23 More On Octavia Butler from The Sisterhood of Science Fiction – Dr. Rosanne Welch [Video] (33 seconds)

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The Sisterhood of Science Fiction: A Walk Through Some Writers and Characters You (Should) Know And Love

23 More On Octavia Butler from The Sisterhood of Science Fiction - Dr. Rosanne Welch

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This one allowed me to riff on some of my favorite female science fiction writers across time, whether they be novelists or television writers. It also opened up a good conversation on what art we support and include in our lives – and what that art says to us and about us. — Rosanne

Transcript:

I think particularly this quote is an important one to think about — “what science fiction can do for us…”, right, “What we don’t see , we assume we can’t be.” So it’s very important to her to put African Americans into the future to see that they exist in the future. That meant something to her. Just like the other female writers were putting women in powerful positions in the future because they wanted girls to see role models like that. So that’s the quote I think that should stick with us because it’s an important thought and a lot of the media that we consume — what are we giving our money – what are we supporting what do we want to see more of right?



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DTLA Film Festival panel discussion via Instagram

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DTLA Film Festival panel discussion, Privileged Characters: How to recognize and avoid implicit bias in your screenwriting.

DTLA Film Festival panel discussion via Instagram

Video of this panel coming soon.

 

 

Why Researching Screenwriters (has Always) Mattered – 10th Screenwriters´ (hi)Stories Seminar – Dr. Rosanne Welch

*** Note: Introduction is in Portuguese, but the presentation is entirely in English

Brazil 10th Screenwriters´ hi Stories Seminar 1

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My keynote speech at the 10th Screenwriters´(hi)Stories Seminar for the interdisciplinary Graduation Program in “Education, Art, and History of Culture”, in Mackenzie Presbyterian University, at São Paulo, SP, Brazil, focused on the topic “Why Researching Screenwriters (has Always) Mattered.” I was especially pleased with the passion these young scholars have toward screenwriting and it’s importance in transmitting culture across the man-made borders of our world.

To understand the world we have to understand its stories and to understand the world’s stories we must understand the world’s storytellers. A century ago and longer those people would have been the novelists of any particular country but since the invention of film, the storytellers who reach the most people with their ideas and their lessons have been the screenwriters. My teaching philosophy is that: Words matter, Writers matter and Women writers matter s– o women writers are my focus because they have been the far less researched and yet they are over half the population. We cannot tell the stories of the people until we know what stories the mothers have passed down to their children. Those are the stories that last. Now is the time to research screenwriters of all cultures and the stories they tell because people are finally recognizing the work of writers and appreciating how their favorite stories took shape on the page long before they were cast, or filmed, or edited. But also because streaming services make the stories of many cultures now available to a much wider world than ever before.

Many thanks to Glaucia Davino for the invitation.


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** Many of these books may be available from your local library. Check it out!
† Available from the LA Public Library

10 More On TV As Platform And Podium from “Why The Monkees Matter: Even 50 Years Later [Video] (52 seconds)

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From Denver Pop Culture Con 2019.

Wherever you go, you find Monkees fans and the Denver Popular Culture Con was no different.  Amid rooms full of caped crusaders and cosplay creations, I was initially not sure how many folks would attend a talk on a TV show from the 1960s – but happily I was met by a nice, engaged audience for my talk on Why the Monkees Matter  – and afterward they bought books!  What more could an author ask for?

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Transcript

This is a quote by Peter obviously. Who knows who’s sitting behind him? Janis Joplin. These guys were friends. So there’s also this ridiculous myth that nobody in music like The Monkees back then. That’s all not true. They lived in Laurel Canyon which is an area right above Hollywood. They had houses next to Mama Cass Elliot, Eric Clapton lived in the neighborhood and Frank Zappa buy a house there eventually. John Lennon would visit Mickey Dolenz’ home all the time because Mickey had married a woman from England and Lennon and Ringo, of The Beatles obviously, made the joke that that was the house they could go to where somebody knew how to serve tea at four o’clock. So you know they were just English guys hanging out in America. So but Peter, very much against the character he was asked to play which of course was the dummy, he was a very intellectual very smart gentleman and saw right from start that their message would actually have more power than The Beatles.



Buy Why The Monkees Matter: Teenagers, Television and American Pop Culture

A hit television show about a fictitious rock band, The Monkees (1966-1968) earned two Emmys–Outstanding Comedy Series and Outstanding Directorial Acheivement in Comedy.

Capitalizing on the show’s success, the actual band formed by the actors, at their peak, sold more albums than The Beatles and The Rolling Stones combined, and set the stage for other musical TV characters from The Partridge Family to Hannah Montana. In the late 1980s, the Monkees began a series of reunion tours that continued into their 50th anniversary.

This book tells the story of The Monkees and how the show changed television, introducing a new generation to the fourth-wall-breaking slapstick created by Laurel and Hardy and the Marx Brothers.

Its creators contributed to the innovative film and television of 1970s with projects like Bob & Carol & Ted & Alice, The Mary Tyler Moore Show, Laugh-In and Welcome Back, Kotter. Immense profits from the show, its music and its merchandising funded the producers’ move into films such as Head, Easy Riderand Five Easy Pieces.

