Save 35% on McFarland Books – One of My Publishers is offering a 35% Discount on Their Catalog This Week!

Save 35% on McFarland Books – One of My Publishers is offering a 35% Discount on Their Catalog This Week!

Along with your other holiday shopping over this Thanksgiving weekend, I’m happy to pass along this lovely discount from McFarland Publishing, the fine folks who published two of my favorite books:

Why The Monkees Matter: Teenagers, Television and American Pop Culture

AND

When Women Wrote Hollywood: Essays on Female Screenwriters in the Early Film Industry

Direct from the McFarland site, From now through December 2, they are offering a full 35% off ALL of their titles with coupon code HOLIDAY24 at checkout.

See the entire McFarland Catalog

You can buy one of my books — or any other cool pop culture book you find — for yourself or anyone else on your gift list this year. 

Happy Holidays!

Opportunities and Adventures in Scholarly Publishing with Dr. Rosanne Welch and Dr. Kristine Ashton Gunnell, Claremont, CA, February 22, 2024 [Video]

Here’s the video of the presentation that my friend Kristine Gunnell and I recently made to the current History and English masters at the Claremont Graduate University campus where we both earned our Ph.D.

Opportunities and Adventures in Scholarly Publishing.

Surrounded by our most recent publications we discussed “Opportunities and Adventures in Scholarly Publishing”. I shared ideas for gaining your first academic credits – from doing book reviews in journals to writing entries for encyclopedias to submitting essays or chapters to anthologies and discussed creating working relationships with editors. Kristine went in-depth into working in archives when researching and writing books on very specific subjects and how to find connections in the lives of other women whose lives you are bringing to the attention of modern readers.

 

Book Talk: Opportunities and Adventures in Scholarly Publishing with Dr. Rosanne Welch and Dr. Kristine Ashton Gunnell, Claremont, CA, February 22, 2024

If you live in the Claremont area stop in at the IAC on the Claremont campus for a Book Talk about “Opportunities and Adventures in Scholarly Publishing” on Thursday, February 22nd from 4-5:30. Free and Open to the Public.

Book Talk: Opportunities and Adventures in Scholarly Publishing with Dr. rosanne Welch and 0r. Kristine Ashton Gunnell, Claremont, CA, February 22, 2024

Anita Loos: An Introduction with Dr. Rosanne Welch, Stephens College MFA in TV and Screenwriting and the Retroformat Silent Film Society [Video]

Anita Loos: An Introduction with Dr. Rosanne Welch, Stephens College MFA in TV and Screenwriting and the Retroformat Silent Film Society [Video]

During each of our Stephens College MFA in TV and Screenwriting we take our MFA candidates on field trips around Los Angeles and this January that included the screening of a silent movie – “The Social Secretary” – hosted at the Historic Women’s Club of Hollywood with a full audience. Many attendees had never watched a film shown from a projector, much less a silent film on such a large screen with live piano accompaniment. The MFA co-sponsored the event with the , a group dedicated to promoting education and enthusiasm about the art of silent film.

I was happy to be asked to deliver this introduction to the work of screenwriter and novelist Anita Loos whose work bridged the worlds of silents – where she was instrumental in creating the swashbuckling character for Douglas Fairbanks – to talkies and screenplays to novels to Broadway plays. Her Gentlemen Prefer Blondes remains a classic, never having gone out of print, and it led to several film versions including the famous one starring Marilyn Monroe. Her book for Gigi helped give the play a successful transition to the well-known film that showcased Leslie Caron.

If you don’t know much about this prolific woman writer, check out my introduction and then go watch some of her films, many of which are on YouTube. Yet the experience of seeing it on the big screen became one of this Workshop’s most appreciated events.

RMW Rosanne Signature for Web

 

Transcript:

…Rosanne Welch. [Applause]

Hello everybody. I am Dr. Rosanne Welch. I run the Stevens College MFA and TV and Screenwriting where we study film with a female gaze.

So we study Anita Loos and so I’m gonna –– we’re here for an hour and a half lecture right?

Very quickly, I just want to make sure people who are here know what we’re talking about. First of all, what we do in our program is we teach the history of screenwriting because in most places they teach you the history of film and that tends to be the history of directors which becomes the history of Great Men. While we love men, women founded Hollywood and need to be remembered.

