#MentorMonday 3 – Valerie Woods – Stephens College MFA in TV and Screenwriting

Applications for the 2020 Class of the Stephens College MFA in TV and Screenwriting are now OPEN!

Inquire or Apply Today!

Deadline March 2020


Today’s Stephens College MFA in TV and Screenwriting #mentormonday goes out to none other than Valerie Woods! (IMDB)

#MentorMonday 3 - Valerie Woods - Stephens College MFA in TV and Screenwriting

Valerie C. Woods is a writer/producer in television and film, and also is a publisher, editor and author. Woods currently is co-executive producer/writer on the critically acclaimed television drama series Queen Sugar, created by Ava DuVernay and airing on Oprah Winfrey Network (OWN). She also has been adjunct faculty for Stephens’ Master of Fine Arts in TV and Screenwriting program since 2015.

Recently, Woods served as creative director for Syd Field – The Art of Visual Storytelling. She is one of four Syd Field Screenwriting Method Instructors trained by Mr. Field. She also wrote the screen adaptation of the novel Tempest Rising by Diane McKinney-Whetstone, with the production company of actor/director Phylicia Rashad.

Queen sugar

In 2013, Woods founded the independent press BooksEndependent, which has published five titles, including Woods’ novel Katrin’s Chronicles: The Canon of Jacqueléne Dyanne. She also is the author of Something for Everyone (50 Original Monologues), which is published by Samuel French, Inc. In 2016, Woods produced a series of staged readings of scripts adapted from literary work via Staged/Lit.

During Woods’ 20+ years as a member of Writers Guild of America West, she has written on one-hour drama series for CBS, Lifetime, and Showtime. Credits include consulting producer/writer for the drama series Soul Food on Showtime Network and co-executive producer/writer on the drama series Any Day Now on Lifetime Network. Her episode “Family is Family” was nominated for a GLAAD Media Award. Her television career began after winning a fellowship with Walt Disney Studios.

#MentorMonday 3 - Valerie Woods - Stephens College MFA in TV and Screenwriting


Follow and Like the Stephens College MFA in TV and Screenwriting

Getting ready for my panel at DTLA Film Festival on Sunday via Instagram

Follow Rosanne on Instagram!

Getting ready for my panel at DTLA Film Festival on Sunday

Getting ready for my panel at DTLA Film Festival on Sunday via Instagram

Chatting with Maria Staroselets of the DTLA Film Festival before our panel discussion, Privileged Characters: How to recognize and avoid implicit bias in your screenwriting.

Video of this panel coming soon

 

Quotes from When Women Wrote Hollywood – 49 in a series – “…leading lady in the Selznick scenario department.”

Do you know about these women screenwriters? Many don’t. Learn more about them today! 

Buy “When Women Wrote Hollywood” Today!

Quotes from When Women Wrote Hollywood - 49 in a series -

The Morning Telegraph (NY) report April 17, 1921: “Sarah Y. Mason has returned to Hollywood after a year in New York as a leading lady in the Selznick scenario department. She has just completed an original story for screen purposes and has orders for several continuities. However, Mason contrives to divide her time equally between screen and society.”

The Six Degrees of Sarah Y. Mason and Victor Heerman
by Pamela L. Scott


Buy a signed copy of when Women Write Hollywood or Buy the Book on Amazon

Paperback Edition | Kindle Edition | Google Play Edition

* A portion of each sale from Amazon.com directly supports our blogs
** Many of these books may be available from your local library. Check it out!
† Available from the LA Public Library

Rosanne Hosts Panel — Privileged Characters: How to recognize and avoid implicit bias in your screenwriting — at DTLA Film Festival, Sunday, October 27, 2019

This Sunday at 4pm join me at the DTLA (Downtown LA Film Festival)! 

