“A Man Of Action Saving Liberty: A Novel Based On The Life Of Giuseppe Garibaldi” – 38 in a series

“Men from this area are sailing to San Francisco as fast as they can,” Carpanetto said to Giuseppe one day over dinner. “Captains who have managed to return here tell me whole ships lay in dock, stranded by crew who had no intention of serving on the return trip.”

 “They merely signed on for their own free ride to the gold fields,” Giuseppe guessed. “Not very honorable.”

“No,” Carpanetto agreed. “But we will turn their dishonor into our opportunity. Whole ships are being sold for impossible discounts just to clear the docks for trading vessels.”

Get your copy of A Man Of Action Saving Liberty Today!

From The Journal Of Screenwriting V5 Issue 1: Screenwriting and emotional rhythm by Ian David

Highlighting the articles in the past editions of the Journal of Screenwriting, of which I am the Book Reviews Editor. Hopefully these abstracts will entice you to did a little deeper into the history and future of screenwriting. — Rosanne


Screenwriting and emotional rhythm by Ian David

Recent advances in neuroscience have begun to unravel the part played by emotion in decision-making and creativity. All storytellers rely on emotion, but the screenwriter, conveying the essential narrative and technical information required to make a film, carries a unique burden. Screenplays must act as a bridge from the author to the audience, describing the narrative’s capacity to evoke emotion through action and image. In discussing a screenplay, the narrative is usually assessed in terms of its characters, plot, subplots, theme, dialogue, tone, style, etc. Yet, emotion, the quality that determines the screenplay’s (and ultimately the film’s) overall effect, is often poorly understood. This paper proposes Emotional Rhythm – that subliminal sequence of emotions underpinning all the dramatic components – as a means of evaluating the screenplay’s potency as it relates to the construction of the narrative.

From The Journal Of Screenwriting V5 Issue 1: Screenwriting and emotional rhythm by Ian David


Journal of Screenwriting Cover

The Journal of Screenwriting is an international double-blind peer-reviewed journal that is published three times a year. The journal highlights current academic and professional thinking about the screenplay and intends to promote, stimulate and bring together current research and contemporary debates around the screenplay whilst encouraging groundbreaking research in an international arena. The journal is discursive, critical, rigorous and engages with issues in a dynamic and developing field, linking academic theory to screenwriting practice. 

Get your copy and subscription to the Journal of Screenwriting Today!



* A portion of each sale from Amazon.com directly supports our blogs
** Many of these books may be available from your local library. Check it out!

The Civil War On Film – 33 in a series – “…the conflict that arose in Kansas in the seven years before the Civil War known as “Bleeding Kansas.”

The Civil War On Film - 33 in a series -

The roots of the Kansas-Missouri border war can be found in the conflict that arose in Kansas in the seven years before the Civil War known as “Bleeding Kansas.” In 1854, the Kansas-Nebraska Act created the two territories and solved the “slavery problem” with the addition of a popular sovereignty clause. While the notion that Kansas settlers would vote on whether they wanted slavery or not sounded like a sensible solution to the nation’s increasingly anxious conversation about slavery, it inadvertently caused a kind of war between anti-slavery and pro-slavery settlers.

Movies profiled in this book:

“A Man Of Action Saving Liberty: A Novel Based On The Life Of Giuseppe Garibaldi” – 37 in a series

Over the next weeks many things became clearer to Giuseppe. Tensions were rising in the United States. Things like the 1850, Fugitive Slave Act passed Congress and provided for the return of slaves brought to free states, angering Northerner abolitionists while not completely placating the southern slaveholders. Giuseppe knew he would have to decide if he should use his talents to help preserve the union of these two factions, or find a way home, yet his exile seemed destined to keep him from home.

Get your copy of A Man Of Action Saving Liberty Today!

From The Journal Of Screenwriting V5 Issue 1: Where are you from? Place as a form of scripting in independent cinema by J. J. Murphy

Highlighting the articles in the past editions of the Journal of Screenwriting, of which I am the Book Reviews Editor. Hopefully these abstracts will entice you to did a little deeper into the history and future of screenwriting. — Rosanne


Where are you from? Place as a form of scripting in independent cinema by J. J. Murphy
 
Large-budget Hollywood studio productions generally prefer a high level of fabrication in creating a film’s setting, either through the building of sets or through special effects, because it gives the production team greater control. Yet that’s often been less true of indie films historically. For a variety of reasons, the setting or location of independent films often becomes a central part of the scripting of a film. It is obviously cheaper to use what already exists in reality rather than to attempt to create a location through set design or art direction. Beyond issues of budget, however, my interest here is in exploring how ‘place’ can actually function as a key element in the scripting process, especially one that is rooted in visual storytelling, by taking into account the myriad ways that a film’s setting can contribute to and enhance the narrative beyond the use of generic, decorative or touristic locations. Using examples drawn from independent cinema, the article argues that place can have an intrinsic, integrative, stylistic, structural, conceptual and thematic function.

