02 Early History Episodes from The Real History Behind the Historic Episodes of Doctor Who with Dr. Rosanne Welch – SD Who Con 2023

In this presentation given at the 2023 San Diego WhoCon I talked about what really happened at Pompeii on volcano day; the agricultural knowledge of the Aztecs; when Robin Hood began appearing in literature, and the bravery of Noor Inayat Khan and Rosa Parks.

02  Early Histrory Episodes from The Real History Behind the Historic Episodes of Doctor Who with Dr. Rosanne Welch - SD Who Con 2023

Transcript:

What we’re talking about today is the real history behind the history behind Doctor Who. We know from the beginning the show was meant to teach history. It was a children’s program and I think that’s a really lovely idea and so they began with two teachers as companions. That was so intentional and it worked. It was a great way to warm people up and you had to have people who knew something about where they were going. Who had something to say and of course we had a student. You have to have someone you can talk to right? So it was a really lovely blend of characters.The very — one of the earliest ones they did went into the world of the Romans. Everyone’s always fascinated by the Romans and I think what’s really interesting is, sadly, just a little bit later, Highlanders was the last historical one they produced in that early period. They decided it wasn’t what the audience wanted. What did the audience want? Audience:Gimmicks and Robots? Duh, Daleks, right? The Daleks showed up and that was it they were like oh no no this is what the audience is coming for. Forget that history. Forget that study. Don’t learn anything.It’s okay. Also we know that once we get to John Pertwee and he’s trapped on Earth he can’t travel. So there’s no way he’s going to go into the past. So we lose a chunk of time where there was this moment to do something about history and then new Who showed up and we gained it back.
What we’re talking about today is the real history behind the history behind Doctor Who. We know from the beginning the show was meant to teach history. It was a children’s program and I think that’s a really lovely idea and so they began with two teachers as companions. That was so intentional and it worked. It was a great way to warm people up and you had to have people who knew something about where they were going. Who had something to say and of course we had a student. You have to have someone you can talk to right? So it was a really lovely blend of characters.The very — one of the earliest ones they did went into the world of the Romans. Everyone’s always fascinated by the Romans and I think what’s really interesting is, sadly, just a little bit later, Highlanders was the last historical one they produced in that early period. They decided it wasn’t what the audience wanted. What did the audience want? Audience:Gimmicks and Robots? Duh, Daleks, right? The Daleks showed up and that was it they were like oh no no this is what the audience is coming for. Forget that history. Forget that study. Don’t learn anything.It’s okay. Also we know that once we get to John Pertwee and he’s trapped on Earth he can’t travel. So there’s no way he’s going to go into the past. So we lose a chunk of time where there was this moment to do something about history and then new Who showed up and we gained it back.

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01 Introduction from The Real History Behind the Historic Episodes of Doctor Who with Dr. Rosanne Welch – SD Who Con 2023

In this presentation given at the 2023 San Diego WhoCon I talked about what really happened at Pompeii on volcano day; the agricultural knowledge of the Aztecs; when Robin Hood began appearing in literature, and the bravery of Noor Inayat Khan and Rosa Parks.

01 Introduction from The Real History Behind the Historic Episodes of Doctor Who with Dr. Rosanne Welch - SD Who Con 2023

Transcript:

well welcome everybody very nice to see everybody um I’m glad that the title sounded interesting I hope that the entire presentation will prove interesting um I am Rosanne Welch I teach at a couple places actually because that’s how you do it these days uh Steven’s college is actually in Missouri but we run an uh MFA in screenwriting here in Los Angeles well here north of here in Los Angeles um and so that’s my specialty I was a television writer for about 20 years and then I got into Academia so I studied history because I wasn’t sure I wanted to study writing so I ended up doing a lot of history stuff which was fascinating um and so today we’re going to look at this show that we all love which started out to teach history and how much of it you know is real and how much is fake um and these are kind of the breath of the place that I want to cover um I come from as I said TV writing so I was on all these shows in the past and even on a show like Touch by an Angel we would deal with history because angels of course last forever it was a traveling Angels show where the Angels happen to be Angels but right stylistically The Fugitive is a traveling Angel show MacGyver is a traveling Angel show Doctor Who is a traveling Angel show someone who just goes from place to place and helps other people out and I think that’s really really cool um and then like I said I got a PhD at Claremont University also in slightly above us a couple hours and that’s where I focused on history for a while before I went back into working and writing so that’s where I’m sort of interested in both of these areas and I think we see that show up in Doctor Who um I’m also on the editorial board for these various journals so very interested in how writing is presented to people and how stories are told um I was extremely lucky uh the the magazine of The Writers Guild written by magazine uh I was on the board for that like I said and the editor knew that I was a huge Doctor Who fan so in that period when Russell came to town and did that fourth season of Torchwood here in town um he called me the editor called me and said we’re going to interview him would you like to be the one to talk to him to which I said uh yeah can I do that right away and it was great because as most of these things go the pr person set me up in a room with Russell and it was this Glass Room in the middle of this fancy place in in in Santa Monica and uh the guy said well you have 20 minutes and I was like I can do this in 20 minutes right I’m happy to be here and 20 minutes passed and you saw the pr guy open the door and poke in and Russell was like I’m not done yet and you kicked the pr guy because I knew what I was talking about and I was asking him these really interesting questions and he was having such a great time we ended up talking for an hour and you just saw the man walk around looking but he didn’t want to poke his head in again and get yelled at so it was a marvelous and fun time and this um interview is online uh on this particular website um which is on the writer Guild website and I’ve I’ve also written a bunch of books not all about Doctor Who these three happen to be about Doctor Who and just got me very interested in analyzing the show and why has it been so popular for so long we know it’s provided us a really interesting character who obviously there are many versions of and we’re all very happy to see all those different versions but why else right why else does it stick with us the latest book is the one that’s right up here and it’s about Jodi’s era hello um because that was of course a very iconic moment in all Television right

