40 The Almighty Johnsons from New Zealand from Why Researching Screenwriters Has Always Mattered [Video] (1 minute 12 seconds)

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40 The Almighty Johnsons from New Zealand from Why Researching Screenwriters Has Always Mattered [Video] (1 minute 12 seconds)

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Transcript:

This is actually a program from New Zealand. Who knew New Zealand made television, but I have my students write spec scripts — speculative scripts — which are their own versions of a show that already exists to teach the art of copying, because if you’re going to write television you have to copy what exists and then you make your own story, but you have to know how the characters sound. So, I have them pitch ideas from programs they are watching, but they have to write a United States show because that’s what the people are going to read in the United States. This young man pitched an episode of this show because he saw it on Netflix and he didn’t even realize it wasn’t from the United States. he didn’t even notice that they were using city names from New — he didn’t know what New Zealand was really, but the TV showed him and I stay that we learn the mythology of other cultures. This is a show about Norse mythology. the young boys on the program discover that they are the re-born versions of Norse gods and their goal is to get together with the other Norse gods and eventually go back to heaven together and rule the world. It’s adorable and I wouldn’t have heard about it except for Netflix.

Watch this entire presentation

A Note About This Presentation

A clip from my keynote speech at the 10th Screenwriters´(hi)Stories Seminar for the interdisciplinary Graduation Program in “Education, Art, and History of Culture”, in Mackenzie Presbyterian University, at São Paulo, SP, Brazil, focused on the topic “Why Researching Screenwriters (has Always) Mattered.” I was especially pleased with the passion these young scholars have toward screenwriting and it’s importance in transmitting culture across the man-made borders of our world.

To understand the world we have to understand its stories and to understand the world’s stories we must understand the world’s storytellers. A century ago and longer those people would have been the novelists of any particular country but since the invention of film, the storytellers who reach the most people with their ideas and their lessons have been the screenwriters. My teaching philosophy is that: Words matter, Writers matter, and Women writers matte, r so women writers are my focus because they have been the far less researched and yet they are over half the population. We cannot tell the stories of the people until we know what stories the mothers have passed down to their children. Those are the stories that last. Now is the time to research screenwriters of all cultures and the stories they tell because people are finally recognizing the work of writers and appreciating how their favorite stories took shape on the page long before they were cast, or filmed, or edited. But also because streaming services make the stories of many cultures now available to a much wider world than ever before.

Many thanks to Glaucia Davino for the invitation.


 

* A portion of each sale from Amazon.com directly supports our blogs
** Many of these books may be available from your local library. Check it out!
† Available from the LA Public Library

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39 My Own Favorite International TV Shows from Why Researching Screenwriters Has Always Mattered [Video] (1 minute 31 seconds)

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39 My Own Favorite International TV Shows from Why Researching Screenwriters Has Always Mattered

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Transcript:

In my own Television viewing experience, I’ve had the chance to see all of these programs which I never would have seen. Commisaroio Montalbano is the most famous detective show in Italy. Again, that helps me feel more connected to my cousins and what they’re watching and to my grandparents and the world they grew up in. I can see footage from Italy. I was amazed to find that Doctor Who eventually traveled around the whole world. I’m told the doesn’t play here necessarily but probably geeky people have found it somewhere. Trapped was a miniseries made in Iceland. You can see the Icelandic translation on the bottom and it aired on Netflix and I was amazed to watch eight hours of something that was filmed in Iceland and told me about a culture I could possibly never imagine and might never have the chance to see but because of Netflix. I’ve now experienced this program — and then Call My Agent I find very funny. It’s a French show. You can see the proper title –the French title– on top and it’s about a talent agency. — just as Roger was explaining this morning — in France and how they work with actors and all the problems that happen. It’s a one-hour comedy and what’s cute about it is the characters — the actors who played actors on the show are actually famous French actors pretending to be bad people and causing troubles for their agents. So you’ve recognized actors you’ve seen in movies coming in and talking to the fake agents that they are with. So it’s a charming way to learn more about French films, right, in just one program. So I’ve been so impressed with what I’ve been able to see.

Watch this entire presentation

A Note About This Presentation

A clip from my keynote speech at the 10th Screenwriters´(hi)Stories Seminar for the interdisciplinary Graduation Program in “Education, Art, and History of Culture”, in Mackenzie Presbyterian University, at São Paulo, SP, Brazil, focused on the topic “Why Researching Screenwriters (has Always) Mattered.” I was especially pleased with the passion these young scholars have toward screenwriting and it’s importance in transmitting culture across the man-made borders of our world.

