The Civil War On Film – 16 in a series – As a producer interested in maximizing his profits, Selznick worked hard to head off any possible protest.

The Civil War On Film - 16 in a series - As a producer interested in maximizing his profits, Selznick worked hard to head off any possible protest.

As a producer interested in maximizing his profits, Selznick worked hard to head off any possible protest. The NAACP took issue with the use of the n-word in the book, so the script used the word “freedmen” instead. Selznick also conceded to veterans of the Union army. In the book, Scarlett shoots one of Sherman’s soldiers after he menaces her with rape. In the film the soldier becomes a deserter who was going against Sherman’s orders to not harm citizens on the March to the Sea.

Movies profiled in this book:

A Woman Wrote That – 12 in a series – Private Benjamin (1980) by Nancy Meyers

This new “A Woman Wrote That” post is an echo of the Writers Guild campaign of a few years ago (“A Writer Wrote That”) where they noted famous movie quotes and credited the screenwriter rather than the director.  The difference here being that we will be posting lines from films written by female screenwriters.  Feel free to share! — Rosanne

A Woman Wrote That - 12 in a series - Private Benjamin (1980) by Nancy Meyers

JUDY

Look at this place. The army couldn’t afford drapes?

Dr. Rosanne Welch Speaks On “An Introduction to the Women of Early TV: There are More Women than Lucy to Love“ for the American Women Writers National Museum [Virtual via Zoom]

I’m thrilled to have been asked to make a presentation for the American Women Writers National Museum (AWWNM) on the topic of “An Introduction to the Women of Early TV: There are More Women than Lucy to Love“.  I’ll be discussing the groundbreaking work of women from Gertrude Berg (one of the first women to create, write, produce and star in a long-running hit — The Goldbergs) to D.C. Fontana (Star Trek).    — RMW Rosanne Signature for Web


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RSVP Today! 
Email AWWNM1@gmail.com

Wed Feb 10, 2021 noon-12:45 EDT

“An Introduction to the Women of Early TV: There are More Women than Lucy to Love“

Sponsored by: American Women Writers National Museum

Time & Place: noon-12:45 p.m. EDT / 9 AM PDT via Zoom

All AWWNM programs are now via Zoom until further notice. Invitations are sent via email to AWWNM’s mailing list. RSVPS are REQUIRED in order to receive a link to a specific program. If you would like an invitation, email request to AWWNM1@gmail.com.

Dr. Rosanne Welch, Executive Director of the Stephens College MFA in TV and Screenwriting, Author, Historian and Book Reviews editor of the Journal of Screenwriting will profile pioneer women who created, produced and worked on many of America’s most wildly popular early TV Programs. 

“My goal is to rescue these talented women from historical oblivion”, she said.

Some of the women writers she will discuss are:

  • Lucille Ball (1911-1989) of “I Love Lucy” fame, who also ran Desilu production company and greenlighted the blockbuster Star Trek productions.
  • Treva Silverman (1936- ) winner of two Emmy awards for the brilliant comedy The Mary Tyler Moore Show.
  • D.C. Fontana (Dorothy Catherine) Fontana (1939-2019) a story editor of Star Trek
  • Leigh Brackett (1915-1878) known as “Queen of the Space Opera” who wrote on or worked on timeless films: The Big Sleep (1946), Rio Bravo (1959), The Long Goodbye (1973) and The Empire Strike Back (1980).
  • Peg Lynch (1915-2015) She wrote about 11,000 scripts for radio and TV

New Book by IGE Lecturers Critique the Civil War in Films via PolyCentric [News]

New Book by IGE Lecturers Critique the Civil War in Films via PolyCentric [News]

Recently my co-author Peg Lamphier and I sat for an interview about our Civil War on Film book to discuss the American film industry’s depiction of the American Civil War and the mythologies and ideologies surrounding the experience of that war. 

We completely destroy any idea that there is something noble and admirable about the Confederacy. There is not. They fought to preserve human bondage. That should be morally revolting to all twenty-first century Americans and the fact that it is not is a testament to how far we still have to go to heal the wounds of our nation’s history of slavery.

Suddenly, the book seems even more timely than when we began writing it 2 years ago. — Rosanne


New Book by IGE Lecturers Critique the Civil War in Films 

For their third book project, lecturers Peg Lamphier and Roseanne Welch, in the Department of Interdisciplinary General Education, decided to write a book examining the American film industry’s depiction of the American Civil War. In their book, “The Civil War on Film,” the authors contend that American films are filled with mythologies and ideologies surrounding the experience of the war and further research is required to uncover the full, real history.

New Book by IGE Lecturers Critique the Civil War in Films via PolyCentric [News]

Peg Lamphier and Roseanne Welch, lecturers in the Department of Interdisciplinary General Education, team up on their third book, which examines the American film industry’s depiction of the American Civil War.

According to the authors, the Civil War, which occurred from 1861-1865, is contested ground both among historians and the general public. They argue that most are clear about the anti-slavery aims of the war, as well as the fundamentally treasonous nature of succession, but neo-Confederates cast the war in terms favorable to their white supremacist agenda.

