From Marilyn Monroe to Lady Gaga it seems one actress every generation is said to have “It” but few know that a female screenwriter of the silent era coined that still current phrase. Meet Elinor Glyn. Her life as a high society wife in England fed the novel-writing success that brought Glyn an invitation to Hollywood at the age of 56.
Through marriage, she had gained the glamour of being a member of the titled nobility. Yet she soon learned he had less funds than could support their lifestyle, so Glyn became a writer, publishing a book a year to keep her family’s finances afloat. Her ‘naughty’ novels – because they involved women involved in torrid affairs — became best sellers. That success caused the Hearst publishing company to sign Glyn to write articles and – recognizing the power of the film industry – Glyn included a clause for the motion picture rights.
In researching and writing my book on Giuseppe and Anita Garibaldi and the unification of Italy (A Man Of Action Saving Liberty: A Novel Based On The Life Of Giuseppe Garibaldi) I re-discovered the first American female war correspondent – Margaret Fuller — who I had first met in a college course on the Transcendentalists. I was once again fascinated by a life lived purposefully.
Concord Days sends love to Margaret Fuller on the anniversary of her death in 1850.
The conversation focuses on Margaret’s exciting days in ITALY!
Dr. Rosanne Welch takes us through her adventures and enthusiastically reminds us what she was like when she was living her best life!
Transcript:
Tammy: Also her other book, Summer on the Lakes, which you know was written you know like 1844 where she’s just going to the Great Lakes and she’s essentially writing you know a version of Walden of her own and she’s talking with native Americans and all of this. It’s a travel memoir. It’s a, you know, it’s a journalistic you know um like it’s again dispatches from her journey…
Rosanne: …and we forget how important the Great Lakes were, right, before the country is humongous. This is how we travel all the goods and whatnot. I mean again from Ohio from Cleveland and just thinking about all the people I know who live in that area. It was so important that the Erie Canal — all these things that provided the transportation on water long before we have it any other way. It’s huge. I mean so to go to the Great Lakes. they were — they mean nothing now. Kids are like what’s the Great Lakes. I remember like they had to remember their names and all this stuff because times change but they were such a thing for her to memorialize if you will.
I am quite a fan of TED Talks – for their content and the spiffy way they illustrate a talk should go in a quick 20 minutes or so. I often show students one of my favorites – Chimamanda Adiche’s “The Danger of a Single Story” and show my friend, Art Benjamin’s TED Talks in some of my humanities courses. I was deeply pleased to be asked to give my own TED Talk, “A Female Voice In The Room”, when CalPolyPomona hosted their own TED@CPP event a few years ago. So when I find a new one worth sharing – I share it.
The latest TED Talk to catch my attention was given by film producer Lindsay Doran in 2012. “Saving the World Vs Kissing the Girl” is a fascinating look at how ‘action’ movies end on the announcement of the success to someone the protagonist is in a relationship with, making the culmination of the relationship more important than the ‘saving the world’ part.
For instance, at the end of Rocky he doesn’t say “Yo, Adrian, I won” because he doesn’t win the fight. He only survived it. The movie ends with Rocky and Adrian struggling to get to each other in the crowd. When they reach each other, they clutch each other saying, “I love you” over and over again. THAT’s the win.
Using Dirty Dancing, Karate Kid, and The King’s Speech she explains how positive relationships are more important than positive accomplishments in films. They always end with the healing of a primary relationship. Heroes who don’t win their fight (Rocky in Rocky, George Bailey in It’s A Wonderful Life, Atticus Finch in To Kill A Mockingbird) are so inspirational because they win their relationships.
Then she says that women don’t need to learn that relationships are more important than accomplishments in life – men do. So perhaps these action films are women’s way of teaching that lesson that no man is a failure who has friends.
