they want. Yeah. So they pretend to be dumb. It’s really Legally Blonde long before there was Legally Blonde and it’s never gone out of publication but it is not taught in American literature class where The Great Gatsby is always taught.

Dr. Rosanne Welch discusses the women in her new book “When Women Wrote Hollywood” which covers female screenwriters from the Silents through the early 1940s when women wrote over 50% of films and Frances Marion was the highest paid screenwriter (male or female) and the first to win 2 Oscars.  Yet, she fails to appear in film history books, which continue to regurgitate the myth that male directors did it all – even though it’s been proven that the only profitable movies Cecil B. de Mille ever directed were all written by Jeannie Macpherson film ever won for Best Picture was written by Robert E. Sherwood (who people have heard of, mostly due to his connection to Dorothy Parker) and Joan Harrison.


Buy a signed copy of when Women Wrote Hollywood

…or via Amazon…

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** Many of these books may be available from your local library. Check it out!
† Available from the LA Public Library

1 Year Ago – When Women Wrote Hollywood Launch Party at the Stephens College MFA in TV and Screenwriting Workshop

1 Year Ago! A fun, fun time – and we’ll be doing it again next August at the Autry!

The essays in When Women Wrote Hollywood were written by students (now alumni) of the Stephens College MFA in TV and Screenwriting

1 Year Ago - When Women Wrote Hollywood Launch Party at the Stephens College MFA in TV and Screenwriting Workshop

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†

Paperback Edition | Kindle Edition | Google Play Edition

* A portion of each sale from Amazon.com directly supports our blogs
** Many of these books may be available from your local library. Check it out!
† Available from the LA Public Library

06 TV After The Monkees from “Why The Monkees Matter: Even 50 Years Later [Video] (53 seconds)

Enjoy This Clip? Watch this entire presentation and Buy Why The Monkees Matter: Teenagers, Television and American Pop Culture

From Denver Pop Culture Con 2019.

Wherever you go, you find Monkees fans and the Denver Popular Culture Con was no different.  Amid rooms full of caped crusaders and cosplay creations, I was initially not sure how many folks would attend a talk on a TV show from the 1960s – but happily I was met by a nice, engaged audience for my talk on Why the Monkees Matter  – and afterward they bought books!  What more could an author ask for?

06 TV After The Monkees from

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Transcript

So this is TV before our folks showed up and this is TV after and it’s definitely different. Suddenly we’re talking about on Laugh-In sex, politics, what’s going on in the world. We have Sonny and Cher who a couple of the writer’s The Monkees moved on to the Sonny and Cher show. If you know enough about The Monkees, there were two seasons of the program. The third season, the four guys wanted it to be a variety show — set around rock and roll and the problem was the network said “Nobody’s gonna watch a variety show that has to do with rock and roll” and the next season Sonny and Cher showed up and won some Emmys right? So there you go. Of course, The Smothers Brothers who were canceled you’re being too political. The Mod Squad which was a whole movement into the new hippie generation and of course All In The Family is gonna happen in the 70s and we’re going to get very serious about how we talk about politics on television but The Monkees were there in the beginning.



Buy Why The Monkees Matter: Teenagers, Television and American Pop Culture

A hit television show about a fictitious rock band, The Monkees (1966-1968) earned two Emmys–Outstanding Comedy Series and Outstanding Directorial Acheivement in Comedy.

Capitalizing on the show’s success, the actual band formed by the actors, at their peak, sold more albums than The Beatles and The Rolling Stones combined, and set the stage for other musical TV characters from The Partridge Family to Hannah Montana. In the late 1980s, the Monkees began a series of reunion tours that continued into their 50th anniversary.

This book tells the story of The Monkees and how the show changed television, introducing a new generation to the fourth-wall-breaking slapstick created by Laurel and Hardy and the Marx Brothers.

Its creators contributed to the innovative film and television of 1970s with projects like Bob & Carol & Ted & Alice, The Mary Tyler Moore Show, Laugh-In and Welcome Back, Kotter. Immense profits from the show, its music and its merchandising funded the producers’ move into films such as Head, Easy Riderand Five Easy Pieces.

