Dr. Rosanne Welch Presents “Female Creatives & A Star Is Born” [Video]

Dr. Rosanne Welch Presents

Connections at conferences matter! Through the most recent SCMS, I met Vicki Callahan, whose film history focus right now is on Mabel Normand. When she learned I could put together a lecture on the importance of the female voice in the A Star is Born franchise she asked me to give that lecture to her master students.

It made for a great opportunity for me to hone the ideas I’m working on for a chapter on that franchise that I’m writing for a new book from Bloomsbury: The Bloomsbury Handbook Of International Screenplay Theory. It’s always nice when one piece of research can be purposed in other ways – and it’s always fun revisiting such a female-centric film franchise – one that drew the talents of such powerful performers as Janet Gaynor, Judy Garland, Barbara Streisand, and Lady Gaga.

Find out why in this lecture!

RMW Rosanne Signature for Web



 

Where’s Her Movie? US Supreme Court Justice, Sonia Maria Sotomayor – 14 in a series

“Where’s HER Movie” posts will highlight interesting and accomplished women from a variety of professional backgrounds who deserve to have movies written about them as much as all the male scientists, authors, performers, and geniuses have had written about them across the over 100 years of film.  This is our attempt to help write these women back into mainstream history.  — Rosanne

Where's Her Movie? Us Supreme Court Justice, Sonia Maria Sotomayor - 14 in a series

Sonia Maria Sotomayor (Spanish: [ˈsonja sotomaˈʝoɾ];[1] born June 25, 1954)[2] is an associate justice of the Supreme Court of the United States. She was nominated by President Barack Obama on May 26, 2009 and has served since August 8, 2009. Sotomayor is the first Hispanic and Latina member of the Court.[3][a]

 Wikipedia

A Woman Wrote That – 20 in a series – Dirty Dancing (1987), Writer, Eleanor Bergstein

This new “A Woman Wrote That” post is an echo of the Writers Guild campaign of a few years ago (“A Writer Wrote That”) where they noted famous movie quotes and credited the screenwriter rather than the director.  The difference here being that we will be posting lines from films written by female screenwriters.  Feel free to share! — Rosanne

A Woman Wrote That - 20 in a series - Dirty Dancing (1987), Writer, Eleanor Bergstein

JOHNNY

Nobody puts Baby in a corner.

Where’s Her Movie? Educator, Salomé Ureña – 13 in a series

“Where’s HER Movie” posts will highlight interesting and accomplished women from a variety of professional backgrounds who deserve to have movies written about them as much as all the male scientists, authors, performers, and geniuses have had written about them across the over 100 years of film.  This is our attempt to help write these women back into mainstream history.  — Rosanne

Where's Her Movie? Educator, Salomé Ureña - 13 in a series

Salomé Ureña (October 21, 1850 – March 6, 1898) was a Dominican poet and an early proponent of women’s higher education in the Dominican Republic.

Around 1881, Salomé with the help of her husband opened one of the first centers of higher education for young women in the Dominican Republic, which she named “Instituto de Señoritas”. Within five years, the first six female teachers had graduated from the Institute, something uncommon at the time. Wikipedia

Watch this presentation on “When Women Wrote Hollywood” for the Empire State Center for the Book [Video] (1 hour)

Event: When Women Wrote Hollywood presentation for the Empire State Center for the Book - Tuesday, March 9, 2021 – 7 pm EST

Watch this presentation on

MFA Executive Director Dr. Rosanne Welch gave a Zoom presentation onWhen Women Wrote Hollywood for the Empire State Center for the Book, the New York State affiliate of the Library of Congress Center for the Book.

Dr. Welch discussed many highly successful female screenwriters of early Hollywood and explained why they don’t appear in most mainstream histories of the era.

The essays in this book were written by the alumni of the  inaugural class of the Stephens College MFA in TV and Screenwriting and come from the stories of the many brilliant female screenwriters studied in our History of Screenwriting courses and collected into When Women Wrote Hollywood.

Stephens College MFA In TV And Screenwriting Workshop

Dr. Rosanne Welch hosts a Master Class With Executive Producer/Showrunner Gloria Calderón Kellett — Athena Film Festival 2021

Each year, as a sponsor of the Athena Film Festival, the Stephens College MFA in TV and Screenwriting hosts a Master Class interview with a major television showrunner. 

For this year’s virtual festival, I had the privilege of interviewing Gloria Calderon Kellett, co-creator and executive producer of the beloved reboot of One Day at a Time.

 In our interview, Kellett shared how much she learned about running a show from her earliest days as a writer’s assistant, how earning an MFA was an investment in her future, and how much joy she’s had in using the power of her position to Write, Reach and Represent.

