Rosanne Hosts Panel — Privileged Characters: How to recognize and avoid implicit bias in your screenwriting — at DTLA Film Festival, Sunday, October 27, 2019

This Sunday at 4pm join me at the DTLA (Downtown LA Film Festival)! 

I’ll be moderating a panel on implicit bias in screenwriting. “Privileged Characters: How to recognize and avoid implicit bias in your screenwriting” will take place at the Regal Cinema at LA Live. Panelists will include Maria Escobeda, one of the Stephens MFA in TV and Screeenwriting’s favorite mentors, as well as representatives from the worlds of entertainment journalism, marketing and theme parks – all of whom need to understand this idea in order to reach – and succeed – with customers from all over the world. — Rosanne

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Date/Time: Sun, October 27, 2019 @ 4:00 PM
Running Time: 60 Minutes
Location: Regal LA Live MEZZANINE

Panel Description

Privileged Characters: How to recognize and avoid implicit bias in your screenwriting

How do writers recognize and avoid implicit bias in their work? In this panel we review examples of how implicit bias infects popular shows and movies — even now in the wake of the Black Lives Matter, #MeToo and #TimesUp movement.

We’ll also learn about the tools and techniques available to combat implicit bias in the written word.

Finally, we’ll tackle the prickly question of writers who can authentically create characters and stories that are intrinsically about people who demographically different from them?

More Information

Panelists

Beverly Gray

Beverly Gray has spent her career fluctuating between the world of the intellect and show biz. As she was completing her doctorate in Contemporary American Fiction at UCLA, she surprised everyone (including herself) by taking a job with B-movie legend Roger Corman, for whom she helped develop 170 low-budget feature films. Following her Corman years, she covered the movie industry for The Hollywood Reporter. She has also published the best-selling Roger Corman: “Blood-Sucking Vampires, Flesh-Eating Cockroaches, and Driller Killers”, as well as “Ron Howard: From Mayberry to the Moon . . . and Beyond”. Currently, she teaches advanced online screenwriting workshops for UCLA Extension’s internationally-known Writers’ Program, and her popular twice-weekly blog, “Beverly in Movieland,” covers movies, moviemaking, and growing up Hollywood-adjacent. Her most recent book is “Seduced by Mrs. Robinson: How The Graduate Became the Touchstone of a Generation.”
 
Maria Escobedo

Maria Escobedo is a film and television writer with credits including “Grey’s Anatomy”, Hulu’s “East Los High” and the indie film “Rum and Coke”, which she wrote and directed. She’s developed movies and pilots for Lifetime, Disney Channel, and Nickelodeon. She also has written for animated kids’ TV, including “Dora the Explorer”, “Go Diego Go”, “Elena of Avalor”, “Special Agent Oso” and “Nina’s World”, which earned her a Humanitas Award nomination. Escobedo is currently writing for Amazon’s “If You Give a Mouse a Cookie”, Netflix’s “What-To-Doodles” and Nickelodeon’s “Santiago of the Seas”.

Hanala Sagal

Hanala Sagal, screenwriter-producer of “Elvis & Nixon” (Tribeca Film Festival 2016 Centerpiece), starred on “Shape Up L.A!” as Suzan Stadner (1985-2000.) Her brand is Comedy Wellness: Content for a Better Tomorrow and Funnier Today, trending on YouTube with 500M views and 400K subscribers. Hanala is in development on “Traumaland” (dark comedy, feature) based on her best-selling memoir “My Parents Went Through the Holocaust and All I Got Was This Lousy T-Shirt” featured in “The Last Laugh” starring Mel Brooks.
 
Donna Bonilla Wheeler

Donna Bonilla Wheeler is a Peruvian-American film + theatre writer/director who began her film career writing and directing for Walt Disney Productions Theme Parks. Her original screenplays have been selected as Academy Nicholl Fellowship semi finalist/quarter finalists, IFP No Borders, Austin 2nd Rounders, and Slamdance Script Labs, among others. She sold her experimental short about the creative process, “Mind’s Eye” at the Cannes film market. She received the Grand Jury Prize, Narrative Short for her dramedy film, “The Girl Next Door” at Mystic Film Festival, and her family comedy/mystery she wrote and directed, “Death of a saleswoman” has received global recognition at multiple festivals. Donna is a fiscally-sponsored 501c3 filmmaker, working in the Latinx, LGBTQ+ diversity spaces.
 
