I recently presented a talk on Torchwood (Why Torchwood Still Matters) where I highlighted a few ways in which the show (airing from 2006 to 2011) came up with progressive and innovative ideas that are being used by other franchises today.
I always enjoy attending the SD (San Diego) WhoCon because the audiences are so well-informed on the Whoniverse and Whovians love Captain Jack and the crew that made this spinoff program so engaging.
Transcript:
…and then Owen was an interesting character. I mean he could be your bland white guy except he wasn’t a nice guy necessarily and they had to put up with him because of his talent and he had to learn and grow. So I think he was an interesting character. He’s not the most interesting of all of them. The fact that he had a relationship with Tosh says a little bit about him right? So it’s not the best character but he was you know i mean if he had to have a second white guy he was okay but here’s where i start thinking about the writing makes the show stand out.
It was great to be able to attend this year’s SD WhoCon in San Diego and present this lecture on “The Difficulties and Delicacies of Writing the First Female Doctor in 50+ years” in which I discuss how successful I think showrunner Christopher Chibnall was in making that transition.
It gave me a chance to talk about the creative work of a showrunner/screenwriter while also reconnecting to some friends we had met at this same convention some 3 years ago – and to talk about one of my favorite subjects – Doctor Who!
Transcript:
So costume is a huge and this is what a showrunner does. You sit with every single department and you decide and you get the final say. So of course you get the final hit if people don’t like what you decided but that’s your job to make decisions right and to be able to go this is why I did that and maybe I’ll change my mind if it isn’t as appealing as it could be. So costume is important but for me the most important thing that a writer brings, of course, is dialogue and he had to really think about how can this person talk like The Doctor but reference and accept the fact that you don’t look like all the previous Doctors and other people aren’t going to treat you immediately the same way they would treat a male walking into many of these situations and so that was to me a very delicate dance and I like this particular – you know very beginning right she’s like I lost my sonic screwdriver. I could build one. I’m good at building things probably and we’re all giggling right because The Doctor has to be funny but then there was this but but he she has to be competent. So you don’t want the woman to not be competent but any Doctor would have said that.
I recently presented a talk on Torchwood (Why Torchwood Still Matters) where I highlighted a few ways in which the show (airing from 2006 to 2011) came up with progressive and innovative ideas that are being used by other franchises today.
I always enjoy attending the SD (San Diego) WhoCon because the audiences are so well-informed on the Whoniverse and Whovians love Captain Jack and the crew that made this spinoff program so engaging.
Transcript:
The person of color they ended up with and did keep of course was Toshiko and here they did good and they made a small mistake or they fell into a stereotype. Certainly, they made her a regular. She has a sex life. She falls in love with an alien. So we’re going to go into omnisexual stuff too. So we’re continuing the idea of the show but she also falls in love with Owen. So you know she also falls in love with a human but usually your person of color – largely when that person is of Asian descent – never has a sex life. Never has a home family. It’s like they don’t exist except to be in the workplace. So I would say that the stereotype they fell into was of course she is our computer expert. Happens a lot. We just ran into a yet another new series in the UK called Annika and it’s the story of a female cop and one of her assistants – one of the other cops – is the actress who played Cho Chang in the Harry Potter series. Now she’s about 30 and she does computer stuff but she also works in the field. So we’ve seen her interrogate people. So they’ve moved beyond that stereotype. They started there and now we’ve seen them move beyond that. So I would say that’s maybe the one flaw with this character but they certainly gave her a three-dimensional life and that’s really all anybody’s asking for. If you’re going to include a character they shouldn’t just be there as window dressing. They should have a complete life right and that’s been an argument for a long time with people of color on different tv shows. They don’t go home to somebody. They’re just there hanging out with the white people helping them out and it’s kind of like no they have other people in their life. So Tosh had a sex life. She had love. She had desires and she went through on most of those. So I think she’s a pretty focused…
Audience: She got more action than Jack.
Rosanne: She did. She totally did which is you know that’s I think innovative.
It was great to be able to attend this year’s SD WhoCon in San Diego and present this lecture on “The Difficulties and Delicacies of Writing the First Female Doctor in 50+ years” in which I discuss how successful I think showrunner Christopher Chibnall was in making that transition.