So I was really pleased when Tom said I have the Anita Loos print and I was like, oh yeah Anita Loos. We study her. We love her and it would be lovely to see it with real live accompaniment. 

[Applause]

I’m gonna say a very quick things about Anita. I want people who don’t know her to know these things. First of all, we have to remember her as the first person to put wit in her title cards and today when someone writes a television or film script, in their action lines they use that technique. They use their own voice. They say funny things. They don’t just say the door opens right? They are still doing something essentially we learn from Anita. So I think that is a reason that she should stay with us. I think it’s also important to remember her as a star maker. She’s the reason you know who Douglas Fairbanks is. He was just the stumblebum actor until she made him a swashbuckler and then he became the Douglas Fairbanks –– the founder of the Academy right? She also –– I’m sure many of you can think about Carol Channing and Diamonds Are a Girl’s Best Friend. Talk about a character that lived forever in that actress. So I think that’s brilliant for Anita. She was also known for her diligent work ethic. The woman got up at five o’clock and wrote until two or three in the afternoon and then dealt with business ––  that and she would tell people she didn’t work very hard. It wasn’t very hard at all. Think about that. So I think that’s really beautiful. I think it’s important to think about all the literary friends she had. She was friends with Theodore Dreiser , and H.L. Mencken –  these are major names of their day. Interestingly enough her name is still a little more famous than theirs are. So there’s something about her work. Though people made fun of films and film writing clearly she survived where some of their stuff isn’t read that much anymore and also she was a brilliant friend to other women in the business and we know that that’s how everyone who moves up in the world by taking the next person below you and bringing them up right? So she was friends with the young Ruth Gordon. Y’all don’t remember when she was young but she was and Anita was someone who helped her move forward in the business. She was best friends with Helen Hayes who many people remember. So the idea that she understood that sisterhood was the way to help everybody. So those are the reasons that I still admire Anita. I always say that I met her when I was six years old – not the person but in her memoirs and so if you haven’t read A Memoir of hers you should because they’re funny and witty and teach us a lot about this time period and also we’ve written about her in this book which we will have for sale afterward. There you go. I’ll teach Tom how to sell. Which was written by the first inaugural students in our program about seven years ago and there’s a chapter on 25 different famous female screenwriters of that period. So if you’re interested we’ll have some more of those and we’ll talk afterward and we have three of the original authors of chapters right here with me tonight. So with that, I hope that everybody adores if you haven’t met Anita Loos before you will listen to her voice today and laugh. Have a great night.

[Applause]

 

34 Conclusion from In Conversation with Dr. Rosanne Welch [Video]

34 Conclusion from In Conversation with Dr. Rosanne Welch [Video]

Transcript:

Host: Well that’s about what we’ve got time for but is there anything you would like to add just at the end? I would just like to also like to shout out the “Journal of Screenwriting” again and want everyone to go and check out the special issues on women in screenwriting, which is really important and excellent work and the start of a lot more research coming out and focusing on women screenwriters and so thank you for putting that together. I’m really glad it came out and came out with Intellect. So yeah thanks for that.

Rosanne: Yes well it’s – in two years, in 2023, the SRN conference I’m gonna hold it on the Stephens College campus and it’s going to be the theme will be women in screenwriting. So we’ll get a whole lot more stuff and probably a publication will come out of that. So that would be exciting.

Host: I will I’ll definitely be coming to check that out in person when we can also go back to conferences again but yeah just everyone should check out the Screenwriting Network . Is it screenwriters Network?

Rosanne: The Screenwriting Research Network and it’s free to join if you’re an academic or a practitioner and it’s online. You can see our website and we have of course a Facebook page and all that stuff.

Host: Really oh and I should also say about the “Journal of Screenwriting.” There is free content online so you can download free articles from that journal publication. So I recommend people do that but yeah just thank you so much. It’s been a real honor. You really know your stuff and you wear many different hats you know. A practicing writer, a teacher, and an excellent scholar. So thanks for coming and joining us today. It’s been an absolute pleasure.