Dr. Rosanne Welch hosts a Master Class With Executive Producer/Showrunner Gloria Calderón Kellet -- Athena Film Festival 2021

Please enjoy this Master Class with Showrunner, writer, and actress Gloria Calderón Kellett.

Gloria Calderón Kellett is a Showrunner, writer, director, and actor best known for the critically acclaimed reboot ONE DAY AT A TIME. She is currently on a deal at Amazon Studios where she is developing new shows and movies.

Sponsored by Stephens College MFA Program on TV and Screenwriting

 

Where’s Her Movie? Actress, Maria Montez – 12 in a series

“Where’s HER Movie” posts will highlight interesting and accomplished women from a variety of professional backgrounds who deserve to have movies written about them as much as all the male scientists, authors, performers, and geniuses have had written about them across the over 100 years of film.  This is our attempt to help write these women back into mainstream history.  — Rosanne

Where's Her Movie? Actress, Maria Montez - 12 in a series

María África Gracia Vidal (6 June 1912 – 7 September 1951),(known as the “Queen Of The Technicolor” and “Maria Montez”) was a Dominican motion picture actress who gained fame and popularity in the 1940s as an exotic beauty starring in a series of filmed-in-Technicolor costume adventure films. Her screen image was that of a seductress, dressed in fanciful costumes and sparkling jewels. She became so identified with these adventure epics that she became known as “The Queen of Technicolor”. Over her career, Montez appeared in 26 films, 21 of which were made in North America and the last five were made in Europe. Wikipedia

Where’s Her Movie? Abolitionist, Sojourner Truth – 11 in a series

“Where’s HER Movie” posts will highlight interesting and accomplished women from a variety of professional backgrounds who deserve to have movies written about them as much as all the male scientists, authors, performers, and geniuses have had written about them across the over 100 years of film.  This is our attempt to help write these women back into mainstream history.  — Rosanne

Where's Her Movie? Abolitionist, Sojourner Truth - 11 in a series

Sojourner Truth (/sˈɜːrnər trθ/; born Isabella “Belle” Baumfreec. 1797 – November 26, 1883) was an American abolitionist and women’s rights activist. Truth was born into slavery in Swartekill, New York, but escaped with her infant daughter to freedom in 1826. After going to court to recover her son in 1828, she became the first black woman to win such a case against a white man.

She gave herself the name Sojourner Truth in 1843 after she became convinced that God had called her to leave the city and go into the countryside “testifying the hope that was in her”.[1] Her best-known speech was delivered extemporaneously, in 1851, at the Ohio Women’s Rights Convention in Akron, Ohio. The speech became widely known during the Civil War by the title “Ain’t I a Woman?“, a variation of the original speech re-written by someone else using a stereotypical Southern dialect, whereas Sojourner Truth was from New York and grew up speaking Dutch as her first language. During the Civil War, Truth helped recruit black troops for the Union Army; after the war, she tried unsuccessfully to secure land grants from the federal government for formerly enslaved people (summarized as the promise of “forty acres and a mule” — Wikipedia

A Woman Wrote That – 17 in a series – Father of the Bride (1991), Writer: Nancy Meyers

This new “A Woman Wrote That” post is an echo of the Writers Guild campaign of a few years ago (“A Writer Wrote That”) where they noted famous movie quotes and credited the screenwriter rather than the director.  The difference here being that we will be posting lines from films written by female screenwriters.  Feel free to share! — Rosanne

A Woman Wrote That - 17 in a series - Father of the Bride (1991), Writer: Nancy Meyers

GEORGE

“The good news, however, is that this overreacting… tends to get proportionately less by generation. So, your kids could be normal.”

Where’s Her Movie? Singer, La Lupe – 10 in a series

“Where’s HER Movie” posts will highlight interesting and accomplished women from a variety of professional backgrounds who deserve to have movies written about them as much as all the male scientists, authors, performers, and geniuses have had written about them across the over 100 years of film.  This is our attempt to help write these women back into mainstream history.  — Rosanne

Where's Her Movie? Singer, La Lupe - 10 in a series

Lupe Victoria Yolí Raymond (23 December 1936 – 29 February 1992),[1][2] better known as La Lupe, was a Cuban singer of bolerosguarachas and Latin soul, known for her energetic, sometimes controversial performances. Following the release of her first album in 1961, La Lupe moved from Havana to New York and signed with Tico Records, which marked the beginning of a prolific and successful career in the 1960s and 1970s. She retired in the 1980s due to religious reason Wikipedia