04 More On Unreliable Narrators from What Is a Western? Interview Series: When Women Wrote Westerns from the Autry Museum of the American West [Video]

04 More On  Unreliable Narrators from What Is a Western? Interview Series: When Women Wrote Westerns from the Autry Museum of the American West [Video]

Transcript:

…and then this unreliable narrator thing is a new thing I learned when I got involved in academia and that’s when you look at the interviews that happen with the men who founded Hollywood, they forget to mention the women who did it with them or they mention women without mentioning their names. One of my favorite sad examples is a woman named Jeanie MacPherson – who wrote several westerns under Cecil B DeMille – and you know if students study film history they’ve all heard of Cecil B. DeMille and they rarely hear of Jeanie MacPherson but on almost any movie he made that made money, she wrote it but she died young and he lived on another 30 years and he did an oral history and when they asked him about working with her he said she wasn’t a great writer. I kept her around because she needed a job but I did most of the work and that’s what goes down in the history books because she didn’t get to tell her side and so to me that’s the saddest part of this, is they disappeared and nobody – they didn’t even know they were going to disappear

Host: I think that will be familiar to a lot of people from a lot of different perspectives those types of those types of stories.

 

The Stephens College MFA in TV and Screenwriting is building a relationship with the Autry Museum of the American West since both organizations are devoted to bringing out more diverse and untold stories.  Last year we were able to take our cohort of graduating MFA candidates to the museum’s theatre for a showing of Michael Wilson’s Salt of the Earth and we had plans to present a film of our choice this year – but of course the pandemic changed all that.  Instead, Autry Curator Josh Garrett-Davis asked me if I would sit for an interview about female screenwriters in the western genre and so “When Women Wrote Westerns” came to be a part of their “What Is a Western? Interview Series”

I had a great time discussing so many wonderful women writers – from Jeanne MacPherson to D.C. Fontana to Edna Ferber to Emily Andras.  If you love westerns I suggest you watch Josh’s other interviews covering everything from the work of Native Americans in Western movies to films in the western-horror hybrid. — RMW Rosanne Signature for Web


What this entire presentation

As part of a series exploring the significance of the Western genre and the ways in which the movies shape our understanding of the American West, Autry Curator Josh Garrett-Davis interviews Professor Rosanne Welch about the women screenwriters of Hollywood and their contributions to the Western genre.

Find more information at the Autry Museum of the American West

13 Toshiko (Tosh) Sato from Why Torchwood Still Matters with Dr. Rosanne Welch, San Diego Who Con 2021 [Video]

I recently presented a talk on Torchwood (Why Torchwood Still Matters) where I highlighted a few ways in which the show (airing from 2006 to 2011) came up with progressive and innovative ideas that are being used by other franchises today. 

I always enjoy attending the SD (San Diego) WhoCon because the audiences are so well-informed on the Whoniverse and Whovians love Captain Jack and the crew that made this spinoff program so engaging.

RMW Rosanne Signature for Web

13 Toshiko (Tosh) Sato from Why Torchwood Still Matters with Dr. Rosanne Welch, San Diego Who Con 2021 [Video]

Transcript:

The person of color they ended up with and did keep of course was Toshiko and here they did good and they made a small mistake or they fell into a stereotype. Certainly, they made her a regular. She has a sex life. She falls in love with an alien. So we’re going to go into omnisexual stuff too. So we’re continuing the idea of the show but she also falls in love with Owen. So you know she also falls in love with a human but usually your person of color – largely when that person is of Asian descent – never has a sex life. Never has a home family. It’s like they don’t exist except to be in the workplace. So I would say that the stereotype they fell into was of course she is our computer expert. Happens a lot. We just ran into a yet another new series in the UK called Annika and it’s the story of a female cop and one of her assistants – one of the other cops –  is the actress who played Cho Chang in the Harry Potter series. Now she’s about 30 and she does computer stuff but she also works in the field. So we’ve seen her interrogate people. So they’ve moved beyond that stereotype. They started there and now we’ve seen them move beyond that. So I would say that’s maybe the one flaw with this character but they certainly gave her a three-dimensional life and that’s really all anybody’s asking for. If you’re going to include a character they shouldn’t just be there as window dressing. They should have a complete life right and that’s been an argument for a long time with people of color on different tv shows. They don’t go home to somebody. They’re just there hanging out with the white people helping them out and it’s kind of like no they have other people in their life. So Tosh had a sex life. She had love. She had desires and she went through on most of those. So I think she’s a pretty focused…

Audience: She got more action than Jack.