McFarland (Direct from Publisher) | Amazon | Kindle Edition | Nook Edition

Want to use “Why The Monkees Matter” in your classroom?

Order Examination Copies, Library and Campus Bookstore orders directly from McFarland

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Getting ready for my panel at DTLA Film Festival on Sunday via Instagram

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Getting ready for my panel at DTLA Film Festival on Sunday

Getting ready for my panel at DTLA Film Festival on Sunday via Instagram

Chatting with Maria Staroselets of the DTLA Film Festival before our panel discussion, Privileged Characters: How to recognize and avoid implicit bias in your screenwriting.

Video of this panel coming soon

 

Rosanne Reads At Paperback LA Event in Echo Park – November 7, 2019

I had a great time joining fellow authors at the first reading for Paperback LA, the anthology series that published my article about the writers of The Monkees — so I’m super excited to appear at a second event celebrating the series. And it’s a chance to experience another bookstore in LA.

I hope you can join me,  my fellow authors and our intrepid editor, Susan La Tempa, on Thursday November 7th at Stories Books and Cafe on Sunset Blvd in Echo Park.

Rosanne Reads At Paperback LA Event in Echo Park - November 7, 2019

The critics call Paperback L.A. “Genius!” and “incredibly fun” but they’re understating the pleasures of this new school “casual anthology.”

Join us to toast and hear from incredible L.A. writers with stories about all sorts of things–1920s books, 1960s street racing, 1960s TV writers, 1980s plumbing — all set in L.A. Featuring contributors from all three volumes: Victoria Dailey (L.A.’s Early Moderns), Jim Gavin (Middle Men), Lou Mathews (L.A. Breakdown), Rosanne Welch (Why the Monkees Matter), and series editor Susan LaTempa.

Amenities: eat and drink on the premises; beer & wine served 5 p.m. to close; parking lot behind store.

Rosanne Reads At Paperback LA Event in Echo Park - November 7, 2019

Reading at the Paperback LA Launch Party

 

Rosanne Hosts Panel — Privileged Characters: How to recognize and avoid implicit bias in your screenwriting — at DTLA Film Festival, Sunday, October 27, 2019

This Sunday at 4pm join me at the DTLA (Downtown LA Film Festival)! 

I’ll be moderating a panel on implicit bias in screenwriting. “Privileged Characters: How to recognize and avoid implicit bias in your screenwriting” will take place at the Regal Cinema at LA Live. Panelists will include Maria Escobeda, one of the Stephens MFA in TV and Screeenwriting’s favorite mentors, as well as representatives from the worlds of entertainment journalism, marketing and theme parks – all of whom need to understand this idea in order to reach – and succeed – with customers from all over the world. — Rosanne

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Date/Time: Sun, October 27, 2019 @ 4:00 PM
Running Time: 60 Minutes
Location: Regal LA Live MEZZANINE

Panel Description

Privileged Characters: How to recognize and avoid implicit bias in your screenwriting

How do writers recognize and avoid implicit bias in their work? In this panel we review examples of how implicit bias infects popular shows and movies — even now in the wake of the Black Lives Matter, #MeToo and #TimesUp movement.

We’ll also learn about the tools and techniques available to combat implicit bias in the written word.

Finally, we’ll tackle the prickly question of writers who can authentically create characters and stories that are intrinsically about people who demographically different from them?

More Information

Panelists

Beverly Gray

Beverly Gray has spent her career fluctuating between the world of the intellect and show biz. As she was completing her doctorate in Contemporary American Fiction at UCLA, she surprised everyone (including herself) by taking a job with B-movie legend Roger Corman, for whom she helped develop 170 low-budget feature films. Following her Corman years, she covered the movie industry for The Hollywood Reporter. She has also published the best-selling Roger Corman: “Blood-Sucking Vampires, Flesh-Eating Cockroaches, and Driller Killers”, as well as “Ron Howard: From Mayberry to the Moon . . . and Beyond”. Currently, she teaches advanced online screenwriting workshops for UCLA Extension’s internationally-known Writers’ Program, and her popular twice-weekly blog, “Beverly in Movieland,” covers movies, moviemaking, and growing up Hollywood-adjacent. Her most recent book is “Seduced by Mrs. Robinson: How The Graduate Became the Touchstone of a Generation.”
 
Maria Escobedo

Maria Escobedo is a film and television writer with credits including “Grey’s Anatomy”, Hulu’s “East Los High” and the indie film “Rum and Coke”, which she wrote and directed. She’s developed movies and pilots for Lifetime, Disney Channel, and Nickelodeon. She also has written for animated kids’ TV, including “Dora the Explorer”, “Go Diego Go”, “Elena of Avalor”, “Special Agent Oso” and “Nina’s World”, which earned her a Humanitas Award nomination. Escobedo is currently writing for Amazon’s “If You Give a Mouse a Cookie”, Netflix’s “What-To-Doodles” and Nickelodeon’s “Santiago of the Seas”.