Rosanne: Well thanks you know. It’s another beautiful thing about conferences. We met because of SCMS without that we would not have met. So I appreciate this time and it’s been – it’s always fun to talk about this stuff because I’m a fan above everything else.

Host: We’re like cool nerds it’s interesting. Cool nerds. That’s what it is.

Well thanks, everyone for tuning in. We’ll be back again next Wednesday I don’t know who my guest would be yet so what’s this space and thank you again Rosanne Welch. It’s been amazing having you on. Have a great rest of your day and thank you again.

Rosanne: Thank you. Bye-bye.

One of the benefits of attending conferences is that you can meet the editors from the companies that have published some of your books face to face. That happened at the recent SCMS conference where I met Intellect editor James Campbell and he invited me to be a guest on his InstagramLive show.

We chatted about my work with the Stephens College MFA in TV and Screenwriting, and then my work with co-editor Rose Ferrell on the Journal of Screenwriting’s special issue on Women in Screenwriting (Volume 11, Number 3) that came out recently and which featured articles about an international set of female screenwriters from Syria, Argentina, China and Canada (to name a few).

We even had time to nerd out on our own favorite classic films across the eras which brought up fun memories of Angels with Dirty Faces, Back to the Future, Bonnie and Clyde, and of course, all things Star Wars from the original 3 to The Mandalorian. It’s always so fun to talk to fellow cinephiles.

RMW Rosanne Signature for Web

Watch this entire presentation

 

With Intellect Books Editor James Campbell (@IntellectBooks)

Speaking with Dr. Rosanne Welch, Author, teacher, and television screenwriter. Today we cover everything from women in screenwriting to our favorite Jimmy Cagney movies and Friends.

Journal of Screenwriting Cover

33 Read and Study Script from In Conversation with Dr. Rosanne Welch [Video]

33 Read and Study Script from In Conversation with Dr. Rosanne Welch [Video]

Transcript:

But that’s also something I tell people to do. Read scripts. Of course, watch TV shows and break them down right? Watch the show and go scene by scene right? What’s the A story the B Story, the C story? If it’s “Gray’s Anatomy” it’s D E F G you could do the whole alphabet right? Watch how many scenes in an act. Every Act breaks on the A story. Get that structure in your head so if you’re going to write that episode or show like it you’re gonna understand that. So you can either get that from reading the scripts and there’s so much free online now. Whenever the Emmys or stuff come out they do free PDFs because they want you to read the scripts. You can learn so much from looking at how other people have done it.

 

One of the benefits of attending conferences is that you can meet the editors from the companies that have published some of your books face to face. That happened at the recent SCMS conference where I met Intellect editor James Campbell and he invited me to be a guest on his InstagramLive show.

We chatted about my work with the Stephens College MFA in TV and Screenwriting, and then my work with co-editor Rose Ferrell on the Journal of Screenwriting’s special issue on Women in Screenwriting (Volume 11, Number 3) that came out recently and which featured articles about an international set of female screenwriters from Syria, Argentina, China and Canada (to name a few).

We even had time to nerd out on our own favorite classic films across the eras which brought up fun memories of Angels with Dirty Faces, Back to the Future, Bonnie and Clyde, and of course, all things Star Wars from the original 3 to The Mandalorian. It’s always so fun to talk to fellow cinephiles.

RMW Rosanne Signature for Web

Watch this entire presentation

 

With Intellect Books Editor James Campbell (@IntellectBooks)

Speaking with Dr. Rosanne Welch, Author, teacher, and television screenwriter. Today we cover everything from women in screenwriting to our favorite Jimmy Cagney movies and Friends.

Journal of Screenwriting Cover

32 Binging TV with Torchwood from In Conversation with Dr. Rosanne Welch [Video]

32 Binging TV with Torchwood from In Conversation with Dr. Rosanne Welch [Video]

Transcript:

 

I think the first binging I ever did. I didn’t think I’d be a fan of that because I’m fine with weekly making an appointment to see a show, but, again, I mentioned I’ma huge Doctor Who fan. I’ve written some chapters in Doctor Who books, too. In fact, There’s a new one coming out. I got to write about Jodie Whittaker’s first two years as the female Doctor and I loved that, but when Doctor Who had a spin-off called “Torchwood” and its third season was only five episodes and it was one whole arc story and I started to watch that one night at 8, 9 o’clock and thought I’d just watch a couple. I know it’s five episodes. I’m not going to binge the thing and after the second one, I was up until three in the morning. I had to see how it ended. Russell Davies. One of my favorite writers in the UK.

