What do you do when your series continues beyond the original book upon which the show is based? On this special evening, we join forces with Columbia College Chicago to welcome a panel of TV writers who’ll discuss how they navigate the uncharted territory of writing for a show that has diverged from the original novel.
Panelists:
Marissa Jo Cerar – Writer, Supervising Producer, The Handmaid’s Tale, 13 Reasons Why
I. Marlene King – Writer, Executive Producer, Pretty Little Liars
Stacy Osei-Kuffour – Writer, Watchmen
Anthony Sparks – Writer, Executive Producer, Queen Sugar
Months of research went into the creation of the essays in “When Women Wrote Hollywood.” Here are some of the resources used to enlighten today’s film lovers to the female pioneers who helped create it.
THE GREAT DESIRE of individuals in every country of the world is for peace and security. We have discovered that the cessation of war does not automatically mean the establishment of peace.
Within a wide circle of acquaintances and friends, I have found that the only persons who have achieved true inner peace and serenity are those who believe in God and try to live according to the moral principles embodied in the Bible. They recognize the truth that peace begins at home. They know that in order to extend peace from the home to the world they must cultivate habits that create peace. At the same time they must free themselves from old habits that cause inharmony and dissension.
Because I believe that every one of us can and should be a link in the chain of world peace, I have attempted to set forth in these chapters certain common human faults and to present the spiritual means by which they can be changed to character traits conducive to individual and world well-being.
* A portion of each sale from Amazon.com directly supports our blogs
** Many of these books may be available from your local library. Check it out!
† Available from the LA Public Library
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This one allowed me to riff on some of my favorite female science fiction writers across time, whether they be novelists or television writers. It also opened up a good conversation on what art we support and include in our lives – and what that art says to us and about us. — Rosanne
Transcript:
We’ve moved to the world thankfully where now we’re gonna have female superheroes even and that’s the big deal. Likewise I love this meme. It’s been going around on Facebook but you probably saw it — makes a difference that little girls are now seeing women in charge and all these kinds of films makes a big difference. I like this one too. I’ve live long enough to see my child princesses become generals right? That’s Princess Buttercup — kicking some butt and what — exactly — in Wonder Woman. As you wish exactly. As I wish that someone take care. That’s pretty cool. and we’ve come to a place where there’s a new movie opening this weekend or next weekend that’s about an African-American girl who has superhero powers and so does her mother and her grandmother. It all comes through three generations of women who have to use those powers well and they have to deal with them and not cause violence and issues like that. So the fact that we’ve moved all the way here from Frankenstein is pretty amazing I think and I think we always have to go back to what Octavia Butler said, we have to think what we don’t see we assume we can’t be. So whatever that is, we need to see those depictions of all of our different selves because diversity isn’t about getting more money at the box office. Those make much richer, better stories because we are a hugely diverse world and it’s not just actually here in America. It’s all over the world. There’s all kinds of different people everywhere. We really need to think about all of them living on into the future. That makes the best science fiction, in my opinion. So there we have it. Thank you all for coming.
* A portion of each sale from Amazon.com directly supports our blogs ** Many of these books may be available from your local library. Check it out!
Our Executive Team is growing! I want to welcome Rosalie, the HFC Executive Assistant and Jackie, the HFC Director of Development. As many of you know, it takes a lot to drive this ship forward and with their help and expertise, we are striving to foster and showcase independent filmmakers in Hawaii and above all Make More Films!
Thanks Rosalie and Jackie for joining our team and making HFC your kuleana and ohana!
Highlighting the articles in the past editions of the Journal of Screenwriting, of which I am the Book Reviews Editor. Hopefully these abstracts will entice you to did a little deeper into the history and future of screenwriting. — Rosanne
In the film Passion (1982) and its video scenario, Scénario du film Passion (1982), Jean-Luc Godard attempts to re-envision the conventional script by placing an emphasis on visual rather than verbal forms. In this article, I examine Godard’s development of narrative through image in Passion and his description of this process in Scénario du film Passion. In addition, I consider the concurrent emphasis he places on the visualization of narrative in the diegetic film around which the storyline of Passion is based. To contextualize the process of narrative construction that Godard applies in the films considered in the article, I present some earlier examples of his screenwriting practice that illustrate how Godard’s screenwriting evolved towards an image-based approach..
