Rosanne Presents on Shaping Global Cultures Through Screenwriting – Stephens College [Video]

Recently, I was asked to make a short presentation to the faculty of Stephens College about the newest book I edited alongside my dear friend and Screenwriting Research colleague Rose Ferrell. Shaping Global Cultures Through Screenwriting: Women Who Write Our Worlds.

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I was happy to discuss the inspiration for the book, which came from a conversation Rose and I had during a conference. That’s one of the best things about gathering for conferences – the casual conversations that create new collaborations.

I was also happy to discuss the way we arranged the book in “Worlds” because continents are the easiest classification. I give a quick thumbnail of one chapter in each of those Worlds to highlight what type of social or legal advocacy the screenwriter in discussion addressed. It was lovely to be reminded of all the interesting stories told by the writers of each chapter and to appreciate the cultural diversity of storytelling around the world that Intellect made possible by publishing the book.

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Chapters cover a spectrum of storytelling from artists offering a window into how women around the world use the screen to advocate for social or legal change. For example, the Samoan performance artist Angela Tiatia, known for her 2014 work, ‘Walking the Wall.” Tiatia displays her Malu Tatau tattoo, which symbolizes the preservation and documentation of cultural practice and identity in online spaces.

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One chapter focuses on a junior Pacific Islander lawyer who created a music video calling on the International Court of Justice to issue an advisory opinion on climate change, a matter of concern as rising sea levels threaten the homes and histories of island communities. Other readings in the book examine the film “Kajillionaire” by Miranda July as a platform for imagining queer utopias, the transformative power of the female gaze in the Italian documentary “Trial for Rape,” and the frequently ignored creative roles and contributions that women make behind the scenes of the beloved children’s television show “Bluey.”

It was a pleasure to make this presentation for my colleagues. I hope you enjoy it, too.

Sexual Liberation 1920s Style: The Screenwriting Career of Josephine Lovett – Dr. Rosanne Welch, Script Magazine, December 2025

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In the Silent Era, before the existence of the Hays Code (and largely a cause for it), many female screenwriters wrote heroines who flouted the brazen sexual freedom of the new century, a specialty of Josephine “Jo” Lovett. Born in October 1877 in San Francisco Lovett would spend some time as a lead actress on the Broadway stage before moving to Los Angeles to both act and write what were called scenarios for the bulk of her career.

Read Sexual Liberation 1920s Style: The Screenwriting Career of Josephine Lovett


Read about more women from early Hollywood

When Women Wrote Hollywood

 

From Missouri to Musicals: The Screenwriting Career of Dorothy Yost – Dr. Rosanne Welch, Script Magazine, November 2025

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Born on April 25, 1899 in St. Louis, Missouri to Alice Kern and Robert M. Yost, Dorothy moved to Los Angeles to work in the burgeoning film industry and clearly succeeded in that goal.  By the time she died in 1967 Yost had written over 80 films and achieved what many other writers did not – thriving in both Silent Films and into the Sound Era. Interestingly, it was her foray into film that brought her journalist brother Robert Yost into the film industry after she found her footing there. Her first screenwriting credit came in 1920, his in 1935 after some years on the staff of local newspapers, as publicity director for Fox West Coast Studios and finally head of the scenario department for Fox.

Read From Missouri to Musicals: The Screenwriting Career of Dorothy Yost


Read about more women from early Hollywood

When Women Wrote Hollywood

Book Recommendation: “The Last Secret Agent: My Life as a Spy Behind Nazi Lines” by Pippa Latour with Jude Dobson

Just finished my rainy weekend read and I highly recommend it:

“The Last Secret Agent: My Life as a Spy Behind Nazi Lines”

It’s the story of Pippa Latour, the last surviving female radio operator who was parachuted into occupied France to travel from hidden radio to hidden radio, sending back information to help the Allies land in Normandy on D-Day. She wasn’t going to tell her story until her sons convinced her it would help people understand those times and the ultimate sacrifice many other radio operators made.

As a Doctor Who fan it was cool to see Noor Inayat Khan mentioned as she appeared as a historic figure in the Jodie Whittaker era in “Spyfall, Part 2”, the 2nd episode of series 12. I mention Noor, in a lecture I’ve given about all the feminism show runner Chris Chibnall put into that era, including having the Doctor meet a strong collection of historic females: “She is Wise and Unafraid: Writing the 1st Female Doctor and a Diverse Universe for her to Protect”:

In September 1944 Noor was executed at the Dachau concentration camp along with fellow agents Yolande Beekman, Madeleine Damerment and Eliane Plewman – all women who had volunteered for these deeply dangerous missions. Reading books about female heroes is a great way to spend a rainy day – and find some more amazing stories that ought to be adapted into films or included in our other writing as often as possible!