Kala Guess

Kala Guess is a marketing professional at Final Draft. She acts as both Contest Director for the Big Break Screenwriting Contest and Content Producer for the Final Draft blog and “Write On” podcast. As part of her focus on the customer experience, she produces engaging and insightful content for screenwriters and operates as a champion for emerging talent. Additionally, Kala is a driving force in Final Draft’s efforts for diversity and inclusivity in the entertainment industry. Previously, she worked as the marketing and publicity coordinator for an independent film and television studio in Hollywood. Kala has a decade of experience in various capacities in the entertainment industry.
 
Evette Vargas

Evette Vargas is an award-winning writer, director, producer and immersive storyteller. Named by the New York Times as an “Artist to Watch,” Vargas’ has produced series for Amazon, MTV, Bravo, DirectTV; and interactive content for Fast And Furious, Lord Of The Rings trilogy and Madonna. Vargas executive produced, wrote and directed her digital series Dark Prophet, starring Henry Rollins, which was in contention for two Emmys. Vargas sold her drama series, Muses, to TNT Super Deluxe. Vargas is creating a drama series for MGMTV with Marc Guggenheim and Rosario Dawson serving as executive producers. Vargas wrote The Current War VR Experience, a companion piece for the film, starring Benedict Cumberbatch. A proud member of the WGA, ATAS and PGA, Vargas was born in the Bronx and learned to tell stories at the dinner table where the imagination ruled. Vargas collects action figures, typewriters and shoes; has past lives as a DJ, a fashion designer and is a recovering New York City advertising Art Director.

22 Octavia Butler from The Sisterhood of Science Fiction – Dr. Rosanne Welch [Video] (46 seconds)

Watch this entire presentation

The Sisterhood of Science Fiction: A Walk Through Some Writers and Characters You (Should) Know And Love

22 Octavia Butler from The Sisterhood of Science Fiction - Dr. Rosanne Welch [Video] (46 seconds)

Subscribe to Rosanne’s Channel and receive notice of each new video!

 

This one allowed me to riff on some of my favorite female science fiction writers across time, whether they be novelists or television writers. It also opened up a good conversation on what art we support and include in our lives – and what that art says to us and about us. — Rosanne

Transcript:

…and we had a marvelous presentation about two weeks ago on Octavia Butler right? So moving now moving further and further into the 90s. Octavia Butler the first African-American female to be successful writing science fiction. We had a presentation here from the curator of her papers at the Huntington Library because she lived in Pasadena. So she’s a local to California and a lot of her stuff was infused with sort of the attitudes and the progressive ideas that we tend to be surrounded by here. She won a MacArthur Fellowship again the first science fiction writer — not a person of color and not even a woman — the very first science fiction writer ever to get a MacArthur grant which is a huge piece of support to creative people and artistic people so I think that’s really cool.



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** Many of these books may be available from your local library. Check it out! 

24 Mae West from “When Women Wrote Hollywood” with Dr. Rosanne Welch [Video] (1 minute 5 seconds)

Part of the California State University, Fullerton Faculty Noon Time Talks at the Pollak Library.

Watch this entire presentation

24 Mae West from

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Transcript:

Of course, most people know her. Mae West. Again, she made herself a brand, long before Madonna and long before Lady Gaga this lady knew that sex sells and I’m going to make myself as sexy as I can and I’m going to tell innuendos and I am going to do all of that so that she actually got arrested a few times. People remember Mae West as an actress and forget that she wrote almost everything she performed in. Broadway plays. Movies. Stage shows. She was her own writer. She would talk about how easy it was to write but people who did her autobiography discovered that she had journals and journals and journals of every joke she could ever write — that she could ever find. She wrote all day long waiting to get that one or two really good pieces to use in her next production. She was consummately a writer before she was a performer. All she had to do to perform was throw on the fancy clothes and smile, right, but the writing was the hard work that she engaged in. She was pretty cool. These are all her movies. She did sex before Madonna released a book called “Sex.” This is way back in the day when it was actually against the law. So she’s pretty amazing.

Dr. Rosanne Welch discusses the women in her new book “When Women Wrote Hollywood” which covers female screenwriters from the Silents through the early 1940s when women wrote over 50% of films and Frances Marion was the highest paid screenwriter (male or female) and the first to win 2 Oscars.  Yet, she fails to appear in film history books, which continue to regurgitate the myth that male directors did it all – even though it’s been proven that the only profitable movies Cecil B. de Mille ever directed were all written by Jeannie Macpherson film ever won for Best Picture was written by Robert E. Sherwood (who people have heard of, mostly due to his connection to Dorothy Parker) and Joan Harrison.


Buy a signed copy of when Women Wrote Hollywood

…or via Amazon…

Paperback Edition | Kindle Edition | Google Play Edition

* A portion of each sale from Amazon.com directly supports our blogs
** Many of these books may be available from your local library. Check it out!
† Available from the LA Public Library

Screenwriters (once again) left out of Los Angeles Times Maleficent Story!

