In the memoir, Love, Laughter, and Tears: My Hollywood Story, Adela Rogers St. Johns writes, “Once, when Joan Crawford and I were doing a tea-talk television show, our hostess, I think it was Virginia Graham, was stressing our enduring success in our chosen fields and Joan leaned over and put her hand on my arm and said, “You know what’s remarkable about Adela and me? We survived.” We did indeed.”
Adela Rogers St. Johns: Survival of the Feisty by Sarah Whorton
* A portion of each sale from Amazon.com directly supports our blogs ** Many of these books may be available from your local library. Check it out! † Available from the LA Public Library
One of the fun-nest things about many fun things at the Denver PopCon was the chance to see Stephens College film professor (and MFA alum) Chase Thompson debut his film Tampsen Air. He shared fascinating stories about the concept and the production work in the film with the audience- and the various other Screenwriting MFA alums who came out to show their support.
It’s important to recognize what Lin-Manuel Miranda did so well in his show — who tells your story, tells people whether or not you will be remembered and we’re gonna find that sadly in a lot of film history, the women are who got left behind by the men writing the history right? I don’t want to rag on men. I like men. I’m married to one. I have a son. They’re very cool people but sometimes they forget to mention the ladies right? So we’re gonna think about that. Some examples, quickly, on how easily writers and this isn’t a female writer it’s a male writer. This is the obituary for Doris Bowden. She was an actress who was in The Grapes of Wrath. It says in her obituary “she married the film’s screenwriter”. We name the movie John Ford’s The Grapes of Wrath. The man who she married isn’t mentioned in her own obituary because he’s just the writer. How ridiculous is that? I don’t care about John Ford. He never knew her after she’s finished the film, but he gets a name out – a name call on that right?
Dr. Rosanne Welch discusses the women in her new book “When Women Wrote Hollywood” which covers female screenwriters from the Silents through the early 1940s when women wrote over 50% of films and Frances Marion was the highest paid screenwriter (male or female) and the first to win 2 Oscars. Yet, she fails to appear in film history books, which continue to regurgitate the myth that male directors did it all – even though it’s been proven that the only profitable movies Cecil B. de Mille ever directed were all written by Jeannie Macpherson film ever won for Best Picture was written by Robert E. Sherwood (who people have heard of, mostly due to his connection to Dorothy Parker) and Joan Harrison.
* A portion of each sale from Amazon.com directly supports our blogs ** Many of these books may be available from your local library. Check it out! † Available from the LA Public Library
This one allowed me to riff on some of my favorite female science fiction writers across time, whether they be novelists or television writers. It also opened up a good conversation on what art we support and include in our lives – and what that art says to us and about us. — Rosanne
Transcript:
First off I’m gonna start with the officially the grandmother of science fiction. Somebody knows who she is. Shelley. Thank You. Mary Shelley, Mary Wollstonecraft Shelley. Mary Godwin Wollstonecraft Shelley. The lady had a lot of names right? Yes, Mary Shelley is most famous. She literally invented the genre and its funny because when we think of science fiction we often do think of the names of famous male writers. They kind of took it over when, you know, men you got to do more of the cool stuff, but Mary invented it and she invented it with what character? Frankenstein! Exactly. She’s the lady — then I mean she was having a party. We’re not sure how drunk everybody was and exactly what substances they might have been imbibing at that time but her and Lord Byron, her boy or her boyfriend slash soon-to-be husband Percy Bysse Shelley. They all were hanging out with this really cool sort of villa in Italy and they were having a contest — which is also very fun. Instead of watching other people’s art, they were making their own and the contest was can you write a ghost story over the weekend and we’ll see who writes the best one.
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Learn more about the American Revolution through the eyes of an important, Italian Immigrant, Filippo Mazzei. Read his story today!
“To occupy his time between business meetings, and to continue his support for the Constitutional Society, Filippo took up a task Jefferson had let fall fallow. A new seven volume book, published by Abbot Raynal, purported to tell all the real news of the European settlements in North America, but those who had actually traveled to the United States found it riddled with mistakes.”
Our guest this episode is Robert Barbera author of Building Wealth: From Shoeshine Boy to Real Estate Magnate. In the course of the interview, Robert offers readers a look into how he defines wealth — along with some tips on obtaining that sort of wealth for themselves.