I’ll be moderating a panel on implicit bias in screenwriting. “Privileged Characters: How to recognize and avoid implicit bias in your screenwriting” will take place at the Regal Cinema at LA Live. Panelists will include Maria Escobeda, one of the Stephens MFA in TV and Screeenwriting’s favorite mentors, as well as representatives from the worlds of entertainment journalism, marketing and theme parks – all of whom need to understand this idea in order to reach – and succeed – with customers from all over the world. — Rosanne

Dtla logo

Date/Time: Sun, October 27, 2019 @ 4:00 PM
Running Time: 60 Minutes
Location: Regal LA Live MEZZANINE

Panel Description

Privileged Characters: How to recognize and avoid implicit bias in your screenwriting

How do writers recognize and avoid implicit bias in their work? In this panel we review examples of how implicit bias infects popular shows and movies — even now in the wake of the Black Lives Matter, #MeToo and #TimesUp movement.

We’ll also learn about the tools and techniques available to combat implicit bias in the written word.

Finally, we’ll tackle the prickly question of writers who can authentically create characters and stories that are intrinsically about people who demographically different from them?

More Information

Panelists

Beverly Gray

Beverly Gray has spent her career fluctuating between the world of the intellect and show biz. As she was completing her doctorate in Contemporary American Fiction at UCLA, she surprised everyone (including herself) by taking a job with B-movie legend Roger Corman, for whom she helped develop 170 low-budget feature films. Following her Corman years, she covered the movie industry for The Hollywood Reporter. She has also published the best-selling Roger Corman: “Blood-Sucking Vampires, Flesh-Eating Cockroaches, and Driller Killers”, as well as “Ron Howard: From Mayberry to the Moon . . . and Beyond”. Currently, she teaches advanced online screenwriting workshops for UCLA Extension’s internationally-known Writers’ Program, and her popular twice-weekly blog, “Beverly in Movieland,” covers movies, moviemaking, and growing up Hollywood-adjacent. Her most recent book is “Seduced by Mrs. Robinson: How The Graduate Became the Touchstone of a Generation.”
 
Maria Escobedo

Maria Escobedo is a film and television writer with credits including “Grey’s Anatomy”, Hulu’s “East Los High” and the indie film “Rum and Coke”, which she wrote and directed. She’s developed movies and pilots for Lifetime, Disney Channel, and Nickelodeon. She also has written for animated kids’ TV, including “Dora the Explorer”, “Go Diego Go”, “Elena of Avalor”, “Special Agent Oso” and “Nina’s World”, which earned her a Humanitas Award nomination. Escobedo is currently writing for Amazon’s “If You Give a Mouse a Cookie”, Netflix’s “What-To-Doodles” and Nickelodeon’s “Santiago of the Seas”.

Hanala Sagal

Hanala Sagal, screenwriter-producer of “Elvis & Nixon” (Tribeca Film Festival 2016 Centerpiece), starred on “Shape Up L.A!” as Suzan Stadner (1985-2000.) Her brand is Comedy Wellness: Content for a Better Tomorrow and Funnier Today, trending on YouTube with 500M views and 400K subscribers. Hanala is in development on “Traumaland” (dark comedy, feature) based on her best-selling memoir “My Parents Went Through the Holocaust and All I Got Was This Lousy T-Shirt” featured in “The Last Laugh” starring Mel Brooks.
 
Donna Bonilla Wheeler

Donna Bonilla Wheeler is a Peruvian-American film + theatre writer/director who began her film career writing and directing for Walt Disney Productions Theme Parks. Her original screenplays have been selected as Academy Nicholl Fellowship semi finalist/quarter finalists, IFP No Borders, Austin 2nd Rounders, and Slamdance Script Labs, among others. She sold her experimental short about the creative process, “Mind’s Eye” at the Cannes film market. She received the Grand Jury Prize, Narrative Short for her dramedy film, “The Girl Next Door” at Mystic Film Festival, and her family comedy/mystery she wrote and directed, “Death of a saleswoman” has received global recognition at multiple festivals. Donna is a fiscally-sponsored 501c3 filmmaker, working in the Latinx, LGBTQ+ diversity spaces.
 
