It was a project we took over from another editor and we were shocked to find at that stage it did not include ANY women or domestic technologies. Just a lot of odd stuff about different kinds of bridges. So we jumped at the chance to give it more women and people of color.
THEN we had to battle a bit because 3 cover photos had already been chosen – none of them with a woman in them. We argued for female representation and (after we won the first award on our first set of encyclopedias) eventually the publishers agreed to the photo we chose of Maria Mitchell, America’s first great Astronomer.
Representation matters. Who tells your history matters.
More of my books from ABC-CLIO
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* A portion of each sale from Amazon.com directly supports our blogs ** Many of these books may be available from your local library. Check it out! † Available from the LA Public Library
It’s so nice to see my book on Filippo Mazzei continuing to receive good reviews from the press. This one comes from website of the Historical Novel Society and seems to like being introduced to such an interesting man as Filippo.
The novel is more of a factual presentation than fictional storytelling; the chronology is interspersed with anecdotal conversations with Franklin, Jefferson, and others involved in the emerging American state. Readers learn about Mazzei’s involvement with the Virginia militia and his work advocating for independence from the British Crown in the Second Continental Congress, conducting business for the colonies in France, and writing essays supporting the American Revolution in the European press after he returns to his homeland.
“But the book has a larger focus than Mazzei’s place in the American Revolution. It covers his early years, travels in Turkey, and relationships with family as well as discussions of religion, the prerogatives of landed gentry versus the rights of ordinary people, even the proper pronunciation of Italian words.”
“Writer and director Garson Kanin referred to the Hacketts as “…an enchanting couple; they were the writers the producers and directors used to kill to get”. David Brown said they were “The ultimate class writing team of the Golden Age of Hollywood… Virtually all their films were successful… They were the epitome of elegance in writing””
Frances Goodrich and Albert Hackett: The Most Beloved Couple in Hollywood By Julie Berkobien
* A portion of each sale from Amazon.com directly supports our blogs ** Many of these books may be available from your local library. Check it out! † Available from the LA Public Library
Rosanne Welch, PhD, Author of Why The Monkees Matter, presents “How The Monkees Changed Television” at a Cal State Fullerton Lunch Lecture on May 8, 2018.
In this talk, she shows how The Monkees, and specifically their presence on television, set the stage for large changes to come in the late 1960s.
Transcript
Had The Monkees done Sugar Sugar we wouldn’t have the Archie and, of course, the Archie comics — another side tangent — has become Riverdale. The big show right and a big show because you all know him from your own childhood TV watching right? So the grown-up version. So it’s like Circus Boy becoming a Monkee. It just happens over and over again right? All right, you’ve also all known a Monkee song all your life even if you didn’t think you did because in Shrek they use I’m A Believer. So now we’re years behind. We’re thirty years from the show being on the air and a whole run of children know this song right and this is Micky Dolenz closing song in all his concerts. This is his song, right? Breaking Bad in the season before it went off the air did a whole meth — a whole montage of putting meth together to the Monkees song Going Down because Vince Gilligan was a Monkees fan when he was a kid. So his chance to use Monkees music and his own TV show was something exciting for him. Likewise, Mad Men did an episode that used the song for the Monkees. So highly rated Emmy-winning TV shows are airing their music to a whole new generation. I thought that was cool.
A hit television show about a fictitious rock band, The Monkees (1966-1968) earned two Emmys–Outstanding Comedy Series and Outstanding Directorial Acheivement in Comedy.
Capitalizing on the show’s success, the actual band formed by the actors, at their peak, sold more albums than The Beatles and The Rolling Stones combined, and set the stage for other musical TV characters from The Partridge Family to Hannah Montana. In the late 1980s, the Monkees began a series of reunion tours that continued into their 50th anniversary.
This book tells the story of The Monkees and how the show changed television, introducing a new generation to the fourth-wall-breaking slapstick created by Laurel and Hardy and the Marx Brothers.
Its creators contributed to the innovative film and television of 1970s with projects like Bob & Carol & Ted & Alice, The Mary Tyler Moore Show, Laugh-In and Welcome Back, Kotter. Immense profits from the show, its music and its merchandising funded the producers’ move into films such as Head, Easy Riderand Five Easy Pieces.
Learn more about the American Revolution through the eyes of an important, Italian Immigrant, Filippo Mazzei. Read his story today!
Filippo also placed all the letters of introduction and credentials proving him an agent of the government into a small bag with a bit of lead to weight it down and kept those things on him at all times.
These precautions proved prescient when, only thirty miles off the coast, an English corsair approached the Johnston and Royal officers claimed the right to board.
So how I teach it. That’s why I teach I want respect to come back to writers. That seems simple right? How I do it. I start in the very beginning when women were the major writers of Hollywood films. There were 50 percent of the films are in by women if not more and they made more money. This is Gene Gauntier from Ireland, this is Anita Loos and Jeannie Macpherson working with Cecil B. DeMille. She wrote every one of his financially successful films and when they stopped working together, his movies stopped making money. That’s the end of Cecil B. DeMille. How I teach it. I start by asking students very quick questions. What are your first five favourite films? Who directed those films? They always know. Who wrote those films? and the look of humiliation on their faces when they sit in a screenwriting class and cannot name the people who wrote their favorite films is ridiculous to me.