Screenwriters (once again) left out of Los Angeles Times Maleficent Story!

This is definitely driving me crazy!

After reading the attached article I had to write this letter to the Los Angeles Times:

Did Tracy Brown  really write a whole article (“How Angelina Jolie’s daughter inspired the secret backstory of ‘Maleficent: Mistress of Evil’”) about the story process for the new Maleficent sequel WITHOUT ONCE mentioning the name of the credited screenwriters – Linda Woolverton (who also wrote the original film) and Noah Harpster?

The article even begins with naming the director in the first sentence. This is a ludicrous example of the unexplained contempt journalists (who are writers themselves) seem to have against screenwriters – or solid evidence that the now disproved-in-academia-but-still-mistakenly-believed-by-others auteur theory still holds sway. But directors do not write their films unless you call them ‘writer-directors’.

Read the entire article – “How Angelina Jolie’s daughter inspired the secret backstory of ‘Maleficent: Mistress of Evil’”

21 Even More On Leigh Brackett from The Sisterhood of Science Fiction – Dr. Rosanne Welch [Video] (29 seconds)

Watch this entire presentation

The Sisterhood of Science Fiction: A Walk Through Some Writers and Characters You (Should) Know And Love

21 Even More On Leigh Brackett from The Sisterhood of Science Fiction - Dr. Rosanne Welch

Subscribe to Rosanne’s Channel and receive notice of each new video!

 

This one allowed me to riff on some of my favorite female science fiction writers across time, whether they be novelists or television writers. It also opened up a good conversation on what art we support and include in our lives – and what that art says to us and about us. — Rosanne

Transcript:

She did that, however, she wrote the first draft of the script. There’s proof and she passed away. So a script has to go through several incarnations before it’s eventually filmed. So they brought in Lawrence Kasdan who is a marvelous and wonderful writer and in the end he then writes the next movie and he writes the first draft of Return of the Jedi that you know and all that sort of thing. So he’s become the person we credit for a lot of Star Wars but she did all this groundwork and wrote this original script. So I think Leigh Brackett is a really cool name for paying attention to.



* A portion of each sale from Amazon.com directly supports our blogs
** Many of these books may be available from your local library. Check it out! 

23 Even More On Anita Loos from “When Women Wrote Hollywood” with Dr. Rosanne Welch [Video] (37 seconds)

Part of the California State University, Fullerton Faculty Noon Time Talks at the Pollak Library.

Watch this entire presentation

23 Even More On Anita Loos from

Subscribe to Rosanne’s Channel and receive notice of each new video!

 

Transcript:

She is still known though because she was smart and wrote her own book about her own life. She wrote her own autobiography, which is when I learned about her when I was about 10 years old at my local library in Bedford Ohio. All right, I’d go down there and want to read everything about Hollywood and there she was and I thought “Oh, who is this cool lady?” and she was still alive. She was doing talk shows like Merv Griffin and stuff like that. She wrote her own stuff. This is one of her funny, witty, check it out sort of quotes right? You get a sense of who she was. You start to go hey what’s wrong with her and then you’re like oh yeah. Very witty. Very smart lady. Really cool lady. She’s very worth reading about.

Dr. Rosanne Welch discusses the women in her new book “When Women Wrote Hollywood” which covers female screenwriters from the Silents through the early 1940s when women wrote over 50% of films and Frances Marion was the highest paid screenwriter (male or female) and the first to win 2 Oscars.  Yet, she fails to appear in film history books, which continue to regurgitate the myth that male directors did it all – even though it’s been proven that the only profitable movies Cecil B. de Mille ever directed were all written by Jeannie Macpherson film ever won for Best Picture was written by Robert E. Sherwood (who people have heard of, mostly due to his connection to Dorothy Parker) and Joan Harrison.


Buy a signed copy of when Women Wrote Hollywood

…or via Amazon…

Paperback Edition | Kindle Edition | Google Play Edition

* A portion of each sale from Amazon.com directly supports our blogs
** Many of these books may be available from your local library. Check it out!
† Available from the LA Public Library

20 More On Leigh Brackett from The Sisterhood of Science Fiction – Dr. Rosanne Welch [Video] (46 seconds)

Watch this entire presentation

The Sisterhood of Science Fiction: A Walk Through Some Writers and Characters You (Should) Know And Love

20 More On Leigh Brackett from The Sisterhood of Science Fiction - Dr. Rosanne Welch

Subscribe to Rosanne’s Channel and receive notice of each new video!