Hanala Sagal

Hanala Sagal, screenwriter-producer of “Elvis & Nixon” (Tribeca Film Festival 2016 Centerpiece), starred on “Shape Up L.A!” as Suzan Stadner (1985-2000.) Her brand is Comedy Wellness: Content for a Better Tomorrow and Funnier Today, trending on YouTube with 500M views and 400K subscribers. Hanala is in development on “Traumaland” (dark comedy, feature) based on her best-selling memoir “My Parents Went Through the Holocaust and All I Got Was This Lousy T-Shirt” featured in “The Last Laugh” starring Mel Brooks.
 
Donna Bonilla Wheeler

Donna Bonilla Wheeler is a Peruvian-American film + theatre writer/director who began her film career writing and directing for Walt Disney Productions Theme Parks. Her original screenplays have been selected as Academy Nicholl Fellowship semi finalist/quarter finalists, IFP No Borders, Austin 2nd Rounders, and Slamdance Script Labs, among others. She sold her experimental short about the creative process, “Mind’s Eye” at the Cannes film market. She received the Grand Jury Prize, Narrative Short for her dramedy film, “The Girl Next Door” at Mystic Film Festival, and her family comedy/mystery she wrote and directed, “Death of a saleswoman” has received global recognition at multiple festivals. Donna is a fiscally-sponsored 501c3 filmmaker, working in the Latinx, LGBTQ+ diversity spaces.
 
Kala Guess

Kala Guess is a marketing professional at Final Draft. She acts as both Contest Director for the Big Break Screenwriting Contest and Content Producer for the Final Draft blog and “Write On” podcast. As part of her focus on the customer experience, she produces engaging and insightful content for screenwriters and operates as a champion for emerging talent. Additionally, Kala is a driving force in Final Draft’s efforts for diversity and inclusivity in the entertainment industry. Previously, she worked as the marketing and publicity coordinator for an independent film and television studio in Hollywood. Kala has a decade of experience in various capacities in the entertainment industry.
 
Evette Vargas

Evette Vargas is an award-winning writer, director, producer and immersive storyteller. Named by the New York Times as an “Artist to Watch,” Vargas’ has produced series for Amazon, MTV, Bravo, DirectTV; and interactive content for Fast And Furious, Lord Of The Rings trilogy and Madonna. Vargas executive produced, wrote and directed her digital series Dark Prophet, starring Henry Rollins, which was in contention for two Emmys. Vargas sold her drama series, Muses, to TNT Super Deluxe. Vargas is creating a drama series for MGMTV with Marc Guggenheim and Rosario Dawson serving as executive producers. Vargas wrote The Current War VR Experience, a companion piece for the film, starring Benedict Cumberbatch. A proud member of the WGA, ATAS and PGA, Vargas was born in the Bronx and learned to tell stories at the dinner table where the imagination ruled. Vargas collects action figures, typewriters and shoes; has past lives as a DJ, a fashion designer and is a recovering New York City advertising Art Director.

22 Octavia Butler from The Sisterhood of Science Fiction – Dr. Rosanne Welch [Video] (46 seconds)

Watch this entire presentation

The Sisterhood of Science Fiction: A Walk Through Some Writers and Characters You (Should) Know And Love

22 Octavia Butler from The Sisterhood of Science Fiction - Dr. Rosanne Welch [Video] (46 seconds)

Subscribe to Rosanne’s Channel and receive notice of each new video!

 

This one allowed me to riff on some of my favorite female science fiction writers across time, whether they be novelists or television writers. It also opened up a good conversation on what art we support and include in our lives – and what that art says to us and about us. — Rosanne

Transcript:

…and we had a marvelous presentation about two weeks ago on Octavia Butler right? So moving now moving further and further into the 90s. Octavia Butler the first African-American female to be successful writing science fiction. We had a presentation here from the curator of her papers at the Huntington Library because she lived in Pasadena. So she’s a local to California and a lot of her stuff was infused with sort of the attitudes and the progressive ideas that we tend to be surrounded by here. She won a MacArthur Fellowship again the first science fiction writer — not a person of color and not even a woman — the very first science fiction writer ever to get a MacArthur grant which is a huge piece of support to creative people and artistic people so I think that’s really cool.



* A portion of each sale from Amazon.com directly supports our blogs
** Many of these books may be available from your local library. Check it out! 

Demonstrating My Usual Exhuberent Presentation Style 😀 via Instagram

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Demonstrating My Usual Exhuberent Presentation Style 😀

Demonstrating My Usual Exhuberent Presentation Style 😀

The 10th Screenwriters´(hi)Stories Seminar was so enjoyable.



* A portion of each sale from Amazon.com directly supports our blogs
** Many of these books may be available from your local library. Check it out!

Mackenzie Institute In Sao Paolo via Instagram

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Mackenzie Institute In Sao Paolo.

Mackenzie Institute In Sao Paolo via Instagram

My host for the 10th Screenwriters´(hi)Stories Seminar Keynote.



* A portion of each sale from Amazon.com directly supports our blogs
** Many of these books may be available from your local library. Check it out!