About the Author
Robert Barbera is a proud Italian-American. His immigrant parents taught him the value of hard work and the importance of family. He made his first stock investment in 1954, only four years out of high school, and bought his first building in 1961. Through hard work, dedication, focus, and the support of his family, he now has 500 units and multiple subsidiary companies, making real estate the cornerstone of his success.
Editor/Writer Dr. Rosanne Welch and a few of her fellow writers ((l-r) Sydney Haven, Mikayla Daniels, Kelley Zinge and Amy Banks) discusses the women in her new book “When Women Wrote Hollywood” which covers female screenwriters from the Silents through the early 1940s when women wrote over 50% of films and Frances Marion was the highest paid screenwriter (male or female) and the first to win 2 Oscars. Yet, she fails to appear in film history books, which continue to regurgitate the myth that male directors did it all – even though it’s been proven that the only profitable movies Cecil B. de Mille ever directed were all written by Jeannie Macpherson film ever won for Best Picture was written by Robert E. Sherwood (who people have heard of, mostly due to his connection to Dorothy Parker) and Joan Harrison.
* A portion of each sale from Amazon.com directly supports our blogs ** Many of these books may be available from your local library. Check it out! † Available from the LA Public Library
Editor/Writer Dr. Rosanne Welch and a few of her fellow writers ((l-r) Sydney Haven, Mikayla Daniels, Kelley Zinge and Amy Banks) discusses the women in her new book “When Women Wrote Hollywood” which covers female screenwriters from the Silents through the early 1940s when women wrote over 50% of films and Frances Marion was the highest paid screenwriter (male or female) and the first to win 2 Oscars. Yet, she fails to appear in film history books, which continue to regurgitate the myth that male directors did it all – even though it’s been proven that the only profitable movies Cecil B. de Mille ever directed were all written by Jeannie Macpherson film ever won for Best Picture was written by Robert E. Sherwood (who people have heard of, mostly due to his connection to Dorothy Parker) and Joan Harrison.
* A portion of each sale from Amazon.com directly supports our blogs ** Many of these books may be available from your local library. Check it out! † Available from the LA Public Library
Learn more about the American Revolution through the eyes of an important, Italian Immigrant, Filippo Mazzei.
Read his story today!
Filippo hurried to Paris to spend as much time with Jefferson as possible, having heard that his friend still grieved over Martha’s loss.
On their second night dining together, Jefferson found himself sharing his correspondence with Filippo. Some came from their friends in the United States, some from diplomats around Europe. As he opened them, Jefferson tried to focus on those involving business and avoid those still offering condolences for her loss.
This is my philosophy. Writers matter, Women matter and women writers matter. That should be kind of obvious and these are all women you may or may not recognize but by the time I’m done today you will recognize them and hopefully be interested in going to see some of their work — much of which is available online or in Netflix somewhere. I think it’s really important to think about the messages of women writers put out in the world. I love this Twitter that came across just after Rey became the famous new Jedi. But it’s quite true, right? It makes a difference. There was a great story once where the last Shuttle pilot had been a female and the next one was going to be a female and it’s always the last pilot who speaks on Comm to the person taking off and it was two women talking to each other for the first time in NASA history and a woman who worked at NASA had asked her son who was about seven , ” Do you want to be an astronaut you grow up?” and he said, Oh no Mom. That’s a girl’s job.” Because that’s what he saw right? So it’s important what we see. Representation matters. So I think that’s really cool.
Dr. Rosanne Welch discusses the women in her new book “When Women Wrote Hollywood” which covers female screenwriters from the Silents through the early 1940s when women wrote over 50% of films and Frances Marion was the highest paid screenwriter (male or female) and the first to win 2 Oscars. Yet, she fails to appear in film history books, which continue to regurgitate the myth that male directors did it all – even though it’s been proven that the only profitable movies Cecil B. de Mille ever directed were all written by Jeannie Macpherson film ever won for Best Picture was written by Robert E. Sherwood (who people have heard of, mostly due to his connection to Dorothy Parker) and Joan Harrison.
* A portion of each sale from Amazon.com directly supports our blogs ** Many of these books may be available from your local library. Check it out! † Available from the LA Public Library