When Women Write What They Say, They Say So Much More: Powerful Actress-writer-producers Past, Present & Future with Dr. Rosanne Welch, SRN 2025, Adelaide, Australia [Video]

In another example of my love for a good, long, alliterative title, I name this year’s Screenwriting Research Network (SRN) presentation:

“When Women Write What They Say, They Say So Much More: Powerful Actress-writer-producers Past, Present & Future”.

It covers writers like Emma Thompson, who adapted Jane Austen’s Sense and Sensibility, in which she starred as Eleanor, and Gertrude Berg, creator, writer, and star of The Goldbergs, and then everyone from Tina Fey to Issa Rae, to Mindy Kaling to Lena Waithe. This presentation discusses the way women writing their own characters, dialogue, and worlds into existence impacts the audience, the industry, and the way women are seen in society.

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Eleanore Griffin’s Gentle Americana Style Earned the Oscar for ‘Boys Town’– Dr. Rosanne Welch, Script Magazine, October 2025

 

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Read Eleanore Griffin’s Gentle Americana Style Earned the Oscar for ‘Boys Town’


Read about more women from early Hollywood

When Women Wrote Hollywood

 

Focused on Sin and Redemption Before the Hays Code: The Screenwriting Career of Alice D.G. Miller – Dr. Rosanne Welch, Script Magazine, September 2025

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Read Focused on Sin and Redemption Before the Hays Code: The Screenwriting Career of Alice D.G. Miller


Read about more women from early Hollywood

When Women Wrote Hollywood

 

WGA Panel on “Writing Bold and Complex Young Women” Now Streaming [Video]

WGA Panel on Writing Bold and Complex Young Women Now Streaming
 
WGA Panel on "Writing Bold and Complex Young Women" Now Streaming [Video]
 
One of the fun-nest things I get to do during each MFA Workshop is moderate a panel of working writers at the Writers Guild of America, which is recorded and presented on the WGA Foundation YouTube channel.
 
Now available to stream is our latest panel, “Unapologetically Herself: Writing Bold and Complex Young Women”. I always try to include one of our MFA alums who have gained spots on TV shows so this one has  Alexandra Fernandez who has been on the writing staff of Station 19. Other panelists for this event were Karen Joseph Adcock (Yellowjackets), Beth Appel (The Sex Lives of College Girls), and Stephens alum!!, and Autumn Joy Jimerson (Forever).
 
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Several past WGA panels have included such screenwriters as Marta Kauffman (Creator and Executive Producer of Grace and Frankie), Lucia Aniello (Co-Creator, Executive Producer, and Director of Hacks), Meg DeLoatch (Executive Producer of The Neighborhood and Family Reunion),Joan Rater (A Small Light); and Nia Vardalos (My Big Fat Greek Wedding – and sequels). You can check those out here on our Stephens College MFA in TV and Screenwriting website.

From Paris to Columbus to California: Screenwriter Grace Cunard Was the Ultimate Hyphen as an Actress-Writer-Director (And Sometimes Editor) – Dr. Rosanne Welch, Script Magazine, August 2025

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Read From Paris to Columbus to California: Screenwriter Grace Cunard Was the Ultimate Hyphen as an Actress-Writer-Director (And Sometimes Editor)


Read about more women from early Hollywood

When Women Wrote Hollywood

 

Rosanne Talks “Why The Monkees Matter” on “Johnny D’s Rock n Roll PhD” Podcast [Video]

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Rosanne Talks All Things Monkees  on “Johnny D's Rock n Roll PhD” Podcast

Watch the entire video – Johnny D’s Rock n Roll PhD – Author Rosanne Welch “Why The Monkees Matter”

Get the book, Why The Monkees Matter , from Amazon, Bookshop.org, or McFarland

I had a great conversation about Why The Monkees Matter with the two hosts of “Johnny D’s Rock n Roll PhD”. Often, I speak with people who know the music more than the show – or the show more than the music. Here, both hosts had strong knowledge about both, and then we found out he shared the same top 1 songs as our favs. 

Watch the video to learn about the many things the TV show taught us about friendship, going against authority and the patriarchy, and living a life full of passion for art above all things commerce – with lots of hidden nods toward the counter culture of the day (like rescuing a giant marijuana plant from misuse by supervillains who would corrupt its powerful fumes for evil). Yeah, they did a whole show about that!

A complete transcript is available here or on the YouTube Page