When you watch the credits of your favorite television shows go by, do you know the difference between a Staff Writer, a Story Editor, or a Supervising Producer?
If not, we wish you could’ve been with us on our first full day of the Stephens College MFA in TV and Screenwriting workshop with the Class of 2021. Valerie Woods, mentor and Co-Executive Producer of Queen Sugar, gave a talk explaining exactly that.
Wow – these pictures show my first lecture with our first Stephens MFA cohort – who all became contributors to our first book!
Wonderful memories and a wonderful foundation on which to build the program as tonight we welcome the 5th cohort – the MFA candidates of the Class of 2021! — Rosanne
This is a rare piece of memorabilia gifted to me from a friend in the music business. It was the promo material Rhino sent out for the 30th anniversary of The Monkees – a disc wrapped in this guitar-shaped logo package. — Rosanne
A hit television show about a fictitious rock band, The Monkees (1966-1968) earned two Emmys–Outstanding Comedy Series and Outstanding Directorial Achievement in Comedy.
Capitalizing on the show’s success, the actual band formed by the actors, at their peak, sold more albums than The Beatles and The Rolling Stones combined, and set the stage for other musical TV characters from The Partridge Family to Hannah Montana. In the late 1980s, the Monkees began a series of reunion tours that continued into their 50th anniversary.
This book tells the story of The Monkees and how the show changed television, introducing a new generation to the fourth-wall-breaking slapstick created by Laurel and Hardy and the Marx Brothers.
Its creators contributed to the innovative film and television of 1970s with projects like Bob & Carol & Ted & Alice, The Mary Tyler Moore Show, Laugh-In and Welcome Back, Kotter. Immense profits from the show, its music and its merchandising funded the producers’ move into films such as Head, Easy Riderand Five Easy Pieces.
My Second-year MFA candidate Randi Barros and I spent the morning on set at the Manhattan Beach Studios watching a filmed table read of Barros’ script “Springtime in September.” A winner of this year’s ‘She Called Action’ 35 Pilot Table Read Contest, the script concerns a suddenly single mother dealing with dating in the new era.
This “She Called Action” event was created by Cheryl Rodes of the women-owned production company Rodes Unpaved, dedicated to putting women as the heroes of the story.
KPFK’s Andrew Tonkovitch interviewed Paperback L.A. Editor Susan La Tempa for Bibliocracy Radio last weekend and they had nice things to say about how fun my piece on the writers of The Monkees and how much he had misunderstood the band until he read my article.
They discuss the whole anthology in this interview, and touch on The Monkees around the 20:20 mark.
Host Andrew Tonkovitch interviews editor Susan LaTempa, June 16, 2019 about the Paperback L.A. Book 3, A Casual Anthology: Secrets. SigAlerts. Ravines. Records.
He says, “This one is titled, joyfully, ‘Secrets, Sigalerts, Ravines, Records.’ Once again, this compendium-meets-literary/artistic collage includes both new discoveries and reminders, with a multi-media collection including fiction, nonfiction, photography, lists– a free-form provocation which, after reading, will inspire readers to pursue recommended or featured writers, topics, historical moments, artists and places. It’s a little hard to describe but you will know it — and love it! — when you see it.”
Editor Susan La Tempa hosted all the local contributors at the event space in the Helms Bakery district, which gave us a chance to check out that lovely landmark. Then I had the chance to meet Lisa See – author of On Gold Mountain, which tells the story of 4 generations of her Chinese-American family living in Los Angeles and running a factory, an antique shop and a restaurant popular with the Hollywood crowd of the 1930s and 40s. We had first heard of her book when Doug and I were docents at the Autry Western Heritage Museum in Griffith Park and they had a whole exhibit dedicated to telling the story of the book (which it turns out Lisa curated!) It was so popular an exhibit that it hung around long enough for Joseph to be born and to become old enough to play in the little mini restaurant they set up with pots and plates and menus. So it was wonderful to hear Lisa read an excerpt from the book and then to talk to her during the book signing segment of the afternoon.
I was also deeply impressed by the way Susan opened the event with a native Tongva greeting – something I had only seen done at the public events we attended in New Zealand where everyone began events with the traditional Maori greeting where you introduce yourself in terms of what is your mountain, your river, and your ancestry. Beautiful! So hearing it in Los Angeles was a lovely idea we all ought to emulate.
Then the super cool thing was that several friends made the trip down to Culver City – thanks Duke and Dena Jackels and Dan and Liz Forer – and Euphemia – for coming to the reading, and for buying books!
The Write Or Die Chicks, founded by 3 of my former MFA alums from Cal State Fullerton (Deanna Gomez, Mercedes Milner, and Angela Thomas) were kind enough recently to name me on their Writer Crush Wednesday post which made my day.
After their graduation a year ago May, they came out of the dust of the classroom (CP 126) where they spent so much time for two years ready to take over the town with their writing and their energy.
wish them all the luck they’ll need (because they already have all the talent required). Starting such a writers group is always a great way to continue creating new material with caring collaborators.
Dr. Rosanne Welch, PhD is this week’s #WriterCrushWednesday We thank her for being an inspiring and influential Screenwriter, Author, Professor and Mentor from her work on #TouchedByAnAngel to her lectures at CSUF and every publication in between.
Now that the heat wave has passed — for now — I took to my outdoors “desk” to work my on Fact Checking Hollywood book coming next year.
My schedule seems to include at least one book a year, along with several articles, so taking some sustained, dedicated time to write is always good — especially when it so nice outdoors!
* A portion of each sale from Amazon.com directly supports our blogs ** Many of these books may be available from your local library. Check it out! † Available from the LA Public Library
Editor/Writer Dr. Rosanne Welch and a few of her fellow writers ((l-r) Sydney Haven, Mikayla Daniels, Kelley Zinge and Amy Banks) discusses the women in her new book “When Women Wrote Hollywood” which covers female screenwriters from the Silents through the early 1940s when women wrote over 50% of films and Frances Marion was the highest paid screenwriter (male or female) and the first to win 2 Oscars. Yet, she fails to appear in film history books, which continue to regurgitate the myth that male directors did it all – even though it’s been proven that the only profitable movies Cecil B. de Mille ever directed were all written by Jeannie Macpherson film ever won for Best Picture was written by Robert E. Sherwood (who people have heard of, mostly due to his connection to Dorothy Parker) and Joan Harrison.
* A portion of each sale from Amazon.com directly supports our blogs ** Many of these books may be available from your local library. Check it out! † Available from the LA Public Library