This one allowed me to riff on some of my favorite female science fiction writers across time, whether they be novelists or television writers. It also opened up a good conversation on what art we support and include in our lives – and what that art says to us and about us. — Rosanne
Transcript:
Then we move up to Ursula Le Guin. Quite famous. Quite wonderful. Tons of books. I could have covered the whole page with her books. Really somebody and again Ursula definitely not a dude’s name right so I think we’re safe. They think “Hey now women can put their names on science fiction and we can really think about their stuff.” Lots are really interesting alien stuff. Lots of strong female characters and that’s what comes out in these women writers, right? and again that fear the boys won’t read them, but I think we think we’ve moved beyond that right because Wonder Woman made a lot of money. So maybe we’re in a good place but Ursula Le Guin definitely worth paying attention to.
* A portion of each sale from Amazon.com directly supports our blogs ** Many of these books may be available from your local library. Check it out!
Highlighting the articles in the latest edition of the Journal of Screenwriting, of which I am the Book Reviews Editor. Hopefully these abstracts will entice you to did a little deeper into the history and future of screenwriting. — Rosanne
‘Mind our mouths and beware our talk’: Stylometric analysis of character dialogue in The Darjeeling Limited Author: Warren Buckland
Abstract
Stylometry uses statistical reasoning to quantify the linguistic attributes of written texts. In this article I draw upon current developments in computer-based stylometric studies to quantify the language of screenplays. I take as my starting point John F. Burrows’s seminal stylometric study of dialogue in Jane Austen’s novels (Computation into Criticism [Burrows 1987]) to identify and quantify the linguistic habits of major screenplay characters, habits that constitute their distinctive voice. Analysis of the dialogue of the three Whitman brothers in The Darjeeling Limited (screenplay by Wes Anderson, Roman Coppola and Jason Schwartzman, dated 22 November 2006) will serve as a preliminary case study. I aim to use the work of Burrows as the starting point in establishing a new research programme within screenplay studies, one based on the stylometric analysis of the language of screenplays.
The Journal of Screenwriting is an international double-blind peer-reviewed journal that is published three times a year. The journal highlights current academic and professional thinking about the screenplay and intends to promote, stimulate and bring together current research and contemporary debates around the screenplay whilst encouraging groundbreaking research in an international arena. The journal is discursive, critical, rigorous and engages with issues in a dynamic and developing field, linking academic theory to screenwriting practice.
Whether big city or small-town USA, a show’s location can have a powerful impact. We are teaming up with Columbia College Chicago on this special evening to sit down with a panel of TV writers for a discussion about how writing location, whether real or fictional, sets the scene and can shape the motivations of the characters.
Panelists:
Ayanna Floyd – Writer, Executive Producer, The Chi
Anthony Sparks – Writer, Executive Producer, Queen Sugar
Stay tuned for more panelist announcements!
Moderated by Dr. Rosanne Welch.
Doors open at 7pm. Event starts at 7:30pm.
All events advertised on our Events page are open to anyone who wants to buy a ticket—not just WGA members!
In the case the event is sold out, we will have a first come, first serve stand-by line at the event. The stand-by line does not guarantee entry into the event and we will only accept credit card transactions for any released seats.
Proceeds benefit the Foundation’s library, archive and other outreach programs.
Wherever you go, you find Monkees fans and the Denver Popular Culture Con was no different. Amid rooms full of caped crusaders and cosplay creations, I was initially not sure how many folks would attend a talk on a TV show from the 1960s – but happily I was met by a nice, engaged audience for my talk on Why the Monkees Matter – and afterward they bought books! What more could an author ask for?
Transcript
So these folks changed I say the face of television. Before 1966 we’re having a lot of fairly — for small very white folks — but also very sort of middle-of-the-road. — Very gentle and there’s nothing wrong with that but it’s all one flavor. There’s not a whole lot of difference there right? If you’ll notice in the bottom corner, who do you think that is? Micky Dolenz was a TV star. People think they were nobodies coming to the show but Micky Dolenz had himself had a show for three years because his parents were performers right and they had a friend who said they’re doing this show called Circus Boy. Would your kid die his hair blonde to be in it? and his parents were like “Yeah that’s good. That’s his college fund right there.”
A hit television show about a fictitious rock band, The Monkees (1966-1968) earned two Emmys–Outstanding Comedy Series and Outstanding Directorial Acheivement in Comedy.
Capitalizing on the show’s success, the actual band formed by the actors, at their peak, sold more albums than The Beatles and The Rolling Stones combined, and set the stage for other musical TV characters from The Partridge Family to Hannah Montana. In the late 1980s, the Monkees began a series of reunion tours that continued into their 50th anniversary.
This book tells the story of The Monkees and how the show changed television, introducing a new generation to the fourth-wall-breaking slapstick created by Laurel and Hardy and the Marx Brothers.
Its creators contributed to the innovative film and television of 1970s with projects like Bob & Carol & Ted & Alice, The Mary Tyler Moore Show, Laugh-In and Welcome Back, Kotter. Immense profits from the show, its music and its merchandising funded the producers’ move into films such as Head, Easy Riderand Five Easy Pieces.
Ida May Park began and ended her life and career in Los Angeles, California, credited as a writer of approximately five hundred scenarios and fifty features, having had a successful career as a director with fourteen films under her belt. Unfortunately, as a woman of early Hollywood, she falls into a category of women who were notable enough to have some of their work survive and be remembered, but not notable enough for many history books or archives to chronicle her career.
* A portion of each sale from Amazon.com directly supports our blogs
** Many of these books may be available from your local library. Check it out!
† Available from the LA Public Library
Based on the film he also wrote – The Prince of Egypt – the play is headed for a West End premiere early next year with plans to move to Broadway after that run.
This one allowed me to riff on some of my favorite female science fiction writers across time, whether they be novelists or television writers. It also opened up a good conversation on what art we support and include in our lives – and what that art says to us and about us. — Rosanne
Transcript:
…On a book that for years and years Hollywood wasn’t making into a movie because it starred a little girl and they really didn’t think enough people would pay money to see the story of a little girl having this wild crazy adventure. Even though Alice in Wonderland has been around a long time okay. So it’s interesting. We really we sort of censor before we even put things out into the audience for them to really tell us what they’re gonna watch right? So we have to think about that.
* A portion of each sale from Amazon.com directly supports our blogs ** Many of these books may be available from your local library. Check it out!