Rosanne: She did. She totally did which is you know that’s I think innovative.

Audience: That’s saying something.

Rosanne: Exactly.

Audience: Jack talks a good game.

Rosanne: Exactly

Watch this entire presentation

03 Unreliable Narrators from What Is a Western? Interview Series: When Women Wrote Westerns from the Autry Museum of the American West [Video]

03 Unreliable Narrators from What Is a Western? Interview Series: When Women Wrote Westerns from the Autry Museum of the American West [Video]

Transcript:

The question about why we forget women screenwriters is bothering us for a long time and one of the things we fall back on is this thing called unreliable narrators and it’s really sad to think that many of these early women writers – and there were more women writing films in the early silent days than there were men. It was a Wild West of a job and so we always let women in in the beginning. We did the same thing in aviation. Tons of female flyers. They’re doing all kinds of contests flying from here to Cleveland. I don’t know why Cleveland did it with hub right and all these contests and then when it becomes a business we say oh no no no this is now a place where men can make money. You ladies should leave and we essentially leave them behind. So, one whenever we became a business – both in aviation and in Hollywood – they took women who had been producers, they’d been directors, they’d written their own material and the guys running the studio suddenly said um here’s your new contract. You’re now a junior writer and you can work with this guy and they were like thank you I’ll go back to new york and I’ll write novels right. So that’s Anita Loos and “Gentlemen Prefer Blondes” and you know Francis Marion who’s probably the most famous early female screenwriter. They just started writing novels where they could again be in charge of the whole story. You know why should they be treated that way.

 

The Stephens College MFA in TV and Screenwriting is building a relationship with the Autry Museum of the American West since both organizations are devoted to bringing out more diverse and untold stories.  Last year we were able to take our cohort of graduating MFA candidates to the museum’s theatre for a showing of Michael Wilson’s Salt of the Earth and we had plans to present a film of our choice this year – but of course the pandemic changed all that.  Instead, Autry Curator Josh Garrett-Davis asked me if I would sit for an interview about female screenwriters in the western genre and so “When Women Wrote Westerns” came to be a part of their “What Is a Western? Interview Series”

I had a great time discussing so many wonderful women writers – from Jeanne MacPherson to D.C. Fontana to Edna Ferber to Emily Andras.  If you love westerns I suggest you watch Josh’s other interviews covering everything from the work of Native Americans in Western movies to films in the western-horror hybrid. — RMW Rosanne Signature for Web


What this entire presentation

As part of a series exploring the significance of the Western genre and the ways in which the movies shape our understanding of the American West, Autry Curator Josh Garrett-Davis interviews Professor Rosanne Welch about the women screenwriters of Hollywood and their contributions to the Western genre.

Find more information at the Autry Museum of the American West

12 Martha Jones from Why Torchwood Still Matters with Dr. Rosanne Welch, San Diego Who Con 2021 [Video]

I recently presented a talk on Torchwood (Why Torchwood Still Matters) where I highlighted a few ways in which the show (airing from 2006 to 2011) came up with progressive and innovative ideas that are being used by other franchises today. 

I always enjoy attending the SD (San Diego) WhoCon because the audiences are so well-informed on the Whoniverse and Whovians love Captain Jack and the crew that made this spinoff program so engaging.