McFarland (Direct from Publisher) | Amazon | Kindle Edition | Nook Edition

Want to use “Why The Monkees Matter” in your classroom?

Order Examination Copies, Library and Campus Bookstore orders directly from McFarland

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Quotes from When Women Wrote Hollywood – 45 in a series – Nick and Nora

Do you know about these women screenwriters? Many don’t. Learn more about them today!

Buy “When Women Wrote Hollywood” Today!

Quotes from When Women Wrote Hollywood - 45 in a series - Nick and Nora

The success of The Thin Man (1934) led to plans for a sequel, the series would eventually go on to feature six films. David L. Goodrich wrote in his book The Real Nick and Nora: “The couple intentionally closed all three of their screenplays with intimate, emotionally charged and funny final scenes. In the first they deftly caught the delicious, naughty, only us feeling of exciting sexual encounters – and did so without resorting to today’s flesh shots and heavy breathing (113).

Frances Goodrich and Albert Hackett: The Most Beloved Couple in Hollywood
By Julie Berkobien


Buy a signed copy of when Women Write Hollywood or Buy the Book on Amazon

†

Paperback Edition | Kindle Edition | Google Play Edition

* A portion of each sale from Amazon.com directly supports our blogs
** Many of these books may be available from your local library. Check it out!
† Available from the LA Public Library

Presenting my talk “How the chaos of collaboration in the writer’s room created the golden age of television” at the Screenwriting Research Conference in Porto, Portugal

Presenting my talk “How the chaos of collaboration in the writer’s room created the golden age of television” at the Screenwriting Research Conference in Porto, Portugal

Presenting my talk “How the chaos of collaboration in the writer’s room created the golden age of television” at the Screenwriting Research Conference in Porto, Portugal

** We have returned from Porto and I am streaming out our photos over the next few weeks.

Opening Reception, Screenwriting Research Network Conference, Porto, Portugal via Instagram

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* A portion of each sale from Amazon.com directly supports our blogs
** Many of these books may be available from your local library. Check it out!

Chatting with conference attendees before my talk at the Screenwriting Research Conference in Porto, Portugal

Chatting with conference attendees before my talk at the Screenwriting Research Conference in Porto, Portugal

Chatting with conference attendees before my talk at the Screenwriting Research Conference in Porto, Portugal

A great way to encounter these international friends I only see in person once a year at the 2019 Screenwriting Research Conference.

** We have returned from Porto and I am streaming out our photos over the next few weeks.

Opening Reception, Screenwriting Research Network Conference, Porto, Portugal via Instagram

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* A portion of each sale from Amazon.com directly supports our blogs
** Many of these books may be available from your local library. Check it out!

18 Ursula Le Guin from The Sisterhood of Science Fiction – Dr. Rosanne Welch [Video] (33 seconds)

Watch this entire presentation

The Sisterhood of Science Fiction: A Walk Through Some Writers and Characters You (Should) Know And Love

18 Ursula Le Guin from The Sisterhood of Science Fiction - Dr. Rosanne Welch [Video] (33 seconds)

 

This one allowed me to riff on some of my favorite female science fiction writers across time, whether they be novelists or television writers. It also opened up a good conversation on what art we support and include in our lives – and what that art says to us and about us. — Rosanne

Transcript:

Then we move up to Ursula Le Guin. Quite famous. Quite wonderful. Tons of books. I could have covered the whole page with her books. Really somebody and again Ursula definitely not a dude’s name right so I think we’re safe. They think “Hey now women can put their names on science fiction and we can really think about their stuff.” Lots are really interesting alien stuff. Lots of strong female characters and that’s what comes out in these women writers, right? and again that fear the boys won’t read them, but I think we think we’ve moved beyond that right because Wonder Woman made a lot of money. So maybe we’re in a good place but Ursula Le Guin definitely worth paying attention to.



