36 Leigh Brackett from “When Women Wrote Hollywood” with Dr. Rosanne Welch [Video] (47 seconds)

Part of the California State University, Fullerton Faculty Noon Time Talks at the Pollak Library.

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36 Leigh Brackett from

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Transcript:

Then we have this lady who I think is fascinating if you’re a Star Wars fan. Leigh Brackett. She’s mostly did all these kinds of space operas they called them right but she got hired to write the first draft of The Empire Strikes Back because George Lucas wanted her sci-fi brain on his property. The problem is she wrote the script — which there you are — and she died of cancer. So Lawrence Kasdan who I adore was hired to do the next draft in the next draft and Lawrence Kasdan becomes the writer we know from Star Wars but when you think about the Han Solo character, Leigh Brackett made him the cowboy that he is because she did cowboy movies and space operas. That’s the perfect blending of Han Solo. So she gave us that character in the incarnation that we know him in — which i think is cool.

Dr. Rosanne Welch discusses the women in her new book “When Women Wrote Hollywood” which covers female screenwriters from the Silents through the early 1940s when women wrote over 50% of films and Frances Marion was the highest paid screenwriter (male or female) and the first to win 2 Oscars.  Yet, she fails to appear in film history books, which continue to regurgitate the myth that male directors did it all – even though it’s been proven that the only profitable movies Cecil B. de Mille ever directed were all written by Jeannie Macpherson film ever won for Best Picture was written by Robert E. Sherwood (who people have heard of, mostly due to his connection to Dorothy Parker) and Joan Harrison.


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† Available from the LA Public Library

Panorama before the panel: “Between the Sheets: Writing About Sex on Television” at the Writers Guild of America

Panorama before the panel: “Between the Sheets: Writing About Sex on Television” at the Writers Guild of America.

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Writers Guild Foundation@wgfoundation

Visit Stephens.edu/mfa for more information.

Follow @StephensMFA on Instagram


Follow and Like the Stephens College MFA in TV and Screenwriting

#MentorMonday 8 - Dawn Comer Jefferson - Stephens College MFA in TV and Screenwriting

Dr. Rosanne Welch speaks with writer-producer Dayna Lynne North via Instagram

Dr. Rosanne Welch speaks with writer-producer Dayna Lynne North (ANY DAY NOW, VERONICA MARS, LINCOLN HEIGHTS,
INSECURE) before their panel “Between the Sheets” at the Writers Guild.

Dr. Rosanne Welch speaks with writer-producer Dayna Lynne North via Instagram

Dr. Rosanne Welch speaks with writer-producer Dayna Lynne North via Instagram

Writers Guild Foundation@wgfoundation

Visit Stephens.edu/mfa for more information.

Follow @StephensMFA on Instagram


Follow and Like the Stephens College MFA in TV and Screenwriting

#MentorMonday 8 - Dawn Comer Jefferson - Stephens College MFA in TV and Screenwriting

Nicholas Nicky Laskin, Current MFA candidate in the Stephens College MFA in TV and Screenwriting Program, is a frequent contributor to The Playlist

Playlist

Nicholas Nicky Laskin, Current MFA candidate in the Stephens College MFA in TV and Screenwriting Program is a frequent contributor to The Playlist (a leading film and television website, offering smart yet accessible news, analysis, critical takes and more for the film community at large, founded in 2007 by Rodrigo Perez).

Read Nick’s Top 10 Films of 2019 as you contemplate what to catch up on over the holidays.

Nicholas Nicky Laskin, Current MFA candidate in the Stephens College MFA in TV and Screenwriting, is a frequent contributor to The Playlist


Follow and Like the Stephens College MFA in TV and Screenwriting

#MentorMonday 8 - Dawn Comer Jefferson - Stephens College MFA in TV and Screenwriting

At The Stephens College MFA in TV and Screenwriting Winter Workshop via Instagram

At The Stephens College MFA in TV and Screenwriting Winter Workshop

At The Stephens College MFA in TV and Screenwriting Winter Workshop via Instagram

Students of the Stephens College MFA in TV and Screenwriting (Stephens.edu/mfa) work in small groups creating genre mashup scenes under the direction of visiting professor, Jule Selbo, PhD, author of Film Genre for the Screenwriter.

