Books – Page 12 – On Screenwriting and Media with Dr. Rosanne Welch

The Civil War On Film – 36 in a series – “Hattie McDaniel, who would not be allowed in the segregated theater where the film premiered.”

Local politicians and MGM publicists alike planned a gala three-day celebration that involved all the major cast members except Leslie Howard, who had returned to England when he heard his home country had declared war on Germany, and Hattie McDaniel, who would not be allowed in the segregated theater where the film premiered. Another African American was present, though his fame would not come until later in life. Martin Luther King Jr., then a ten-year-old member of his father’s church choir, sang four spirituals at the gala.

Movies profiled in this book:

“A Man Of Action Saving Liberty: A Novel Based On The Life Of Giuseppe Garibaldi” – 40 in a series

Garibaldi visited Three Hummock Island, off the south coast of Australia in Bass Strait, then traveled to Australia and its nearby neighbor, New Zealand. Birds and marine animals Giuseppe had never seen swarmed the port in Otago Harbor. Looking through his binoculars he watched albatross fly over the boat and estimated their wingspan at nearly 11 feet, something he could barely believe. He watched them fly over to the nearby hillside and land, feeding their chicks in huge nests more gently than some people he had known treated their own children.

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Mentoris Project Podcast: Building Heaven’s Ceiling: A Novel Based on the Life of Filippo Brunelleschi with Author, Joe Cline [Audio]

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His greatest accomplishment came after his greatest disappointment.

One of the founding fathers of the Renaissance, Filippo Brunelleschi was more than an Italian designer. Brunelleschi made his mark in architecture and construction.

In his early years, sculpting was Brunelleschi’s passion. But after being passed over for a major commission, he set his sights on architecture, and changed the landscape of Italy as it is known today.

Brunelleschi’s most prominent contribution, the dome of Cathedral of Santa Maria del Fiore, was the first of its kind, paving the way for bigger and more elaborate domes to come. His invention of machines to facilitate the construction of the dome allowed future structures to not only be imagined, but to be erected as well.

With his imagination, understanding of linear perspective, focus on geometric principles, and intellect for mathematics, Brunelleschi influenced the rise of modern science and architecture worldwide.

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From The Journal Of Screenwriting V5 Issue 1: Screenwriting without typing – the case of Calamari Union by Raija Talvio

Highlighting the articles in the past editions of the Journal of Screenwriting, of which I am the Book Reviews Editor. Hopefully these abstracts will entice you to did a little deeper into the history and future of screenwriting. — Rosanne

Screenwriting without typing – the case of Calamari Union by Raija Talvio

The first part of this article is a practice-based case study of the making of the film Calamari Union (1985), a Finnish cult classic written and directed by Aki Kaurismäki. I was the film editor of this film as well as of several other features and short films by Kaurismäki in the 1980s. From the point of view of screenwriting research, Calamari Union offers a thought-provoking example: it is a feature-length fiction film that was made entirely without a formal screenplay. In the case study I examine the effects of this method in the production and post-production of the film. In the second part of the article I discuss the definitions of a ‘screenplay’ and screenwriting in the context of alternative film-making practices, and the reasons for and consequences of the choice of such practices. I will also briefly visit the question of authorship in cinema and reflect on the birth of stories.

The Journal of Screenwriting is an international double-blind peer-reviewed journal that is published three times a year. The journal highlights current academic and professional thinking about the screenplay and intends to promote, stimulate and bring together current research and contemporary debates around the screenplay whilst encouraging groundbreaking research in an international arena. The journal is discursive, critical, rigorous and engages with issues in a dynamic and developing field, linking academic theory to screenwriting practice.

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** Many of these books may be available from your local library. Check it out!

The Civil War On Film – 35 in a series – “Lincoln wasn’t always popular.”

Lincoln wasn’t always popular. His presidency was contentious even in the North, as the contested 1864 presidential election suggests, and most white southerners reviled him. David H. Donald, one of Lincoln’s many biographers, contends that the sixteenth president did not take on heroic, even mythological status until the early twentieth century (Donald 1969).

Movies profiled in this book:

On Screenwriting: The Mary Tyler Moore Show, Title IV, and Today [Essay]

Working on this chapter about how the life of Ruth Bader Ginsburg was adapted for the screen in On the Basis of Sex, I was reminded of the interview scene in the pilot of The Mary Tyler Moore Show where Lou Grant asks her if she’s married and what religion she is.

In 1970 those questions were illegal thanks to Title IV of the Civil Rights Act of 1964. But RBG had graduated in 1959 so the Act had not been around to help her. She was turned down because she was a woman and because she was Jewish – despite achievements like graduating first in her class and the distinction of being the first woman to work on two major law reviews: the Harvard Law Review and Columbia Law Review.

Then I did some searching on the MTM script and found this article about how, though the scene was written in 1970 by James Brooks and Allan Burns, it is still relevant today. Fascinating statistics between now and then including the fact that by 2017 in 38 percent of heterosexual marriages, women outearn their husbands.

