It was great to be able to attend this year’s SD WhoCon in San Diego and present this lecture on “The Difficulties and Delicacies of Writing the First Female Doctor in 50+ years” in which I discuss how successful I think showrunner Christopher Chibnall was in making that transition.
It gave me a chance to talk about the creative work of a showrunner/screenwriter while also reconnecting to some friends we had met at this same convention some 3 years ago – and to talk about one of my favorite subjects – Doctor Who!
My focus was on the delicate work showrunner/writer Chris Chibnall had to do in realizing this new Doctor so it’s called “She is Wise and Unafraid” Writing the First Female Doctor and a Diverse Universe for her to Protect.
I touch on the myriad decisions a showrunner makes in creating a character from costuming to sidekicks (called companions in the Whoniverse) to dialogue. I was excited to have been invited to contribute to this collection and proud to showcase the way screenwriters work.
I know academic books can be expensive but you can always ask your local or college library to order a copy for you to read!
Doctor Who – new dawn explores the latest cultural moment in this long-running BBC TV series: the casting of a female lead. Analysing showrunner Chris Chibnall and Jodie Whittaker’s era means considering contemporary Doctor Who as an inclusive, regendered brand. Featuring original interview material with cast members, this edited collection also includes an in-depth discussion with Segun Akinola, composer of the iconic theme tune’s current version. The book critically address the series’ representations of diversity, as well as fan responses to the thirteenth Doctor via the likes of memes, cosplay and even translation into Spanish as a grammatically gendered language. In addition, concluding essays look at how this moment of Who has been merchandised, especially via the ‘experience economy’, and how official/unofficial reactions to UK lockdown helped the show to further re-emphasise its public-service potential.
P.S. You can check out the trailer for Jodie’s upcoming 3rd season here:
For this year’s SRN (Screenwriting Research Network) conference – which had to be online due to the continuing pandemic – I presented a short discussion of the chapter I wrote for a new book an old favorite show – Doctor Who.
I cover the ways in which I believe executive producer/showrunner Chris Chibnall used the tools of his writing trade to create the first female Doctor in the show’s over 50-year history. Those included casting and costuming, dialogue and diversity. In my opinion, Chibnall made a promise to diversify the show on all levels (not just by changing the gender of the lead character) and by hiring a diverse slate of writers who created stories under his direction I believe he kept that promise.
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There are many exciting steps along the way to having a chapter you’ve written about a beloved television show accepted into a book collection.
First you see the Call for Submissions, have an idea and send in an abstract.
Then they tell you they like your idea and want to include it in their collection.
Then you write the chapter and they send back minimal notes.
Then (that’s today) they send you the artwork for the cover and you smile all over again knowing other fans of the show will be reading your ideas as they consider the importance of the show to our culture.
All those steps (except the cover page) happened recently on a couple of upcoming collections I’m contributing to but the other day this cover came along for Doctor Who: New Dawn: Essays on the Jodie Whitaker Era and I couldn’t be more excited that a show I originally watched on PBS back in Ohio and followed all these years then made their lead character a female and then I had the chance to write about how a writer could go about making such a culturally important change.
My essay is entitled ‘She is wise and unafraid’: writing the first female Doctor and a diverse universe for her to protect