RMW Rosanne Signature for Web

12 Martha Jones from Why Torchwood Still Matters with Dr. Rosanne Welch, San Diego Who Con 2021 [Video]

Transcript:

Now we come to Martha who belongs on this show but the actress had other ideas. Totally fine. You run your own career. You’re gonna go do that but again in terms of representation the idea all along was that she would have learned from her travels with The Doctor. Where are you gonna use skills like that? Where else? In Torchwood. So totally useful for her. So to have a woman and when I wrote about torchwood I realized i can’t call her African-American. They were like wait wait. I said what do you do they said she’s an English woman of African descent. So there you go or whatever descent a person happens to be in England. So think about how great and I think this would have been so cool if she was a regular on the show but okay she chose not to be but that was the plan and they did try to use her as a guest whenever they could and I think that’s a big deal. Again making sure that there was a person of color in the lead of that show.

Watch this entire presentation

02 Why Study Women Screenwriters from What Is a Western? Interview Series: When Women Wrote Westerns from the Autry Museum of the American West [Video]

02 Why Study Women Screenwriters from What Is a Western? Interview Series: When Women Wrote Westerns from the Autry Museum of the American West [Video]

Transcript:

Host: Our guest today is Rosanne Welch. She’s a former screenwriter and historian and a professor at the MFA program in Screenwriting and TV writing at Stephens College. She’s the editor of the book “When Women Wrote Hollywood” as well as the author of numerous other books that you can check out but welcome. Thanks for joining us today Rosanne.

Rosanne: Thanks for asking me. I love to talk about women screenwriters.

Host: That’s great yeah so we’re going to focus on a sub-topic within the book you edited When Women Wrote Westerns. How do we see the history of tv and film differently when we learn about these women screenwriters who are often forgotten and perhaps why were they forgotten in the first place.

Rosanne: The why is always sad to learn but we’re learning it in all of our history classes no matter what we teach in this country and we’re getting very good at that right? We’re learning that the people who told the stories were the winners and in fact, there were many many more stories that were left on the cutting room floor if you will. So having different people write – in this case, we’re discussing women – another gender looking at this perspective of the experience they had right? All those men didn’t come West by themselves. They generally brought women with them or met women here right because nobody wants to be alone for 20 years of their life right? So they have a different perspective of what happened and including them in the story makes the story richer because we need to understand who really were the founders of our country and who were the people who caused the trouble when they came out here right? If we’re colonizing an area that was already inhabited women were part of that too. So women have to take a shot about that and recognize that in their own privilege they came and thought this place belonged to them.

 

The Stephens College MFA in TV and Screenwriting is building a relationship with the Autry Museum of the American West since both organizations are devoted to bringing out more diverse and untold stories.  Last year we were able to take our cohort of graduating MFA candidates to the museum’s theatre for a showing of Michael Wilson’s Salt of the Earth and we had plans to present a film of our choice this year – but of course the pandemic changed all that.  Instead, Autry Curator Josh Garrett-Davis asked me if I would sit for an interview about female screenwriters in the western genre and so “When Women Wrote Westerns” came to be a part of their “What Is a Western? Interview Series”

I had a great time discussing so many wonderful women writers – from Jeanne MacPherson to D.C. Fontana to Edna Ferber to Emily Andras.  If you love westerns I suggest you watch Josh’s other interviews covering everything from the work of Native Americans in Western movies to films in the western-horror hybrid. — RMW Rosanne Signature for Web


What this entire presentation

As part of a series exploring the significance of the Western genre and the ways in which the movies shape our understanding of the American West, Autry Curator Josh Garrett-Davis interviews Professor Rosanne Welch about the women screenwriters of Hollywood and their contributions to the Western genre.

Find more information at the Autry Museum of the American West

01 Introduction from What Is a Western? Interview Series: When Women Wrote Westerns from the Autry Museum of the American West [Video]

01 Introduction from What Is a Western? Interview Series: When Women Wrote Westerns from the Autry Museum of the American West [Video]

 

Transcript:

It’s really sad to think that many of these early women writers – and there were more women writing films in the early silent days than there were men – it was a wild west of a job and so we always let women in the beginning and then when it becomes a business we say oh no no this is now a place where men can make money. You ladies should leave

VO: From the Autry museum located on Tongva homelands in Los Angeles California join us in asking “What is a western?