To understand the world we have to understand its stories and to understand the world’s stories we must understand the world’s storytellers. A century ago and longer those people would have been the novelists of any particular country but since the invention of film, the storytellers who reach the most people with their ideas and their lessons have been the screenwriters. My teaching philosophy is that: Words matter, Writers matter, and Women writers matte, r so women writers are my focus because they have been the far less researched and yet they are over half the population. We cannot tell the stories of the people until we know what stories the mothers have passed down to their children. Those are the stories that last. Now is the time to research screenwriters of all cultures and the stories they tell because people are finally recognizing the work of writers and appreciating how their favorite stories took shape on the page long before they were cast, or filmed, or edited. But also because streaming services make the stories of many cultures now available to a much wider world than ever before.

Many thanks to Glaucia Davino for the invitation.


 

* A portion of each sale from Amazon.com directly supports our blogs
** Many of these books may be available from your local library. Check it out!
† Available from the LA Public Library

38 More On International TV Shows and the US from Why Researching Screenwriters Has Always Mattered [Video] (1 minute 18 seconds)

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39 More On International TV Shows and the US from Why Researching Screenwriters Has Always Mattered [Video] (1 minute 18 seconds)

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Transcript:

They had to have the United States version, so they remade the TV show. They called it the Red Band Society and they didn’t understand the culture of Italy. The show In Italy is all about hope and has a little magical realism to it because one of the children is in a coma but he narrates the story because he watches his friends become friends and grow and have hope that they will be cured someday and in the United States we didn’t get that which is very sad. The show was actually canceled after six episodes because they focused on the grown-ups who were the doctors and the nurses. They thought the story had to be “we’re gonna find that cure because that’s what we do we save the world.” That wasn’t the story at all. They did. They ruined the story right and because we don’t — we think nice people are boring, the nurse is the meanest woman I have ever met and these children are dying of terminal diseases and she’s being mean to them and they thought that that was very edgy. That’s the big word I hate in the United States right now — edgy, We need edgy programming. How many people can we kill in the next five minutes? So we ruined this lovely program right but at least, through Netflix, I can watch the Italian version with subtitles.

Watch this entire presentation

A Note About This Presentation

A clip from my keynote speech at the 10th Screenwriters´(hi)Stories Seminar for the interdisciplinary Graduation Program in “Education, Art, and History of Culture”, in Mackenzie Presbyterian University, at São Paulo, SP, Brazil, focused on the topic “Why Researching Screenwriters (has Always) Mattered.” I was especially pleased with the passion these young scholars have toward screenwriting and it’s importance in transmitting culture across the man-made borders of our world.

To understand the world we have to understand its stories and to understand the world’s stories we must understand the world’s storytellers. A century ago and longer those people would have been the novelists of any particular country but since the invention of film, the storytellers who reach the most people with their ideas and their lessons have been the screenwriters. My teaching philosophy is that: Words matter, Writers matter, and Women writers matte, r so women writers are my focus because they have been the far less researched and yet they are over half the population. We cannot tell the stories of the people until we know what stories the mothers have passed down to their children. Those are the stories that last. Now is the time to research screenwriters of all cultures and the stories they tell because people are finally recognizing the work of writers and appreciating how their favorite stories took shape on the page long before they were cast, or filmed, or edited. But also because streaming services make the stories of many cultures now available to a much wider world than ever before.

Many thanks to Glaucia Davino for the invitation.


 

* A portion of each sale from Amazon.com directly supports our blogs
** Many of these books may be available from your local library. Check it out!
† Available from the LA Public Library

37 International TV Shows and the US from Why Researching Screenwriters Has Always Mattered [Video] (41 seconds)

Watch this entire presentation

37 International TV Shows and the US from Why Researching Screenwriters Has Always Mattered [Video] (41 seconds)

Subscribe to Rosanne’s Channel and receive notice of each new video!

 

Transcript:

This is a film — excuse me — a tv show that started in Europe. I learned about it through an Italian screenwriting colleague — Braccialetti Rossi and it’s about a group of young children in a hospital and they wear red bands because they have terminal illnesses and it’s about them banding together and being friends, One of the things that’s good or maybe bad about what’s going on with international television is that I believe we could air the original version in the United States and that enough people would watch it but the networks still believe they need to have an American version — a United States version. I had to learn to stop saying that this week right because I’m in America right now.