Visit Stephens.edu/mfa for more information.

Follow @StephensMFA on Instagram


Follow and Like the Stephens College MFA in TV and Screenwriting

#MentorMonday 8 - Dawn Comer Jefferson - Stephens College MFA in TV and Screenwriting

From The “When Women Wrote Hollywood” Archives 09: “Eve Unsell in New York.” Film Daily 6 August 1936

Months of research went into the creation of the essays in “When Women Wrote Hollywood.” Here are some of the resources used to enlighten today’s film lovers to the female pioneers who helped create it.

From The “When Women Wrote Hollywood Archives 09: “Eve Unsell in New York.” Film Daily 6 August 1936

From The

From The

Read “Eve Unsell in New York.” Film Daily 6 August 1936


Buy “When Women Wrote Hollywood” Today!

Paperback Edition | Kindle Edition | Google Play Edition

* A portion of each sale from Amazon.com directly supports our blogs
** Many of these books may be available from your local library. Check it out!
† Available from the LA Public Library

At The Stephens College MFA in Screenwriting and TV Winter Workshop via Instagram

At The Stephens College MFA in Screenwriting and TV Winter Workshop

At The Stephens College MFA in Screenwriting and TV Winter Workshop via Instagram

Guest Speaker, Pavel Jech, myself, and the entire MFA class of 2020 in the Chaplin Screening Room at the Jim Henson Studios — where we host the workshops twice each year.

Visit Stephens.edu/mfa for more information.

Follow @StephensMFA on Instagram


Follow and Like the Stephens College MFA in TV and Screenwriting

#MentorMonday 8 - Dawn Comer Jefferson - Stephens College MFA in TV and Screenwriting

33 Princess Leia from The Sisterhood of Science Fiction – Dr. Rosanne Welch [Video] (56 seconds)

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The Sisterhood of Science Fiction: A Walk Through Some Writers and Characters You (Should) Know And Love

33 Princess Leia from The Sisterhood of Science Fiction - Dr. Rosanne Welch

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This one allowed me to riff on some of my favorite female science fiction writers across time, whether they be novelists or television writers. It also opened up a good conversation on what art we support and include in our lives – and what that art says to us and about us. — Rosanne

Transcript:

Now of course, post Star Trek, the next big star science fiction thing that’s going to happen is Star Wars. We all know that and so it’s interesting because now sometimes people go oh Princess Leia sort of sat there and waited to be rescued. Ehhh… it was a big deal back in the day that she fought her way out right? She grabbed the blaster and they jumped in the garbage chute and all those things. She was considered a much more active princess. She’s not as active as we want people to be today but she’s like a bridge between where they didn’t do anything and where they do everything but I think it’s an important thing to pay attention to. She writes a lot about that in her last book before Carrie Fisher died, The Princess Diarist. She writes about the experience of filming that. What I don’t like is that we sort of when you look up pictures of Princess Leia and you think power it’s because she’s always got that blaster in her hand. So we’re still equating power with the male concept of a weapon as opposed to the interior power that you bring.