From The Journal Of Screenwriting V5 Issue 1: Where are you from? Place as a form of scripting in independent cinema by J. J. Murphy


Journal of Screenwriting Cover

The Journal of Screenwriting is an international double-blind peer-reviewed journal that is published three times a year. The journal highlights current academic and professional thinking about the screenplay and intends to promote, stimulate and bring together current research and contemporary debates around the screenplay whilst encouraging groundbreaking research in an international arena. The journal is discursive, critical, rigorous and engages with issues in a dynamic and developing field, linking academic theory to screenwriting practice. 

Get your copy and subscription to the Journal of Screenwriting Today!



* A portion of each sale from Amazon.com directly supports our blogs
** Many of these books may be available from your local library. Check it out!

The Civil War On Film – 32 in a series – “…because it was insufficiently sympathetic to the Confederate point of view.”

The Civil War On Film - 32 in a series -

Predictably, some Civil War movie fans didn’t like Andersonville because it was insufficiently sympathetic to the Confederate point of view. Neo-Confederate viewers, who surely expected a different film from Georgian Ted Turner, pointed out Confederate soldiers in Union prison camps suffered as greatly as Union soldiers in Andersonville. On the whole though, Andersonville fairs well with Civil War movie fans who enjoy (or at least tolerate) a Northern point of view.

Movies profiled in this book:

Drs. Rosanne Welch and Sarah Clark discuss The Monkees “Monkee Chow Mein” episode on the Zilch Podcast’s Monkees 101 Series [Audio]

My co-host, Dr. Sarah Clark and I usually host a segment on Zilch: A Monkees Podcast where we break down episodes of The Monkees in terms of history and popular culture of the time in which is was written, filmed and aired. 

For this episode, however, we tackled the problem with an episode we consider to be a sad outlier to the usual mix of positive energy and creativity. The title alone will tell you the problem with the episode –  Monkee Chow Mein. Sadly, against the show’s youthful promise to celebrate how “we’re too busy singing to put anybody down” the title tells you laughs were wrung from doing exactly that so in this discussion Dr. Clark and I try to understand how that happened.

RMW Rosanne Signature for Web

Drs. Rosanne Welch and Sarah Clark discuss The Monkees “Monkee Chow Mein

Monkees News and “We need to talk about monkee chow mein”. Farewell tour, it looks like this is it.

Dolenz Sings Nesmith, a collection of songs featuring Micky paying tribute to the songbook of Michael Nesmith.

Listen Now

Get Rosanne’s Monkees Book – Why The Monkees Matter!

The Civil War On Film – 31 in a series – …the heroism slathered on the men who survived Gettysburg…”

The Civil War On Film - 31 in a series - ...the heroism slathered on the men who survived Gettysburg...

Much of the heroism slathered on the men who survived Gettysburg on both sides, but mostly regarding the Confederates, came from the literary work of their wives and widows published for years after the war. For example, in 1913 La Salle Corbell Pickett published The Heart of a Soldier As revealed in the Intimate Letters of Genl. George E. Pickett C.S.A. Due to his wife’s efforts, his reckless and ill-conceived charge became synonymous with heroism – and with her husband and her husband alone – despite the fact that two Confederate divisions charged up Cemetery Ridge that day.

Movies profiled in this book:

From The Journal Of Screenwriting V5 Issue 1: Where do cinematic ideas come from? by Adrian Martin

Highlighting the articles in the past editions of the Journal of Screenwriting, of which I am the Book Reviews Editor. Hopefully these abstracts will entice you to did a little deeper into the history and future of screenwriting. — Rosanne


Where do cinematic ideas come from? by Adrian Martin

This essay explores the concept of a cinematic idea. How does it originate, and how can it shape, on every level, the construction of a film? Making special reference to filmmakers’ documents (as an instance of genetic criticism), the essay offers a case study of Leos Carax’s Holy Motors.

From The Journal Of Screenwriting V5 Issue 1: Where do cinematic ideas come from? by Adrian Martin


Journal of Screenwriting Cover

The Journal of Screenwriting is an international double-blind peer-reviewed journal that is published three times a year. The journal highlights current academic and professional thinking about the screenplay and intends to promote, stimulate and bring together current research and contemporary debates around the screenplay whilst encouraging groundbreaking research in an international arena. The journal is discursive, critical, rigorous and engages with issues in a dynamic and developing field, linking academic theory to screenwriting practice. 

Get your copy and subscription to the Journal of Screenwriting Today!



* A portion of each sale from Amazon.com directly supports our blogs
** Many of these books may be available from your local library. Check it out!

“A Man Of Action Saving Liberty: A Novel Based On The Life Of Giuseppe Garibaldi” – 36 in a series

New York City in 1850 was a hodgepodge of some 700,000 peoples from all over the world. Giuseppe silently thanked Nicoletta every day for making him read the poems of Percy Shelley in English when he was a child for it made his transition easier. He watched so many other immigrants struggle with communicating in such a strange language. If anything, despite the accent he too carried, his command of language showed off his education, which helped some people accept him more easily than others of his countrymen.

Get your copy of A Man Of Action Saving Liberty Today!