Watch this entire presentation

A Note About This Presentation

A clip from my keynote speech at the 10th Screenwriters´(hi)Stories Seminar for the interdisciplinary Graduation Program in “Education, Art, and History of Culture”, in Mackenzie Presbyterian University, at São Paulo, SP, Brazil, focused on the topic “Why Researching Screenwriters (has Always) Mattered.” I was especially pleased with the passion these young scholars have toward screenwriting and it’s importance in transmitting culture across the man-made borders of our world.

To understand the world we have to understand its stories and to understand the world’s stories we must understand the world’s storytellers. A century ago and longer those people would have been the novelists of any particular country but since the invention of film, the storytellers who reach the most people with their ideas and their lessons have been the screenwriters. My teaching philosophy is that: Words matter, Writers matter, and Women writers matte, r so women writers are my focus because they have been the far less researched and yet they are over half the population. We cannot tell the stories of the people until we know what stories the mothers have passed down to their children. Those are the stories that last. Now is the time to research screenwriters of all cultures and the stories they tell because people are finally recognizing the work of writers and appreciating how their favorite stories took shape on the page long before they were cast, or filmed, or edited. But also because streaming services make the stories of many cultures now available to a much wider world than ever before.

Many thanks to Glaucia Davino for the invitation.


 

* A portion of each sale from Amazon.com directly supports our blogs
** Many of these books may be available from your local library. Check it out!
† Available from the LA Public Library

Event: Stephens MFA in TV and Screenwriting Online Open House – Wednesday, November 18, 2020 – 4pm PST

Event: Stephens MFA in TV and Screenwriting Online Open House – Wednesday, November 18, 2020 – 4pm PSTEvent: Stephens MFA in TV and Screenwriting Online Open House - Wednesday, November 18, 2020 - 4pm PSTEvent: Stephens MFA in TV and Screenwriting Online Open House - Wednesday, November 18, 2020 - 4pm PST

Click To Register For The Event

Join our program director, Dr. Rosanne Welch, for a virtual open house to learn more about our Master of Fine Arts in TV and Screenwriting. As we prepare to welcome the 2021 cohort in fall 2021, we invite you to learn about the program, hear how the admissions process works, and an open Q&A to get all your questions answered.

Write
Reach
Represent

Online Open House with
Program Executive Director Dr. Rosanne Welch
and Director of Admissions Alexandra Miller

Stephens College Low Residency MFA in TV and Screenwriting

Check for your local time zone:

New York, USA Wed, Nov 18, 2020 at 7:00 pm EST
Columbia, USA Wed, Nov 18, 2020 at 6:00 pm CST
Denver, USA Wed, Nov 18, 2020 at 5:00 pm MST
Los Angeles, USA Wed, Nov 18, 2020 at 4:00 pm PST

36 Streaming Companies and World Culture from Why Researching Screenwriters Has Always Mattered [Video] (1 minute 19 seconds)

Watch this entire presentation

36 Streaming Companies and World Culture from Why Researching Screenwriters Has Always Mattered [Video] (1 minute 19 seconds)

Subscribe to Rosanne’s Channel and receive notice of each new video!

 

Transcript:

That’s why these services are so important to what we’re going to be able to do in the future because so many films are now co-productions with Netflix and they know they want to keep this worldwide audience because soon we’ll have the Disney streaming channel and we’re going to have an NBC streaming channel. There will be too many of those to pick from. The one thing Netflix has going for it is it’s done co-productions with so many countries. So people can have an interest in seeing their stories more than repetitive Disney stories, as much as I like Disney after a while I don’t need to see Aladdin filmed by 47 different actors again and again and again. So I think it’s really important and so even when I was preparing and thinking about doing this I watched some Brazilian television. I was able on my own television to simply dial up these programs and see what they were all about and because of that, I can then share them with my students who are very interested in finding out because my students come from many, many different backgrounds — many many different heritages and they don’t always see themselves represented on film. So the idea of seeing television shows and movies from their families home culture is a beautiful way for them to keep that culture even in a world where assimilation is the thing that more people are respecting, and they feel they lose their culture.