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From The Journal Of Screenwriting V10 Issue 1: More therapy with Dr Melfi (the character who guides viewer engagement with Tony Soprano): Relationship arcs in serial antihero narratives by Fernando Canet

Highlighting the articles in the past editions of the Journal of Screenwriting, of which I am the Book Reviews Editor. Hopefully these abstracts will entice you to did a little deeper into the history and future of screenwriting. — Rosanne


More therapy with Dr Melfi (the character who guides viewer engagement with Tony Soprano): Relationship arcs in serial antihero narratives by Fernando Canet

Antihero narratives constitute a common thread in the current boom of TV fiction. The Sopranos (HBO, 1999–2007) could be considered an early example of this tendency. The antihero is a complex character who demands equally complex responses from viewers. The title of this article is an allusion to Rob White’s article, ‘No more therapy’, in which White explores Dr Jennifer Melfi’s role as a narrative mechanism used to undermine viewer sympathy for Tony Soprano at the end of the series. Here I seek to explore this role further since Dr Melfi’s responses to Tony’s actions serve as a narrative strategy used by The Sopranos writers to guide viewer responses in their relationship with Tony Soprano, a pioneer example of the antihero figure. In doing so, it is my purpose to demonstrate the relevance in antihero TV series of the evolution not only of the antihero themselves but also of their relationship with other major characters over the course of the series. I call this evolution, through which the creators develop the transformational arcs of the two characters concerned: the ‘relationship arc’.


From The Journal Of Screenwriting V10 Issue 1: Creative resistance tactics in the work of English Canadian screenwriters by Kerry McArthur

The Journal of Screenwriting is an international double-blind peer-reviewed journal that is published three times a year. The journal highlights current academic and professional thinking about the screenplay and intends to promote, stimulate and bring together current research and contemporary debates around the screenplay whilst encouraging groundbreaking research in an international arena. The journal is discursive, critical, rigorous and engages with issues in a dynamic and developing field, linking academic theory to screenwriting practice. 

Get your copy and subscription to the Journal of Screenwriting Today!


Screenwriting Research Network Conference 2020

Join me at the Screenwriting Research Network’s Annual Conference in Oxford, UK



* A portion of each sale from Amazon.com directly supports our blogs
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35 Harriet Frank, Jr. from “When Women Wrote Hollywood” with Dr. Rosanne Welch [Video] (1 minute 9 seconds)

Part of the California State University, Fullerton Faculty Noon Time Talks at the Pollak Library.

Watch this entire presentation

 

35 Harriet Frank, Jr. from

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Transcript:

Moving through into the 50s, we come up with Harriet Frank Jr. — a woman going by Jr. because her mother was Harriet Frank and her mother was a reader at one of the studios which is how she got into the business of writing. She married Irving Ravetch and together they made several important films. To me, most important is Norma Rae. Again a very female based film which really falls into Harriet’s world and also Stanley and Iris and Murphy’s Romance are very female-focused stories. Harriet was a really strong woman — very involved in the Union which makes sense when you think about Norma Rae right? So again names people don’t really know because these are considered Martin Ritt films because he directed all four of them, because he was best friends with Frank and Ravetch. So they liked to hire directors they knew who wouldn’t muck up their work and I believe in those collaborations. I don’t — like I’m dissing directors. I don’t mean to. I like directors but there it’s an even collaboration and I think that’s what academia has to start referencing more than we do because that’s how writers get lost and if male writers are getting lost you know female writers getting even more lost right? So we need to keep thinking about it’s a — it’s a collaboration.

Dr. Rosanne Welch discusses the women in her new book “When Women Wrote Hollywood” which covers female screenwriters from the Silents through the early 1940s when women wrote over 50% of films and Frances Marion was the highest paid screenwriter (male or female) and the first to win 2 Oscars.  Yet, she fails to appear in film history books, which continue to regurgitate the myth that male directors did it all – even though it’s been proven that the only profitable movies Cecil B. de Mille ever directed were all written by Jeannie Macpherson film ever won for Best Picture was written by Robert E. Sherwood (who people have heard of, mostly due to his connection to Dorothy Parker) and Joan Harrison.


Buy a signed copy of when Women Wrote Hollywood

…or via Amazon…

Paperback Edition | Kindle Edition | Google Play Edition

* A portion of each sale from Amazon.com directly supports our blogs
** Many of these books may be available from your local library. Check it out!
† Available from the LA Public Library