It gave me a chance to talk about the creative work of a showrunner/screenwriter while also reconnecting to some friends we had met at this same convention some 3 years ago – and to talk about one of my favorite subjects – Doctor Who!
Transcript:
There were part partially were reflecting Tom’s scarf back in the day and partially we’re reflecting the rainbow right because again inclusion but in this sort of gentle historic to Who but also modern for now world and there’s also a lavender line in here which doesn’t show up in Tom’s scarf but is a reference to the Suffragettes because they were lavender sashes in the uk when they were marching. So it’s kind of a cool little thing they added. Yeah oh yeah, they gave it much thought and this is him in consultation with costumers. There is a great show on Netflix. What’s it called? Where they do where they interview it’s the Abstract one right? They interviewed the costume designer who got the Oscar for Black Panther. Yes, it’s an hour of her discussing the job of being a costume designer. It’s a show on Netflix called Abstract and they meet a different artist every week and her name escapes me right now but she got started on “Do the Right Thing” and she got the Oscar for designing the costumes for Black Panther and it’s a whole like she got started. She was an actress in college and she didn’t get cast in a play and they asked her if she would work on costumes and her grandmother had taught her to sew and so then she was like hey I really actually like this and she goes through the process of when I get a script I break it down. I look at all the characters. What their backstory is? I decide everything that they should look like. What the colors mean. All of that and then of course in consultation with the writer and the producer we go what do they like what don’t they like etcetera etcetera.
I recently presented a talk on Torchwood (Why Torchwood Still Matters) where I highlighted a few ways in which the show (airing from 2006 to 2011) came up with progressive and innovative ideas that are being used by other franchises today.
I always enjoy attending the SD (San Diego) WhoCon because the audiences are so well-informed on the Whoniverse and Whovians love Captain Jack and the crew that made this spinoff program so engaging.
Transcript:
Now we come to Martha who belongs on this show but the actress had other ideas. Totally fine. You run your own career. You’re gonna go do that but again in terms of representation the idea all along was that she would have learned from her travels with The Doctor. Where are you gonna use skills like that? Where else? In Torchwood. So totally useful for her. So to have a woman and when I wrote about torchwood I realized i can’t call her African-American. They were like wait wait. I said what do you do they said she’s an English woman of African descent. So there you go or whatever descent a person happens to be in England. So think about how great and I think this would have been so cool if she was a regular on the show but okay she chose not to be but that was the plan and they did try to use her as a guest whenever they could and I think that’s a big deal. Again making sure that there was a person of color in the lead of that show.
It was great to be able to attend this year’s SD WhoCon in San Diego and present this lecture on “The Difficulties and Delicacies of Writing the First Female Doctor in 50+ years” in which I discuss how successful I think showrunner Christopher Chibnall was in making that transition.
It gave me a chance to talk about the creative work of a showrunner/screenwriter while also reconnecting to some friends we had met at this same convention some 3 years ago – and to talk about one of my favorite subjects – Doctor Who!
Transcript:
So of course we have to talk about the costume a little bit. Of course, he decided on that hello. I know there was a lot of chit-chat about what is that? That’s not a great outfit. Here I am wearing it. I did like the one she was introduced in but all black is not good for lighting guys. It’s not exciting to look at on-screen for too long but see this is where I think he was smart. I’ve never noticed earlier doctors changing as much and I think whether he took cosplaying into consideration or whether he just wanted to make sure she had more things to do I really appreciate it because I’ve seen the welding cosplay at a couple of cons. I love the tuxedo and that she’s wearing the pants. I mean come on she’s not gonna wear a dress. She can’t run around and do important things and like save the world in a dress. So I think that they did some really interesting stuff and I like the way that he homages different people. Again Peter’s in here and you know Tom is in here. Every time you got to think about how’s this person going to look? What are they going to wear on a regular basis? So you know I think he did the best he could right there. Could I have designed something else? I don’t know.
I recently presented a talk on Torchwood (Why Torchwood Still Matters) where I highlighted a few ways in which the show (airing from 2006 to 2011) came up with progressive and innovative ideas that are being used by other franchises today.
I always enjoy attending the SD (San Diego) WhoCon because the audiences are so well-informed on the Whoniverse and Whovians love Captain Jack and the crew that made this spinoff program so engaging.