 

One of the benefits of attending conferences is that you can meet the editors from the companies that have published some of your books face to face. That happened at the recent SCMS conference where I met Intellect editor James Campbell and he invited me to be a guest on his InstagramLive show.

We chatted about my work with the Stephens College MFA in TV and Screenwriting, and then my work with co-editor Rose Ferrell on the Journal of Screenwriting’s special issue on Women in Screenwriting (Volume 11, Number 3) that came out recently and which featured articles about an international set of female screenwriters from Syria, Argentina, China and Canada (to name a few).

We even had time to nerd out on our own favorite classic films across the eras which brought up fun memories of Angels with Dirty Faces, Back to the Future, Bonnie and Clyde, and of course, all things Star Wars from the original 3 to The Mandalorian. It’s always so fun to talk to fellow cinephiles.

RMW Rosanne Signature for Web

Watch this entire presentation

 

With Intellect Books Editor James Campbell (@IntellectBooks)

Speaking with Dr. Rosanne Welch, Author, teacher, and television screenwriter. Today we cover everything from women in screenwriting to our favorite Jimmy Cagney movies and Friends.

Journal of Screenwriting Cover

31 Mystic Popup Bar and Binging TV from In Conversation with Dr. Rosanne Welch [Video]

31 Mystic Popup Bar and Binging TV from In Conversation with Dr. Rosanne Welch [Video]

Transcript:

Host: We’ve got a question here. Where can we view “Mystic pop-up bar”. I think it’s on Netflix.

Rosanne: Netflix. It’s on Netflix. Please find it. You will find it beautiful and you might have to watch a couple just to get to understand. It’s not hard to understand – obviously, it’s subtitled – but I mean story-wise it seems light, which is fun, and then it gets more and more –  and not dark or sad – but more and more heartfelt without being schmaltzy. If that makes sense. It just yeah it’s 12 episodes I think and just I couldn’t – in the last four I had to do a whole binge thing. I had to know then how they were all connected and I just – my heart just was like this is so beautiful and then it was over. It’s a limited series. I was like no I want more.

Host: I’ve been – these limited series do stress me out because you can you smash through them in one – one Sunday if you’ve got the day. If you’ve got a day, you’re having a day of rest you know you can sit there and watch four or five four or five episodes. I did that with the first “True Detective”. I think I did that with the Queen’s Gambit and just ran through these things and now I’m kind of like, I think I’ve seen all the Oscar and all the Oscar nominees. So I’m now waiting for you wonderful writers to get some more stuff out there.

One of the benefits of attending conferences is that you can meet the editors from the companies that have published some of your books face to face. That happened at the recent SCMS conference where I met Intellect editor James Campbell and he invited me to be a guest on his InstagramLive show.

We chatted about my work with the Stephens College MFA in TV and Screenwriting, and then my work with co-editor Rose Ferrell on the Journal of Screenwriting’s special issue on Women in Screenwriting (Volume 11, Number 3) that came out recently and which featured articles about an international set of female screenwriters from Syria, Argentina, China and Canada (to name a few).

We even had time to nerd out on our own favorite classic films across the eras which brought up fun memories of Angels with Dirty Faces, Back to the Future, Bonnie and Clyde, and of course, all things Star Wars from the original 3 to The Mandalorian. It’s always so fun to talk to fellow cinephiles.

RMW Rosanne Signature for Web

Watch this entire presentation

 

With Intellect Books Editor James Campbell (@IntellectBooks)

Speaking with Dr. Rosanne Welch, Author, teacher, and television screenwriter. Today we cover everything from women in screenwriting to our favorite Jimmy Cagney movies and Friends.