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Poems, Plays, Pulitzers: Screenwriter Zoe Akins Did it All – Dr. Rosanne Welch, Script Magazine, October 2023

Poems, Plays, Pulitzers: Screenwriter Zoe Akins Did it All – Dr. Rosanne Welch, Script Magazine, October 2023

Though she never wrote a horror film, to celebrate Halloween this month’s focus is screenwriter, poet, and Pulitzer Prize-winning author, Zoe Akins, born on October 30, 1886. In 1935 Akins would become the third woman to win the Pulitzer Prize for Drama, the highest honor for a Broadway play in the United States, after Zona Gale (1921) and Susan Glaspell (1931). Akins’ win came from her dramatization of Edith Wharton’s The Old Maid. Four years later the play was adapted by Casey Robinson into a film starring Bette Davis, even though Akins had begun adapting plays and turning out her own screenplays in the early 1930s. Throughout her career, she collaborated with some of the most important women both behind and in front of the cameras which has kept her work in the public eye.

Read Poems, Plays, Pulitzers: Screenwriter Zoe Akins Did it All 


Read about more women from early Hollywood

 

The Real History Behind the Historic Episodes of Doctor Who with Dr. Rosanne Welch – SD Who Con 2023 (Complete)

In this presentation given at the 2023 San Diego WhoCon I talked about what really happened at Pompeii on volcano day; the agricultural knowledge of the Aztecs; when Robin Hood began appearing in literature, and the bravery of Noor Inayat Khan and Rosa Parks.

The Real History Behind the Historic Episodes of Doctor Who with Dr. Rosanne Welch - SD Who Con 2023

 

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Marion Fairfax Put Dinosaurs on Film Before Spielberg or Crichton Were Born – Dr. Rosanne Welch, Script Magazine, September 2023

Marion Fairfax Put Dinosaurs on Film Before Spielberg or Crichton Were Born – Dr. Rosanne Welch, Script Magazine, September 2023

If you love seeing dinosaurs come to life on screen and you think they first appeared on screen in Jurassic Park, think again. In 1926 renowned screenwriter-director Marion Fairfax adapted Arthur Conan Doyle’s novel The Lost World to the screen complete with the most advanced special effects of the time. It was an amazing feat for a filmmaker born in Richmond, Virginia, just ten years after the Civil War (October 24, 1875). While screenwriter Marion Fairfax lived into her 9th decade, seeing the administration of a second President Johnson, she only worked in Hollywood from the eras of Woodrow Wilson through Calvin Coolidge (1915-1926) despite being a powerhouse writer-director of her day.

Read Marion Fairfax Put Dinosaurs on Film Before Spielberg or Crichton Were Born


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Married Immigrants Mock Shakespeare for Movie Fame – Dr. Rosanne Welch, Script Magazine, August 2023

I was quite honored when Script Magazine editor Sadie Dean asked me to write a monthly column giving short biographies of female screenwriters across the decades – those who came before us as I like to say – so imagine how shocked I was to find out this is my 30th one to date. Meet Bella Cohen Spewack, born in Romania, a journalist who grew up to write movies that satirized her new career as a screenwriter.


Married Immigrants Mock Shakespeare for Movie Fame – Dr. Rosanne Welch, Script Magazine, August 2023

1899 saw the birth of two future American screenwriters: Bella Cohen in Romania and her future husband and co-writer, Sam Spewack in Ukraine. They each experienced the childhood of an immigrant brought to New York City and each worked as a newspaper reporter in their early careers, Bella for The Call and Sam for New York World. Eventually, they moved to Hollywood to adapt their own play to the screen and much of their later work involved adapting Broadway plays into films.

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Edna Anhalt, Hidden in Her Husband’s Shadow Despite Her Academy Award – Dr. Rosanne Welch, Script Magazine, February 2023

Each month I have the privilege of celebrating the female screenwriters who came before us in an article in Script Magazine. This month’s spotlight is Edna Anhalt — a screenwriter who with her husband Edward won the Academy Award for Best Writing, Motion Picture Story. Panic in the Streets (1950) was about a gang of petty criminals carrying the pneumonic plague, Sadly, as with so many women who co-wrote with spouses, there is much more published about his career than hers, though she wrote solo short stories and films as well. 