* A portion of each sale from Amazon.com directly supports our blogs ** Many of these books may be available from your local library. Check it out! † Available from the LA Public Library
On Saturday, November 3rd, 2018 several of the contributors to When Women Wrote Hollywood gathered at the Skylark Bookshop in Columbia, Missouri for a signing and launch party that functioned like a mini-reunion of the Stephens College MFA in TV and Screenwriting Class of 2017.
Many thanks to all who came to hear them each speak with passion about the research subjects who became whole chapters in this book of essays on female screenwriters from the Silent Era into the 1940s.
* A portion of each sale from Amazon.com directly supports our blogs ** Many of these books may be available from your local library. Check it out! † Available from the LA Public Library
“The majority of Park’s films feature a female lead who begins the story as poor, beaten, and/or single and receives a fairy tale ending. It happens to Eve, the poor flower girl in Lights and Shadows (1914); Nan, the tempted chorus girl in When The Gods Played A Badger Game (1915) and Rose, raised by a cruel hag in Where The Forest Ends (1915).”
* A portion of each sale from Amazon.com directly supports our blogs ** Many of these books may be available from your local library. Check it out! † Available from the LA Public Library
It’s time for another episode of Monkees 101, which I cohost with the marvelous fellow Phd, Sarah Clark. This one covers the episode “Your Friendly Neighborhood Kidnappers”, written by Dave Evans and directed by James Frawley, who sadly passed away on January 24th. Enjoy hearing our take on one of the classic episodes of the show.. — Rosanne
Drs. Rosanne Welch and Sarah Clark are back for Zilch Monkees 101 S1 E4 “Your Friendly Neighborhood Kidnappers”, the 4th episode of The Monkees to air. We also have a live version of “Let’s Dance On” from 2016 and Monkees News!
This episode is dedicated to James Frawley, a veteran Hollywood director of film and TV projects like The Monkees (32 episodes) and The Muppet Movie, has died. He was 82.
Thank you for making our lives better with your work. Originally aired 1/24/19
A hit television show about a fictitious rock band, The Monkees (1966-1968) earned two Emmys–Outstanding Comedy Series and Outstanding Directorial Acheivement in Comedy.
Capitalizing on the show’s success, the actual band formed by the actors, at their peak, sold more albums than The Beatles and The Rolling Stones combined, and set the stage for other musical TV characters from The Partridge Family to Hannah Montana. In the late 1980s, the Monkees began a series of reunion tours that continued into their 50th anniversary.
This book tells the story of The Monkees and how the show changed television, introducing a new generation to the fourth-wall-breaking slapstick created by Laurel and Hardy and the Marx Brothers.
Its creators contributed to the innovative film and television of 1970s with projects like Bob & Carol & Ted & Alice, The Mary Tyler Moore Show, Laugh-In and Welcome Back, Kotter. Immense profits from the show, its music and its merchandising funded the producers’ move into films such as Head, Easy Riderand Five Easy Pieces.
Rosanne Welch, PhD, Author of Why The Monkees Matter, presents “How The Monkees Changed Television” at a Cal State Fullerton Lunch Lecture on May 8, 2018.
In this talk, she shows how The Monkees, and specifically their presence on television, set the stage for large changes to come in the late 1960s.
Transcript
In the 80s they got a star on the on the Walk of Fame for the TV show not the music. That’s how important the TV show was. That’s their their star right and at this point they end up with a manager. they’d never had a manager before and he started the whole tour thing. So in their 50th year, the Archie comics had the Monkees guest star. This just came out a couple of months ago and that’s a huge “Wow the monkeys are in the Archies” right? The Archies — side tangent — were invented because Don Kirshner the music director of the show would pick their songs and Michael Nesmith didn’t like his taste and he wanted him fired and he was eventually fired over the song “Sugar, Sugar” which was supposed to be a Monkees song but Michael Nesmith refused to sing it and so Don Kirshner invented the Archies because it’s a group he could make do whatever he wanted.
A hit television show about a fictitious rock band, The Monkees (1966-1968) earned two Emmys–Outstanding Comedy Series and Outstanding Directorial Acheivement in Comedy.
Capitalizing on the show’s success, the actual band formed by the actors, at their peak, sold more albums than The Beatles and The Rolling Stones combined, and set the stage for other musical TV characters from The Partridge Family to Hannah Montana. In the late 1980s, the Monkees began a series of reunion tours that continued into their 50th anniversary.
This book tells the story of The Monkees and how the show changed television, introducing a new generation to the fourth-wall-breaking slapstick created by Laurel and Hardy and the Marx Brothers.
Its creators contributed to the innovative film and television of 1970s with projects like Bob & Carol & Ted & Alice, The Mary Tyler Moore Show, Laugh-In and Welcome Back, Kotter. Immense profits from the show, its music and its merchandising funded the producers’ move into films such as Head, Easy Riderand Five Easy Pieces.