I have a friend who gets up at four in the morning and writes until six or seven and then heads off to work at 7:30. She has to be there at eight at an agency right? So she’s doing an agent thing but she wants to be a writer. So she’s — that’s her time and then the rest of the day she’s busy, busy, busy, and can’t possibly consume writing and couldn’t do it at night because she’s too darn tired from everything she did in the day but that means she goes to bed at like nine o’clock at night. So she can get up at three in the morning and still have had enough sleep to be ready to do that. That’s really disciplined but you have to be right? You have to be. When I was first — the first couple shows I was on there — the new writers always get stuck with the crummy time frames. So somebody always writes over Thanksgiving so there’ll be something to film like the Monday you come back. So there you go. Thanksgiving day. All your friends — your family’s all having dinner at the table and you’re in a different room in the house working your ass off to write something in five days that’ll be ready to produce or over summer. Some shows do. Some shows don’t or Christmas break. Yeah, it’s like well then I get this many days to do it. That’s all I’m gonna do is sit in front of this thing and just — you can’t stop.
It’s always fun to sit down with students and share stories about entering the television industry and how things work at all stages and I had that opportunity the other day.
Daniela Torres, a just-graduated (Congratulations!) student of the Columbia College Semester in LA program asked me to guest on a podcast she had recently begun hosting with another college student she met during her internship (good example of networking in action!).
We could have talked all morning (the benefit of a 3 hour class session) but we held it to about an hour and fifteen minutes or so. Hopefully, along the way I answered some questions you might have about how the business works. So often it amounts to working hard at being a better writer and gathering a group of other talented, hard-working people around you so you can all rise together.
Dr. Rosanne Welch is a television writer with credits that include Beverly Hills 90210, Picket Fences, ABCNEWS: Nightline and Touched by an Angel. She also teaches Television Writing and the Art of Film at San Jose State University.
Rosanne discusses what made shows like Beverly Hills 90210 compelling, what to do and not to do when attempting to pitch a show to broadcast or streaming, what most young writers neglect in their writing process, and much more!
The Courier Thirteen Podcast is available on YouTube, Spotify, Apple Podcasts, SoundCloud, and Audible.
In researching and writing my book on Giuseppe and Anita Garibaldi and the unification of Italy (A Man Of Action Saving Liberty: A Novel Based On The Life Of Giuseppe Garibaldi) I re-discovered the first American female war correspondent – Margaret Fuller — who I had first met in a college course on the Transcendentalists. I was once again fascinated by a life lived purposefully.
Concord Days sends love to Margaret Fuller on the anniversary of her death in 1850.
The conversation focuses on Margaret’s exciting days in ITALY!
Dr. Rosanne Welch takes us through her adventures and enthusiastically reminds us what she was like when she was living her best life!
Transcript:
Tammy: What are the new things you know. I’m sure that Margaret felt the same way where people were like, you know, we women aren’t supposed to be this smart. Women aren’t supposed to be able to hold their own in conversation. What’s going on?
Rosanne: …and you know it’s so funny because can you imagine what she would have done in this world of the internet to disperse her ideas in all the many ways? Whether it’s on a website or a blog or whether she would have been you know part of a podcast as you said earlier. The ability to spread your ideas so far and wide would have been such a joy I think.
Tammy: Exactly and she’s one of the people who would also like — it’s not just her ideas that were radical but she was also — she was the first I think to interpret to translate Goethe to English right? So like — it’s not like she’s just coming at it from, you know, here I am this person who’s uneducated. She has the chops to help you know place everything and give everything context.
The whole show will cover The Monkees long and wonderful career from their music to the TV (my specialty)! I’ll be in the 2nd segment from running from 1:28 to 1:43 p.m Eastern time (10:28-10:43 Pacific).
Host: I mean how do you — how did you do it? How do you practice on your schedule? Do you like time limit yourself. You’re like, oh like one month or like one week to do three acts or something like that.