Journal of Screenwriting Cover

30 More On International Opportunities from In Conversation with Dr. Rosanne Welch [Video]

30 More On International Opportunities from In Conversation with Dr. Rosanne Welch [Video]

Transcript:

Rosanne: … because now we also understand other parts of the world that the United States TV market was kind of shut to because we only showed our own stuff and some of the “best” stuff from the UK on our PBS channels, right, and now we’re seeing so much more of the world. Which is also just helpful – going back to what we said about art making us all more human.

Host: Definitely. Yeah. An understanding of humanity when we can hear people’s perspectives and hear them tell their own stories.

One of the benefits of attending conferences is that you can meet the editors from the companies that have published some of your books face to face. That happened at the recent SCMS conference where I met Intellect editor James Campbell and he invited me to be a guest on his InstagramLive show.

We chatted about my work with the Stephens College MFA in TV and Screenwriting, and then my work with co-editor Rose Ferrell on the Journal of Screenwriting’s special issue on Women in Screenwriting (Volume 11, Number 3) that came out recently and which featured articles about an international set of female screenwriters from Syria, Argentina, China and Canada (to name a few).

We even had time to nerd out on our own favorite classic films across the eras which brought up fun memories of Angels with Dirty Faces, Back to the Future, Bonnie and Clyde, and of course, all things Star Wars from the original 3 to The Mandalorian. It’s always so fun to talk to fellow cinephiles.

RMW Rosanne Signature for Web

Watch this entire presentation

 

With Intellect Books Editor James Campbell (@IntellectBooks)

Speaking with Dr. Rosanne Welch, Author, teacher, and television screenwriter. Today we cover everything from women in screenwriting to our favorite Jimmy Cagney movies and Friends.

Journal of Screenwriting Cover

29 International Opportunities from In Conversation with Dr. Rosanne Welch [Video]

29 International Opportunities from In Conversation with Dr. Rosanne Welch [Video]

Transcript:

So I actually have a student right now whose family is – her father worked 6 months of the year in the States and 6 months in Korea and Korean television is exploding. Look at Netflix and all the new interesting shows that they have. She – normally a student would have to write a spec script of a show that exists here in the States. I make an exception for “Doctor Who” because everyone should know “Doctor Who”. So, if you want to be a States person and write that, you can, but this is the first time. She wanted to write a Korean show because she wants to move back to Korea full-time when she graduates and work in that television industry and that fascinated me. She got me to watch a highly recommend, beautiful show on Netflix called “Mystic Popup Bar.” It’s a beautiful story about a woman from ancient days in Korea who’s committed some sort of crime we don’t know, but she is cursed with having to be an – after she’s dead – and in the afterlife, she has to save 100,000 humans from grudges they have and then she can move essentially to heaven as opposed of go to hell for whatever this crime is that you take a while to find out what it was and so what you’re seeing is her encounter humans that need her help and she helps them in order to call up more – and she does it through running this pop-up bar where they come in and have dinner and she hears their troubles and then she goes into their life, but it has this beautiful final four episodes where you get the real ancient story and you start making connections between the other characters in it. It’s just beautifully written. It’s a beautiful, beautiful show. So that is more opportunity for people.

One of the benefits of attending conferences is that you can meet the editors from the companies that have published some of your books face to face. That happened at the recent SCMS conference where I met Intellect editor James Campbell and he invited me to be a guest on his InstagramLive show.

We chatted about my work with the Stephens College MFA in TV and Screenwriting, and then my work with co-editor Rose Ferrell on the Journal of Screenwriting’s special issue on Women in Screenwriting (Volume 11, Number 3) that came out recently and which featured articles about an international set of female screenwriters from Syria, Argentina, China and Canada (to name a few).

We even had time to nerd out on our own favorite classic films across the eras which brought up fun memories of Angels with Dirty Faces, Back to the Future, Bonnie and Clyde, and of course, all things Star Wars from the original 3 to The Mandalorian. It’s always so fun to talk to fellow cinephiles.

RMW Rosanne Signature for Web

Watch this entire presentation

 

With Intellect Books Editor James Campbell (@IntellectBooks)

Speaking with Dr. Rosanne Welch, Author, teacher, and television screenwriter. Today we cover everything from women in screenwriting to our favorite Jimmy Cagney movies and Friends.

Journal of Screenwriting Cover