Category: Speaking

Transcript:

Then we have to think about who’s getting recognized. In this case, Joanna Lee – in the early mid-1970s – is the first female to win her Emmy Award for a drama right? We have Treva winning for a comedy. Just about eight years later, Joanna Lee is going to win for the Thanksgiving episode of The Waltons. She had been an actress in the 40s and had sadly a car accident which made it difficult for her to perform and be on set for long hours. So she turned to writing. She became a television writer working on all of these many shows right? All the way through and it’s interesting to see how she went from comedies – we always think girls have to be funny first – and then she started to do dramas right? The Mod Squad and then moved into Dynasty but she got her Emmy award for The Waltons. So this is a huge moment – again a female winning this award on her own. That’s a big deal. Outside of that are there women of color in early television. Not as many as we would like as is always the case however Madeleine Anderson came up through the news business right? She started doing a black journal out of Chicago originally and then she got jobs on Sesame Street. So through the PBS network, she started working for them doing children’s programming and The Electric Company. Always things with an educational bent. She’s the first African-American woman who ever produced a nationally aired television series, also on PBS, and also an educational series. So Madeleine Anderson’s someone whose name does not appear in most of our history books. That’s always been a problem for me.

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That particular season The Emmys also gave an overall Emmy for best writer of the whole year and Treva won that. So she’s the only person to win two Emmys in one year. Happens to be a female who worked alone right which I love. Now before that she worked on – she did a couple episodes of That Girl and I simply want to mention that because we often say Mary Tyler Moore was the first single woman on television. She was not. Actually, That Girl was because she was an actress but we don’t take that job seriously but she was the first show. She came on two seasons before Mary Tyler Moore and even before that we should say that Julia was the first working woman on television right and that’s an early just before Mary Tyler Moore as well. So we have a few things to think about in terms of Treva Silverman. After she did television she did script doctoring. So we don’t see her name come up very often because she’s someone that would be hired — in this case for this movie Romancing The Stone — to fix it right? There’s something wrong. We want to make this movie but it’s not working. In this case, the adorable thing was the Kathleen Turner character everyone thought was too harsh and what can we do to soften her up without giving her, you know, a boyfriend or whatever because she’s going to end up you know with Michael Douglas and Treva’s idea was the idea that has spawned a series of books on how to write film and that’s called Save The Cat. She brought in a cat. She wrote an early scene where Kathleen Turner was feeding her cat and because she loved a pet the audience loved her and that salvaged the character. So that’s the kind of script doctoring that she would do pretty much for the rest of her career.

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She moved on from that show, as I said, to win two Emmys for writing this beloved show — The Mary Tyler Moore Show. When James Brooks put that show together and James again a very respectable Executive Producer in television. Love all of what he’s done. He was a very progressive thinking man and he knew that if the show was about a single woman they ought to have a female on staff and so he asked Treva if she would join the show. The Emmys she won twofold. She won this Emmy for writing an episode about Lou Grant. she had single female friends who thought Ed Asner was appealing but his character on the show, Lou, was married and they felt guilty for liking a man who had a wife because it meant that they might be you know stealing a man from another woman. So she came up with the idea that Lou’s wife and he should get a divorce but the progressive new thought was not because Lou did anything bad. He’s not a gambler. He’s not cheating on her. It was that Edie Grant had decided that she wasn’t fulfilled — that she hadn’t done in her life what she wanted to do. She had only ever served him and it was her turn before she got too old and that was such a wildly innovative idea and it was so poignant and so sad because the audience loved him but we liked her as well and we understood that this was such a problem and she had to take this chance. So it was a brilliant episode. It won her an Emmy.

Transcript:

Moving into the 1960s one of my favorite people is Treva Silverman. She is one of the first female writers to win an Emmy. In fact, she won two in the same year for writing without a male partner. All the previous women who had won had had a male partner. Treva was a solo writer. She originally wrote for The Monkees. One show that I have written an entire book about that I’m very interested in and I will credit her with the fact that in 58 episodes of a show about rock and roll singers, every girl they met had a job and a career. They did not ever date bimbos. They dated girls who were journalists and who were worked at record stores or there was one who was a princess and a princess is a job right? So I think Treva was the feminist voice on that show.