Transcript:
If you think about it but he’s an equal partner. Again in children of earth this marvelous bit. They’re carrying these children away together. They’re saving them. He’s just as much a hero. He doesn’t have to have a job that defines him as a hero. He’s one in his heart right and so I think he’s a marvelous character that we don’t necessarily see again on American television. Still, when there are women who achieve a lot they aren’t partnered. We’re not seeing this kind of balanced marriage and I see it much more in UK shows and actually shows in Canada. We watch a lot of Canadian tv. One is the number one detective show in Canada is called Murdoch Mysteries and she’s a coroner and he’s a cop. It’s in like 1910 Toronto and they dated for a series of years and then they got married and in an American show like on Bones – I got married shows over. Show’s done. Nobody cares anymore right? Here they’ve been married for the last four or five seasons and they still both do their cool work and they have this equal relationship.
It was great to be able to attend this year’s SD WhoCon in San Diego and present this lecture on “The Difficulties and Delicacies of Writing the First Female Doctor in 50+ years” in which I discuss how successful I think showrunner Christopher Chibnall was in making that transition.
It gave me a chance to talk about the creative work of a showrunner/screenwriter while also reconnecting to some friends we had met at this same convention some 3 years ago – and to talk about one of my favorite subjects – Doctor Who!
Transcript:
We even had a female Jadoon right? That’s like okay I forget – I mean they’re ugly elephant rhino characters right but there are females in there somewhere. No one ever mentioned that before. So he’s really thinking about it all the way and I’ve never forgot how cool it was – I had never heard of Noor Inayat Khan, right? I had never heard the story and now I know right? I know that there were women who were doing radio operations and all this stuff in World War II. I wouldn’t have known that except he decided to include her as an example of a female hero. So I think he’s really going wide to give us these stories and that impresses me.
I recently presented a talk on Torchwood (Why Torchwood Still Matters) where I highlighted a few ways in which the show (airing from 2006 to 2011) came up with progressive and innovative ideas that are being used by other franchises today.
I always enjoy attending the SD (San Diego) WhoCon because the audiences are so well-informed on the Whoniverse and Whovians love Captain Jack and the crew that made this spinoff program so engaging.
Transcript:
What’s beautiful about Gwen right is that she’s beautiful but she’s powerful. She’s smart. We eventually get around the fact that she has a baby and she’s still gonna be as empowered and smart as she is and she’s gonna keep her job and because she has a family that will help that happen right? So we have actually not just that she’s powerful but she’s in a balanced marriage. She’s in a marriage with someone who’s her partner, not someone above her or below her right? They’re equals and they’re sharing in their business and finally, I’ve got a couple of friends like this. One’s a lawyer at a big law firm and she got partner and her husband didn’t at his firm so when they decided to have a baby it was like well who’s going to stay home? The lady who’s making all kinds of money or the guy who’s not. I think it’s the guy and he was totally cool with that because they’re making tons of money and he gets to be with the baby but we’re still looking at that like it’s an oddity when it needn’t be. It’s what’s best for this family right and this balanced family came to us in Torchwood. This idea that a man would be okay with his wife having this more exciting life.
It was great to be able to attend this year’s SD WhoCon in San Diego and present this lecture on “The Difficulties and Delicacies of Writing the First Female Doctor in 50+ years” in which I discuss how successful I think showrunner Christopher Chibnall was in making that transition.
It gave me a chance to talk about the creative work of a showrunner/screenwriter while also reconnecting to some friends we had met at this same convention some 3 years ago – and to talk about one of my favorite subjects – Doctor Who!
Transcript:
Again he promised that all the stories would be more gendered in terms of more female-focused and so think about the people we met along the way all right. Obviously, they decided to do the Rosa story which I find interesting from an American perspective because here’s a large piece of American history we’re going to see how it is envisioned by another country right? I loved when they asked Ryan what do you know about her –– like she was a bus driver. Why should he –– like he doesn’t have to know that. We know that because we teach it to our kids more often in the same way that if we asked about certain kings I’m not sure which one did what/ Who signed the Magna Carta again? I don’t know. Do we teach that in the states as much as they you know… So it was a lovely moment to go the whole world isn’t America focused right? There’s a bigger world out there but again a great choice to do her as a character.