Rosanne: Well you get into a pattern when you do it. I mean the Writers Guild offers two weeks to write a script. That’s what if you’re a freelance writer they have to give you two weeks to go home but when you’re on a staff they expect you to write it in one week. They expect you to be able to write 10 to 15 producible pages a day. So that’s where you have to get yourself to if you’re really going to take it seriously. So yeah this took two months. This takes one month and you get it down to three weeks and two weeks and the best you can. You have to find the times a day that works for you. Some people are night writers. I am not but some people can work really great from 10 in the evening till two in the morning and then sleep from three to ten right? Okay then you have to know that and then you need to build a day job that allows you to do that right because that’s gonna do the most work. Some people — I go from like 6 am to like 2 p.m and then I make phone calls and do other kinds of email work and stuff like that because then I sort of run out of my creative excitement or whatever. So I have to make sure that I don’t do anything else until later. I don’t take meetings or do things like that until later in the day. If you don’t do that when you finally approach your computer to start writing something, it will take you so much longer and it will be so much more frustrating that you won’t get to the point you want and you might turn away right? So you have to be in a comfortable place to do that and you know this town is full of different kinds of jobs you can make work for that whatever is the time frame that you need.
It’s always fun to sit down with students and share stories about entering the television industry and how things work at all stages and I had that opportunity the other day.
Daniela Torres, a just-graduated (Congratulations!) student of the Columbia College Semester in LA program asked me to guest on a podcast she had recently begun hosting with another college student she met during her internship (good example of networking in action!).
We could have talked all morning (the benefit of a 3 hour class session) but we held it to about an hour and fifteen minutes or so. Hopefully, along the way I answered some questions you might have about how the business works. So often it amounts to working hard at being a better writer and gathering a group of other talented, hard-working people around you so you can all rise together.
Dr. Rosanne Welch is a television writer with credits that include Beverly Hills 90210, Picket Fences, ABCNEWS: Nightline and Touched by an Angel. She also teaches Television Writing and the Art of Film at San Jose State University.
Rosanne discusses what made shows like Beverly Hills 90210 compelling, what to do and not to do when attempting to pitch a show to broadcast or streaming, what most young writers neglect in their writing process, and much more!
The Courier Thirteen Podcast is available on YouTube, Spotify, Apple Podcasts, SoundCloud, and Audible.
In researching and writing my book on Giuseppe and Anita Garibaldi and the unification of Italy (A Man Of Action Saving Liberty: A Novel Based On The Life Of Giuseppe Garibaldi) I re-discovered the first American female war correspondent – Margaret Fuller — who I had first met in a college course on the Transcendentalists. I was once again fascinated by a life lived purposefully.
Concord Days sends love to Margaret Fuller on the anniversary of her death in 1850.
The conversation focuses on Margaret’s exciting days in ITALY!
Dr. Rosanne Welch takes us through her adventures and enthusiastically reminds us what she was like when she was living her best life!
Transcript:
Tammy: So do you want to talk about some of the biographies and stuff that originated after she passed and how you know those versions of her might like the older versions the contemporary versions might not be so accurate?
Rosanne: I think that’s very true and of course, as you said earlier that’s true in so much of our history. Someone decided what we should share, what was acceptable, and you could — I think from Emerson’s point of view, I understand that he wanted people to love his friend. So he was he was filtering out what he thought would get in their way of understanding how great she was but then of course the next guy reads that book and only reports that much and that much. I mean it’s true also of the various iterations of the Diary of Anne Frank. Her father only lets certain things out because he didn’t want people to know that she sometimes wrote that she was mad at her mother because that was the woman he loved and he wanted you know and then later people have added those things in to say but here’s the real picture. It doesn’t mean she was a terrible little girl. It just means every teenager goes “my mom is making me crazy” It just gives her the more humanity to know all those dimensions and I think, yes, that’s what’s missing in these early biographies and we have to go back and really look at her writing — what exists — and then analyze that to get a sense of who she was but I think her activities tell us that. So teaching for Bronson Alcott tells us she was okay with an inter-racial group. She thought that you know desegregation was the proper thing to do. We wouldn’t do that. You could work for somebody else. You could tutor for anybody. You chose that job and you knew it was controversial and other people would judge you by it.