Kala Guess

Kala Guess is a marketing professional at Final Draft. She acts as both Contest Director for the Big Break Screenwriting Contest and Content Producer for the Final Draft blog and “Write On” podcast. As part of her focus on the customer experience, she produces engaging and insightful content for screenwriters and operates as a champion for emerging talent. Additionally, Kala is a driving force in Final Draft’s efforts for diversity and inclusivity in the entertainment industry. Previously, she worked as the marketing and publicity coordinator for an independent film and television studio in Hollywood. Kala has a decade of experience in various capacities in the entertainment industry.
 
Evette Vargas

Evette Vargas is an award-winning writer, director, producer and immersive storyteller. Named by the New York Times as an “Artist to Watch,” Vargas’ has produced series for Amazon, MTV, Bravo, DirectTV; and interactive content for Fast And Furious, Lord Of The Rings trilogy and Madonna. Vargas executive produced, wrote and directed her digital series Dark Prophet, starring Henry Rollins, which was in contention for two Emmys. Vargas sold her drama series, Muses, to TNT Super Deluxe. Vargas is creating a drama series for MGMTV with Marc Guggenheim and Rosario Dawson serving as executive producers. Vargas wrote The Current War VR Experience, a companion piece for the film, starring Benedict Cumberbatch. A proud member of the WGA, ATAS and PGA, Vargas was born in the Bronx and learned to tell stories at the dinner table where the imagination ruled. Vargas collects action figures, typewriters and shoes; has past lives as a DJ, a fashion designer and is a recovering New York City advertising Art Director.

First Screenwriting Research Network Executive Council Meeting

I’m so honored to be a part of this international group of screenwriting academics – who plan by far the best conference I’ve ever attended each year. — Rosanne

Screenwriting Research Network Executive Council Meeting

First meeting of new Executive Council yesterday – spanning 18 time zones!!! Got the ball rolling for the new academic year and picked up suggestions from last month’s AGM. Minutes to follow soon on the SRN website.

Follow the Screenwriting Research Network on Facebook

Opening Reception, Screenwriting Research Network Conference, Porto, Portugal via Instagram

Follow me on Instagram



* A portion of each sale from Amazon.com directly supports our blogs
** Many of these books may be available from your local library. Check it out!

From The Journal Of Screenwriting 4 : Influences on story development in transnational pan-Arab dramas: A case study of the series 04

Highlighting the articles in the latest edition of the Journal of Screenwriting, of which I am the Book Reviews Editor. Hopefully these abstracts will entice you to did a little deeper into the history and future of screenwriting. — Rosanne


Influences on story development in transnational pan-Arab dramas: A case study of the series 04
Fadi G. Haddad

Despite the growing research interest in the transnational nature of the Arab World’s television industry, screenwriting in the Arab World has received little academic attention. Moreover, while the media plays a major role in shaping the ‘narratives of identity’, the reality of television drama production is as much about cultural, economic and political influences as it is about aesthetics. Set within a unique interpretation of the theoretical context of the ‘Hierarchy of Influences Model’, this article aims to explore to what extent the routine practices in screenwriting govern the artistic decisions taken at the level of the screenplay development of transnational pan-Arab dramas (Arabic: al-drāma al ‘arabiya al-mushtaraka). Taking ‘04’ (Zero Four) as a case study, a pan-Arab drama produced by the Saudi-owned UAE-based MBC television that tells the story of four young expatriates from four different Arab nationalities living in modern-day Dubai, and through in-depth interviews with the show creators, the article attempts to present an example of novel screenwriting practices in the Arab World between single authors and writers’ room.

Journal of Screenwriting Cover

The Journal of Screenwriting is an international double-blind peer-reviewed journal that is published three times a year. The journal highlights current academic and professional thinking about the screenplay and intends to promote, stimulate and bring together current research and contemporary debates around the screenplay whilst encouraging groundbreaking research in an international arena. The journal is discursive, critical, rigorous and engages with issues in a dynamic and developing field, linking academic theory to screenwriting practice. 