3 ways ‘The Mary Tyler Moore Show’ pilot is still relevant today from the Washington Post

After Mary Tyler Moore’s death Wednesday, I watched the pilot episode of “The Mary Tyler Moore Show.” Though the show was revolutionary for its time for its portrayal of a single woman, working in journalism and living alone — I didn’t expect it to hold up all that well. Forty-seven years after the pilot aired, there are parts that are certainly retro. Louis “Lou” Grant (Edward Asner), for example, flat-out tells Mary Richards (Mary Tyler Moore) during a job interview: “I figured I’d hire a man for it, but we can talk about it.” But there’s a lot in that first episode that’s still relevant for single women today.

Read 3 ways ‘The Mary Tyler Moore Show’ pilot is still relevant today

And watch the scene if you don’t know it…

“A Man Of Action Saving Liberty: A Novel Based On The Life Of Giuseppe Garibaldi” – 39 in a series

“If only more men understood, as you do, the value of having women in their ranks. In the military, in politics, in all seats of power,” Manuela mused. She had dedicated the end of her life to the fight for women’s rights to property, position and safety from abuse.

“I can only imagine how far we might have gone if I could have made my Anita the true general she deserved to be,” Giuseppe said.

“It is too late for Anita,” Manuela said. “But not for her daughters. Or granddaughters. Or great granddaughters if you work toward such a goal with as much passion as you bring to the goal of unity.”

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From The Journal Of Screenwriting V5 Issue 1: Writing with images: The Film-Photo-Essay, the Left Bank Group and the pensive moment by Andrew Taylor

Writing with images: The Film-Photo-Essay, the Left Bank Group and the pensive moment by Andrew Taylor

This article is focused on the film-photo-essay form. The first part of the article is a narrative account of my experiments ‘writing with images’ in the early and mid-2000s, using (the then) new digital tools to make film-photo-essays. My account reflects on how the change from analogue to digital affected my approach to photography, film-making and writing with images. I then look at the case study of Siberia (2009), an illustrated script that was written following my experimentation with the film-photo-essay form. The second part of this article is a more general enquiry into the film-photo-essay form and work that combines cinema and photography. I discuss the contemporary interest in work that falls on a spectrum between photography and cinema; often referred to as ‘still/moving’. I then focus on the ‘Left Bank Group’, whose work often combined cinema, photography and the literary and philosophical essay. Examples from the ‘cine-writing’ of Alain Resnais, Agnes Varda and Chris Marker highlight how Raymond Bellour’s idea of the ‘pensive moment’ is apt in relation to their work. I argue that still/moving forms allow more space for audience interaction and emotional response than conventional narrative cinema; and in a world saturated with information and cluttered with images, there is an important place for new pensive hybrid art forms.

Get your copy and subscription to the Journal of Screenwriting Today!

* A portion of each sale from Amazon.com directly supports our blogs
** Many of these books may be available from your local library. Check it out!

The Civil War On Film – 34 in a series – “…purports to be a history of the gangs of New York…”

Judging the truth of the history portrayed on screen begins by judging the truth of the history portrayed in the original source material. While Asbury’s book is shelved with non-fiction and purports to be a history of the gangs of New York, the subtitle admits it is “An Informal History of the Underworld.” On top of that, unlike other films adapted from books, which work hard to remain loyal to the text, when Scorsese thought about making Gangs he admitted being more interested in being loyal to the town than its residents.

Movies profiled in this book:

“On The Basis Of Sex” and Justice Ruth Bader Ginsberg’s Harvard Classmates

Working on a chapter about the film On the Basis of Sex which is a biopic based on the early life and career of Supreme Court associate Justice Ruth Bader Ginsburg I came across this podcast that researched the other 8 women who were part of her Harvard Law School class of 1956.

If you’ve seen the film (and you should because it’s good!) or read much about the Justice you’ll have heard the story of how the Dean of the law school invited them along with some male students to his house for dinner. Then he asked each of the women in the class to stand up and explain why she’s at Harvard, taking the place of a man.

Ugh!

We all know Ginsburg’s career was such a skyrocket that it put that jerk in his place – but then some journalists thought about researching those other 8 women to see how their careers went – and they started a podcast about the women’s lives.

I love finds like this!

Read more about Justice Ruth Bader Ginsberg in the book series I am editing — Women Making History from ABC-CLIO.

Ruth Bader Ginsburg: A Life in American History (Women Making History) by Nancy Hendriks

Ruth Bader Ginsburg: A Life in American History explores Ginsburg’s path to holding the highest position in the judicial branch of U.S. government as a Supreme Court justice for almost three decades. Readers will learn about the choices, challenges, and triumphs that this remarkable American has lived through, and about the values that shape the United States.=

Ginsburg, sometimes referred to as The Notorious RBG or RBG was a professor of law, a member of the American Civil Liberties Union, an advocate for women’s rights, and more, before her tenure as Supreme Court justice. She has weighed in on decisions, such as Bush v. Gore (2000); King v. Burwell (2015); and Masterpiece Cakeshop v. Colorado Civil Rights Commission (2018), that continue to guide lawmaking and politics. Ginsburg’s crossover to stardom was unprecedented, though perhaps not surprising. Where some Americans see the Supreme Court as a decrepit institution, others see Ginsburg as an embodiment of the timeless principles on which America was founded.