Rosanne: …which is also what I say to students both in internships and within classes. You’re not going to call Steven Spielberg and become his best friend to get a job but somewhere in your group of friends that you’re all connecting with right now one of you is going to go become Steven Spielberg and that you’re all then going to stay connected to each other and help each other move up.
Host: That’s yeah as far as networking goes, I think that’s probably one of the best pieces of advice you can give to someone. It’s like understand that everything — it’s you know, it’s the right thing to be nice to people and cultivate relationships but also it’s almost like you’re moving up with your generation. Like everyone rises up together…
Rosanne:… exactly and you will immediately kick off your you know the end of your boot anybody who you don’t want to be around.
Host: That’s also true.
Rosanne: Yeah because they’ll just get in your way and they’re not going to help you. As long as you’re the kind of person who wants to help other people and with their ideas with you know doing writer’s groups together, reading each other’s scripts out loud, going to Q and A’s in town and then you know talking about the thing you saw afterwards. Running into other people at those events and you know hey let’s all get together and have a meet up two weeks from now at such and such a pizza place or a coffee house or a bar whatever it is. Building those relationships because that’s you know you’re the next generation of assistants who are the next generation of writers or executives or whatever people choose to be.
It’s always fun to sit down with students and share stories about entering the television industry and how things work at all stages and I had that opportunity the other day.
Daniela Torres, a just-graduated (Congratulations!) student of the Columbia College Semester in LA program asked me to guest on a podcast she had recently begun hosting with another college student she met during her internship (good example of networking in action!).
We could have talked all morning (the benefit of a 3 hour class session) but we held it to about an hour and fifteen minutes or so. Hopefully, along the way I answered some questions you might have about how the business works. So often it amounts to working hard at being a better writer and gathering a group of other talented, hard-working people around you so you can all rise together.
Dr. Rosanne Welch is a television writer with credits that include Beverly Hills 90210, Picket Fences, ABCNEWS: Nightline and Touched by an Angel. She also teaches Television Writing and the Art of Film at San Jose State University.
Rosanne discusses what made shows like Beverly Hills 90210 compelling, what to do and not to do when attempting to pitch a show to broadcast or streaming, what most young writers neglect in their writing process, and much more!
The Courier Thirteen Podcast is available on YouTube, Spotify, Apple Podcasts, SoundCloud, and Audible.
In researching and writing my book on Giuseppe and Anita Garibaldi and the unification of Italy (A Man Of Action Saving Liberty: A Novel Based On The Life Of Giuseppe Garibaldi) I re-discovered the first American female war correspondent – Margaret Fuller — who I had first met in a college course on the Transcendentalists. I was once again fascinated by a life lived purposefully.
Concord Days sends love to Margaret Fuller on the anniversary of her death in 1850.
The conversation focuses on Margaret’s exciting days in ITALY!
Dr. Rosanne Welch takes us through her adventures and enthusiastically reminds us what she was like when she was living her best life!
Transcript:
It makes perfect sense that she would have been testing the waters for all of it because she’s also married to a foreigner, right, and a Catholic and Catholics were not accepted in the country at that time either because of you know loving the Pope and all that stuff. So she probably was. I would say it’s probably that her son probably wasn’t necessarily — didn’t necessarily have darker skin because Giovanni comes from one more northern part of the country and we probably at that time we weren’t as discriminatory because Italy was kind of part of Europe and France and then you know Lafayette was a good guy and we’re sort of immigrants. Yeah. I don’t think it’s — it happens in the early 1900s because that’s when the great mass of unwashed poor folks show up and we want to put them to work in our crummy jobs and our seamstress factories and things like that and the guys are working on the railroad but yeah…
All the immigrants. And you know and the problem is or the luck the privilege is we assimilate so that we look white which of course is bullshit. There’s no such thing as white. It makes me crazy. Caucasian you know. I always tell students caucasian is the dumbest word in the world because there’s no land of “cauc.” It’s literally the dude right the dude who studied all the skulls to do the hierarchy of all the different ethnicities. He thought the prettiest skulls came from the people who lived in the Caucus mountains of Russia and so he qualified them as Caucasian but that’s not a thing, right?
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