Get your copy and subscription to the Journal of Screenwriting Today!



* A portion of each sale from Amazon.com directly supports our blogs
** Many of these books may be available from your local library. Check it out!

Screenwriters (once again) left out of Los Angeles Times Maleficent Story!

Screenwriters (once again) left out of Los Angeles Times Maleficent Story!

This is definitely driving me crazy!

After reading the attached article I had to write this letter to the Los Angeles Times:

Did Tracy Brown  really write a whole article (“How Angelina Jolie’s daughter inspired the secret backstory of ‘Maleficent: Mistress of Evil’”) about the story process for the new Maleficent sequel WITHOUT ONCE mentioning the name of the credited screenwriters – Linda Woolverton (who also wrote the original film) and Noah Harpster?

The article even begins with naming the director in the first sentence. This is a ludicrous example of the unexplained contempt journalists (who are writers themselves) seem to have against screenwriters – or solid evidence that the now disproved-in-academia-but-still-mistakenly-believed-by-others auteur theory still holds sway. But directors do not write their films unless you call them ‘writer-directors’.

Read the entire article – “How Angelina Jolie’s daughter inspired the secret backstory of ‘Maleficent: Mistress of Evil’”

Livraria Cultura, Sao Paolo, Brazil via Instagram

Follow Rosanne on Instagram!

Livraria Cultura, Sao Paolo, Brazil

Livraria Cultura, Sao Paolo, Brazil via Instagram

On my first day in São Paulo I was taken on a lovely walk through the downtown area near the college and here we can go fun this beautiful bookstore full of art and books and I was pleased to see many titles I recognized, though they were of course in Portuguese so I could not purchase them to read. But it was a beautiful site and a lovely way to understand the city is full of readers.



* A portion of each sale from Amazon.com directly supports our blogs
** Many of these books may be available from your local library. Check it out!

Quotes from When Women Wrote Hollywood – 48 in a series – 1930’s Femininity

Do you know about these women screenwriters? Many don’t. Learn more about them today! 

Buy “When Women Wrote Hollywood” Today!

Quotes from When Women Wrote Hollywood - 48 in a series - 1930's Femininity

During [the 1930’s], women gained a unique opportunity to participate both as stronger characters within these stories and, perhaps more importantly, behind the scenes.  “Hollywood’s ‘red meat’ hard-boiled crime cycle during the war, seemingly targeted a masculine gendered audience. Yet, these films included surprisingly strong female femme fatale ‘love interest’ characters who redefined ‘femininity’.

Joan Harrison: Redefining Femininity in Film Noir and Hollywood
by Chelsea Andes


Buy a signed copy of when Women Write Hollywood or Buy the Book on Amazon

Paperback Edition | Kindle Edition | Google Play Edition

* A portion of each sale from Amazon.com directly supports our blogs
** Many of these books may be available from your local library. Check it out!
† Available from the LA Public Library

My New Screenwriting Friends In Sao Paolo via Instagram

Follow Rosanne on Instagram!

My New Screenwriting Friends In Sao Paolo

My New Screenwriting Friends In Sao Paolo via Instagram

My New Screenwriting Friends In Sao Paolo via Instagram

Many, many thanks to Glaucia Davino for inviting me to Mackenzie Presbyterian Institute in Sao Paolo to speak to her conference, but especially for arranging for me to meet many of her dedicated doctoral students, including Livia, who gave me a wonderful walking tour of the campus before my talk yesterday. There is a deep and genuine interest in analyzing screenwriting among these students and of building the film and television industry here. In the years to come I believe the energy these students bring to their research will achieve that dream.



* A portion of each sale from Amazon.com directly supports our blogs
** Many of these books may be available from your local library. Check it out!