(Western Music)

 

The Stephens College MFA in TV and Screenwriting is building a relationship with the Autry Museum of the American West since both organizations are devoted to bringing out more diverse and untold stories.  Last year we were able to take our cohort of graduating MFA candidates to the museum’s theatre for a showing of Michael Wilson’s Salt of the Earth and we had plans to present a film of our choice this year – but of course the pandemic changed all that.  Instead, Autry Curator Josh Garrett-Davis asked me if I would sit for an interview about female screenwriters in the western genre and so “When Women Wrote Westerns” came to be a part of their “What Is a Western? Interview Series”

I had a great time discussing so many wonderful women writers – from Jeanne MacPherson to D.C. Fontana to Edna Ferber to Emily Andras.  If you love westerns I suggest you watch Josh’s other interviews covering everything from the work of Native Americans in Western movies to films in the western-horror hybrid. — RMW Rosanne Signature for Web


What this entire presentation

As part of a series exploring the significance of the Western genre and the ways in which the movies shape our understanding of the American West, Autry Curator Josh Garrett-Davis interviews Professor Rosanne Welch about the women screenwriters of Hollywood and their contributions to the Western genre.

Find more information at the Autry Museum of the American West

11 Equal Relationships from Why Torchwood Still Matters with Dr. Rosanne Welch, San Diego Who Con 2021 [Video]

I recently presented a talk on Torchwood (Why Torchwood Still Matters) where I highlighted a few ways in which the show (airing from 2006 to 2011) came up with progressive and innovative ideas that are being used by other franchises today. 

I always enjoy attending the SD (San Diego) WhoCon because the audiences are so well-informed on the Whoniverse and Whovians love Captain Jack and the crew that made this spinoff program so engaging.

RMW Rosanne Signature for Web

11 Equal Relationships from Why Torchwood Still Matters with Dr. Rosanne Welch, San Diego Who Con 2021 [Video]

Transcript:

If you think about it but he’s an equal partner. Again in children of earth this marvelous bit. They’re carrying these children away together. They’re saving them. He’s just as much a hero. He doesn’t have to have a job that defines him as a hero. He’s one in his heart right and so I think he’s a marvelous character that we don’t necessarily see again on American television. Still, when there are women who achieve a lot they aren’t partnered. We’re not seeing this kind of balanced marriage and I see it much more in UK shows and actually shows in Canada. We watch a lot of Canadian tv. One is the number one detective show in Canada is called Murdoch Mysteries and she’s a coroner and he’s a cop. It’s in like 1910 Toronto and they dated for a series of years and then they got married and in an American show like on Bones – I got married shows over. Show’s done. Nobody cares anymore right? Here they’ve been married for the last four or five seasons and they still both do their cool work and they have this equal relationship.

Watch this entire presentation

10 Gwen & Rhys from Why Torchwood Still Matters with Dr. Rosanne Welch, San Diego Who Con 2021 [Video]

I recently presented a talk on Torchwood (Why Torchwood Still Matters) where I highlighted a few ways in which the show (airing from 2006 to 2011) came up with progressive and innovative ideas that are being used by other franchises today. 

I always enjoy attending the SD (San Diego) WhoCon because the audiences are so well-informed on the Whoniverse and Whovians love Captain Jack and the crew that made this spinoff program so engaging.

RMW Rosanne Signature for Web

10 Gwen & Rhys from Why Torchwood Still Matters with Dr. Rosanne Welch, San Diego Who Con 2021 [Video]

Transcript:

What’s beautiful about Gwen right is that she’s beautiful but she’s powerful. She’s smart. We eventually get around the fact that she has a baby and she’s still gonna be as empowered and smart as she is and she’s gonna keep her job and because she has a family that will help that happen right? So we have actually not just that she’s powerful but she’s in a balanced marriage. She’s in a marriage with someone who’s her partner, not someone above her or below her right? They’re equals and they’re sharing in their business and finally, I’ve got a couple of friends like this. One’s a lawyer at a big law firm and she got partner and her husband didn’t at his firm so when they decided to have a baby it was like well who’s going to stay home? The lady who’s making all kinds of money or the guy who’s not. I think it’s the guy and he was totally cool with that because they’re making tons of money and he gets to be with the baby but we’re still looking at that like it’s an oddity when it needn’t be. It’s what’s best for this family right and this balanced family came to us in Torchwood. This idea that a man would be okay with his wife having this more exciting life.