In a joint statement, Lamphier and Welch wrote, “Our book is entirely unsympathetic to the Neo-Con/Lost Cause agenda and so we’re engaged in a vigorous refutation of a number of pro-Confederate myths that serve to hamper racial equality in modern America. We hope readers will better understand the nature of the war and the troubled way it’s been filmed as they work through our book. We also hope it shows readers that films always engage in a bit of fictionalization in order to heighten the drama.”

Read this entire article

Other Welch/Lamphier Books

07 The Monkees Writers Room from There And Back Again: Writing and Developing for American TV [Video] (44 seconds)

07 The Monkees Writers Room from There And Back Again: Writing and Developing for American TV [Video] (44 seconds)

Thanks to the gracious invitation from my Screenwriting Research Network colleague Paolo Russo – and a grant he was able to procure (and in the before-Covid time) I was able to spend a week at Oxford Brookes University working with the screenwriting masters students in Paolo’s course. At the culmination of the week, I gave this lecture on how writers rooms worked in the States.

Transcript:

Neil Simon actually wrote about writing for Sid Caesar in a play and that was all about glorifying what happened in the writer’s room. So it’s really a fun kind of play if you see it. I did some work on this tv show which is from the 60s. It’s also all on YouTube if you care to see it. It was a comedy about four guys who ran a rock and roll band. They’re literally still around and still touring. They’re in New Zealand right now. That’s how long-lasting the effect of the show was but these folks were all the writers of it including Treva Silverman — the woman up in the corner. She was the first woman to write alone on a series without a male partner — a husband or a guy who happened to work with her. That’s a big move. It seems ridiculous but that was a big moment in TV history.

Watch this entire presentation

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* A portion of each sale from Amazon.com directly supports our blogs
** Many of these books may be available from your local library. Check it out!
† Available from the LA Public Library

“A Man Of Action Saving Liberty: A Novel Based On The Life Of Giuseppe Garibaldi” – 20 in a series

There were four thousand Italian families in Montevideo at the time. When the city was put under siege Giuseppe put together a force of Italians to help defend the city. The fame the newspapers generated brought hundreds of those Italians to join Giuseppe’s forces with a two-fold promise: they would fight for freedom for Uruguay and use this fight as a training ground so they could all return to Italy and unite their own beloved country.

Get your copy of A Man Of Action Saving Liberty Today!

The Civil War On Film – 15 in a series – “…a Civilization gone with the wind.”

The Civil War On Film - 15  in a series -

Then the scrolling text promises the audience a story about “a land of Cavaliers and Cotton Fields called the Old South. Here in this pretty world, Gallantry took its last bow. Here was the last ever to be seen of Knights and their Ladies Fair, of Master and of Slave. Look for it only in books, for it is no more than a dream remembered, a Civilization gone with the wind.”

Movies profiled in this book:

A Woman Wrote That – 11 in a series – Sleepless in Seattle (1993)

This new “A Woman Wrote That” post is an echo of the Writers Guild campaign of a few years ago (“A Writer Wrote That”) where they noted famous movie quotes and credited the screenwriter rather than the director.  The difference here being that we will be posting lines from films written by female screenwriters.  Feel free to share! — Rosanne

A Woman Wrote That - 11 in a series - Sleepless in Seattle (1993)

ANNIE

You make a million decisions that mean nothing, and then one day you order take-out and it changes your life.

06 Inside The Writers Room from There And Back Again: Writing and Developing for American TV [Video] (43 seconds)

06 Inside The Writers Room from There And Back Again: Writing and Developing for American TV

Thanks to the gracious invitation from my Screenwriting Research Network colleague Paolo Russo – and a grant he was able to procure (and in the before-Covid time) I was able to spend a week at Oxford Brookes University working with the screenwriting masters students in Paolo’s course. At the culmination of the week, I gave this lecture on how writers rooms worked in the States.

Transcript:

What happens with writers rooms because this is the place where work gets done. Where stories get told, created, honed, in a particular way. The very beginning, this is what everybody thought. This is a writer’s room because comedies did use them. Comedians, we’re used to having three or four guys — generally, always guys — who travel with them and help them make funnier jokes. In America that was best seen in the Dick Van Dyke Show which you can see on youtube in a million different ways and Sally Rogers was the only woman anybody ever saw who wrote television which was kind of shocking but many women who came later defined her as a role model because that told them they could get in a room someday right? If they found the right kind of guys who would let them in.

Watch this entire presentation

Subscribe to Rosanne’s Channel and receive notice of each new video!

 


* A portion of each sale from Amazon.com directly supports our blogs
** Many of these books may be available from your local library. Check it out!
† Available from the LA Public Library

“A Man Of Action Saving Liberty: A Novel Based On The Life Of Giuseppe Garibaldi” – 19 in a series

Once again, those in need of military leadership came to Giuseppe to ask for aid, but this time many of those who were volunteering to help Uruguay were from its Italian immigrant population and most shared Giuseppe’s future goal, making the appeal ever more difficult to ignore.

Get your copy of A Man Of Action Saving Liberty Today!