The Journal of Screenwriting is an international double-blind peer-reviewed journal that is published three times a year. The journal highlights current academic and professional thinking about the screenplay and intends to promote, stimulate and bring together current research and contemporary debates around the screenplay whilst encouraging groundbreaking research in an international arena. The journal is discursive, critical, rigorous and engages with issues in a dynamic and developing field, linking academic theory to screenwriting practice.
Every Monday we will be profiling a member of the Stephens College MFA in TV and Screenwriting 2020 graduating class. This exciting, fresh crop of writers are the future of the industry and are going on to do BIG things, so get to know them now!
#MeetTheGraduatesMonday: Cierra Winkler
Cierra Winkler is a screenwriter and playwright from the Appalachian region of northeast Georgia. She is currently pursuing her MFA in TV & Screenwriting from Stephens College at Jim Henson Studios, where she’s been able to cultivate her love for creating Southern characters who defy stereotypes and bring authentic Southern voices to the screen. Cierra also enjoys telling female-driven epic adventures, and she’s even had the audacity to rewrite Homer in an epic reimaging of the Odyssey as told from Queen Penelope’s point of view.
In 2019 Cierra placed 2nd out of 400 pitches in Screencraft’s Pitchfest at the Atlanta Film Festival for her Odyssey-based feature screenplay Queen of Ithica. She was also a finalist in the 2019 Athena Film Festival’s Writer’s Workshop. Cierra is a member of the Atlanta Film Society and has been accepted into their Spring 2020 Production Academy, where she’ll be training for different positions within the Georgia film industry. Cierra will graduate from Stephens with her MFA in May 2020 and looks forward to what adventures in the film industry lie ahead!
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Transcript:
Lucille Kallen worked in a lot of those early sketch shows — Your Show Of Shows and things like that with Sid Caesar. She’s a really cool lady. I like this quote. She kind of falls out of the history but her work on that show plus this woman, Selma Diamond, who more people know as an actress from a show called Night Court, but Selma and Lucille were writers on Your Show Of Shows and when the writers created The Dick Van Dyke Show that’s who Sally Rogers is. She’s a composite of those two ladies right because they understood there was always one lady in those kinds of shows and she’s always a single lady who can’t find a guy and all that nonsense and that was true of both Lucille and Selma. They were unmarried. When Neil Simon wrote Laughter on the 23rd Floor which was the story of writing for the Sid Caesar show. This is what he had to say about Lucille — actually, Mel Tolkin said this. So she’s doing all the work but she’s not telling people about it. Women have to learn to tell their own stories so that we are remembered in history.
Dr. Rosanne Welch discusses the women in her new book “When Women Wrote Hollywood” which covers female screenwriters from the Silents through the early 1940s when women wrote over 50% of films and Frances Marion was the highest paid screenwriter (male or female) and the first to win 2 Oscars. Yet, she fails to appear in film history books, which continue to regurgitate the myth that male directors did it all – even though it’s been proven that the only profitable movies Cecil B. de Mille ever directed were all written by Jeannie Macpherson film ever won for Best Picture was written by Robert E. Sherwood (who people have heard of, mostly due to his connection to Dorothy Parker) and Joan Harrison.
* A portion of each sale from Amazon.com directly supports our blogs ** Many of these books may be available from your local library. Check it out! † Available from the LA Public Library
![40 Conclusion from The Sisterhood of Science Fiction – Dr. Rosanne Welch [Video] (1 minute 42 seconds)](https://rosannewelch.com/wp-content/uploads/2020/02/scifi-rmw-cpp-40.jpeg)
![42 Lucille Kallen and Selma Diamond from “When Women Wrote Hollywood” with Dr. Rosanne Welch[Video] (1 minute 2 seconds)](https://rosannewelch.com/wp-content/uploads/2020/02/csuf-rmw-w3h-42.jpeg)
