Writers Guild Foundation – @wgfoundation
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Dr. Rosanne Welch speaks with writer-producer Dayna Lynne North via Instagram
Dr. Rosanne Welch speaks with writer-producer Dayna Lynne North (ANY DAY NOW, VERONICA MARS, LINCOLN HEIGHTS,
INSECURE) before their panel “Between the Sheets” at the Writers Guild.
Writers Guild Foundation – @wgfoundation
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Nicholas Nicky Laskin, Current MFA candidate in the Stephens College MFA in TV and Screenwriting Program, is a frequent contributor to The Playlist
Nicholas Nicky Laskin, Current MFA candidate in the Stephens College MFA in TV and Screenwriting Program is a frequent contributor to The Playlist (a leading film and television website, offering smart yet accessible news, analysis, critical takes and more for the film community at large, founded in 2007 by Rodrigo Perez).
Read Nick’s Top 10 Films of 2019 as you contemplate what to catch up on over the holidays.
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At The Stephens College MFA in TV and Screenwriting Winter Workshop via Instagram
At The Stephens College MFA in TV and Screenwriting Winter Workshop
Students of the Stephens College MFA in TV and Screenwriting (Stephens.edu/mfa) work in small groups creating genre mashup scenes under the direction of visiting professor, Jule Selbo, PhD, author of Film Genre for the Screenwriter.
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From The “When Women Wrote Hollywood” Archives 09: “Eve Unsell in New York.” Film Daily 6 August 1936
Months of research went into the creation of the essays in “When Women Wrote Hollywood.” Here are some of the resources used to enlighten today’s film lovers to the female pioneers who helped create it.
From The “When Women Wrote Hollywood Archives 09: “Eve Unsell in New York.” Film Daily 6 August 1936
Read “Eve Unsell in New York.” Film Daily 6 August 1936
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At The Stephens College MFA in Screenwriting and TV Winter Workshop via Instagram
At The Stephens College MFA in Screenwriting and TV Winter Workshop
Guest Speaker, Pavel Jech, myself, and the entire MFA class of 2020 in the Chaplin Screening Room at the Jim Henson Studios — where we host the workshops twice each year.
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33 Princess Leia from The Sisterhood of Science Fiction – Dr. Rosanne Welch [Video] (56 seconds)
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This one allowed me to riff on some of my favorite female science fiction writers across time, whether they be novelists or television writers. It also opened up a good conversation on what art we support and include in our lives – and what that art says to us and about us. — Rosanne
Transcript:
Now of course, post Star Trek, the next big star science fiction thing that’s going to happen is Star Wars. We all know that and so it’s interesting because now sometimes people go oh Princess Leia sort of sat there and waited to be rescued. Ehhh… it was a big deal back in the day that she fought her way out right? She grabbed the blaster and they jumped in the garbage chute and all those things. She was considered a much more active princess. She’s not as active as we want people to be today but she’s like a bridge between where they didn’t do anything and where they do everything but I think it’s an important thing to pay attention to. She writes a lot about that in her last book before Carrie Fisher died, The Princess Diarist. She writes about the experience of filming that. What I don’t like is that we sort of when you look up pictures of Princess Leia and you think power it’s because she’s always got that blaster in her hand. So we’re still equating power with the male concept of a weapon as opposed to the interior power that you bring.
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Recording the Mentoris Podcast via Instagram
Recording the Mentoris Podcast
Author Eric D. Martin and Host Rosanne Welch share a laugh while recording the podcast for his book, Saving the Republic: A Novel Based on the Life of Marcus Cicero at ReadyMixMusic @readymixmusic in North Hollywood, California.
Mentoris Project Podcast: Saving the Republic: A Novel Based on the Life of Marcus Cicero with Author, Eric D. Martin
Read Saving the Republic: A Novel Based on the Life of Marcus Cicero by Eric Martin
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A boy, weak of body, became a pillar of strength.
As the first century approached, a sickly boy was born while the Roman Republic was nearing its ultimate demise. The boy’s life and the country both hung in the balance.
But the strong and determined young man grew to be the Republic’s fiercest defender. With his dogged determination and towering intellect, Marcus Tullius Cicero became a famed statesman, celebrated orator, and an esteemed philosopher.
Surviving civil wars, political intrigues, and assassination attempts, Cicero pushed against the grain, standing steadfastly in support of the Republic, even when it threatened his career—or his life.
About the Author
Eric D. Martin is a novelist and screenwriter. He has a BA in film studies from the University of California, Santa Barbara, and an MFA in screen and television writing from Pepperdine University. While studying at Pepperdine, Martin served as president of the student film society, Courier 12, and was a semifinalist for the Academy of Arts and Sciences Nicholl Fellowship. Recently, Martin adapted the novel The Liar’s Chair for the screen and wrote the popular Lifetime thriller, The Other Mother. Currently, he is writing for the premium cable television drama Heels and for Starz, and developing the TV comedy King Elizabeth.
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From The Journal Of Screenwriting V10 Issue 1: More therapy with Dr Melfi (the character who guides viewer engagement with Tony Soprano): Relationship arcs in serial antihero narratives by Fernando Canet
Highlighting the articles in the past editions of the Journal of Screenwriting, of which I am the Book Reviews Editor. Hopefully these abstracts will entice you to did a little deeper into the history and future of screenwriting. — Rosanne
Antihero narratives constitute a common thread in the current boom of TV fiction. The Sopranos (HBO, 1999–2007) could be considered an early example of this tendency. The antihero is a complex character who demands equally complex responses from viewers. The title of this article is an allusion to Rob White’s article, ‘No more therapy’, in which White explores Dr Jennifer Melfi’s role as a narrative mechanism used to undermine viewer sympathy for Tony Soprano at the end of the series. Here I seek to explore this role further since Dr Melfi’s responses to Tony’s actions serve as a narrative strategy used by The Sopranos writers to guide viewer responses in their relationship with Tony Soprano, a pioneer example of the antihero figure. In doing so, it is my purpose to demonstrate the relevance in antihero TV series of the evolution not only of the antihero themselves but also of their relationship with other major characters over the course of the series. I call this evolution, through which the creators develop the transformational arcs of the two characters concerned: the ‘relationship arc’.
The Journal of Screenwriting is an international double-blind peer-reviewed journal that is published three times a year. The journal highlights current academic and professional thinking about the screenplay and intends to promote, stimulate and bring together current research and contemporary debates around the screenplay whilst encouraging groundbreaking research in an international arena. The journal is discursive, critical, rigorous and engages with issues in a dynamic and developing field, linking academic theory to screenwriting practice.
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