* A portion of each sale from Amazon.com directly supports our blogs
** Many of these books may be available from your local library. Check it out! 

20 Gene Gauntier & D.W. Griffith from “When Women Wrote Hollywood” with Dr. Rosanne Welch [Video] (15 seconds)

Part of the California State University, Fullerton Faculty Noon Time Talks at the Pollak Library.

Watch this entire presentation

20 Gene Gauntier & D.W. Griffith from

 

Transcript:

Other things she did. She gave the first directing job to a guy named Larry who was an actor who wasn’t doing very well and he needed some money and he became DW Griffith. So she put him into the world right? She started his career which i think is important.

Dr. Rosanne Welch discusses the women in her new book “When Women Wrote Hollywood” which covers female screenwriters from the Silents through the early 1940s when women wrote over 50% of films and Frances Marion was the highest paid screenwriter (male or female) and the first to win 2 Oscars.  Yet, she fails to appear in film history books, which continue to regurgitate the myth that male directors did it all – even though it’s been proven that the only profitable movies Cecil B. de Mille ever directed were all written by Jeannie Macpherson film ever won for Best Picture was written by Robert E. Sherwood (who people have heard of, mostly due to his connection to Dorothy Parker) and Joan Harrison.


Buy a signed copy of when Women Wrote Hollywood

…or via Amazon…

Paperback Edition | Kindle Edition | Google Play Edition

* A portion of each sale from Amazon.com directly supports our blogs
** Many of these books may be available from your local library. Check it out!
† Available from the LA Public Library

05 Writers Changing The Face of TV from “Why The Monkees Matter: Even 50 Years Later [Video] (40 seconds)

Enjoy This Clip? Watch this entire presentation!

From Denver Pop Culture Con 2019.

Wherever you go, you find Monkees fans and the Denver Popular Culture Con was no different.  Amid rooms full of caped crusaders and cosplay creations, I was initially not sure how many folks would attend a talk on a TV show from the 1960s – but happily I was met by a nice, engaged audience for my talk on Why the Monkees Matter  – and afterward they bought books!  What more could an author ask for?

05 Writers Changing The Face of TV from

 

Transcript

So these folks changed I say the face of television. Before 1966 we’re having a lot of fairly — for small very white folks — but also very sort of middle-of-the-road. — Very gentle and there’s nothing wrong with that but it’s all one flavor. There’s not a whole lot of difference there right? If you’ll notice in the bottom corner, who do you think that is? Micky Dolenz was a TV star. People think they were nobodies coming to the show but Micky Dolenz had himself had a show for three years because his parents were performers right and they had a friend who said they’re doing this show called Circus Boy. Would your kid die his hair blonde to be in it? and his parents were like “Yeah that’s good. That’s his college fund right there.”



Buy Why The Monkees Matter: Teenagers, Television and American Pop Culture

A hit television show about a fictitious rock band, The Monkees (1966-1968) earned two Emmys–Outstanding Comedy Series and Outstanding Directorial Acheivement in Comedy.

Capitalizing on the show’s success, the actual band formed by the actors, at their peak, sold more albums than The Beatles and The Rolling Stones combined, and set the stage for other musical TV characters from The Partridge Family to Hannah Montana. In the late 1980s, the Monkees began a series of reunion tours that continued into their 50th anniversary.

This book tells the story of The Monkees and how the show changed television, introducing a new generation to the fourth-wall-breaking slapstick created by Laurel and Hardy and the Marx Brothers.

Its creators contributed to the innovative film and television of 1970s with projects like Bob & Carol & Ted & Alice, The Mary Tyler Moore Show, Laugh-In and Welcome Back, Kotter. Immense profits from the show, its music and its merchandising funded the producers’ move into films such as Head, Easy Riderand Five Easy Pieces.

McFarland (Direct from Publisher) | Amazon | Kindle Edition | Nook Edition

Want to use “Why The Monkees Matter” in your classroom?

Order Examination Copies, Library and Campus Bookstore orders directly from McFarland

McFarland Company logo