Edna Anhalt, Hidden in Her Husband’s Shadow Despite Her Academy Award – Dr. Rosanne Welch, Script Magazine, February 2023

To research the writing career of Oscar-winning Edna Anhalt is to be constantly sent to sites detailing her husband’s career with little note about her life outside of that partnership. Edna Thompson was born in New York City in 1914 and married Edward Anhalt in 1935. The dual partnership in marriage and career lasted 20 years. They may have met while enrolled at Columbia University since in 1936 they shared credit on the documentary the Problem Child (1936), produced by the college. 

Read Edna Anhalt, Hidden in Her Husband’s Shadow Despite Her Academy Award


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New Reviews for American Women’s History on Film written by Dr. Rosanne Welch and Dr. Peg Lamphier

 

American Women’s History on Film, my newest book co-written with my colleague Dr. Peg Lamphier is out now and so some reviews are beginning to roll in. While this review in Booklist (March 2023) is mostly informational it’s always nice to hear that our writing style is “informative and engaging” and that this “makes the book a welcome addition to women’s and film-history collections.” That’s been our hope since being commissioned for the book a few years ago.

Yep, it takes a few years from being commissioned to do the research, do the writing, do the rewriting, do the editing, and then for the publishers to print and distribute the book. Our first book in the series covered Films of the Civil War – with that historical period being Peg’s academic specialty and film being mine. Covering women’s history and film this new book fits perfectly in each of our wheelhouses. 

The icing on the cake for me was the chance to celebrate films I adored in my childhood and that I now have on the viewing list for the Stephens College MFA in TV and Screenwriting like: Norma Rae, and Silkwood alongside films written and produced by friends of mine such as On the Basis of Sex (produced by Karen Loop) and Hidden Figures (written by Allison Schroeder).  

Drs. Rosanne Welch and Sarah Clark discuss The Monkees “Son of a Gypsy” episode on the Zilch Podcast’s Monkees 101 Series 

Drs. Rosanne Welch and Sarah Clark discuss The Monkees “Son of a Gypsy” episode on the Zilch Podcast’s Monkees 101 Series 

In my side hobby, I work on the Monkees 101 segment for the Zilch podcast by recording analysis of each individual episode of the show alongside my fellow Dr., Dr. Sarah Clark, a Library Dean in Pennsylvania.

Our latest episode covers ad problematic episode — #16 “Son of a Gypsy” — which aired 12/26/66. In this episode, “The Monkees are forced to steal a priceless statuette called the Maltese Vulture.” While it’s a fun send-up of The Maltese Falcon, it also includes a stereotypical portrayal of Romani people, which Sarah and I address. Part of the fun (and work) or watching classic TV is finding what’s timeless and naming what’s not for the new generation of viewers. On top of that it’s a great exercise in deciding how things could have been handled by more careful consideration during the writing process.

Drs. Rosanne Welch and Sarah Clark discuss The Monkees “Son of a Gypsy” episode on the Zilch Podcast's Monkees 101 Series 

Sarah and Rosanne Welch’s Monkees 101 segment for episode 16 “Son of a Gypsy” which aired 12/26/66

Synopsis “The Monkees are forced to steal a priceless statuette called the Maltese Vulture.”

Songs: “Let’s Dance On,” “I’m a Believer” and Davy does a bit of “Clarksville”.” 

Listen to this episode


Want to learn more about The Monkees? Buy Why The Monkees Matter: Teenagers, Television and American Pop Culture

 

A hit television show about a fictitious rock band, The Monkees (1966-1968) earned two Emmys–Outstanding Comedy Series and Outstanding Directorial Achievement in Comedy.

Capitalizing on the show’s success, the actual band formed by the actors, at their peak, sold more albums than The Beatles and The Rolling Stones combined and set the stage for other musical TV characters from The Partridge Family to Hannah Montana. In the late 1980s, the Monkees began a series of reunion tours that continued into their 50th anniversary.

This book tells the story of The Monkees and how the show changed television, introducing a new generation to the fourth-wall-breaking slapstick created by Laurel and Hardy and the Marx Brothers.

Its creators contributed to the innovative film and television of the 1970s with projects like Bob & Carol & Ted & Alice, The Mary Tyler Moore Show, Laugh-In, and Welcome Back, Kotter. Immense profits from the show, its music, and its merchandising funded the producers’ move into films such as Head, Easy Rider, and Five Easy Pieces.

McFarland (Direct from Publisher) | Amazon | Kindle Edition | Nook Edition

Want to use “Why The Monkees Matter” in your classroom?

Order Examination Copies, Library and Campus Bookstore orders directly from McFarland

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Most Hitchcock Films are Harrison Films – Dr. Rosanne Welch, Script Magazine, January 2023

Most Hitchcock Films are Harrison Films – Dr. Rosanne Welch, Script Magazine, January 2023

The main problem with the auteur theory that allows phrases like “Hitchcock film” to seep into our conversations is that it dismisses the work of the screenwriter who comes up with the theme, the plot, and the characters – or if they are adapting a novel, which themes, which plot lines and which characters they choose to include, combine or leave behind. The auteur theory is a false idea that grants all the credit for a film to one person despite our understanding that film is a collaborative medium. The films written and later produced by Joan Harrison prove this fallacy quite well. 

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