Watch this entire presentation

A Note About This Presentation

A clip from my keynote speech at the 10th Screenwriters´(hi)Stories Seminar for the interdisciplinary Graduation Program in “Education, Art, and History of Culture”, in Mackenzie Presbyterian University, at São Paulo, SP, Brazil, focused on the topic “Why Researching Screenwriters (has Always) Mattered.” I was especially pleased with the passion these young scholars have toward screenwriting and it’s importance in transmitting culture across the man-made borders of our world.

To understand the world we have to understand its stories and to understand the world’s stories we must understand the world’s storytellers. A century ago and longer those people would have been the novelists of any particular country but since the invention of film, the storytellers who reach the most people with their ideas and their lessons have been the screenwriters. My teaching philosophy is that: Words matter, Writers matter, and Women writers matte, r so women writers are my focus because they have been the far less researched and yet they are over half the population. We cannot tell the stories of the people until we know what stories the mothers have passed down to their children. Those are the stories that last. Now is the time to research screenwriters of all cultures and the stories they tell because people are finally recognizing the work of writers and appreciating how their favorite stories took shape on the page long before they were cast, or filmed, or edited. But also because streaming services make the stories of many cultures now available to a much wider world than ever before.

Many thanks to Glaucia Davino for the invitation.


 

* A portion of each sale from Amazon.com directly supports our blogs
** Many of these books may be available from your local library. Check it out!
† Available from the LA Public Library

35 Subtitles Are No Longer Scary from Why Researching Screenwriters Has Always Mattered [Video] (1 minute 5 seconds)

Watch this entire presentation

35 Subtitles Are No Longer Scary from Why Researching Screenwriters Has Always Mattered [Video] (1 minute 5 seconds)

Subscribe to Rosanne’s Channel and receive notice of each new video!

 

Transcript:

Previously in the United States, the only way we could see a movie from Brazil would be if it won an Oscar or if it was nominated for an Oscar right and these are the only films that had wide release in the United States before Netflix because you would have to go to a theater. You would have to be the kind of person who liked to see international films, who were willing to read subtitles. I noticed — my son is 21 — and I notice in his generation there is more of a comfort with reading subtitles. He watches, because of Netflix, a lot of Japanese anime — a lot of movies from around the world — he doesn’t mind. About 10 years ago, before Netflix. if I assigned an international movie — and I would often assign some Italian films to my film students — they would complain because reading the screen was boring. Now it’s become more acceptable so that we have this opportunity. So until Netflix, this was the only way that in the United States we would have been exposed to any of these films except Kiss of the Spider Woman because that was a co-production between Brazil and the United States so it won some Oscars and we knew about it.

Watch this entire presentation

A Note About This Presentation

A clip from my keynote speech at the 10th Screenwriters´(hi)Stories Seminar for the interdisciplinary Graduation Program in “Education, Art, and History of Culture”, in Mackenzie Presbyterian University, at São Paulo, SP, Brazil, focused on the topic “Why Researching Screenwriters (has Always) Mattered.” I was especially pleased with the passion these young scholars have toward screenwriting and it’s importance in transmitting culture across the man-made borders of our world.

To understand the world we have to understand its stories and to understand the world’s stories we must understand the world’s storytellers. A century ago and longer those people would have been the novelists of any particular country but since the invention of film, the storytellers who reach the most people with their ideas and their lessons have been the screenwriters. My teaching philosophy is that: Words matter, Writers matter, and Women writers matte, r so women writers are my focus because they have been the far less researched and yet they are over half the population. We cannot tell the stories of the people until we know what stories the mothers have passed down to their children. Those are the stories that last. Now is the time to research screenwriters of all cultures and the stories they tell because people are finally recognizing the work of writers and appreciating how their favorite stories took shape on the page long before they were cast, or filmed, or edited. But also because streaming services make the stories of many cultures now available to a much wider world than ever before.

Many thanks to Glaucia Davino for the invitation.


 

* A portion of each sale from Amazon.com directly supports our blogs
** Many of these books may be available from your local library. Check it out!
† Available from the LA Public Library

34 Coco and Exposure To Different Cultures from Why Researching Screenwriters Has Always Mattered [Video] (2 mins)

Watch this entire presentation

34 Coco and Exposure To Different Cultures from Why Researching Screenwriters Has Always Mattered [Video] (2 mins)

Subscribe to Rosanne’s Channel and receive notice of each new video!