Watch this entire presentation

09 Gwen Cooper from Why Torchwood Still Matters with Dr. Rosanne Welch, San Diego Who Con 2021 [Video]

I recently presented a talk on Torchwood (Why Torchwood Still Matters) where I highlighted a few ways in which the show (airing from 2006 to 2011) came up with progressive and innovative ideas that are being used by other franchises today. 

I always enjoy attending the SD (San Diego) WhoCon because the audiences are so well-informed on the Whoniverse and Whovians love Captain Jack and the crew that made this spinoff program so engaging.

RMW Rosanne Signature for Web

09 Gwen Cooper from Why Torchwood Still Matters with Dr. Rosanne Welch, San Diego Who Con 2021 [Video]

Transcript:

Of course, one of the reasons that I love Torchwood is Gwen Cooper, right, and this comes directly, again, from Russell. One of the quotes he gave me was your know, I never see good gay representation. I never see good African-American representation, but what really stinks is how badly women are represented on television and that’s an amazing thing for a guy to recognize, but that is, of course, who he is. He’s a writer. He’s an artist. He’s thinking about people as whole beings and it’s true, right? I mean that’s why there’s a show on American TV now called “Kevin Can Go F*** Himself.” They’ve taken – because, for years, as I’ve watched comedies, you know, sitcoms, when I was a kid you were always like why is that really useless man married to that really excellent woman? I don’t believe for 3 seconds that he’s forgotten their anniversary for 12 years in a row and she still puts up with it. Like why am learning that’s how I’m supposed to accept my mate. This is nonsense and that’s what that show is about now. She actually – you get two versions. You see the sitcom scenes and then see her alone in a scene where she’s planning to murder him because he deserves it. And you’re like Wow, Ok. So Russell recognized he wanted to bring forth a real;y interesting woman and you can’t necessarily see a million of those yet on TV. We still don’t see as many empowered women – in this case, Gwen Cooper.

Watch this entire presentation

08 Ianto Jones from Why Torchwood Still Matters with Dr. Rosanne Welch, San Diego Who Con 2021 [Video]

I recently presented a talk on Torchwood (Why Torchwood Still Matters) where I highlighted a few ways in which the show (airing from 2006 to 2011) came up with progressive and innovative ideas that are being used by other franchises today. 

I always enjoy attending the SD (San Diego) WhoCon because the audiences are so well-informed on the Whoniverse and Whovians love Captain Jack and the crew that made this spinoff program so engaging.

RMW Rosanne Signature for Web

08 Ianto Jones from Why Torchwood Still Matters with Dr. Rosanne Welch, San Diego Who Con 2021 [Video]

Transcript:

Now we know that eventually, they build into him being with Ianto which is so interesting because we start with Ianto has a girlfriend and she’s the cyber woman that he saved right which was – they – I in one of the things Russell said when he first offered the job the actor said Nah sounds like a boring character and they said in the third or fourth episode we’re going to find out you’ve been hiding your girlfriend and she’s a cyber woman and he was like oh I’ll do that show. I’m in for that right? So I think that’s so fun but of course so again Ianto, we find out is bisexual right? He starts with a girlfriend. That doesn’t work. Eventually, he and Jack come together. One of the things I learned on this trip to Cardiff for this event was – he is such a beloved character there is a monument to him and it there and it’s still there. It just – about six months ago John Barrowman visited it and was seen there and you just on his Instagram page but it literally and it was not – this is a later edition. This actual formalization of it. It started by individuals – people just putting up poetry in Ianto’s name. In honor of him right because he died in the universe. Amazing. This is the tv character, right? This is not a real human being but the story moved people so much that they just started coming here and dropping these things off and that’s why then the city has made it permanent and this is actually Roald Dahl Place. So that’s interesting too because it ties into all of the English you know the culture that we have fallen in love with if you will but I just think that’s amazing. I can’t name necessarily an American tv character that has had a permanent monument in their name. So that’s an amazing thing.

Watch this entire presentation