 

This one allowed me to riff on some of my favorite female science fiction writers across time, whether they be novelists or television writers. It also opened up a good conversation on what art we support and include in our lives – and what that art says to us and about us. — Rosanne

Transcript:

George Lucas writes Star Wars himself and directs it and decides he doesn’t like writing so much. He’s not sure of it. That doesn’t work for him, right? He likes the directing part and the casting, all that fun stuff. So he gets somebody else to write the sequel to his big hit movie that nobody expected to be hit and he hires Leigh Brackett because he wants what she can bring to the table, both in science fiction and in strong male characters oddly enough. She is contribute she is credited for contributing a lot to the creation of who Han Solo became because the first movie he’s kind of just swagger really cool. It’s just Harrison Ford wearing a cute uniform right? He gets much more developed in the second film and she wrote a lot of cowboys and if you think about the Han Solo we know in the second and continuing films he’s pretty much a space cowboy, but you know cool.



* A portion of each sale from Amazon.com directly supports our blogs
** Many of these books may be available from your local library. Check it out! 

Location as Character: The Craft of Writing Place Panel via Instagram

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Location as Character: The Craft of Writing Place Panel

Location as Character: The Craft of Writing Place Panel via Instagram

From @writersguildf – Writers Guild Foundation

We team up with @ColumbiaChi to talk about how locations inform and impact characters on TV with @qu33nofdrama, @SparksAnthony, Matt Lutsky, @RosanneWelch and Connor Kilpatrick.

 



* A portion of each sale from Amazon.com directly supports our blogs
** Many of these books may be available from your local library. Check it out!

22 More On Anita Loos from “When Women Wrote Hollywood” with Dr. Rosanne Welch [Video] (1 minutes)

Part of the California State University, Fullerton Faculty Noon Time Talks at the Pollak Library.

Watch this entire presentation

22 More On Anita Loos from

Subscribe to Rosanne’s Channel and receive notice of each new video!

 

Transcript:

And when The Great Gatsby came out it was a flop. The book fails. It survived because there were so many extra copies in a warehouse that weren’t sold that when they started sending packages –care packages — to soldiers in World War I they threw in these books nobody wanted and all the soldiers ended up reading it and coming home thinking that was the greatest novel they’d ever read and it became this centerpiece of American literature while her books never gone out of print right and yet we don’t teach it to kids in high school which I can’t fathom. It’s the same era. It’s the same attitude. Anyway she’s very famous for many many films, San Francisco, The Women, which was remade about six years ago by Diane English from the Murphy Brown show and Anita’s version is better. It is really quite lovely and it has a classic line in it. They’re watching two dogs fight and somebody says “What do you call them?” and she says “Witches, with a different letter.” So you know exactly. So Anita Loos deserves to be more famous.

Dr. Rosanne Welch discusses the women in her new book “When Women Wrote Hollywood” which covers female screenwriters from the Silents through the early 1940s when women wrote over 50% of films and Frances Marion was the highest paid screenwriter (male or female) and the first to win 2 Oscars.  Yet, she fails to appear in film history books, which continue to regurgitate the myth that male directors did it all – even though it’s been proven that the only profitable movies Cecil B. de Mille ever directed were all written by Jeannie Macpherson film ever won for Best Picture was written by Robert E. Sherwood (who people have heard of, mostly due to his connection to Dorothy Parker) and Joan Harrison.


Buy a signed copy of when Women Wrote Hollywood

…or via Amazon…

Paperback Edition | Kindle Edition | Google Play Edition

* A portion of each sale from Amazon.com directly supports our blogs
** Many of these books may be available from your local library. Check it out!
† Available from the LA Public Library

19 Leigh Brackett from The Sisterhood of Science Fiction – Dr. Rosanne Welch [Video] (32 seconds)

Watch this entire presentation

The Sisterhood of Science Fiction: A Walk Through Some Writers and Characters You (Should) Know And Love

19 Leigh Brackett from The Sisterhood of Science Fiction - Dr. Rosanne Welch [Video] (32 seconds)

 

This one allowed me to riff on some of my favorite female science fiction writers across time, whether they be novelists or television writers. It also opened up a good conversation on what art we support and include in our lives – and what that art says to us and about us. — Rosanne

Transcript:

Now, this lady I love Leigh Brackett. She’s kind of a hidden gem in the world of both science fiction and screenwriting. She wrote a lot of Westerns in the beginning of her career. She wrote a lot of short stories science fiction you can find in a lot of collections in the 40s and 50s and she’s so popular and so beloved by the dudes who like those B motion pictures and those pointed kind of cheap science fiction pieces that she gets hired by a guy we know to write this movie which is pretty much one of our best science fiction pieces in the world.



* A portion of each sale from Amazon.com directly supports our blogs
** Many of these books may be available from your local library. Check it out!