 

Transcript:

One of my favorite examples of how important it is to see culture travel through these streaming services is the film — it’s called Coco in the United States. It’s called Vivo here. When my cousins — my cousins are from Sicily — my grandparents immigrated to the United States from Sicily and their relatives stayed behind. So I’m related and connected to third and fourth cousins who live there. They came to visit me at Christmas this year and we were discussing Halloween, which I laughed at because I noticed some Halloween decorations in places I traveled around town today, and my cousin said in Italy Halloween is not very important because of course being a Catholic country what is important is that this is the Day of All Souls and so it’s a religious holiday. Only in you know only in Italy is that important and I said oh haven’t you ever heard of the Day of the Dead in Mexico and she had not because in Italy they haven’t studied Mexican culture. So I mentioned this movie which she had never seen but her 10-year-old son had seen it. The problem was on Netflix it was only running in English or Spanish and they’re Italian but their 10-year-old is studying Spanish in school. So at my house, we turned on Netflix. We watched the movie in Spanish with English subtitles to remind me because I’d seen it but I wanted to remember the story and any time the Italians lost track of this Spanish language we would pause and the ten-year-old would translate the Spanish into Italian and we’d all catch up and continue and in that way, they learned the story of the Day of the Dead — Dia de Los Muertos through this movie and they were so moved by the theme of the movie which again is such a universal theme that we should honor our ancestors and that we owe it to them right to live up to their history. It was a beautiful example of what Netflix is capable of doing — what streaming services are capable of doing for us and how important story is.

Watch this entire presentation

A Note About This Presentation

A clip from my keynote speech at the 10th Screenwriters´(hi)Stories Seminar for the interdisciplinary Graduation Program in “Education, Art, and History of Culture”, in Mackenzie Presbyterian University, at São Paulo, SP, Brazil, focused on the topic “Why Researching Screenwriters (has Always) Mattered.” I was especially pleased with the passion these young scholars have toward screenwriting and it’s importance in transmitting culture across the man-made borders of our world.

To understand the world we have to understand its stories and to understand the world’s stories we must understand the world’s storytellers. A century ago and longer those people would have been the novelists of any particular country but since the invention of film, the storytellers who reach the most people with their ideas and their lessons have been the screenwriters. My teaching philosophy is that: Words matter, Writers matter, and Women writers matte, r so women writers are my focus because they have been the far less researched and yet they are over half the population. We cannot tell the stories of the people until we know what stories the mothers have passed down to their children. Those are the stories that last. Now is the time to research screenwriters of all cultures and the stories they tell because people are finally recognizing the work of writers and appreciating how their favorite stories took shape on the page long before they were cast, or filmed, or edited. But also because streaming services make the stories of many cultures now available to a much wider world than ever before.

Many thanks to Glaucia Davino for the invitation.


 

* A portion of each sale from Amazon.com directly supports our blogs
** Many of these books may be available from your local library. Check it out!
† Available from the LA Public Library

Reel Sisters Virtual Film Festival and Lecture Series 2020 – Dr. Rosanne Welch and Dawn Comer Jefferson Analyze The Script, Joe & The Shawl [Video] (1 hour 42 minutes)

As one of the sponsors of the Reel Sisters of the Diaspora Film Festival the Stephens College MFA in TV and Screenwriting was pleased to host a live panel at their 2020 virtual film festival discussing the 10 minute short Joe and the Shawl

Described as the story of “an adorable tow truck driver who really digs Kelli, a fellow North Carolinian, when he meets her as he changes her dead car battery. But Joe’s interest takes a sharp right turn when he learns that Kelli is a Muslim” the film raised questions of identity, representation and religious freedom.

For the panel, Executive Director Rosanne Welch and mentor/instructor Dawn Comer Jefferson provided a breakdown of the script followed by moderating questions from the audience. Guests included Nicole Ballivian (writer-director), Deonna Kelli Sayed, from whose blog post the script was adapted, and actors Jill Galbraith and Travis Lincoln Cox. — Rosanne

Reel Sisters & Stephens College Host Script Analysis for Joe & The Shawl from African Voices/Reel Sisters on Vimeo.



Reel Sisters Virtual Film Festival and Lecture Series 2020 - Dr. Rosanne Welch and Dawn Comer Jefferson Analyze The Script, Joe & The Shawl [Video] (1 hour 42 minutes)